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Kadist, a Paris-based nonprofit art organization, announced the closure of its San Francisco gallery after 14 years of operation. The space, which opened in 2011, was known for commissioning and exhibiting works by international artists such as Hank Willis Thomas, Jota Mombaça, and Ad Minoliti. Joseph Del Pesco, Kadist’s Americas director, stated that the closure was not due to funding issues but rather a strategic shift toward international collaborations with museums across the Americas and beyond. The organization will continue to operate its original space in Paris and maintain its collection of over 2,000 artworks.

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The article reports on a generational shift in the art world, with younger gallerists (millennials and Gen Z) redefining success away from the traditional empire-building model. It highlights the recent closures of Venus Over Manhattan and Tim Blum's gallery, but notes that emerging dealers like Bridget Donahue and Matthew Brown are prioritizing collaboration, transparency, and a sustainable pace—attending fewer art fairs and building tight-knit communities rather than large client bases. Separately, the article covers Hauser & Wirth's announcement of a new gallery in Palo Alto, California, set to open in spring 2026, marking the mega-gallery's first Bay Area location and its third in California.

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Hauser & Wirth has announced global representation of Spanish sculptor Cristina Iglesias, who will depart Marian Goodman Gallery after over two decades. The gallery will feature her new work "Entwined VI" at Art Basel this month and host a solo exhibition at its London gallery in October. Separately, Rio de Janeiro's National Museum of Brazil is temporarily reopening three galleries seven years after a devastating fire destroyed 90% of its collection, showcasing surviving artifacts like the Bendegó meteorite. Meanwhile, staff at the Tel Aviv Museum of Art have been protesting daily since April over the war in Gaza, reflecting broader protests across Israel.

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Michael Armitage's solo exhibition "Crucible" at David Zwirner's new Annabelle Selldorf-designed gallery in New York features paintings centered on migration, including the work *Path* (2024), inspired by a 2015 Vice News story about an Eritrean teenager's harrowing journey to Europe. The show also includes *Raft (ii)* (2024), a blurry homage to Théodore Géricault's *Raft of the Medusa*, and new sculptures that resemble wood carvings. The gallery itself, a single-story 18,000-square-foot space, opened after a larger planned venue fell through due to financial headwinds during Covid.

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TEFAF New York 2025 opened with 91 exhibitors, featuring a mix of blue-chip and emerging artists. Galleries reported sales including a €250,000 relief by Anne Imhof at Sprüth Magers, a $500,000 Sean Scully painting at Lisson Gallery, and multiple Ruth Asawa works at David Zwirner ranging from $50,000 to $2.8 million. Thaddaeus Ropac sold works by Daniel Richter for €840,000. The fair aims to attract younger buyers while maintaining its prestige, with fewer objects priced above $10 million than in previous years.

The village where Van Gogh spent his final days celebrates its most distinguished visitor

An exhibition titled "Van Gogh, Influencer: Legacies in Motion" has opened at the Château of Auvers-sur-Oise, the village near Paris where Vincent van Gogh spent his final 70 days and died by suicide in July 1890. The show, running until 3 January 2027, features nearly a hundred works by artists influenced by Van Gogh, including Léonide Bourges, Charles-François Daubigny, and Léo Gausson, though no original Van Gogh paintings are included. Curated by Wouter van der Veen, the exhibition explores visual parallels and stylistic contrasts between Van Gogh’s iconic works—such as *Church at Auvers* and *Wheatfield with Crows*—and those of his contemporaries and followers.

Defiant women and daring paintings: Emin, Webster and Wylie create a buzz in the UK's exhibition calendar

The UK art scene is currently dominated by major survey exhibitions from three prominent female artists: Rose Wylie, Tracey Emin, and Sue Webster. Rose Wylie, at 92, makes history as the first woman painter to occupy the Royal Academy’s main galleries, while Tracey Emin presents a raw, thematic survey at Tate Modern reflecting on her life before and after cancer. Simultaneously, Sue Webster marks her institutional solo debut at Firstsite, showcasing a transition from her famous collaborative practice to deeply personal oil painting.

