Alvaro Barrington takes a road trip to the Venice Biennale

Artist Alvaro Barrington has created a vibrant haulage truck titled "Labor Day Parade ’91" (2026) as his contribution to the 61st Venice Biennale, part of the exhibition "In Minor Keys." The truck, decorated with scenes linked to his background and art historical references, was driven from London to Venice on an epic road trip across Europe. It is now parked in the Giardini next to the Austrian pavilion, with its front tyres punctured to prevent movement. During the preview, the work was admired by artist Julie Mehretu and Dia Art Foundation director Jessica Morgan.

Our pick of the best pavilions at the 61st Venice Biennale

The article highlights standout national pavilions at the 61st Venice Biennale. The Belarus Pavilion features a powerful installation by the Belarus Free Theatre, including a wheat field built by former political prisoners, straw spiders made from prison bars, and a confession booth that runs facial recognition. The Brazil Pavilion presents a joint exhibition by Rosana Paulino and Adriana Varejão, focusing on colonial wounds and trauma through works like Paulino's 'Aracnes' and Varejão's 'Still Life amid Ruin'. The Bosnian Pavilion by Mladen Bundalo invites tactile engagement with themes of diaspora and migration, while the Austrian Pavilion by Florentina Holzinger draws attention with nude performers in water-filled pools.

‘A remarkably tenacious motif’: the many faces of Marilyn Monroe revealed in new book and show

The National Portrait Gallery in London will open "Marilyn Monroe: a Portrait" next month, accompanied by a book edited by curator Rosie Broadley in association with the Marilyn Monroe estate. The exhibition and book feature works by Andy Warhol, Pauline Boty, Marlene Dumas, James Gill, Rosalyn Drexler, and others, exploring Monroe as a persistent subject in visual art beyond film. Highlights include Warhol's 1962 silkscreen "Green Marilyn", de Kooning's 1954 portrait, and lesser-known works by Joseph Cornell and Alex Margo Arden.

Museum acquisitions round-up: a rediscovered work by Rosso Fiorentino, a circular painting by Salman Toor and 16th-century gold goblet

The Art Newspaper reports on three notable museum acquisitions: a rediscovered Renaissance painting by Rosso Fiorentino acquired by the Metropolitan Museum of Art, a 16th-century silver gilt goblet by Hans Rappolt I acquired by the Siegerland Museum, and a circular painting by Salman Toor donated to the National Gallery of Art. The Rosso Fiorentino work, 'Madonna and Child with Saint John the Evangelist' (1512/13), was thought lost for centuries and was identified after cleaning revealed a hidden figure. The goblet, made around 1581, is a rare example of Nuremberg goldsmithing and was supported by a €75,000 donation from the German Federal Cultural Foundation. The Toor painting, 'Wandering Beggars' (2022), is the first by the artist to enter the NGA's collection, donated by the Bronzini-Vender family.

Unrealized Artwork by Christo and Jeanne-Claude Will Take Over Gagosian in London

Gagosian gallery in London will present "Christo: Air," an exhibition opening May 21 and running through August 21, featuring a never-realized artwork conceived by Christo and Jeanne-Claude in 1968. The centerpiece, "Air Package on a Ceiling," was originally planned for the Institute of Contemporary Art in Philadelphia but abandoned due to technical limitations. The work, a 32-by-52-foot internally illuminated suspended form, will be installed for the first time, along with other rare pieces including "Wrapped Automobile—Volvo, Model PV-544 (1981)," which has not been shown in 30 years. Studio manager Lorenza Giovanelli discovered the original plans in 2018, two years before Christo's death.

Botticelli under UK export ban purchased by Klesch Collection

A Botticelli painting, *The Virgin and Child Enthroned* (1470s), valued at £10.2 million, has been purchased by the Klesch Collection, a British private collection, after the UK government placed an export bar on the work in May 2025. The painting, which sold at Sotheby’s London in late 2024 for £9.7 million, will be loaned to the Ashmolean Museum in Oxford for three years, ensuring it remains in the UK.

