At the Tate Modern, the Moving Renaissance of Tracey Emin

À la Tate Modern, la bouleversante renaissance de Tracey Emin

Tracey Emin has returned to the Tate Modern for a major retrospective titled "A Second Life," marking a poignant milestone in her career. The exhibition features over a hundred works, including the iconic and once-scandalous "My Bed," which first catapulted her to international fame during the 1999 Turner Prize. This survey explores her evolution from the "enfant terrible" of the Young British Artists to a Dame of the British Empire, showcasing her multidisciplinary practice across painting, sculpture, and installation.

Art Dubai Marks 20 Years with Special Edition Focused on Collaboration and Cultural Exchange – Friday, 15-17 May 2026.

Art Dubai returns to Madinat Jumeirah from 15–17 May 2026 for a special 20th-edition programme that reflects on the fair's evolution and reaffirms Dubai's role as a global cultural hub. Presented in partnership with A.R.M. Holding and Dubai Culture, the fair features approximately 75 presentations from commercial galleries, institutional partners, and cultural initiatives, with around 60% of participating galleries drawn from the region. Highlights include the Made Forward presentation from Dubai Collection, the 20th edition of the Global Art Forum titled 'Before and After Everything', and an exhibition of modern Arab art from the Barjeel Art Foundation. The fair also introduces an innovative risk-sharing model where booth costs are payable based on sales performance, and entry is free for all visitors.

art best and worst art of 2025 list

Cultured's art critic reflects on the best and worst of 2025, highlighting standout moments including Salman Toor's 2007 portrait of Zohran Mamdani (now mayor-elect of New York), the posthumous Jack Whitten survey "The Messenger" at MoMA, and Anne Imhof's epic production "DOOM: House of Hope" at the Park Avenue Armory. The article also notes Mamdani's arts-friendly transition committee and the broader resilience of artists amid political turmoil.

art armory week diary new york september

The article is a first-person diary chronicling the author's experiences during Armory Art Week in New York City in September. It begins at the Fulton Transit Center for the launch of artist Chloë Bass's public sound work "If you hear something, free something," presented by Creative Time and MTA Arts & Design, which features recorded announcements in five languages playing across 14 subway stations. The author then visits galleries in Chinatown, including Matthew Kirk's show at Fierman and Ohad Meromi's exhibition at 56 Henry, encountering notable art-world figures like Jerry Saltz, Issy Wood, and Naomi Fry along the way.

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London Gallery Weekend returns for its fifth edition from June 6–8, 2025, featuring 126 participating galleries—11 of them newly established—across three regions: Central, South, and East. The program includes extended hours, curated tours, openings, talks, and evening social events. Highlights include Bruce McLean's conceptual sculpture show at Luxembourg + Co, Gregor Hildebrandt's mini-retrospective at Almine Rech, Jennifer Bartlett's first UK presentation since the 1980s at Pippy Houldsworth Gallery, and Norbert Schwontkowski's London debut at Champ Lacombe. Major museum shows include Do Ho Suh's fabric sculpture exhibition at Tate Modern.

At MAXXI L'Aquila, exhibition dedicated to Ai Weiwei recounts catastrophes and memory

From April 29 to September 6, 2026, MAXXI L'Aquila presents "AI WEIWEI: Aftershock," an exhibition curated by Tim Marlow featuring approximately seventy works by Chinese artist, architect, and activist Ai Weiwei. The show spans his entire career, focusing on themes of earthquakes, wars, political repression, and memory. The centerpiece is the installation "Straight" (2009–2012), made from 150 tons of steel rods recovered from schools that collapsed in the 2008 Sichuan earthquake, displayed across three rooms. The exhibition is held at Palazzo Ardinghelli, a Baroque building that houses MAXXI L'Aquila and was itself restored after the 2009 L'Aquila earthquake, creating a dialogue between the works and the building's history of recovery.

