Mitchell Art Museum at St. John’s College Unveils New Exhibitions and Spring Events

The Mitchell Art Museum at St. John’s College has announced its spring programming lineup, headlined by the exhibition "In the VIDEODROME: Abjection and Alienation." Opening March 26, the show features seminal video works by Martha Rosler and Pipilotti Rist that critique systemic injustice and the societal treatment of women's bodies. The museum is also continuing its survey of Fluxus artist Ken Friedman, which encourages community participation through instructional art scores.

Hardwiring Change Survey 2026

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Artnet and the Association for Women in the Arts (AWITA) have launched the second edition of their global research initiative, the Hardwiring Change survey. This project aims to collect comprehensive data from thousands of arts professionals regarding pay gaps, leadership representation, career mobility, and workplace conditions. The 2026 iteration introduces a new focus on how emerging technologies, specifically artificial intelligence, are impacting gender equity and professional advancement within the industry.

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The 2024 edition of TEFAF Maastricht has opened with a significant focus on rediscovered female Old Masters, highlighted by the third annual 'Map of Women Artists' which now features over 670 works. Major dealers like Lullo Pampoulides and Koetser Gallery are showcasing high-value pieces by Artemisia Gentileschi, Virginia da Vezzo, and Michaelina Wautier, drawing immediate attention from institutional leaders including Metropolitan Museum of Art director Max Hollein.

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The Making Their Mark Forum recently convened 350 women in the arts—including artists, curators, and over 20 museum directors—at the Martin Luther King Jr. Memorial Library in Washington, D.C. Organized by collector Komal Shah alongside Cecilia Alemani and Loring Randolph, the invitation-only conference coincided with a traveling exhibition of Shah’s collection at the National Museum of Women in the Arts. The event featured high-profile speakers like Chelsea Clinton and Ava DuVernay, focusing on dismantling structural gender inequities and celebrating the foundational contributions of women to art history.

‘SARA’ gallery opening celebrates Andean Peruvian culture with corn-based dishes

The University of Michigan Sustainable Food Program has launched “SARA,” a new art exhibition at the Rooting for Change Cafe in Palmer Commons. The gallery features over 10 works by local photographer Erick Díaz Veliz and student artist-curator Antonella Sara, ranging from agricultural photography to mixed-media pieces inspired by the “arte huanca” style of Peruvian painter Josué Sánchez. The opening event integrated culinary traditions with visual art, serving tamales and chicha morada to highlight the sacred role of corn in Andean heritage.

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Brooklyn Museum director Anne Pasternak sparked a critical conversation at the Making Their Mark Forum in Washington, D.C., highlighting a gendered disparity in museum leadership exits. Pasternak observed that while male directors are typically permitted to retire with dignity, female leaders are increasingly being fired or forced out, calling on the press to investigate the lack of formal data on this trend.

'The Art Thingy Part 1' imagines world where artists run art markets

Curators Maureen Ragalie and John Brogan have launched "The Art Thingy Part 1," a one-day experimental exhibition at Task Creative in Cudahy, Wisconsin. Featuring works by five artists—Heidi Parkes, Julie Brogan, Meg Lionel Murphy, Anita Ragusa, and Phoenix S. Brown—the show is framed as a "notes-app inspired experiment" that envisions an art market governed by creators rather than traditional institutional gatekeepers.

Mummies and other human remains held in UK museums raise serious ethical questions, warn scholars

A major investigation has revealed that UK museums, universities, and local authorities hold more than 263,000 human remains, including mummies, skeletons, and skulls. Of these, approximately 37,000 originate from overseas, largely from former British colonies, often acquired without consent. The findings have sparked intense criticism from scholars and curators who argue that the sheer scale of these collections reflects a distressing colonial legacy and necessitates a systemic shift toward repatriation and more ethical storage practices.

Show me the money: UK gallery and auction house accounts reveal reality of a tough market

Recent financial filings from UK-based art businesses reveal a stark downturn in the art market, highlighted by the sudden liquidation of Stephen Friedman Gallery. The gallery's collapse followed expensive expansion projects in London and New York, compounded by a £1.7m loss in 2023 and a significant debt of £11.4m to creditors. Other major players, including Thaddaeus Ropac, reported substantial revenue drops, with Ropac’s turnover falling from £49.6m to £36.4m as the industry grapples with rising overheads and economic volatility.

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The Museum of Fine Arts (MSK) in Ghent has launched "Unforgettable," a landmark exhibition recovering the histories of over 40 women artists who were active in Belgium and the Netherlands between 1600 and 1750. The show highlights the professional success of figures like Princess Louise Hollandine and Maria Schalcken, while also acknowledging the anonymous working-class women who fueled the luxury economy through lacemaking. It challenges the long-held myth that female artists were rare exceptions during the Flemish Golden Age.

