A Brush With... Lorna Simpson—podcast

Artist Lorna Simpson joins the 'A Brush With...' podcast to discuss the vast array of cultural influences that have shaped her conceptual practice. From her early photo-text works to her recent large-scale paintings, Simpson details how she subverts conventional framing of identity and navigates the boundaries between reality, fiction, and historical archives. She highlights the specific impact of figures such as David Hammons, Francisco de Zurbarán, and filmmaker Chantal Akerman on her evolving visual language.

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Lebanese-born artist Ali Cherri discusses his latest exhibition, "Last Watch Before Dawn," currently on view at Almine Rech in New York. The show centers on his new film, *The Sentinel* (2025), which explores the psychological and physical toll of military service through the figure of a French soldier. This exhibition marks a shift in Cherri’s practice, as he integrated the creation of sculptures and watercolors directly into the filmmaking process, allowing the gallery space to function as an extension of the cinematic set.

Rare Leonora Carrington Sketches of Her Inner Turmoil Resurface in London Show

Rare sketches by Surrealist artist Leonora Carrington, created during her 1940 confinement in a Spanish psychiatric hospital, have been reunited and are on display at London's Freud Museum. The exhibition, "Leonora Carrington: The Symptomatic Surreal," features sketchbooks that reimagined the hospital as a mythological underworld and served as preparatory studies for her seminal painting Down Below.

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Vinegar Syndrome has released a new 4K UHD and Blu-ray restoration of 'Office Killer', the only feature film directed by renowned photographer Cindy Sherman. Originally released in 1997 to critical derision and box-office failure, the film follows a meek magazine editor who begins murdering her colleagues during a period of corporate downsizing. The restoration highlights Sherman's transition from her iconic 'Untitled Film Stills' to the more visceral, abject imagery of her 'Disasters' and 'Sex Pictures' series.

Picasso Exhibition at Burgos Cathedral Explores Artist's Biblical Roots

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The Catedral de Santa María in Burgos is hosting "Picasso: Biblical Roots," an exhibition exploring the enduring influence of Christian iconography on Pablo Picasso. Featuring 44 works loaned from major institutions like the Reina Sofía and the Thyssen-Bornemisza, the show traces the artist's journey from his early academic religious paintings in Spain to the subtle theological motifs found in his later Cubist and post-war works.

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CORE and TBA21 Thyssen-Bornemisza Art Contemporary are launching "Get Up Stand Up: Artists for Jamaica and Los Angeles," a high-profile benefit auction scheduled for February 26 during L.A. Art Week. The event features over 20 works by major contemporary artists including Henry Taylor, Hank Willis Thomas, and Nari Ward, with a live sale led by auctioneer Simon de Pury. Proceeds will fund long-term recovery efforts following Hurricane Melissa in Jamaica and recent wildfires in Los Angeles, as well as CORE’s ongoing emergency response work.

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The article explores how Emily Brontë's novel *Wuthering Heights* has inspired visual artists across different eras. It details specific works by English artist Edna Clarke Hall, who created hundreds of sketches and watercolors reflecting her personal connection to the story's themes of isolation and turmoil, and by Polish-French modernist Balthus, who produced a series of ink illustrations focusing on the childhood trauma of the protagonists.

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The estate of movie poster artist John Alvin is seeking a single buyer for his entire archive of over 1,000 pieces, including original posters, sketches, and illustrations from the 1970s through the 1990s. The collection, stewarded by his widow Andrea Alvin since his death in 2008, features iconic work for films like E.T., The Lion King, and Blade Runner.

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Kim Sajet, former director of the Smithsonian Institution’s National Portrait Gallery (NPG), has been appointed as the new director of the Milwaukee Art Museum, starting September 22. She left the NPG in June after a high-profile clash with President Donald Trump over diversity initiatives and funding. Sajet brings extensive experience from museums in the Netherlands and Australia, and during her 12-year tenure at the NPG, she doubled attendance and raised $85 million. She replaces Marcelle Polednik, who departed in May after nine years.

