6 musées incontournables à visiter à Venise

Beaux Arts Magazine highlights six must-visit museums in Venice, including the Palazzo Ducale, Gallerie dell'Accademia, Peggy Guggenheim Collection, and the Pinault Collection venues Palazzo Grassi and Punta della Dogana. The article notes that during the Biennale, the city is filled with free pavilions, but the main museums have high entry fees, offset by passes like the Venice Museum Pass (€59) and Venice City Pass (€119). It also mentions a current Marina Abramović exhibition at the Gallerie dell'Accademia, marking her as the first living female artist honored there.

Sofiane Pamart: 'With my piano, I sculpt sound matter'

Sofiane Pamart : « Avec mon piano, je sculpte la matière sonore »

French pianist Sofiane Pamart discusses his creative process in an interview with Beaux Arts Magazine, explaining how his music is inspired by contemplative cinema, particularly the films of Takeshi Kitano and Wong Kar-wai. He describes his approach to composition as sculpting sound, drawing parallels to impressionist painting and the works of sculptors Auguste Rodin and Camille Claudel. Pamart also expresses a preference for art that interacts with nature, citing the open-air museum of sculptor Anachar Basbous in Lebanon as an example.

Museum Night, Photomobiles… 10 outing ideas for the month of May

Nuit des musées, Photomobiles… 10 idées de sorties à faire au mois de mai

Beaux Arts Magazine presents a curated list of ten cultural outings across France for May 2026, highlighting events such as the Nouveau Printemps festival in Toulouse directed by Rossy de Palma, the Interstice festival in Caen focusing on emerging art and technology, the L'art est dans le pré festival in Troyes featuring contemporary art in rural villages, an immersive installation at the Musée d'Orsay tied to the Renoir exhibition, and the Cœurs-Volants kite festival in Essonne where architecture students create flying artworks. Other suggestions include outdoor art trails, heritage site sports programs, and literary festivals in Épinal and Seine-Maritime.

Which exhibitions and museums to visit in the evening this May in Paris?

Quels expos et musées voir en nocturne en ce mois de mai à Paris ?

Paris museums and galleries are extending their hours for evening visits in May, with many offering late-night openings on specific weekdays. The Palais de Tokyo is open until 10pm daily except Tuesday, the Musée du Luxembourg stays open until 10pm on Mondays, and the BnF Richelieu site is open until 8pm on Tuesdays. The Fondation Cartier pour l'art contemporain, newly relocated near the Louvre, welcomes visitors until 10pm on Tuesdays, while the Jeu de Paume stays open until 9pm on Tuesdays. On Wednesdays, the Musée du Louvre extends its hours until 9pm, alongside other museums. Current exhibitions include shows dedicated to Leonora Carrington, Martin Parr, and Nan Goldin, among others.

Immersive exhibitions and visits not to miss from spring to summer in France

Les expos et visites immersives à ne pas rater du printemps à l’été en France

The article from Beaux Arts Magazine highlights a selection of immersive art exhibitions and experiences across France for spring and summer 2026. Featured attractions include "Passion Japon" at Parc de la Villette in Paris, a journey through Japanese culture with Hokusai and Hiroshige projections; "L'Odyssée Céleste" at Église Saint-Eustache, a 3D light spectacle with live choral music; "Frissons" at the Musée d'Orsay, an interactive light installation by artist Adrien M responding to visitors' movements; and a Picasso immersive experience at Les Baux-de-Provence.

Aboriginal art unfurls its colors and coded messages in a major exhibition in Lodève

L’art aborigène déploie ses couleurs et ses messages codés dans une grande expo à Lodève

A major exhibition of Aboriginal art has opened at the Musée de Lodève in France, featuring over one hundred works primarily from the collection of Alison and Peter Klein. The show presents paintings, painted totems, and trunks, showcasing the rich colors, hypnotic dot painting techniques, and coded symbolism characteristic of this art form.

Jo Ractliffe at the Jeu de Paume: “I am not a militant photographer, but when you work in South Africa you cannot escape stories of violence”

Jo Ractliffe au Jeu de Paume : « Je ne suis pas une photographe militante, mais quand on travaille en Afrique du Sud on ne peut échapper aux histoires de violence »

South African photographer Jo Ractliffe discusses her upcoming retrospective at the Jeu de Paume, reflecting on her career path that began during the isolation of the apartheid era. Eschewing traditional photojournalism, Ractliffe developed a singular poetic language focused on landscapes and animals to address the heavy histories of violence, ownership, and displacement in Southern Africa.

Klara Lidén “Kunstwerke” at KW Institute for Contemporary Art, Berlin

Swedish artist Klara Lidén has opened a major solo exhibition, "Kunstwerke," at the KW Institute for Contemporary Art in Berlin. The show features a new, site-specific architectural installation that reconfigures the gallery's main hall, alongside a selection of her existing video and sculptural works that explore urban space and the body's relationship to it.