Sotheby’s Opens the London Spring Marquee Sales With a £131M White-Glove Night

Sotheby’s London kicked off the spring auction season with a "white-glove" Modern & Contemporary Evening Sale, totaling £131 million ($176 million). Despite significant geopolitical instability and market anxiety following recent escalations in the Middle East, the auction achieved a 100 percent sell-through rate across 54 lots. Key highlights included works by Andy Warhol, a Claude Monet landscape once owned by John Singer Sargent, and a Jean-Michel Basquiat painting that sold for £3.7 million after a mid-sale renegotiation.

SF's art scene is back— 9 summer shows you shouldn’t miss

San Francisco's art scene is showing signs of recovery after a difficult period marked by the pandemic, federal arts grant cuts, and museum closures. June brought positive developments: the Headlands Center for the Arts raised record funds at its annual auction, the shuttered San Francisco Art Institute plans to reopen as an artist studio, and local criticism magazine SquareCylinder is returning. The article highlights nine summer exhibitions across the Bay Area, including shows by Ruby Neri, William T. Wiley, Hank Willis Thomas, Charlie Tweddle, and Shepard Fairey, ranging from public art installations to gallery retrospectives.

New York auctions, James McNeill Whistler at Tate Britain, Edvard Munch—podcast

This episode of The Art Newspaper's podcast 'The Week in Art' covers three major stories: the spring auction results in New York, which saw record prices for works by Jackson Pollock, Constantin Brancusi, and Mark Rothko; the opening of the largest James McNeill Whistler exhibition in Europe in over 30 years at Tate Britain in London, which will later travel to the Van Gogh Museum and The Mesdag Collection in the Netherlands; and a feature on Edvard Munch's 1922 frieze from the Freia Chocolate Factory, currently on loan to the Munch museum in Oslo for the exhibition 'Edvard Munch and the Chocolate Factory.'

Dubai Plans a Massive New Museum for Digital Art

Dubai has announced plans for a new Museum of Digital Art (MODA), a major institution dedicated to digital and tech-driven art. The museum is part of a $27 billion transformation of Dubai's financial district into a technology hub, and will feature immersive and interactive experiences. No budget or completion date has been set, but Sheikha Latifa bint Mohammed bin Rashid Al Maktoum, chairperson of Dubai Culture, stated the museum advances the city's commitment to converging creativity and technology. The museum will be designed by Adrian Smith + Gordon Gill Architecture, the firm behind the Burj Khalifa.

Inside TEFAF New York’s Annual Wealth Pageant

The 12th annual TEFAF New York fair took place at the Park Avenue Armory from May 15 to 19, attracting wealthy collectors with a mix of blue-chip art, design objects, and jewelry. Highlights included Kathleen Ryan's bejeweled 'Bad Fruit' sculptures at Gagosian, Cai Guo-Qiang's gunpowder paintings at White Cube (which sold 11 of 12 works), Sheila Hicks's textiles at Demisch Danant, and a new David Hockney painting at Annely Juda Fine Art. The fair featured 88 galleries from 14 countries, with VIP previews drawing art advisors and high-net-worth clients.

Rothko from Robert Mnuchin’s Estate Sells for $85.8 M., Leading Sotheby’s New York’s $433.1 M. Contemporary Art Sale

Sotheby’s New York held a $433.1 million modern and contemporary art sale at its Madison Avenue headquarters, led by Mark Rothko’s *Brown and Blacks in Reds* (1957), which sold for $85.8 million. The auction opened with 11 works from the estate of legendary dealer Robert Mnuchin, totaling $166.3 million, including a second Rothko and pieces by Willem de Kooning, Franz Kline, and Pablo Picasso. The contemporary art segment followed, with Jean-Michel Basquiat’s *Museum Security (Broadway Meltdown)* (1983) selling for $52.7 million. The overall sale was described by advisers as robust but not particularly exciting, and it significantly exceeded the $186.1 million equivalent sale from last year.

