A local resident has criticized the Nelson Mandela Bay municipality and local media for their delayed response to the deteriorating state of the historic NMB Metropolitan Art Museum. The critique highlights significant factual errors in recent reporting regarding the museum's history, specifically correcting the timeline of its construction phases which date back to 1927, rather than the 70-year history recently cited by officials.
The Nelson Mandela Metropolitan Art Museum in Gqeberha is facing a catastrophic institutional collapse due to years of municipal neglect and a 64% staff vacancy rate. A recent report reveals that the museum’s priceless collection—which includes works by George Pemba, Gladys Mgudlandlu, and LS Lowry—is being threatened by leaking roofs, spreading mold, and failing fire and security systems. While the galleries have been closed to the public for over a year, the facility currently lacks a qualified conservator to address the mounting damage to its historical and contemporary holdings.
Staff at the Los Angeles County Museum of Art (Lacma) announced their intent to unionize as part of the American Federation of State, County and Municipal Employees (AFSCME). The new union, Lacma United, will represent over 300 museum employees across curatorial, visitor services, education, and publications departments. Workers cite fairer compensation, expanded benefits, and increased transparency as key motivations, and have requested voluntary recognition by November 5. The effort joins AFSCME Cultural Workers United District Council 36, which has supported union campaigns at other Los Angeles institutions including the Museum of Contemporary Art and the Academy Museum of Motion Pictures.
This article compiles a list of open calls, residencies, and grants for artists in November 2025, featuring opportunities such as the Hopper Prize offering $4,500 and $1,000 artist grants, the Biafarin Awards with $4,000 CAD in cash grants and global exposure, and the GLEAM public art exhibition at Olbrich Botanical Gardens. Other calls include the Contemporary Reflection exhibition in London, an open call for exhibitions at Municipal Gallery dlr LexIcon in Ireland, the INteriors show at Glen Arbor Arts Center, Sight/Geist film and performance series in New York, and a main gallery commission at Locust Projects in Miami, among others.
Vivo Media Arts Centre, a storied media arts centre in Vancouver, has launched an emergency fundraising appeal to avoid closure after five decades of operation. The centre faces a 30% rent increase imposed by the city of Vancouver, which consumes all of its operating revenue from the city, leaving nothing for staff or programming. It has raised nearly C$9,500 of the C$50,000 needed by the end of the year to sustain operations through early 2026.
Labour Day in Ottawa on September 1, 2025, will see most grocery stores, malls like Bayshore and Place d'Orléans, LCBO locations, and all Ottawa Public Library branches closed. However, several national museums including the National Gallery of Canada, along with the agriculture, aviation, history, nature, science, and war museums, will remain open. Some grocery stores such as Metro on Rideau and Bank streets, Whole Foods at Lansdowne Park, and select Beer Store locations will operate, while Rideau Centre and Tanger Outlets will be open with varying store hours. Municipal services like green bin and garbage collection are suspended for the day, and city beaches will no longer have lifeguards.
Uovo, an art logistics and storage company, is planning to build a second, larger facility in Brooklyn. The proposed 240,000-square-foot building at 74 Bogart Street in Bushwick would complement its existing 150,000-square-foot space nearby, offering climate-controlled storage for art, wine, and fashion, along with private viewing galleries and project spaces. The company is seeking municipal approval to upzone a parking lot for the development and has received support from the local community board, though some residents oppose the project, citing concerns about housing shortages and rising rental costs.
Since President Donald Trump took office, his administration has rapidly dismantled parts of the U.S. cultural infrastructure through executive orders and the Department of Government Efficiency (DOGE), led by Elon Musk. Key federal funding bodies—the National Endowment for the Humanities (NEH), the Institute of Museum and Library Services (IMLS), and the National Endowment for the Arts (NEA)—have faced staff cuts, grant cancellations, and threats of further reductions. Trump has also replaced leadership at the Kennedy Center and signaled similar moves against the Smithsonian Institution, while DOGE visited the National Gallery of Art to discuss its legal status. Arts organizations and advocates are scrambling to assess the damage and find alternative funding.