A Dutch museum has just put its fake Van Gogh on show

The Kröller-Müller Museum in Otterlo has broken traditional museum protocol by placing a known forgery, "Seascape at Saintes-Maries-de-la-Mer," on public display. Acquired in 1928 by museum founder Helene Kröller-Müller from the notorious Berlin dealer Otto Wacker, the painting was eventually exposed as a fake created by Wacker’s brother, Leonhard. The exhibition, which runs until June 21, coincides with a new podcast detailing the history of the acquisition and the subsequent fraud trial that rocked the art world in the 1930s.

Van Gogh goes to China, with a more affordable early painting

Christie's is auctioning Vincent van Gogh's early painting 'A Girl in a Wood' in Hong Kong on March 27, with an estimate of $1.3m-$2.6m. The work, recently redated to August 1883, is being offered directly in Asia, bypassing major Western previews, to target Chinese collectors.

Inside Gagosian’s Quiet Power Move to Street Level on Madison Avenue

Gagosian has opened a new 2,275-square-foot ground-floor gallery at 980 Madison Avenue in New York, relocating from its longtime sixth-floor space after 37 years. The move was prompted by Bloomberg Philanthropies' acquisition of the building in 2024, which displaced several fine art tenants. The inaugural exhibition features works by Marcel Duchamp and Robert Rauschenberg, and the space was designed by architect Jonathan Caplan with advanced lighting by Dot Dash.

Whitney Biennial Trends, a New Baroque Art Star, and Banksy Unmasked

The Art Angle podcast, hosted by Ben Davis and Kate Brown with guest Eileen Kinsella, recapped major art stories from March 2026. The discussion centered on three key developments: the opening of the 2026 Whitney Biennial, the rising art historical prominence of 17th-century Flemish painter Michaelina Wautier, and a new investigation claiming to have definitively unmasked the identity of the anonymous street artist Banksy.

Art Industry News: November 1, 2021

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The global art landscape is undergoing significant shifts, from the cultural erasure facing Afghan artists under Taliban rule to a surge in grassroots restitution efforts led by organizations like the Nepal Heritage Recovery Campaign. Meanwhile, major institutional moves include the appointment of Julieta González as artistic director of Brazil’s Inhotim and the opening of the Nesr Art Foundation in Luanda, Angola, which aims to bolster the local contemporary art scene through residencies and private collection displays.

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Major international museum projects are nearing completion for 2026, signaling a period of significant institutional expansion despite global economic and political pressures. Key highlights include the long-awaited Guggenheim Abu Dhabi, designed by Frank Gehry, which will finally open its doors on Saadiyat Island after two decades of planning. Meanwhile, Los Angeles is preparing for two major debuts: George Lucas’s $1 billion Lucas Museum of Narrative Art and Refik Anadol’s Dataland, a dedicated space for AI-driven digital art.

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Tilton Gallery, a fixture of New York’s Upper East Side for over 40 years, has announced it will close its physical space following an upcoming Ruth Vollmer exhibition to focus on private projects. The week also saw significant leadership shifts, including Lisa Phillips announcing her retirement as director of the New Museum after 26 years, and Ebony L. Haynes being promoted to the newly created role of global head of curatorial projects at David Zwirner. Meanwhile, legal tensions surfaced as a court dismissed Ronald Perelman’s $400 million insurance lawsuit regarding fire damage to his art collection.

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Guest columnist John Chiaverina reports from the opening of the 2026 Whitney Biennial, capturing the shifting moods of the New York art scene. Through interviews with participating artists like Maddie Biven of the collective kekahi wahi and veteran performer Pat Oleszko, the piece explores a tension between the desire for exuberant, risk-taking aesthetics and a perceived lack of political urgency among younger generations.