Es Devlin Is Creating a Living Portrait of the Entire U.K.

British artist Es Devlin has launched a participatory public artwork titled "A National Portrait for the National Portrait Gallery," inviting all 69 million U.K. residents to upload selfies that are transformed into charcoal-and-chalk-style portraits using an AI model trained on Devlin’s drawings. The portraits appear on a framed screen in the museum’s History Makers gallery, and the project runs through October 27, accompanied by online and onsite drawing classes.

Rio’s Museum of Image and Sound finally opens after 16 years in development

The Museum of Image and Sound (MIS-RJ) on Rio de Janeiro's waterfront opens to the public on May 8 after 16 years of development. The 10,000-sq.-m building, designed by Diller Scofidio + Renfro, features eight floors with panoramic views of Copacabana Beach and a façade honoring Roberto Burle Marx. The project faced multiple delays, funding suspensions, and controversy over urban redevelopment, including backlash when a nightclub on the site was demolished in 2010. Work resumed in 2021, and the $62.5 million museum was completed with public and private funds from donors like Itaú, Vale, and Rede Globo.

Pedro Reyes’s new Lacma commission sparks criticism in Mexico

Pedro Reyes's new sculpture 'Tlali' (2026), a four-meter-tall Olmec-inspired volcanic-stone female face installed at the Los Angeles County Museum of Art (Lacma), has sparked criticism in Mexico. An open letter signed by nearly 80 cultural figures, published on the art criticism site Cubo Blanco, alleges the work is a new version of a 2021 project that was canceled after backlash. That earlier project, 'Tlalli', was meant to replace a Christopher Columbus statue on Mexico City's Paseo de la Reforma but faced opposition from over 300 cultural figures who argued a male, non-Indigenous artist should not represent Indigenous women. The site later became the 'Glorieta de las Mujeres que Luchan', an anti-monument against gender violence.

Henrike Naumann Stared Down a Divided Germany’s Past While Eyeing Our Troubled Present

Henrike Naumann, a German artist known for using secondhand furniture and design to explore political extremism and consumer capitalism, is profiled in ARTnews. The article recounts her first US exhibition, “Re-Education” at SculptureCenter in New York in 2022, where she created installations referencing the January 6 Capitol attack, juxtaposing Federal-style office furniture with a Flintstonian mancave and chairs arranged by ideological subtext. The show gained unexpected attention when German media covered it, linking her small hometown of Zwickau with New York, and she later visited Thomas Hart Benton’s murals at the Met to understand American power and aesthetics.

Barbados's slavery museum and memorial faces major delays

Barbados's Heritage District at the Newton Enslaved Burial Ground, a major project including a memorial, national museum, archives, and cultural complex, is facing significant construction delays more than four years after its 2021 announcement. The site, one of the largest known burial grounds of enslaved Africans in the Western Hemisphere, is being developed under the Road (Reclaiming Our Atlantic Destiny) Programme led by Prime Minister Mia Amor Mottley. While a temporary pavilion for the National Performing Arts Centre opened in August 2025, the overall completion—initially slated for 2024—has been pushed back due to expanded archival digitization, supply-chain disruptions, and a fire at the Barbados Archives Department in June 2024. The memorial, designed by Adjaye Associates, is conceived as a landscape intervention using teak sourced from Ghana.

Olivia Rodrigo’s New Music Video Is a Dizzying Romp Through Versailles

Pop star Olivia Rodrigo has released the music video for her new single "Drop Dead," filmed on location at the Palace of Versailles. Directed by Petra Collins, the production marks the first time a music video has been granted permission to film inside the palace's royal apartments, including the Queen's Bedroom and the Grand Couvert Antechamber. The video features Rodrigo performing alongside historic masterpieces, such as Pierre Mignard’s 17th-century tapestry "Apollo and the Muses on Mount Parnassus."

Amanda Heng Walks the Walk

Singaporean artist Amanda Heng, now 74, is representing Singapore at this year's Venice Biennale with her exhibition titled *A Pause*, featuring a site-specific installation and durational performance. Known for her decades-long performance *Let's Chat* (1996–), in which she cleans mung bean sprouts with participants to foster casual conversation, Heng transforms everyday domestic gestures into feminist acts. Her work reclaims the body, labor, and relationships as sites of personal autonomy. She was part of the pioneering, male-dominated generation of Singaporean contemporary artists in The Artists Village, but left due to its hierarchical structure to pursue collaborations with women artists and further studies.