A government crackdown on Turkey’s opposition following the arrest of Istanbul mayor Ekrem İmamoğlu has ensnared members of the culture community, including Mahir Polat, head of the municipality’s cultural heritage department, and photographer Murat Germen. Mass protests have erupted across the country, with hundreds of thousands marching against what they see as rising authoritarianism under President Recep Tayyip Erdoğan. Artists and cultural figures face censorship, detention, and prosecution for expressing political views, while independent institutions bear the risk of critical discourse.
The City of Santa Monica is launching its first municipal art gallery, the Santa Monica City Gallery, located within the Bergamot Station Arts Center. The space will debut on April 10 with an inaugural exhibition titled “Case Study: Adapt,” which features architectural models developed by USC Architecture students in collaboration with professional firms. The opening event will include remarks from California for the Arts Executive Director Julie Baker and a commendation for State Senator Ben Allen.
The Institute of Museum and Library Services (IMLS) has reached a legal settlement allowing it to resume full operations after being targeted for dismantling by a presidential executive order. The agreement, facilitated by a lawsuit from the American Federation of State, County and Municipal Employees, reverses planned mass layoffs and the termination of federal grants that support thousands of institutions across the United States.
Consonni Radziszewski inaugurates its Milan space with "uYana umhlaba," the first solo exhibition in Italy by South African artist Buhlebezwe Siwani. The show presents a new body of work that expands on research begun in 2020 with the Inkanyamba series, first exhibited at the Galeria Municipal de Almada in Portugal.
The 24th edition of Ville Aperte in Brianza returns in 2026 with the theme "Storie che restano" (Stories That Remain), highlighting the ability of Lombardy's historic villas and gardens to preserve centuries of memories. The spring edition runs from May 9–17, and the autumn edition from September 19–October 4, featuring 48 cultural sites across 35 municipalities in the provinces of Monza and Brianza, Milan, Lecco, and Como. The symbol of this year is Villa Tittoni (Villa Cusani Traversi Antona Tittoni) in Desio, designed by architect Giuseppe Piermarini and later expanded by Pelagio Palagi. Special programs include guided tours by three associations of licensed guides, children's activities, and a school contest exhibition on the 80th anniversary of the Liberation.
In sordina a Milano un collezionista ha aperto un nuovo spazio espositivo: “Finalmente posso vedere le mie opere”
Collector Pier Luigi Guzzetti has quietly opened Gallerie Guzzetti, a new 300-square-meter private exhibition space in Milan's Cenisio/Mac Mahon district. The minimalist basement venue serves as a dedicated home for Guzzetti’s eclectic collection of over 300 works, which spans 20th-century masters, emerging artists, and a significant photography archive. Managed alongside Corinne Cortinovis, the space operates with a philosophy of discretion, favoring word-of-mouth over traditional press offices or social media presence.
Milano ha un museo d’arte contemporanea a cielo aperto. Il progetto ArtLine a CityLife è finalmente completo: per l’Art Week 2026 inaugurata l’ultima opera
The City of Milan has officially completed ArtLine, a major public art project that has transformed the CityLife park into a permanent open-air contemporary art museum. Spanning 173,000 square meters, the park now hosts nineteen site-specific installations by internationally renowned artists and emerging talents. The project's conclusion was marked during Milan Art Week 2026 with the inauguration of 'Octospider', a large-scale interactive sculpture by British artist Jeremy Deller designed for children.
The article highlights five must-see art exhibitions in San Francisco during the winter season, centered around San Francisco Art Week in January. Featured shows include 'Labor Is on Our Mind' at CCA Wattis Institute, exploring labor through three interconnected exhibitions; 'Emory Douglas: In Our Lifetime' at the African American Art & Culture Complex, celebrating the artist's 50-year career in activism; 'Moving San Francisco' at City Hall's North Light Gallery, showcasing public transit history through photographs; and '1-800 Happy Birthday,' a participatory project beginning on Martin Luther King Jr. Day.