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Art Basel Qatar has launched its inaugural edition in Doha, marking a significant expansion of the Swiss fair brand into the Middle East. The event features 87 exhibitors in a unique, booth-less format spread across the M7 and Doha Design District, departing from traditional trade fair aesthetics in favor of a curated, biennial-style presentation. While the opening VIP day saw strong attendance from regional collectors and major international galleries like Hauser & Wirth, the atmosphere was tempered by light initial sales and significant regional geopolitical tensions.

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Olivia Barrett, co-founder of the Los Angeles gallery Château Shatto, is pivoting her business strategy to navigate a cooling art market and a post-boom landscape in Southern California. After moving to the Melrose Hill art corridor, Barrett is shifting away from the high-velocity art fair model to focus on a more curated, historical program. This includes integrating 20th-century estates and secondary-market works from artists like Alice Rahon and Emily Kam Kngwarray alongside contemporary voices like Aria Dean.

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Los Angeles boasts a dense museum landscape that reflects the city's unique architectural history and commitment to contemporary art. This guide highlights five essential cultural destinations, including The Broad, which houses the expansive postwar collection of Eli and Edythe Broad within its innovative 'veil and vault' architecture, and Frank Lloyd Wright’s Hollyhock House, a UNESCO World Heritage site that pioneered California's indoor-outdoor living aesthetic.

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The Art Business Conference in Paris recently highlighted the growing trend and inherent risks of collaborations between artists and commercial brands. Keynote speaker Vadim Grigoryan and other industry experts discussed how these partnerships have evolved from historical precedents like Dalí and Schiaparelli into a modern necessity for brands seeking cultural relevance. While these deals offer artists financial stability and massive public exposure, the conference warned of the dangers of "commodity" marketing and the exploitation of artistic vision.

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The commercial market for performance art is undergoing a significant shift in value and sophistication. While performance has been sellable for decades through archival editions and documentation—a model pioneered by figures like Marina Abramović and dealer Sean Kelly—newer methods include oral contracts for 'live' works and high-stakes secondary market sales. Recent examples, such as Hauser & Wirth offering a Felix Gonzalez-Torres performance piece with an eight-figure price tag, signal that the medium is moving from a niche interest into a high-value asset class.

Paint Drippings: Art Industry News February 23

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This week’s art industry roundup highlights major shifts across the global market, including Art Basel’s announcement of 290 galleries for its flagship Swiss fair and Sotheby’s adjustment of its buyer’s premium rates. Significant personnel moves include Devyani Saltzman’s abrupt departure from the Barbican, which sparked an open letter from over 170 cultural figures, and Anne-Claire Legendre becoming the first woman to lead Paris’s Arab World Institute.

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The Hirshhorn Museum and Sculpture Garden has launched the "50 for 50" loan program, a landmark initiative to disperse over 200 artworks from its collection to museums in all 50 U.S. states and Puerto Rico. Major works by artists like Jackson Pollock, Georgia O'Keeffe, and Willem de Kooning will be loaned for up to five years, with a focus on reaching underserved and rural communities.

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Artnet Pro's 'The Asia Pivot' newsletter previews the 2026 Asian art market, highlighting a hopeful recovery after signs of improvement in late 2025. Key events include Art SG in Singapore (hosting S.E.A. Focus for the first time), the inaugural Art Basel Qatar in February, and Art Basel Hong Kong in March. Auction houses will align spring sales with these fairs. The article also notes regional shifts: South Korea's Art Asia partners with KINTEX for a new fair in India, Hong Kong's Kwai Fung Hin opens in Singapore, and Shanghai's Antenna Space expands to Hong Kong. Japan's Prime Minister Sanae Takaichi meets with artist Takashi Murakami to promote culture abroad, while geopolitical tensions with China threaten cultural exchanges.

