Artist Matt Mullican has opened a solo exhibition titled "The Universe" at Peter Freeman Inc. in New York. The show, which runs from February 28 to April 11, 2026, is documented with 38 installation photographs taken by Nicolas Knight.
Sperone Westwater, a 50-year-old New York gallery, closed at the end of 2025 amid a legal dispute between its two co-principals, Gian Enzo Sperone and Angela Westwater. Newly filed court documents reveal governance failures, financial disputes, and allegations of unpaid artists. The petition, filed in New York Supreme Court, seeks judicial dissolution of the corporation and appointment of a receiver, citing irreconcilable divisions and a breakdown in communication between the partners. Financial records show gallery revenue fell from $20 million in 2021 to $3.6 million in 2025, with losses in five of the past seven years.
Three months before announcing the closure of Sperone Westwater after 50 years, co-founder Gian Enzo Sperone sued his partner Angela Westwater, alleging a "parasitic deadlock" and accusing her of wresting control of a corporation holding a 50 percent stake in the gallery. The lawsuit claims Westwater mishandled funds, withheld records, mismanaged rent payments, and increased her own salary without approval. The gallery, founded in 1975 as Sperone Westwater Fischer, has represented major artists including Bruce Nauman, Francesco Clemente, and Richard Long, and will close this December.
Larry Gagosian has opened a new flagship gallery at 974 Madison Avenue (preferring the address 980 Madison at 76th Street) after Bloomberg Philanthropies took over the building's upper floors, which had housed Gagosian's New York flagship since the late 1980s. The megadealer relocated to the street level, creating a 12,000-square-foot complex with exhibition spaces, offices, meeting rooms, and private viewing areas designed by Jonathan Caplan of Caplan Colaku Architects. The gallery launched with a double-header presentation of works by Marcel Duchamp and Robert Rauschenberg, and features ceilings just over 12 feet high, adaptable walls, and a vestibule display of art books.
On Friday, May 15, more than 80 galleries in New York's Tribeca neighborhood will stay open late for Tribeca Gallery Night, from 6pm to 8pm. Three new galleries are joining the event: Tappeto Volante Gallery (opening at 4 Cortlandt Alley with a show of painter Angelo Vasta), Gratin (opening at 15 White Street with a solo show for Spanish artist Mónica Mays), and Southern Guild (relocated from Los Angeles to 75 Leonard Street, featuring solo shows for Usha Seejarim and Mmangaliso Nzuza).
Artnet News's Wet Paint column reports that former David Zwirner director Felix Rödder is opening his own gallery, Rodder (no umlaut), on September 18 at 22 East 80th Street on the Upper East Side, in the same building as Sprüth Magers. The jewel-box space, formerly Barbara Mathes Gallery, will debut with a solo show of sculptural paintings by Wyatt Kahn. Rödder, a lawyer-turned-dealer, plans to mix contemporary programming with historical exhibitions, keeping overhead low and avoiding art fairs for now. The column also teases a mention of Aby Rosen's involvement in the New York mayoral race.
Los Angeles-based artist Molly Bounds makes her New York solo debut at Mrs. gallery in Maspeth, Queens, with the exhibition "The Light That Loses, The Night That Wins." The show features a series of psychological portraits and cinematic scenes rendered in oil and acrylic, capturing figures in moments of solitude, internal conflict, and escapism. Following her presentation with the gallery at The Armory Show in 2025, this exhibition highlights Bounds' transition from printmaking to complex, mood-driven painting.
Researcher Julia May Boddewyn has published a new book, 'The Valentine Gallery: The Forgotten Story of Valentine Dudensing, Matisse, Picasso, and the US Market for Modern Art (1926-1947)', which unearths the history of a pivotal but overlooked New York gallery. Founded a century ago, the F. Valentine Dudensing Gallery was responsible for introducing European Modernism to America, hosting the first US solo shows for icons like Joan Miró and Piet Mondrian, and organizing the American debut of Picasso’s 'Guernica'.
The Art Newspaper's Book Club section features multiple articles about new art books and related exhibitions. One article explores how different artists have depicted Marilyn Monroe, ahead of an exhibition at the National Portrait Gallery in London. Another piece examines a little-known New York gallery that brought Modern art to America, exhibiting artists like Picasso and Mondrian. Additional stories cover Martin Parr's photobook 'The Last Resort' on its 40th anniversary, a history of how artists depict the female body by author Amy Dempsey, and a collaboration between author Olivia Laing and painter Chantal Joffe.
David Kordansky Gallery in New York is presenting 'Bones in the Canal and Other Photographs,' a solo exhibition of new work by Norwegian artist Torbjørn Rødland. This marks his first New York gallery show in nearly a decade. The exhibition features two distinct series, including a significant new body of smaller-format 35mm photographs that represent a major shift in his 30-year practice. The show runs from March 12 to April 25, 2026, at the gallery's West 20th Street location.