British billionaire's £200m art collection most expensive ever offered in UK

British billionaire Joe Lewis will sell a tranche of his art collection in a standalone sale at Sotheby’s in London this June, estimated at £150m–£200m. This makes it the most valuable single-owner collection ever offered in the UK, surpassing the Pauline Karpidas collection which totalled £101m. Highlights include Gustav Klimt’s *Bildnis Gertrud Loew* (est £20m–£30m), Amedeo Modigliani’s *Homme à la pipe* (est £12m–£18m), and Francis Bacon’s *Two Studies for Self-Portrait* (est £8m–£12m). The sale follows a smaller March auction of four works from the Lewis collection that focused on School of London artists.

Buzkashi horsemen battling for a headless goat: Todd Antony’s best photograph

Photographer Todd Antony discusses his black-and-white series capturing the Central Asian sport of buzkashi, in which horsemen compete to grab and control a headless goat carcass. He traveled to Tajikistan to document matches involving up to 300 riders, shooting from a pickup truck and later taking portraits of riders on farms. One striking image shows three horses and their riders against a snowy mountain backdrop, with fog rolling in—a moment that inspired him to channel Richard Avedon's style using artificial lighting.

Zurbarán review – ecstatic visions, primitive surrealism … and the finest loincloths ever painted

The Guardian reviews a major exhibition of 17th-century Spanish painter Francisco de Zurbarán, highlighting his visionary and surrealist qualities. The show features works such as "The Apparition of Saint Peter to Saint Peter Nolasco" (1629), newly attributed paintings including a giant mask, and iconic pieces like "The Crucified Christ" and "Saint Serapion," all drawn from collections including the Prado and the National Gallery, London. The review emphasizes Zurbarán's ability to paint supernatural subjects with naturalistic conviction, his exquisite rendering of fabrics—especially loincloths—and his influence on modern artists like Salvador Dalí.

This 17th-Century ‘Supercomputer’ Could Set a New Auction Record

A rare 17th-century Mughal astrolabe, crafted in Lahore in 1612 by brothers Qa'im Muhammad and Muhammad Muqim, is heading to Sotheby's London on April 29 with an estimate of £1.5 million to £2.5 million ($2 million to $3.4 million). Weighing nearly 20 pounds and measuring the diameter of a large cooking pot, it is one of only two known astrolabes by these makers—the other resides in the National Museum of Iraq. Commissioned by Aqa Afzal, a Safavid-born deputy governor of Lahore, the instrument lists 94 cities, 38 stars, zodiac signs, and includes quadrants for trigonometry and solar calculations, blending Islamic and Sanskritic astronomical traditions.

‘I was super horny when I made my early work’: Loie Hollowell’s abstract paintings of breasts and vaginas

Loie Hollowell discusses her latest painting series 'Overview Effect,' currently on view at Pace Gallery in London. The series features large-scale canvases with twin concave and convex sculpted circles, inspired by the out-of-body experience she had during the home birth of her daughter. The works continue her abstract exploration of pregnancy, birth, and the female body, following earlier series like 'Split Orb' and 'Dilation Stage' that responded to the difficult birth of her son. Hollowell cites influences including Georgia O'Keeffe, Louise Bourgeois, and Luchita Hurtado, as well as Instagram home-birth photographs and the Ina May Gaskin childbirth book.

Titian's ‘Bacchus and Ariadne’ to get a refresh with bank conservation grant

Bank of America’s annual art conservation program has awarded grants to 18 projects this year, including the restoration of Titian’s *Bacchus and Ariadne* (1520-23) at the National Gallery in London. The painting will be removed from display next month for conservation work that involves placing it on a new fabric support and repairing paint loss. Other funded projects include Rembrandt’s *The Night Watch* at the Rijksmuseum, bronze palms at the Arc de Triomphe in Paris, *Gaki Zōshi* at the Tokyo National Museum, Matisse’s *La Négresse* at the National Gallery of Art in Washington, DC, and works at the Museo de Arte de Lima and the Montreal Museum of Fine Arts.