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Artnet News asked several working artists—Manuel Mathieu, Hanna Salomonsson, Aki Sasamoto, Nigel Hall, Sharmistha Ray, and Miljohn Ruperto—to share the practical and philosophical lessons that sustain their creative practices. Topics include building trust with collaborators, navigating financial uncertainty, setting up shared studio spaces, using recycled materials, maintaining optimism at age 82, reframing rejection, and adapting to the expectation that artists must act as entrepreneurs before their first gallery show.

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Artnet News recapped nine notable art and design crossovers in pop culture from 2025. These include a Renoir painting spotted in a Wes Anderson film, a John Everett Millais reference on a Taylor Swift album cover, and a Dieter Rams chair appearing in the TV show "Severance." The article also highlights painter Ronan Day-Lewis bringing his visual world to film with his debut "Anemone," Spike Lee incorporating his art collection into the film "Highest 2 Lowest," and Frank Lloyd Wright's Oak Park home being featured on the TV series "The Bear."

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A previously unknown painting by Artemisia Gentileschi, *Hercules and Omphale* (ca. 1635–37), was identified after being damaged in the 2020 Beirut port explosion. The work, which hung in Beirut’s Sursock Palace, underwent a three-year conservation at the J. Paul Getty Museum and is now on view at the Columbus Museum of Art in the exhibition *Artemisia Gentileschi: Naples to Beirut*. It depicts the Greek myth of Queen Omphale enslaving Hercules, a rare subject for Gentileschi that subverts traditional gender roles.

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A pair of rare bronze buttons designed by Alberto Giacometti in 1938 for fashion designer Elsa Schiaparelli will be auctioned at Bonhams on December 16, each estimated at £5,000–£8,000. Titled "Femme aux Bras Levés," the buttons were used on garments including a coat worn by Marlene Dietrich, now in the German Cinema Museum in Berlin. Only two other examples exist, held by the Musée des Arts Décoratifs and Le Comité Giacometti. The sale also features a rare Émile Gallé vase, works by Lucie Rie, and a Tiffany Studios chandelier.

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The author recounts a visit to the Prado in Madrid, where his attempt to photograph a portrait by Alonso Sánchez Coello was blocked by a guard enforcing a strict no-photography policy. This experience leads him to reflect on the evolution of museum mementos, from postcards—which he used to buy and even had his children select as a curatorial exercise—to the role of social media in sharing art. He recalls his time as curator of the Thyssen-Bornemisza Collection, where postcard sales were a key revenue and popularity gauge, and notes that Instagram now serves as a virtual window into exhibitions and art fairs like Art Basel Miami.

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Helen Frankenthaler, the pioneering Color Field painter known for her luminous, stain-soaked canvases, is the subject of a renewed wave of exhibitions. The Palazzo Strozzi in Florence and the Guggenheim Museum Bilbao recently hosted a major survey of her work, while the Museum of Modern Art in New York is currently presenting "Helen Frankenthaler: A Grand Sweep" in its atrium. Next year, the Kunstmuseum Basel will open the largest exhibition of her art in Europe to date, marking her first solo museum show in Switzerland. The article also recounts her biography—her privileged upbringing on the Upper East Side, her studies at the Dalton School and Bennington College, her relationships with Clement Greenberg and Robert Motherwell, and her invention of the soak-stain technique in 1952, which helped birth Color Field painting.

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The Museum of Modern Art (MoMA) in New York will host a two-week screening series starting December 10, featuring 15 films that showcase the special effects work of the late mechatronics maestro Carlo Rambaldi. Co-curated with Rome's Cinecittà studios, the series spans Rambaldi's career from Italian arthouse and exploitation films to Hollywood blockbusters like *Alien* (1979), *E.T. the Extra-Terrestrial*, *King Kong* (1976), and *Dune* (1984). The screenings include films directed by Federico Fellini, Pier Paolo Pasolini, Dario Argento, and David Lynch, among others. Rambaldi, who would have turned 100 this autumn, was also honored earlier this year with an exhibition at Long Island City Culture Lab and a star on the Hollywood Walk of Fame.