Public art blossoms around New York

New York City's public spaces are blooming with large-scale outdoor art this spring, complementing the gallery and museum season. From the High Line to Brooklyn Bridge Park, the Bronx to Stuyvesant Square, artists including Derek Fordjour, Raven Halfmoon, Monira Al Qadiri, Judith Modrak, Woody De Othello, Shellyne Rodriguez, and Graciela Cassel have installed sculptures, murals, and interactive works. Highlights include Fordjour's mural *Backbreaker Double* (2025), Halfmoon's ceramic bust *West Side Warrior* (2025), and Rodriguez's *Phoenix Ladder: Monument to the People of the Bronx* (2025), which commemorates housing loss in the 1970s.

At the Venice Biennale, Koyo Kouoh’s ‘In Minor Keys’ Looks Deeply at Lush Gardens and a Scarred Earth

Koyo Kouoh's exhibition 'In Minor Keys' at the 2026 Venice Biennale centers on the practices of two deceased artists, Issa Samb and Beverly Buchanan, whose ways of thinking animate the show through dedicated 'Shrines' in the Central Pavilion. The exhibition also draws on Marcel Duchamp's legacy, featuring works by over a dozen contemporary artists including Akinbode Akinbiyi, Guadalupe Rosales, Natalia Lassalle-Morillo, Guadalupe Maravilla, Sofía Gallisá Muriente, and Avi Mograbi, whose installation 'Between a River and a Sea' contrasts pre-1948 business directories with a 2023 Gaza Yellow Pages. A section called 'The Schools' highlights artist-run spaces such as Denniston Hill, Guest Artists Space (G.A.S.) Foundation, blaxTARLINES, and the Nairobi Contemporary Art Institute.

$60 M. Lichtenstein Comes to the Block at Christie’s, Potentially Joining His Priciest Works at Auction

Christie’s will offer Roy Lichtenstein’s 1964 painting *Anxious Girl* from the collection of legendary New York collector-dealer Holly Solomon and her husband Horace, with an estimate of $40–60 million. If it reaches its high estimate, it will become the artist’s second-priciest work at auction, trailing only *Nurse* (1964), which sold for $95.4 million in 2015. The work leads Christie’s 20th-century evening sale on May 18, amid a flurry of high-value consignments as both Christie’s and Sotheby’s aim to sustain momentum after posting improved 2025 results.

joshua johnson

Joshua Johnson, born into slavery in Maryland around 1763, emerged in the late 18th century as the first documented Black professional artist in the United States. After gaining his freedom in 1782, Johnson established himself in Baltimore as a self-taught portraitist, advertising his services in local newspapers and catering to the city's prominent families. His body of work, consisting of approximately 83 attributed paintings, is characterized by a distinct flatness and three-quarter profile compositions typical of early American folk art.

South Carolina’s International African American Museum Officially Acquires Earliest Known Daguerreotypes of Enslaved Americans

South Carolina’s International African American Museum Officially Acquires Earliest Known Daguerreotypes of Enslaved Americans

The International African American Museum in Charleston, South Carolina, has officially acquired the "1850 Daguerreotypes," the earliest known photographs of enslaved Americans. The set of 15 images, taken by J.T. Zealy, depicts seven enslaved individuals—Alfred, Delia, Drana, Fassena, Jack, Jem, and Renty—and had been held by Harvard University until a recent legal settlement. Harvard had owned the daguerreotypes since they were commissioned in 1850 by natural historian Louis Agassiz.

dante gabriel rossetti christina portrait revealed

A newly discovered 1877 chalk portrait of the poet Christina Rossetti by her brother, the Pre-Raphaelite master Dante Gabriel Rossetti, has been unveiled at Wightwick Manor. The drawing, recently acquired by the National Trust, serves as the centerpiece for the exhibition "The Rossettis – Siblings and Spouses." Created during a period of shared family mourning following the death of their sister Maria, the work departs from Rossetti’s typical idealized style to offer a somber, realistic depiction of grief and resilience.