Memories Bathed in Color

In Farbe getauchte Erinnerungen

The Fondation Luma in Arles, France, has opened three exhibitions exploring memory and archives, headlined by Gerhard Richter's "Overpainted Photographs." The show features 120 works from Richter's private archive, some exhibited for the first time, created since the mid-1980s by dragging photographs through leftover paint in his studio. Richter, now 94, personally selected and hung the works chronologically starting from the fall of the Berlin Wall, reflecting his lost homeland and the passage of time. The exhibition also includes early sketches and oil paintings by the late architect Zaha Hadid, previously shown at London's Serpentine Gallery in 2016.

How the British Museum is preparing for the arrival of the Bayeux Tapestry

Comment le British Museum prépare l’arrivée de la tapisserie de Bayeux

The British Museum will display the Bayeux Tapestry from September 10, 2025, to July 11, 2027, in its Sainsbury Exhibitions Gallery, coinciding with the closure of the Musée de la Tapisserie de Bayeux for renovation. The 68.38-meter embroidery will be shown flat for the first time in over two centuries, in a custom-designed case with low lighting and continuous visitor flow. Tickets go on sale July 1, 2026, priced between £25 and £33, with free entry for under-16s. The exhibition includes loans such as the Junius II manuscript from the Bodleian Library and coins from the Chew Valley hoard, plus an outdoor installation by Andy Sturgeon. The UK government has provided an £800 million indemnity guarantee.

Wyeth-Centric Brandywine Museum Will Be Transformed by Kengo Kuma & Associates

The Brandywine Conservancy & Museum of Art in Chadds Ford, Pennsylvania, has selected Tokyo-based architecture firm Kengo Kuma & Associates to lead a $100 million transformation of its campus. The project will expand the current 15-acre site into a 325-acre public preserve and garden with ten miles of trails, including a new 40,000-square-foot freestanding museum and a renovation of the existing 19th-century grist mill building. Kengo Kuma will add 14,000 square feet of gallery space, and the new trails will connect the two museums to the original studios of N. C. Wyeth and Andrew Wyeth.

The Essential Works of Yin Xiuzhen

ArtAsiaPacific published a profile of Chinese artist Yin Xiuzhen, born in 1963 in Beijing, highlighting her career as a pivotal figure in Chinese contemporary art since the 1990s. The article revisits milestone works following the closing of her solo exhibition "Yin Xiuzhen: Heart to Heart" at London's Hayward Gallery, including early pieces like *Dress Box* (1995) and *Washing River* (1995). Yin emerged alongside the second wave of Chinese contemporary artists, including Yu Hong, Song Yonghong, Wang Jinsong, and her husband Song Dong, and was an early practitioner of what art historian Gao Minglu termed "Apartment Art." Her practice uses discarded clothing, household ephemera, and industrial materials to address urbanization, globalization, environmental crisis, and collective memory.

Radiohead singer Thom Yorke opens Venice exhibition with Stanley Donwood.

Radiohead singer Thom Yorke and artist Stanley Donwood have opened their first-ever exhibition outside the UK at Castello 2432 in Venice. Titled "No Go Elevator (Not Without No Keycard)," the show features new ink drawings and a large-scale painting created in London earlier this year, timed to the start of the 61st Venice Biennale. The exhibition runs through June 7.

‘It smells like my ranch!’ Diva of dirt Delcy Morelos and her amazing 30-tonne earthworks

The article profiles Colombian artist Delcy Morelos and her immersive earthwork installations, focusing on two major works: 'The Womb Space' in Mexico City, which has drawn over 60,000 visitors in its final month, and 'Origo', a new 24-metre-wide outdoor pavilion opening at the Barbican in London. Morelos creates vast soil sculptures sourced from specific regions, evoking sensory experiences of smell, touch, and memory, and invites visitors to contemplate their connection to the earth. The piece includes her reflections on Andean cosmovision, the sacredness of nature, and her 14-year artistic inquiry into soil as a humble yet life-sustaining material.