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Ludovic Nkoth is the latest artist featured in the FLAG Art Foundation’s “Spotlight” series, which showcases a single, previously unexhibited work paired with a commissioned text. The featured painting, "Stars under the border" (2026), depicts figures in a quiet, mundane moment of rest or labor, exploring the tension between aspiration and systemic limitation. Nkoth’s practice, rooted in his Cameroonian heritage and New York base, utilizes nuanced brushwork and color to investigate the psychological complexities of the Black diasporic experience.

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Zanele Muholi has been named the winner of the 2026 Hasselblad Award, widely considered the world’s most prestigious photography prize. The South African photographer and "visual activist" will receive approximately $218,000, a solo exhibition at the Hasselblad Center in Gothenburg opening in October 2026, and a dedicated publication. Muholi’s work is celebrated for its monumental grayscale portraiture that documents and honors the Black LGBTQIA+ community, challenging historical omissions and systemic oppression.

San Francisco De Young Museum Sexual Harassment Lawsuit

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Ezra Iturribarria, a long-time security guard at the De Young Museum in San Francisco, has filed a lawsuit alleging severe sexual harassment and retaliation. The complaint names the city, the Corporation of the Fine Arts Museums, and supervisor Patrick Smithwick, detailing instances of verbal abuse, unwanted sexual advances, and physical intimidation. Iturribarria claims that after reporting the behavior, the museum conducted a 'sham investigation' and allowed the supervisor to continue contacting her, eventually forcing her to take a leave of absence.

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Security guards at the de Young Museum in San Francisco have leveled serious allegations against the Fine Arts Museums of San Francisco (FAMSF) and their union, SEIU 1021, citing a decade of workplace toxicity. Multiple lawsuits detail a culture of whistleblower retaliation, wrongful termination, and harassment, including claims of religious discrimination where a guard was allegedly called a "terrorist" and threatened with gun violence by management. To date, the city has paid out over $1 million to settle seven different lawsuits from security staff, with more litigation reportedly on the horizon.

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At 92 years old, Puerto Rican artist Carmen De Monteflores has emerged as a breakout star of the 2026 Whitney Biennial. Her inclusion in the prestigious exhibition was facilitated by her daughter, renowned performance artist Andrea Fraser, who urged curators to view her mother's vibrant, shaped canvases that had been sitting in storage for decades. De Monteflores, who studied at the Art Students League and the École de Beaux-Arts, abandoned her painting career in 1969 due to the lack of opportunities for women, eventually becoming a psychologist and novelist.

The Big Review | The Woman Question 1550-2025 ★★★★½

The Museum of Modern Art in Warsaw has launched "The Woman Question 1550-2025," a massive survey featuring nearly 200 works by 140 women artists spanning five centuries. Curated by Alison M. Gingeras, the exhibition uses the medieval concept of "la querelle des femmes" to explore how women have asserted their status as "citizen artists" against patriarchal structures. The show juxtaposes historical masterpieces by figures like Artemisia Gentileschi and Sofonisba Anguissola with contemporary provocations by Miriam Cahn and Lubaina Himid, focusing heavily on figurative painting and sculpture.

Towering cost: Tracey Emin hit with £160,000 bill to fix Margate flats

Tracey Emin is facing a £160,000 bill to address structural defects at Arlington House, a landmark Brutalist tower block in Margate. The artist, who owns four properties in the building, is among 142 leaseholders required to pay £40,000 per flat to replace cladding following an assessment by the UK government’s building safety regulator. Emin has publicly criticized the charges, questioning why recent buyers are being held financially responsible for decades of alleged maintenance neglect by the building's owner, Freshwater.

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Artist Andrea Fraser has launched a site-specific sound installation titled "Down the River" at the Whitney Museum of American Art’s new Renzo Piano-designed building. The project features audio recorded at Sing Sing Correctional Facility, played within the museum’s massive, empty 18,200-square-foot fifth-floor gallery. By piping the sounds of cell doors, inmate voices, and prison intercoms into the pristine museum space, Fraser physically links the acoustics of confinement with the architecture of elite cultural institutions.

Major Brazilian art heist still unsolved as statute of limitations expires

The statute of limitations has officially expired on the 2006 heist at the Museu da Chácara do Céu in Rio de Janeiro, one of the most significant art thefts in Brazilian history. During the chaos of Carnival, armed thieves overpowered guards and stole masterpieces by Claude Monet, Henri Matisse, Salvador Dalí, and Pablo Picasso. Despite the works being valued at over $10 million and listed on international databases like Interpol and the Art Loss Register, the perpetrators were never identified and the art remains missing.

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The art world saw significant roster changes and leadership appointments this week, including Roberts Projects announcing representation of Esmaa Mohamoud and Cristin Tierney adding Debbi Kenote. Notable institutional moves include Charles Chemin being named Artistic Director of the Watermill Center and Julia Siemon stepping into a newly created Deputy Director role at the Bard Graduate Center. Additionally, the mid-season auction market showed unexpected strength, highlighted by Jeff Koons’s 'Winter Bears' selling for $7.6 million at Christie’s.