Lorenzo Amos, a 23-year-old painter based in New York, held his debut solo exhibition at Gratin gallery last fall. The show featured paintings that blend Abstract Expressionist mark-making with the composed clarity of David Hockney portraits, all rooted in the intimate space of his living room-studio. Amos describes his approach as "Material Realism," where image and paint become inseparable, and his work as "painting about painting." He cites his friend Alex as a key influence, emphasizing the freedom found in imperfection.
Shamnoski Gallery, a new brick-and-mortar space focused on postwar abstraction, opened on New York's Upper East Side in November 2025. Founded by Matthew Shamnoski, the gallery evolved from his online platform Projects 28 and champions mid- to late-20th-century artists and estates, particularly those historically overlooked. The gallery's inaugural exhibition, "John Grillo: Collages 1952–1962," reflects its mission to provide sustained presentation and scholarship for artists within this lineage.
The Chelsea gallery Kasmin will close this autumn after 35 years of operation, transitioning into a new venture called Olney Gleason. The new gallery will be led by Kasmin president Nick Olney and senior director Eric Gleason, both longtime employees who say the move aligns with the wishes of the late founder Paul Kasmin. Olney Gleason will continue working with an unspecified number of artists and estates from Kasmin's roster, including François-Xavier and Claude Lalanne, Lee Krasner, and Jackson Pollock's estate, and will open a flagship space in Chelsea with an inaugural show this autumn.
The article is a guide to three painting shows in New York's Tribeca neighborhood, curated by a critic who recommends visiting them in reverse order, ending with Nicole Eisenman's exhibition at 52 Walker. The featured shows are Katherine Bradford's "Communal Table" at Canada gallery (through December 13, 2025), Leslie Smith III's "Gentle Thoughts" at Chart gallery (through December 20, 2025), and Kate Spencer Stewart's exhibition at Bureau gallery (through December 20, 2025). Each show is described with critical observations about the artists' techniques, themes, and visual impact.
Brazilian artist Sacha Ingber presents 'Two,' a solo exhibition at Uffner & Liu in New York, featuring works in pigmented resin, ceramics, and functional objects that explore themes of pairing, connection, and codependence. The show includes paired notebooks, ceramic figures sharing handles, and a backgammon board designed for two players, all emphasizing the relational space between objects and bodies.
Llyn Foulkes, the iconoclastic Los Angeles artist known for his defiantly independent and multidisciplinary practice, died on 20 November at age 91. A painter, jazz musician, and provocateur, Foulkes resisted commercial commodification throughout his career, creating work that ranged from Pop Art-inflected paintings to political assemblages incorporating Mickey Mouse imagery. His death was announced by Kent Fine Art, a New York gallery that had published several books on his work.
Hauser & Wirth’s New York gallery on 22nd Street has opened ‘I See You You See Me’, its first exhibition dedicated to the radical Italian artist Carol Rama (1918–2015). Organized by Carlo Knoell, the show presents key works spanning six decades—from 1947 to 1998—across paint, textile, sculpture, and bricolage, highlighting Rama’s wildly original and non-conformist experimentation.
The Milwaukee Art Museum is hosting a major traveling retrospective of Gertrude Abercrombie, the Chicago-based painter known as the "jazz witch" of Hyde Park. Titled "Gertrude Abercrombie: The Whole World is a Mystery," the exhibition features nearly eighty paintings sourced from major museums and private collections, marking the largest survey of her work to date. The show highlights her unique brand of Surrealism, characterized by dreamlike interiors, stark landscapes, and enigmatic self-portraits.
A comprehensive list of gallery exhibitions opening and closing in New York City for the week of February 9-15, 2026, has been published. The schedule includes openings at major galleries like Gagosian, Hauser & Wirth, and Matthew Marks, featuring artists such as Michael Heizer, Felix Gonzalez-Torres, and Anish Kapoor, alongside shows at smaller spaces. The list also notes the final weekend to see exhibitions at venues including Tanya Bonakdar Gallery and Alexander Gray Associates.
On Saturday, June 28, the Lower East Side gallery Olympia will host CAKE, a one-night exhibition and feast featuring desserts donated by dozens of New York-based artists, including Hannah Beerman, Mie Yim, Wells Chandler, Robin F. Williams, Hein Koh, and Melissa Joseph. The event functions as a fundraiser for the gallery and a participatory performance art piece, with tickets priced at $45. The gallery's founder and director, Ali Rossi, conceived the show as a community-centric alternative to typical summer group exhibitions, and all desserts will be photographed before consumption to preserve documentation.