Eva Helene Pade Paints the Thin Line Between Ecstasy and Violence

Danish painter Eva Helene Pade, born in 1997, has been working in a borrowed London studio while her Paris home undergoes renovations. Three of her new monumental paintings—Jagt (Hunt), Nærmere (Closer), and Opstand (Surge)—will debut with Thaddaeus Ropac at TEFAF New York this week. Known for tempestuous, large-scale nocturnal scenes filled with writhing naked female bodies, Pade draws on influences from Edvard Munch, James Ensor, and Gustav Klimt, though she now works more intuitively. She signed with Thaddaeus Ropac in 2024 as the gallery's youngest represented artist and was featured in Artnet's Intelligence Report 'Zero to Hero' list for a major spike in search interest.

Soft armour, pert nipples: how London design team made Kim Kardashian’s Met Gala breastplate

Kim Kardashian wore an orange fibreglass breastplate to the 2024 Met Gala, created by the east London design duo Whitaker Malem (Patrick Whitaker and Keir Malem) in collaboration with British pop artist Allen Jones. The breastplate was cast from a mould derived from Jones's 1969 sculpture "Hatstand," finished by car bodyshop MPS Body and Paint in Kent, and paired with a hand-painted leather skirt. Kardashian directly contacted the duo in early April, flew to the UK for fittings, and chose the piece to interpret the gala's "fashion is art" dress code, which explored the dressed and undressed human body.

London Dealer Stephen Friedman Owes $10.6 M. to Dozens of Creditors, Including Artists Deborah Roberts and Kehinde Wiley

London-based gallery Stephen Friedman has accumulated debts of approximately $10.6 million, according to official documents filed with Companies House. Creditors include Coutts & Co. bank (£3.2 million), Pentland Group Ltd. (£1.4 million), the UK tax authority, the Pollen Estate, art logistics company Crozier, and several prominent artists—Alexander Diop (£341,905), Deborah Roberts (£289,232), and Kehinde Wiley (£163,849). The gallery closed its New York space in November 2024 after just two years, then abruptly shut its London location and entered insolvency proceedings in February 2025, shortly after pulling out of Art Basel Qatar. A restructuring proposal by FRP Advisory was approved on 22 April.

A brush with... Andrew Cranston—podcast

This episode of 'A brush with...' podcast features Scottish painter Andrew Cranston, born in 1969 in Hawick. Cranston discusses how his work draws on personal experiences—childhood memories, family recollections, and recent rituals—filtered through the painting process. His pictures are rich with references to art history, cinema, poetry, and television, and he often paints on the covers of old hardback books. The conversation covers his influences (Pieter Bruegel the Elder, Paul Klee, Pierre Bonnard, Winifred Nicholson, writers Hugh MacDiarmid and Elizabeth Bishop, filmmakers Nicholas Roeg and Dennis Potter), his studio life, and his answer to 'what is art for?' The episode is sponsored by Bloomberg Connects.

Salon review – like getting to know fascinating guests at a fabulous party

The article reviews a salon-style exhibition curated by Matthew Higgs, director of New York's White Columns gallery, at an unnamed gallery space. The show features 43 paintings by a diverse group of artists including Denzil Forrester, Andrew Cranston, Kaye Donachie, Merlin James, Margot Bergman, Gillian Carnegie, Bill Lynch, and Adam Keay, arranged around mismatched chairs facing white windows painted on the walls. The reviewer describes moving through the space, engaging with individual works, and highlights the eclectic, unthemed curation that prioritizes personal taste and conversation over academic or political messaging.

