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McRae Art Studios kicks off 40th anniversary with open house this weekend

McRae Art Studios, Orlando's oldest and largest professional artist collective, is celebrating its 40th anniversary with a spring open house on April 25 at its 10,000-square-foot converted garage space in urban Orlando. Founded in 1986 by George and Marty Whipple, the studio has hosted over 100 award-winning artists across five locations. The event features studio visits, original artwork sales, live music, and a cash bar, along with a new exhibition of self-portraits titled "The Faces of McRae" created by the current 22 member artists. The collective is also reorganizing as a nonprofit to strengthen the local arts community.

Three exhibits: Figures, charcoal and celebration

Artist and curator Kat Knutsen has launched "Curious Figure 3," the third iteration of an exhibition series dedicated to the human form. Now hosted at the Star Store building in New Bedford, the show features 42 artists from across 21 states, including notable works by Joe Vaux and Judith Peck. The exhibition's move to the Star Store follows the displacement of the Co-Creative Center from its original location due to private development.

Rania Matar’s new Eskenazi Museum exhibit highlights women’s resistance in Lebanon

Photographer Rania Matar has opened a new exhibition at the Eskenazi Museum of Art at Indiana University. The show features her work focusing on the lives, resilience, and resistance of women and girls in Lebanon, particularly in the aftermath of the 2020 Beirut port explosion.

Creating positivity out of toxicity

Artists from Good Bank Gallery in McLaren Vale are collaborating with The Wild South on a series of events called TOXIC SURF (Mid Coast) as part of South Australia's Nature Festival. The program includes workshops, exhibitions, a lantern parade, film screenings, and a choir performance, all aimed at addressing the ecological crisis caused by the harmful algal bloom Karenia Mikimotoi along the state's coastline. Community members can participate in ocean lantern-making workshops, a roving lantern performance, a community art exhibition, and an art and eco-resilience workshop, with contributions from local artists, Ngarrindjeri elders, and environmental groups.

In Japan, Making Wooden Kokeshi Dolls

The article profiles the traditional Japanese craft of making kokeshi dolls, focusing on the artisans in the Tōhoku region who continue this centuries-old practice. It details the specific techniques, types of wood used, and the cultural significance embedded in the dolls' simple, limbless forms.

WAYS OF REMEMBERING YAHUARCANI AND MUNOZ AT MASP

The Museu de Arte de São Paulo (MASP) is currently presenting two distinct exhibitions that explore memory, identity, and historical violence in Latin America. 'Santiago Yahuarcani: The Beginning of Knowledge' features 35 works by the Peruvian artist that weave together Uitoto cosmology with the traumatic history of the Amazon rubber boom, while 'Video Room: Oscar Muñoz' showcases three video works by the Colombian artist that use ephemeral materials to reflect on political disappearance and the instability of the image.

At Mcube, the movement and memory of jatras come alive

Pradip Kumar Bajracharya's solo exhibition 'Festive Spirit' at Gallery Mcube in Kathmandu marks his return to solo shows after over a decade. The exhibition captures the movement and memory of Nepal's jatras (festivals), focusing on the cultural celebrations of the Newa people. Bajracharya uses abstraction and fluid acrylic techniques to depict events like Bhaktapur's Sindure Jatra and Indra Jatra, often decentering faces to emphasize atmosphere and emotion. The works also reflect on the pandemic's halt of festivities, with paintings referencing locked chariots and temple guardians.

Life with ALS fuels the newest art exhibit in Covington

Photographer Rusty Costanza opened an exhibition of his black-and-white photographs at the Art House in Covington, documenting his life and perspective since being diagnosed with ALS (Lou Gehrig's Disease). The show was the featured exhibit of the annual Spring for Art celebration, with a special preview for friends, family, and patrons.

‘The pain has become unbearable’: Tel Aviv Museum of Art workers stage daily protest outside the institution

Since early April, employees of the Tel Aviv Museum of Art have been staging a daily 30-minute protest outside the museum's two public entrances before opening hours. Initiated by senior curator of Israeli art Dalit Matatyahu, the protest brings together staff with diverse stances on the war, the hostage crisis, and the humanitarian situation in Gaza. The demonstration takes place at the intersection of the museum and Hostages Square, a site already central to hostage-family activism. Participants include chief curator Mira Lapidot and contemporary art curator Shahar Molcho, who describe the protest as a moral response to the unbearable transition from the charged square to museum work.

20 Years of Art Refuge 2006-2026

An exhibition titled '20 Years of Art Refuge 2006-2026' opens May 13th in London, celebrating two decades of the UK-registered charity Art Refuge. The show features photographs, maps, films, and objects documenting the charity's work with displaced people in Nepal, France, the UK, and elsewhere, including recent projects '24X24 DUNKERQUE' and 'MADE TOGETHER'. Visitors can also participate in pop-up versions of The Community Table, a creative psychosocial support initiative.

Hal Marcus Gallery marks 30th anniversary as cornerstone of El Paso arts scene

The Hal Marcus Gallery is celebrating its 30th anniversary, marking three decades as a vital cultural hub for the El Paso-Juarez border region. Founded in 1996 by local artist Hal Marcus alongside his daughter Leilainia Marcus and wife Patricia Medici, the gallery has remained a steadfast physical space for regional talent, ranging from early El Paso masters to contemporary folk artists. The milestone comes at a poignant time for the founder, who is currently navigating a terminal cancer diagnosis while continuing to produce new creative work.