Sara Shamma on Representing Syria at the 61st Venice Biennale

Sara Shamma will represent Syria at the 61st Venice Biennale (2026) with a large-scale immersive installation titled *The Tower Tomb of Palmyra*. The 15-meter-high multisensory work combines painting, architecture, light, sound, and scent, inspired by the ancient funerary towers of Palmyra that were destroyed during the Syrian War. Shamma describes the piece as a reflection on loss, resilience, and cultural memory, and notes its resonance with the Biennale's theme, *In Minor Keys*, curated by Koyo Kouoh.

Sue Webster: Fandoms and Icons

Sue Webster's solo exhibition 'Birth of an Icon' at Firstsite in Colchester traces her lifelong obsession with pop culture, from teenage fandom of Siouxsie Sioux to her evolution as an artist. The show features a sprawling installation 'The Crime Scene' (2017–) that maps her personal history through albums, newspaper clippings, and objects, alongside painted jackets and self-portraits. It marks a departure from her earlier work as half of the duo Tim Noble and Sue Webster, embracing a more personal, amateurish style that reflects her journey through adolescence, marriage dissolution, and motherhood.

Riyadh Art Extends Its Citywide Permanent Collection

Riyadh Art, a public art initiative led by the Royal Commission for Riyadh City, is expanding its Permanent Collection with 115 new installations planned through 2026 and beyond, adding to the 75 works already installed across the Saudi capital. The collection includes works by international artists such as Alexander Calder, Anish Kapoor, Jeff Koons, Giuseppe Penone, and Ugo Rondinone, alongside Saudi practitioners like Zaman Jassim and Mohammed Al Saleem, with recent additions including Calder's 'Janey Waney' and Nobuo Sekine's 'Phase of Nothingness'.

Robert Filliou, artistes océaniens… Que nous réserve la prochaine édition de la Biennale de Lyon ?

The 18th edition of the Lyon Biennale, titled "Passer d’un rêve à l’autre" (Moving from One Dream to Another), will run from September 19 to December 13, 2026. Curated by Catherine Nichols, an Australian-born art historian and editor based in Berlin, the biennial will take place across ten venues in Lyon, including the Grandes Locos, macLyon, and for the first time the Musée des Tissus et des Arts décoratifs. More than half of the works will be new productions, and over half of the artists are women, with a substantial focus on Oceanian artists such as Timo Hogan, Jazz Money, and Kaylene Whiskey. The exhibition draws inspiration from Lyon's traboules (hidden passageways) and the writings of artist Robert Filliou, exploring themes of dreams, critical analysis, and a "poetic economy."

Marietta Museum of Art & Whimsy closing for summer, but 37 other exhibitions on view at museums in May

The article provides a roundup of museum exhibitions on view in Southwest Florida during May, highlighting five new openings, eight closings, and 25 continuing shows across museums from Sarasota to Naples. Featured exhibitions include Molly Hatch's site-specific ceramic installation "Amalgam" at Sarasota Art Museum, Jillian Mayer's interactive "Slumpies" sculptures, a group show "Something Borrowed, Something New" with works by Louise Bourgeois, Chuck Close, David Hockney, Yoko Ono, Kara Walker, and Ai Weiwei, and Maria A. Guzman Capron's solo textile exhibition "Penumbra." The Marietta Museum of Art & Whimsy is noted as closing for the summer.

Radiohead Spectacle in Brooklyn Teems with World-Building Paintings, Sculpture, and Film

Radiohead has launched a multimedia installation, exhibition, and screening experience titled "Motion Picture House KID A MNESIA" at the Brooklyn Navy Yard, running through June 28. The immersive event features artwork related to the band's albums Kid A and Amnesiac, including screenprints, a video array with vintage TVs, and a 25-foot-tall sculpture of the band's recurring "Stickman" figure. The centerpiece is a hour-plus film set in a black-and-white woods, accompanied by the band's music, with no dialogue or wall text, allowing visitors to freely explore the darkened space. Tickets are $72, and the experience will travel to Chicago, Mexico City, and San Francisco.

A skateboarder’s lament: the dismantling of San Francisco’s iconic and divisive fountain

San Francisco's Vaillancourt Fountain, a controversial concrete sculpture and centerpiece of Embarcadero Plaza since 1971, caught fire during its dismantling in early May 2025 after the city voted to potentially replace it with a grassy park. Designed by artist Armand Vaillancourt, the fountain was a landmark for the city's skateboarding scene in the 1980s and 1990s, but fell into disrepair and became a flashpoint in debates over modernist public art. The removal, costing $4 million for storage and assessment, was mourned by skateboarders and preservationists who saw it as a loss of cultural and architectural heritage.

Renée Levi to transform London’s Hayward Gallery with Audemars Piguet commission this fall.

Swiss painter Renée Levi will create a large-scale two-panel painting for the façade of London’s Hayward Gallery this fall, co-commissioned by the gallery and Audemars Piguet Contemporary. The installation, on view from September 23 to November 15, marks the watch brand’s art programme’s first painting commission and Levi’s first major public commission in the U.K.