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A 1906 self-portrait by German modernist Paula Modersohn-Becker, titled *Selbstbildnis nach halblinks (Self-Portrait Looking Slightly Left)*, sold for €1.3 million ($1.5 million) at Berlin's Grisebach auction house on Thursday—more than quintupling its low estimate and more than doubling the artist's previous auction record. The work was acquired by an unnamed European private collector. The painting had previously been seized by the Nazis as "degenerate" art from the St. Annen Museum in Lübeck and was later acquired by the collector Bauer, who aimed to rehabilitate persecuted artists.

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A devastating fire in Hong Kong's Tai Po neighborhood, which killed at least 151 people, has prompted a period of mourning and led several major cultural institutions to cancel or postpone public events. The Hong Kong Arts Festival and the Hong Kong Jockey Club Charities Trust cancelled a press conference for the "No Limits" program, while M+ rescheduled its "Night: Festive Play" event. Meanwhile, art fairs and galleries continue to announce developments: Kiaf Seoul will run concurrently with Frieze Seoul in 2026, Contemporary Istanbul will introduce a new Focus Asia section, and Art Basel Hong Kong 2026 will feature new sectors Echoes and Zero 10. In the market, On Kawara's "NOV. 27, 1984" sold for HK$8.5 million at Bonhams Hong Kong, and standout results were seen at Sotheby's Hong Kong.

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California Attorney General Rob Bonta filed a motion on November 17 to intervene in the Cassirer family's two-decade-long restitution case for a Camille Pissarro painting stolen by the Nazis. The artwork, *Rue Saint Honore, Apres Midi, Effet De Pluie* (1897), is owned by Spain's Thyssen-Bornemisza Collection Foundation. The U.S. Court of Appeals for the Ninth Circuit had previously ruled that Spanish law applied, allowing the museum to keep the painting, but California's Assembly Bill 2867, signed into law in September, now seeks to apply California law to protect victims of art theft. The case has been sent back to the U.S. District Court for the Central District of California for reconsideration.

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California Attorney General Rob Bonta has re-entered the long-running legal battle over a Camille Pissarro painting, *Rue Saint-Honoré in the Afternoon, Effect of Rain* (1897), which was sold under duress by Lilly Cassirer Neubauer to a Nazi appraiser in 1939 for 900 Reichsmarks. The painting is now held by the Museo Thyssen-Bornemisza in Madrid, and the Cassirer family has sought its return for decades. A new California law signed by Governor Gavin Newsom in September allows exceptions for property taken as a result of political persecution, and Bonta is now defending the state's authority to compel the return of stolen art to victims connected to California.

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The Stedelijk Museum in Amsterdam has opened "Erwin Olaf—Freedom," a major retrospective of the late Dutch photographer Erwin Olaf, who died in 2023 at age 64. The exhibition spans over a dozen rooms, showcasing his diverse output from subcultural documentation and commercial work to staged tableaux, self-portraits, and club ephemera, alongside video and sculpture. It juxtaposes formally refined portraits, such as Queen Máxima, with provocative early works like "Joy" (1985), refusing to impose a single narrative on his career.

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Bonhams will auction works from the collection of late actor Gene Hackman this November, spanning three sales—one live and two online. The live sale, titled “Gene Hackman: A Life in Art, Part I,” takes place November 19 in New York and features highlights such as Milton Avery’s 1957 painting *Figure on the Jetty* (estimate $500,000–$700,000) and Richard Diebenkorn’s 1986 color etching *Green* (estimate $300,000–$500,000). Online sales include two of Hackman’s Golden Globes, a still life painting by the actor himself, and additional lots of annotated books, scripts, and cinematic memorabilia. Hackman, who died in February, was a major arts patron in Santa Fe, a painter, and a board member of the Georgia O’Keeffe Museum.