work of the week maria berrio sothebys

Sotheby’s is offering María Berrío’s mixed-media collage "Act II, Scene 4: Threshold" in its "Contemporary Discoveries" online sale with an estimate of $60,000–$80,000. This specific work previously sold for $380,000 at the Two x Two for AIDS and Art charity auction in 2023, far exceeding its then-retail value of $125,000. The current auction serves as a litmus test for the artist's secondary market resilience following a period of intense speculative trading.

art market minute feb 9

The inaugural edition of Art Basel Qatar concluded in Doha, marking a significant new chapter for the Gulf art market. The fair adopted a smaller, curated format and was notably overseen by Egyptian artist Wael Shawky, who served as its artistic director, bringing a curatorial perspective to the commercial event.

beverly buchanan athens disabled economy exchange mo costello katz tepper

Beverly Buchanan, who lived in Athens, Georgia for over 20 years, often paid for everyday needs with her artworks, trading them with her doctor and local community members. A new exhibition titled "Beverly's Athens" at the University of Georgia's Athenaeum showcases works borrowed from local collections, including pieces from her doctor's personal collection and sculptures from her own backyard. The show features her flower drawings, which her dealer Betty Parsons once rejected, as well as her "ruins" sculptures and archival footage of her garden. Curators Mo Costello and Katz Tepper, both artists who are chronically ill, organized the exhibition to highlight Buchanan's ecosystem of exchange and survival.

artists business art

Artnet News asked several working artists—Manuel Mathieu, Hanna Salomonsson, Aki Sasamoto, Nigel Hall, Sharmistha Ray, and Miljohn Ruperto—to share the practical and philosophical lessons that sustain their creative practices. Topics include building trust with collaborators, navigating financial uncertainty, setting up shared studio spaces, using recycled materials, maintaining optimism at age 82, reframing rejection, and adapting to the expectation that artists must act as entrepreneurs before their first gallery show.

hong kong fire arts groups asian art news

A devastating fire in Hong Kong's Tai Po neighborhood, which killed at least 151 people, has prompted a period of mourning and led several major cultural institutions to cancel or postpone public events. The Hong Kong Arts Festival and the Hong Kong Jockey Club Charities Trust cancelled a press conference for the "No Limits" program, while M+ rescheduled its "Night: Festive Play" event. Meanwhile, art fairs and galleries continue to announce developments: Kiaf Seoul will run concurrently with Frieze Seoul in 2026, Contemporary Istanbul will introduce a new Focus Asia section, and Art Basel Hong Kong 2026 will feature new sectors Echoes and Zero 10. In the market, On Kawara's "NOV. 27, 1984" sold for HK$8.5 million at Bonhams Hong Kong, and standout results were seen at Sotheby's Hong Kong.

shanghai art week 2025

Shanghai Art Week 2025 is underway, anchored by two major concurrent art fairs: Art021 Shanghai and West Bund Art and Design, running from November 13 to 16. West Bund has relocated to a new venue, the West Bund Convention Center designed by Skidmore, Owings, and Merrill, featuring over 200 participants including 106 galleries in its main sector. Art021 returns to the Shanghai Exhibition Center with 139 galleries from 22 countries, including 33 first-time participants. The Shanghai Biennale opened early at the Power Station of Art, curated by Kitty Scott under the title "Does the Flower Hear the Bee?" featuring 67 artists and collectives. Meanwhile, alternative events like "Artist's Treat," launched by Xu Zhen in collaboration with Hol Platform and ShanghArt Gallery, are drawing attention in repurposed local spaces.

sothebys karpidas sale white glove smashes estimate

Sotheby's achieved a white-glove sale of Pauline Karpidas's collection on Wednesday night, far exceeding its $53 million high estimate to reach $100 million. All 55 lots sold, with 70% surpassing their high estimates, marking the highest total for a designated auction held in London. Two additional sales from the collection are ongoing: a day auction of 193 lots and an online sale of 97 lots, with a combined presale estimate of $80 million. The auction featured 23 Surrealist works, including pieces by René Magritte, and replicated Karpidas's London home in the salesroom.