Art Notes: AVA Gallery's 18th Annual High School Exhibition

The AVA Gallery and Art Center in Lebanon, New Hampshire, recently opened its 18th annual high school exhibition, featuring over 100 artworks from students across 14 Upper Valley schools. The exhibition showcases a diverse range of media, including ceramics, digital collage, and painting, with awards granted across multiple disciplines. While some critics noted a shift toward more traditional classroom assignments compared to previous years, the show remains a vital platform for young artists to express personal and social commentary.

HUB-Robeson Galleries to host exhibition by Jamaican-born interdisciplinary artist

The HUB-Robeson Galleries at Penn State University will host a solo exhibition by Jamaican-born interdisciplinary artist Krystle Lemonias titled "Puss an dawg nuh ave di same luck." Running from March 5 through July 19 in Art Alley, the showcase features textile-based installations and mixed-media works that utilize repurposed materials, such as baby clothes, to explore the intersections of labor, identity, and the Black diaspora.

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The Birmingham Museum of Art has launched a public appeal to locate missing artworks by Corietta Mitchell, the first Black artist to receive a solo exhibition at the institution during the Jim Crow era. Staged quietly in March 1963 just months before the repeal of local segregation ordinances, the exhibition is documented only by a checklist and a single grainy photograph. As the museum celebrates its 75th anniversary, officials are seeking to recover these works to address a significant gap in their institutional archives.

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The nonprofit organization Artemisia Gold has announced a major restoration project for Plautilla Bricci’s 17th-century altarpiece, 'Birth of the Virgin' (ca. 1660), located in Rome’s Church of Santa Maria in Campo Marzio. Bricci, a rare female polymath of the Baroque era, was Italy’s first professional female architect as well as a prolific painter and sculptor. The restoration team, led by Jane Adams, aims to clean the darkened canvas and conduct X-ray analysis to potentially uncover a hidden signature and more details regarding its commission by Abbess Anna Maria Mazzarino.

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The Ukrainian government has enacted a new resolution to streamline the evacuation of over three million cultural objects from conflict zones as the Russian invasion nears its fourth year. The policy establishes a mandatory evacuation zone for museum items within 50 kilometers of the frontline and requires storage at least 75 kilometers away. Crucially, the resolution empowers museum directors to act independently during crises and introduces a three-stage evacuation system based on the cultural value of the property.

Louvre Appoints Christophe Leribault as New Director

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Christophe Leribault has been appointed as the new director of the Louvre, succeeding Laurence des Cars following her resignation. Leribault, who currently leads the Palace of Versailles and previously directed the Musée d’Orsay, returns to the institution where he once served as deputy director of graphic arts. He takes the helm during a period of intense turmoil marked by staff strikes, a high-profile $102 million heist of the French crown jewels, and systemic security failures.

Michaelina Wautier Market Appraisal

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The 17th-century Flemish Baroque painter Michaelina Wautier is experiencing a significant rediscovery following centuries of obscurity and misattribution. Long overshadowed by her male contemporaries and her brother Charles, Wautier's diverse oeuvre—ranging from still lifes to monumental allegorical scenes—is being re-evaluated through major exhibitions at the Kunsthistorisches Museum in Vienna and the Royal Academy of Arts in London. This scholarly revival is correcting the historical record, as works previously attributed to artists like Artemisia Gentileschi are being rightfully returned to her catalog.

Is it finally time for the Guerrilla Girls to remove their masks?

The Getty Research Institute is hosting "How to Be a Guerrilla Girl," its first major exhibition drawn from the extensive archives of the anonymous feminist activist collective. The show features early drafts, posters, and archival materials that trace the group's 40-year history of using humor and data to combat misogyny and racism in the art world. Despite the institutional spotlight, the Getty has chosen to maintain the group's secrecy, even redacting names from public documents and keeping boxes of unmasked photographs sealed until the members' deaths.

How four Los Angeles artists are doing a year after the wildfires

Four Los Angeles-based artists—Kelly Akashi, Christina Quarles, Adam Ross, and Kathryn Andrews—are navigating the long-term recovery process one year after devastating wildfires destroyed their homes, studios, and archives. Despite significant losses, including Adam Ross’s archive of 5,000 drawings, the artists have demonstrated remarkable resilience by securing temporary workspaces and continuing to produce new work for major events like Frieze Los Angeles and the Whitney Biennial.

Embattled Louvre Director Laurence des Cars Resigns

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Laurence des Cars has resigned as director of the Louvre Museum following months of intense scrutiny and institutional turmoil. Her departure, accepted by French President Emmanuel Macron, comes in the wake of a massive $102 million jewelry heist in October 2025 that exposed severe security lapses, outdated infrastructure, and systemic management failures. Despite proposing a major security overhaul and a massive modernization project, Des Cars faced mounting pressure from government audits, staff walkouts, and investigations into ticket fraud.