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Kelly Reichardt's new film *The Mastermind*, starring Josh O'Connor, depicts a low-stakes art heist at the fictional Framingham Museum of Art, inspired by a real 1972 theft at the Worcester Art Museum in Massachusetts. In the actual heist, two robbers stole four paintings by Rembrandt, Picasso, and Gauguin, worth about $7.72 million today, and shot an unarmed guard. The film, set in the early '70s, draws on details like two schoolgirls who witnessed the crime, but Reichardt deliberately makes the cinematic version less thrilling than the real event.

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The National Portrait Gallery has postponed opening events for its upcoming exhibition “The Outwin 2025: American Portraiture Today,” originally scheduled for October 16–17, due to the ongoing U.S. government shutdown. The decision was communicated in a letter from acting director Elliot Gruber on October 7, citing the shutdown as the reason for the cancellation. The exhibition, which features 35 portraits by 36 artists selected from over 3,300 entries, is part of the museum’s seventh triennial Outwin Boochever Portrait Competition and is still set to open to the public on October 18, pending the resolution of lapsed funding.

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Ken Jacobs, a pioneering experimental filmmaker who blurred the boundaries between cinema and visual art, died at 92 in New York from kidney failure, according to his son, filmmaker Azazel Jacobs. A key figure in the postwar New York underground alongside Jack Smith and Jonas Mekas, Jacobs challenged conventional filmmaking through works like "Blonde Cobra" (1963) and "Tom, Tom, the Piper's Son" (1969), using techniques such as live radio accompaniment, slow motion, and looping to deconstruct the medium. He studied painting under Abstract Expressionist Hans Hofmann and described his own work as "Abstract Expressionist cinema," often drawing direct comparisons between film and painting.

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Michael Rakowitz's survey exhibition "Allspice" at the Acropolis Museum in Athens explores themes of cultural displacement, looting, and historical narrative through works like his series "The invisible enemy should not exist" (2007–), which reconstructs looted artifacts from Baghdad's National Museum of Iraq using Arabic food wrappers and newspapers. The show also features his 2004 video "Return," documenting his effort to import Iraqi dates labeled as "product of Iraq" to the US after decades of sanctions, and includes interventions with the museum's own collection, such as a Cypriot head he linked to Assyrian art.

hidden vermeer self portrait maid asleep 1234753399

New research by the Metropolitan Museum of Art suggests that Johannes Vermeer may have hidden a self-portrait beneath his painting *A Maid Asleep* (1656–57). Using scientific analysis, the Met's team discovered an overpainted figure in the background—a man painting with his left hand, likely a reflection in a framed mirror. The image is too obscured to reveal facial features. The theory, first proposed by the Met in 2023, is bolstered by a comparison to Nicolaes Maes's *The Naughty Drummer* (1655), which similarly depicts an artist reflected in a mirror. The Met argues Vermeer likely knew Maes's work.

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Rosa Barba's exhibition "The Ocean of One's Pause" at the Museum of Modern Art in New York surveys 15 years of her work, featuring over a dozen cinematic sculptures arranged as a single installation. Central to the show is her latest 25-minute film *Charge* (2025), co-commissioned by MoMA and the Vega Foundation, shot at CERN in Geneva. The film will also screen at Moynihan Train Hall and in Times Square as part of the "Midnight Moment" program throughout July. Barba transforms a black box gallery into a cello-like space, with long wires and film projectors creating a celluloid symphony through mechanical clicks and analog apparatuses.

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Sicily-born, Berlin-based installation artist Rosa Barba has been named the 19th winner of the Zurich Art Prize, awarded by Museum Haus Konstruktiv and Zurich Insurance Group Ltd. The prize includes 100,000 CHF ($124,000) toward a show at the museum and an additional 30,000 CHF ($37,000). Barba’s conceptual installations combine film, sculpture, and sound to explore time, space, and human impact on the natural world. She recently presented the cinematic installation “The Ocean of One’s Pause” at the Museum of Modern Art in New York.

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Thomas Hoving recounts his decision to pursue art history graduate school after military service, rejecting his father's demand that he join the family business and attend business school instead. He describes a cross-country road trip with his wife Nancy and their dog Whiskey, including a failed gambling attempt in Las Vegas and mechanical troubles in Missouri.