This article highlights ten must-see gallery shows opening in New York this May, timed to coincide with major art fairs like Frieze and TEFAF. Featured exhibitions include Yu Nishimura's debut U.S. solo show at David Zwirner, Thalita Hamoui's first U.S. solo exhibition at Marianne Boesky, and presentations by Willem de Kooning, Anastasia Komar, Theodora Allen, Ilana Savdie, Rosana Paulino, Alicjia Kwade, Xingzi Gu, and Moffatt Takadiwa. The roundup spans venues across the Upper East Side, Chelsea, and Tribeca, reflecting the city's vibrant gallery scene during a packed season of auctions and fairs.
Interdisciplinary artist Aiza Ahmed is presenting a solo exhibition of new paintings and woodcut sculptures with New York gallery Sargent's Daughters at the inaugural Art Basel Qatar. The 28-year-old, who splits her time between residencies in Doha and New York, uses the theatrical Wagah-Attari border ceremony between India and Pakistan as a central subject to explore identity, nationalism, and power dynamics.
A new exhibition at New York's L'Espace Gallery, titled "Shape of Dreams," presents a rare collection of Leonora Carrington's surrealist bronze sculptures, intricate jewelry, and an interactive tarot booth. Carrington, best known as a painter and novelist, created these sculptures late in life, often with the help of her sons, as her eyesight and arthritis made painting difficult. The show highlights works like "The Palmist" (2011) and other hybrid, mythological figures that extend her imaginative universe into three dimensions.
A visitor recounts a personal gallery crawl through New York City neighborhoods like Tribeca, Chelsea, and the Lower East Side, highlighting specific exhibitions at Andrew Kreps Gallery, James Cohen Gallery, Chapter NY, and Bortolami Gallery. The article details works by artists including Thérèse Oulton, Elias Sime, Sonya Kelliher-Combs, Rosha Yaghmai, Vian Sora, and Sophie Reinhold, emphasizing the diversity of styles and materials on view.
Stephen Friedman, the Canadian-born, London-based dealer, will close his New York gallery in Tribeca at the end of February 2026, less than three years after opening the space in October 2023. The decision is described as a strategic evolution to consolidate operations in London, where several new directors have been hired. The gallery's artist roster will remain unchanged, and Friedman plans to stay active in the US art scene through major fairs. The closure follows a challenging period marked by a £1.7m loss in 2023 due to renovation costs and a downturn in the art market, with cash flow currently tight after slow exhibition sales.
Sperone Westwater, a prominent New York gallery representing artists like Richard Long and Bruce Nauman, will close at the end of 2025 after 50 years. The closure follows a lawsuit filed by co-founder Gian Enzo Sperone against fellow co-founder Angela Westwater, alleging unlawful handling of funds and a "parasitic deadlock" over the gallery's finances, including rent disputes and salary increases. The gallery will continue its current Richard Long exhibition until December 13 and participate in Art Basel Miami Beach before shutting down on December 31.
New York’s Tilton Gallery has announced that its upcoming exhibition dedicated to German-born American conceptual artist Ruth Vollmer will be its final show, closing after more than four decades in business. The gallery, founded by Jack Tilton in 1983, has been run by his widow Connie Rogers Tilton since his death in 2017. The Vollmer exhibition runs from 30 September to 15 November, after which Rogers Tilton plans to transition to private sales and research projects.
CLEARING, a New York-based gallery known for representing artists such as Marguerite Humeau, Korakrit Arunanondchai, and Harold Ancart, is closing its Manhattan and Los Angeles locations after 14 years. Founder Olivier Babin announced the closure on Instagram, citing no viable path forward due to rising overhead costs for rent, shipping, and art fairs, alongside declining revenues. The gallery opened in Brooklyn in 2011, later expanded to Brussels, and moved to a larger Bowery space in 2023 before the financial pressures became unsustainable. Its final exhibitions were solo shows by Coco Young in New York and Henry Curchod in Los Angeles.
Los Angeles-based artist Austyn Weiner presents her latest exhibition, “Half Way Home,” at Lévy Gorvy Dayan in Manhattan, on view through June 21. The show features large-scale floral paintings inspired by her surroundings in Frogtown, the LA River, and personal experiences of marriage and loss. Weiner collected flowers at various stages of life and decay in New York to create a bouquet displayed at the gallery entrance, reflecting her fascination with the life cycle of blooms. The exhibition draws early inspiration from Monet’s “Water Lilies” at the Musée de l’Orangerie, but Weiner’s distorted color fields and emotional depth mark a distinct departure.
Comic artist Paul Pope is the subject of a new gallery exhibition at Philippe Labaune Gallery in New York, opening June 19, 2025. The show spans his three-decade career, featuring never-before-seen original works and curated selections from his archives, coinciding with the release of his career retrospective monograph *Pulp Hope 2: The Art of Paul Pope* (Boom! Studios, 2025). Pope is known for works such as *Batman: Year 100*, *Heavy Liquid*, and *Battling Boy*, blending American, European, and Japanese influences.