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This week's art industry roundup covers a postponement, financial losses, legal disputes, and leadership changes. New Jersey's Art Fair 14C has been postponed to May 2027, with organizers citing capacity issues unrelated to market conditions. Bonhams reported a 90% pre-tax loss jump to £213 million in 2024 due to impairment charges. A rediscovered Watteau drawing will be auctioned at Christie's Paris, and personal items of Jimmy and Rosalynn Carter are featured in Christie's 'American Collector' sales. In galleries, Amy Sillman left Gladstone for David Zwirner, Trevor Paglen joined Jessica Silverman, and Maya Hewitt joined Theta. The Louvre partially closed after a staff strike demanding director Laurence des Cars' resignation and reassessment of a renovation plan. Belgium's plan to dismantle Antwerp's M HKA museum has sparked resignations and backlash. New appointments include Will Cary as COO of the Barnes Foundation and Patton Hindle as director of arts at the Knight Foundation. MATHAF museum in Doha announced a campus expansion by architect Lina Ghotmeh. Legal disputes emerged between Gian Enzo Sperone and Angela Westwater over the shuttered Sperone Westwater gallery.

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Artnet News published a roundup of the top five episodes of its podcast 'Art Market Minute' from 2025, hosted by Margaret Carrigan. The episodes cover key industry topics: whether artists still need galleries, how to build professional relationships in the art world, the rising market value of Jack Whitten's work, the impact of AI on the art market, and the wave of high-profile gallery closures reshaping the trade. Guests include Sonia Manalili, Brooke Lampley, Naomi Rea, Eileen Kinsella, Jo Lawson-Tancred, and Katya Kazakina.

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Artnet News's 'The Asia Pivot' reflects on its 2025 coverage, highlighting the expansion of Asia's art scene beyond traditional East Asian markets into emerging regions such as the Gulf, South Asia, and Central Asia. Key developments include the debut of the Bukhara Biennial in Uzbekistan, the opening of the Almaty Museum of Arts in Kazakhstan, and the flourishing art scene in Thailand with new private museums like Dib Bangkok. The report also covers major markets like China, Japan, and South Korea, noting the impact of geopolitical dynamics and market shifts.

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Art Basel Miami Beach 2025 opened amid cautious optimism following the $2.2 billion New York auctions, with Google co-founder Sergey Brin and WhatsApp co-founder Jan Koum spotted in Miami. Dealers reported strong sales, including an $18.5 million Joan Mitchell painting at Gray purchased by dealer Lillian Heidenberg. The fair introduced a new digital art section, Zero 10, sponsored by OpenSea and curated by Eli Scheinman, aimed at attracting crypto-wealthy collectors and younger audiences. Meanwhile, Art Basel hired Elena Soboleva, formerly of David Zwirner, as global head of audience growth and intelligence to engage the next generation of collectors.

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Art Basel Miami Beach 2025 launched a new digital art section called Zero 10, featuring works like Beeple's robotic dogs with billionaire heads and Tyler Hobbs' generative art. The fair aimed to attract tech-sector buyers, with sales including IX Shells' interactive video installation for $140,000 and Jack Butcher's pay-what-you-wish installation drawing hundreds of new collectors. The section had surprisingly few screens, emphasizing conceptual engagement over spectacle.

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The article, part of Artnet's Intelligence Report, profiles the rise of a new generation of art collectors, exemplified by Justine Freeman, granddaughter of legendary patron Betty Freeman. It highlights how millennials and Gen Z, who accounted for a quarter to a third of bidders at major auction houses in 2024, are reshaping the market by focusing on ultra-contemporary artists like Jadé Fadojutimi and Hilary Pecis, as well as nontraditional collectibles such as sneakers and Hermès bags. Notable sales include Maurizio Cattelan's banana artwork "Comedian" for $6.2 million to a 34-year-old crypto entrepreneur.

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Artnet Pro has published a roundup of nine artists whose markets it appraised in depth during 2025, including Dorothea Tanning, Gertrude Abercrombie, Emily Kam Kngwarray, Jack Whitten, and Olga de Amaral. The article highlights key market developments for each artist, such as record auction prices, growing international recognition, and shifts in collector interest, drawing on data and expert commentary from dealers, auction-house specialists, and advisors.