Inside Youssef Nabil’s Landmark Musée d’Orsay Exhibition

Egyptian artist Youssef Nabil makes history as the first Arab artist invited to show at the Musée d'Orsay in Paris, with his landmark exhibition 'To Dream Again.' The show features his hand-painted silver gelatin prints that blend cinema, memory, and identity, and marks the first time the museum has invited an artist working primarily with photography to engage with its collection. The exhibition is deeply personal, tracing Nabil's journey from a 19-year-old rejected by art academies in Cairo to a globally recognized artist, and includes a dialogue with Pierre Puvis de Chavannes's painting 'Le Rêve,' which inspired a self-portrait Nabil created in 2021.

Pablo Picasso | AR310 Mask (1956) | For Sale

This article presents a Pablo Picasso ceramic mask, AR310 Mask (1956), available for sale through Leona Craig Art in Hong Kong for US$21,000. The work is an edition of 300, made from A.R. white clay with engobes and oxidized paraffin decoration. The provenance describes how Picasso first visited Vallauris in 1946 after a Paris exhibition, was inspired by ceramicist Suzanne Hammier, and later returned with Matisse and Chagall to see his fired pieces, eventually staying for nearly thirty years.

What to See at the 2026 Venice Biennial

The 2026 Venice Biennale, opening May 9 and running through November 22, features a main exhibition titled "In Minor Keys" organized by the late Koyo Kouoh, alongside 99 national pavilions. The event spans the Giardini and Arsenale sites, with concurrent shows across the city, including a group exhibition at the Fondazione Dries Van Noten, Melissa McGill's installation "Marea" at Corte Nova, Illy's artist-designed espresso cups at Giardini Reali, and a solo exhibition of Hernan Bas's paintings at Ca' Pesaro International Gallery of Modern Art.

What to see at Canada’s largest photo festival

The Contact Photography Festival, Canada's largest photography event, opens Friday in Toronto with over 160 exhibitions across eclectic venues including artist-run centers, commercial galleries, cafes, and a laundromat. Highlights include a towering portrait by Haitian-born artist Thandiwe Muriu on Spadina Ave., and a multi-site exhibition by Turner Prize-nominee Sin Wai Kin, featuring billboards and a two-channel video titled 'The Time of Our Lives.' The festival lost its long-time lead sponsor Scotiabank in 2024, resulting in a reduced budget and less public programming, but organizers remain committed to championing lens-based art.

Playinghouse Presented the Téte-a-Téte Exhibition at MDW 2026

Playinghouse, an emergent New York art and design platform, presented the group exhibition "téte-a-téte" at two locations during Milan Design Week 2026: Villa Pestarini and Certosa District. Curated by Margherita Dosi Delfini, assistant curator at the Design Museum, the show featured site-responsive works by independent talents including Anna Dawson, Romain Basile Petrot, Caleb Engstrom, Liyang Zhang, Atelier Fomenta, Maha Alavi, and Francesco Rosati. The exhibition emphasized contextualized domestic settings over sterile white cubes, with pieces in eggshell, glass, rubber, and metals that responded to each venue's architectural history.

A new wing to solve the problems of the Galleria Borghese in Rome. Beautiful challenge, tedious controversy

Una nuova ala per risolvere i problemi della Galleria Borghese a Roma. Bella sfida, stucchevoli polemiche

The Galleria Borghese in Rome, one of Italy's most extraordinary museums, faces significant accessibility and capacity issues due to its historic 17th-century structure. The museum is difficult for visitors with disabilities, overcrowded, and forces visitors to book far in advance—often waiting over a month for a time slot—while many masterpieces remain in storage. In 2025, the engineering firm Proger offered to sponsor a feasibility study for a new wing, contributing nearly 900,000 euros to fund an international architecture competition and a technical-economic feasibility plan. The study, currently underway, aims to explore whether a new annex can be built within the protected Villa Borghese park to create new entrances, exhibition spaces, and services.

VALIE EXPORT, icon of feminist art who placed the body at the center of her research, has died

È morta VALIE EXPORT, icona dell’arte femminista che ha messo il corpo al centro della sua ricerca

VALIE EXPORT, the Austrian artist and feminist icon known for using her body as a political and artistic tool, has died in Vienna at age 85. Born in Linz in 1940, she changed her name in 1967 and became a pioneer of performance, film, and media art, creating provocative works such as "Tapp-und Tastkino" (1968), where she turned her body into a touchable cinema screen, and "Aktionshose: Genitalpanik" (1969). Her career spanned over six decades, and she taught at institutions including the University of Wisconsin and the Berlin University of the Arts. In 2023, the Albertina Museum in Vienna held a major retrospective of her work.