Stockholm's Market Art Fair wants to prove the 'periphery is now essential'

The 20th edition of Stockholm's Market Art Fair for Modern and contemporary art opens in a new waterfront venue at Magasin 9 in the Frihamnen docks area, running until 26 April. This year, 54 dealers—mostly from the Nordics—are joined by international galleries from the US and UK, including Anthony Wilkinson gallery (London) and albertz benda (New York). The fair expanded its reach last year by opening applications to galleries without existing Nordic ties. Notable presentations include new works by Ólafur Elíasson (i8 gallery, Iceland), dystopian paintings by Munan Øvrelid (Galleri Haaken, Oslo), and textile works by Petra Lindholm (Magnus Karlsson gallery). Prices range from SEK 28,000 to €195,000, with strong early sales reported.

‘Overworked’: Çağla Ulusoy in Conversation With ArtReview

ArtReview and Dirimart London are hosting a conversation between artist Çağla Ulusoy and ArtReview editor Fi Churchman about Ulusoy's book 'Overworked', which features 83 selected abstract paintings and accompanying collages. The event takes place on 6 June 2026 at Dirimart's London gallery, coinciding with the group exhibition 'Colour is the Place', which includes Ulusoy's work alongside artists Hashel Al Lamki, Tala Worrell, and Berke Yazıcıoğlu. Ulusoy's practice integrates lived experiences from various cultures into abstract compositions using materials like acrylic, oil paint, sand, and wax.

Exhibition | Kenjiro Okazaki, 'Never could be any other way — anagnorisis' at Pace Gallery, London, United Kingdom

Pace Gallery in London is presenting an exhibition by Japanese artist Kenjiro Okazaki titled 'Never could be any other way — anagnorisis'. The show features Okazaki's latest works, which explore themes of recognition and revelation through his distinctive blend of painting, drawing, and conceptual practice.

Roni Horn Returns to London with Seizure of Hope at Hauser & Wirth

Roni Horn returns to London for her first solo exhibition in a decade, titled *Seizure of Hope*, at Hauser & Wirth. The show features over 45 works on paper centered on the repeated phrase "I am paralyzed with hope," drawn from a performance by comedian Maria Bamford, alongside a cast-glass sculpture *Untitled ("What happens to the hole when the cheese is gone?")* (2022). The drawings explore language, repetition, and the instability of meaning, with words shifting between clarity and abstraction through wax crayon layering. A limited-edition artist book of the same title will be released by Hauser & Wirth Publishers.

Christo, Jeanne-Claude | The Pont-Neuf Wrapped (1976-2020) | Art & Prints

An auction listing for Christo and Jeanne-Claude's limited edition print 'The Pont-Neuf Wrapped' (1976-2020) has closed. The work is an archival digital print on wove paper, part of an edition of 450, accompanied by the exhibition book 'Christo et Jeanne-Claude Paris!'. The listing includes details on the artists' legacy, their monumental public projects like 'The Gates' and 'Wrapped Reichstag', and notes that similar works by Christo are available for purchase from various galleries.

Ed Ruscha | Clock (1994) | Art & Prints

This article presents Ed Ruscha's 1994 print "Clock," a Mixografia print on handmade paper measuring 40 1/2 × 34 inches, part of a limited edition of 75 plus 7 artist's proofs. The work is being offered by Upsilon Gallery, which has locations in New York, London, Miami, and Milan. The article includes a biography of Ruscha, noting his career since the 1960s, his use of unusual materials like gunpowder and Pepto Bismol, his representation of the United States at the 2005 Venice Biennale, and his auction record of $68.3 million at Christie's in 2024.

Ed Ruscha | Vintage Ed Ruscha exhibition poster - Mountain serie… (2010) | For Sale

This is a listing for a vintage Ed Ruscha exhibition poster from his "Mountain series" (2010), offered for sale by Baldwin Gallery (London/Dubai) on Artsy. The offset lithograph on paper measures 39.4 × 27.2 inches, is from an unknown edition, unsigned, and includes a certificate of authenticity. The price is £3,250, with shipping available from London.