trump slavery museums smithsonian comments meaning

President Donald Trump posted on Truth Social criticizing the Smithsonian and museums nationwide, claiming they focus excessively on negative aspects of U.S. history such as slavery. He described these institutions as the last remaining segment of 'WOKE' culture. The article counters his remarks by highlighting the National Museum of African American History and Culture (NMAAHC), which presents both the horrors of slavery and themes of survival, liberation, and perseverance through objects like Harriet Tubman's handkerchief and artworks by Jacob Lawrence and Alison Saar. It also references the 2022 exhibition 'Afro-Atlantic Histories' at the National Gallery of Art, which balanced depictions of violence with messages of freedom and resilience.

alejandro pineiro bello neuendorf residency

Cuban-born, Miami-based artist Alejandro Piñeiro Bello arrived at the Neuendorf Residency in Mallorca with plans to use art supplies shipped from mainland Spain, but they never arrived. Undeterred, he worked with only watercolors and paper he had packed, drawing inspiration from the surrounding cliffs, sea, and plant life. The residency, housed in a minimalist building designed by John Pawson and Claudio Silvestrin and commissioned by Artnet founder Hans Neuendorf, offered him solitude to create memory-based paintings of swimmers and landscapes.

megastar artist kent monkman is rewriting colonial narratives on canvas

Kent Monkman, a member of the Fisher River Cree Nation and a leading contemporary painter based between Toronto and New York, is the subject of a feature article discussing his career and his first major U.S. museum exhibition, "History is Painted by the Victors," opening at the Denver Art Museum. Monkman is known for epic, genre-bending canvases that subvert classical European painting traditions, particularly 19th- and 20th-century history painting, to expose colonial distortions and omissions. Central to his work is Miss Chief Eagle Testickle, his time-traveling alter ego who queers history and repositions Indigenous presence and agency. The article includes an interview where Monkman reflects on his upbringing in Winnipeg, his relationship to museums, and how painting serves as both a political tool and a method for processing historical trauma.

The Essential Works of Yin Xiuzhen

ArtAsiaPacific published a profile of Chinese artist Yin Xiuzhen, born in 1963 in Beijing, highlighting her career as a pivotal figure in Chinese contemporary art since the 1990s. The article revisits milestone works following the closing of her solo exhibition "Yin Xiuzhen: Heart to Heart" at London's Hayward Gallery, including early pieces like *Dress Box* (1995) and *Washing River* (1995). Yin emerged alongside the second wave of Chinese contemporary artists, including Yu Hong, Song Yonghong, Wang Jinsong, and her husband Song Dong, and was an early practitioner of what art historian Gao Minglu termed "Apartment Art." Her practice uses discarded clothing, household ephemera, and industrial materials to address urbanization, globalization, environmental crisis, and collective memory.

A Contemporary Art Haven Just a PATH Ride Away

Luis Emilio Romero, a Jersey City native, moved from Bushwick to the Monira Foundation's residency at Mana Contemporary in Jersey City, where he now paints intricate, textile-influenced patterns in a calm basement studio. Mana Contemporary, a 2 million-square-foot former tobacco warehouse converted in 2011 by Moishe Mana, Eugene Lemay, and Yigal Ozeri, hosted its Spring Open Studios on May 17, with over one-third of its 300 artists participating—the largest turnout in years. The event featured installations by TLaloC, sculptures by John Chamberlain, and an exhibition of artist books, "Open Book(s): Observations," presented by Pierogi Gallery, Mana, and the Monira Foundation. Pierogi co-owners Joe Amrhein and Susan Swenson also brought their Flat Files containing nearly 4,000 works to Mana for six months to a year.