Two hobbyist metal detectorists, Rune Sætre and Vegard Sørlie, discovered Norway's largest-known Viking Age coin hoard in a field in Østerdalen, east-central Norway. Starting with 19 silver coins on April 10, the find grew to over 3,250 coins dating from the 980s to the 1040s, surpassing the previous record of 1,800 coins found in the 1800s. The hoard includes coins minted under Æthelred the Unready, King Cnut, and Holy Roman Emperor Otto III, as well as early Norwegian coins from after Harald Hardråde's return from Byzantium. The coins have been transferred to the Museum of Cultural History in Oslo for expert analysis.
The Museu Nacional d’Art de Catalunya (MNAC) in Barcelona is refusing to comply with a Spanish Supreme Court order to return the 12th-century Sijena murals to their original monastery in Aragón. Tensions escalated after the museum hosted a listening party for pop star Rosalía in the same hall where the Romanesque masterpieces are housed, leading to accusations from the municipality of Villanueva de Sijena that the museum is endangering the fragile works. MNAC director Pepe Serra has dismissed these concerns as scientifically unfounded, sparking threats of a defamation lawsuit from local officials.
The American Library Association (ALA) and the American Federation of State, County and Municipal Employees (AFSCME) have reached a settlement with the U.S. Department of Justice to halt the Trump administration’s efforts to dismantle the Institute of Museum and Library Services (IMLS). The agreement ensures the federal agency will continue its operations, reinstates previously terminated grants, and reverses staff reductions. This legal victory follows a period of significant uncertainty where the agency's budget was slated for a 98% reduction, threatening its role as the primary federal supporter of museums and libraries.
A federal judge has declined to extend a temporary restraining order that would have prevented the Trump administration from dismantling the Institute of Museum and Library Services (IMLS). The ruling, issued on Friday, allows the administration to proceed with mass layoffs and budget cuts that have already placed the agency's entire 75-person staff on leave. The IMLS, which distributes federal grants to museums and libraries nationwide, was targeted by the Department of Government Efficiency (DOGE) in April. The case, ALA v. Sonderling, was brought by the American Library Association and AFSCME, and will continue in the U.S. District Court for the District of Columbia.
A federal court issued a temporary restraining order blocking the Trump Administration's dismantling of the Institute of Museum and Library Services (IMLS). The order came in response to a lawsuit filed by the American Library Association (ALA) and the American Federation of State, County and Municipal Employees (AFSCME), who sought to prevent the Department of Government Efficiency (DOGE) from laying off nearly all of IMLS's 75-person staff. The layoffs were scheduled to take effect on May 4, 2025, following an executive order by President Trump that deemed IMLS "unnecessary."
A federal district court judge has indicated he is inclined to block the Trump administration's dismantling of the Institute of Museum and Library Services (IMLS). The agency, which distributes federal funding to museums and libraries nationwide, was gutted last month by the Department of Government Efficiency (DOGE), with its entire 75-person staff placed on leave. A lawsuit seeking a preliminary injunction was filed by the American Library Association and the American Federation of State, County and Municipal Employees. Judge Richard J. Leon, appointed by George W. Bush, said in court he is inclined to grant a temporary restraining order and is expected to rule shortly.
French sculptor Michel Bassompierre has died at age 78. Known for his monumental bronze and marble animal sculptures—polar bears, gorillas, elephants, pandas, and horses—he depicted them in moments of rest and balance, simplifying forms in the tradition of François Pompon. Bassompierre studied at the École des beaux arts de Rouen under René Leleu, taught applied arts, and later worked with foundries including Venturi Arte in Italy. His major exhibitions include "Fragiles colosses" at the Jardin des plantes in Paris (2019) and a show at the Musée Despiau Wlérick (2021). In February 2025, the municipality of Vertou announced plans for a Michel Bassompierre museum, slated to open in 2028. He was named a Chevalier of the Ordre des Arts et des Lettres in 2010, received the Légion d'honneur in January 2025, and was promoted to Officier des Arts et des Lettres on April 1, 2025.
An exhibition titled “Full Circle” opens May 2 at the Pitt Meadows Art Gallery, showcasing the work of local artist Liz Boulton. The show features her paintings in watercolour, acrylic, and mixed media, as well as hand-built art dolls, reflecting her decades-long artistic journey and her use of texture mediums, gels, and repurposed materials.
The international jury of the 61st Venice Biennale announced it would exclude from prize consideration countries whose leaders are charged with crimes against humanity by the International Criminal Court, specifically targeting Russia and Israel. This prompted the Italian culture minister to send inspectors to the Biennale's offices, leading the jury to resign. The Biennale then replaced the Golden Lion with "Visitors' Lions" prizes voted by ticket-holders, immediately making Russia and Israel eligible again. The article traces this crisis to the Biennale's historical structure under Mussolini's 1930 Royal Decree, which established the national pavilion system as a diplomatic concession system designed to serve state power, and notes the recent acceptance of a €50 million donation from Qatar for a new permanent pavilion in the Giardini.
Bildmuseet in Umeå, Sweden, will host the Master's exhibition "Of Love and Care" from the Umeå Academy of Fine Arts at Umeå University, opening on 22 May 2026 with an Art Friday event featuring talks, performances, tours, live music, and a DJ. The exhibition showcases works by ten graduating artists—Christian Abrahamsson, Amanda Angeli Blombäck, Time Bohlin, Renan De Menezes Anan, Elna Dani Liljedahl, Joanne Löfling, Måns Palmberg, Sofia Tien, Fanny Åberg, and Tin Åling—whose pieces explore themes of love, care, mysticism, and the wonder of existence, moving beyond overtly political and consumerist messages. A media preview will be held on 20 May, and the exhibition runs through 23 August 2026.
Artist Fritz Horstman has opened a solo exhibition titled 'Folded Worlds,' featuring his Folded Cyanotypes and a new series of Folded Palladiums. These camera-less photographic works are created by exposing folded, chemically coated paper to sunlight or UV light, resulting in abstract images that suggest crystalline landscapes and architectural forms.
The Turkish government has enacted a new law allowing the central state to seize historic properties from local municipalities, specifically targeting sites originally endowed to Ottoman-era foundations. This legislation directly impacts Istanbul, where Mayor Ekrem İmamoğlu’s administration has spent years restoring nearly 1,000 heritage sites and converting neglected spaces into vibrant museums, libraries, and contemporary art venues. Critics argue that the state-run General Directorate of Foundations lacks the expertise to manage these cultural hubs and may instead lease them out or close them entirely.
The Figge Art Museum in Davenport, Iowa, is celebrating its 100th anniversary with a new exhibition titled "100 Years of Collecting," opening September 13 and running through January 11, 2026. The show highlights major gifts and donations that have shaped the museum's collection, including American, Haitian, Spanish Colonial, and contemporary works, tracing back to founder Charles August Ficke's initial 334-piece donation in 1925.
Danielle SeeWalker, a Húŋkpapȟa Lakȟótaits artist, reached a settlement with the town of Vail, Colorado, after her art residency and mural commission were cancelled in 2024 over an Instagram post supporting Palestine. The American Civil Liberties Union (ACLU) of Colorado and law firm Newman McNulty filed a federal civil rights lawsuit in October 2024, citing free speech violations. The settlement includes annual cultural sensitivity training for Vail’s Arts in Public Places employees, an annual powwow organized by SeeWalker, a community forum on Israel and Palestine, a new art program for underrepresented groups, and a confidential payment. SeeWalker’s painting *G for Genocide* (2024) will be exhibited at Art at a Time Like This’s pop-up space in New York City this autumn.