Innocent mistake? Italy's prime minister appears as a cherub in Rome church

A fresco restoration in Rome's Basilica of St. Lawrence in Lucina sparked a political controversy after a cherub was found to bear a striking resemblance to Italian Prime Minister Giorgia Meloni. The artist, Bruno Valentinetti, initially denied the intentional likeness before admitting he had painted the figure based on the Prime Minister's features. Following an intervention by the Vatican's administrative body, the Curia, the face was subsequently painted over and removed from the chapel.

NMAT students, faculty, represent campus in Richmond exhibition

Indiana University Kokomo faculty, students, and alumni were well represented at the 127th Annual Exhibition by Indiana and Ohio Artists at the Richmond Art Museum. Minda Douglas, associate professor of fine art, won the Kevin McCurdy and Lisa Caiazzo Purchase Award for her print “Monarch Watch.” Anna Marcum, a recent BFA graduate, received the Johnson Family Merit Award for her self-portrait and had another painting selected. Aaron Pickens, associate professor of fine art and new media, had two oil paintings juried into the show, and junior Zoe Callender had her painting “Market Fish” selected. The exhibition runs through January 10, 2026.

London urban oasis hosts artist’s multimedia investigation into plants’ resilience in the face of climate crisis

London-based artist Vivienne Schadinsky presents "Into the Seeds of Time" at the newly expanded OmVed Gardens in Highgate, a private urban garden and the UK's first centre for food, ecology and creativity. The exhibition, running until 3 August, features ink paintings, films, sculptures and prints created during Schadinsky's year-long residency, focusing on the life cycles of three bean varieties—puy lentil, Essex pea bean and gaia soybean—as a metaphor for climate resilience.

Feminist art show vandalised at French photography centre

A feminist art exhibition titled 'Cyprine Benzin' at the NegPos art and photography centre in Nîmes, France, was vandalized during the night of 25–26 April. One or more intruders destroyed over 30 of the 40 works on view, spray-painting phalluses and sexual imagery on the walls. The exhibition, by artist Kamille Lévêque Jégo, celebrated women’s pride and empowerment and had opened on 11 April. It was the second attack on the gallery, following a prior break-in that damaged one work. The centre’s director, Patrice Loubon, described the attack as part of a 'masculinist backlash,' and three professional photography networks condemned a 'growing climate of intolerance against female photographers.'

In Venedig findet Lotus L. Kang Schönheit im Vergänglichen

Canadian artist Lotus L. Kang has opened an exhibition titled "The Face of Desire Is Loss" at the new Bvlgari Pavilion in Venice. The show features her fluid, changeable works that explore themes of desire, loss, absence, and impermanence, with the artist describing the experience as a charged, chaotic, yet focused pursuit of something elusive.

How One Cooperative Champions the Quechua Weavers of Peru’s Sacred Valley

The nonprofit organization Awamaki was founded in 2009 to support Quechua communities in Peru's Sacred Valley, particularly women weavers, as they navigate economic shifts and climate change. It now assists nine cooperatives comprising 174 artisans, providing structural support for selling traditional textiles and coordinating tourism to generate income while preserving cultural practices.

These colors will enchant you. An exhibition of Niehliubka weavers opened at the Art Museum

On May 7, the National Art Museum of Belarus opened the exhibition "Harmony of the World of Niehliubka Weavers," showcasing traditional weaving from the village of Niehliubka in the Vetka District. The display features about 50 textile works from the museum's collection, along with tools, rare costume elements, and photographs provided by the Belarusian State Museum of Folk Architecture and Rural Life and the Vetka Museum of Old Believer and Belarusian Traditions named after Shklyarau. This tradition, which originated in the 17th century, includes towels, clothing, and interior items made with original weaving and embroidery techniques.

Colorado art exhibition showcases creative expressions of Long COVID, advocates for research and treatment

A new exhibition at the Artworks Center for Contemporary Art in Loveland, Colorado, titled "And Still It Remains," showcases 24 works by 15 artists living with or impacted by Long COVID. The show includes a collaborative tapestry project by artist Heather Schulte called "Stitching the Situation," which documents U.S. COVID-19 cases and deaths with blue and red stitches. The exhibition was organized by artist and nurse Sally Hartshorn, who aimed to provide a creative outlet for those affected by the condition.

‘Scattered Memories’: Fragments That Refuse to Fade

The Goethe-Institut Sudan, in collaboration with the Humboldt Forum Berlin, presents 'Scattered Memories,' a transcontinental exhibition at the Goethe-Institut Kairo from 1 to 3 May 2026. The show features Sudanese artists working across collage, film, music, performance, food, and storytelling to explore themes of loss, remembrance, and cultural memory. Public programs include discussions, guided tours, and a traditional coffee corner, transforming the exhibition into a space for communal gathering and exchange.

Cuzco Time Capsule

Soho Photo Gallery in New York is presenting "Cuzco Time Capsule," an exhibition of 18 black-and-white photographs by Michael Page Miller, taken in 1972 during his travels in highland Peru. The images capture laborers, craftsmen, market vendors, and Quechua people in and around Cuzco, shot with a 35mm Nikkormat and Tri-X film. The show runs from May 20 to June 14, 2026, with each print priced at $600.

Visual artist Karen Mahaffy’s ‘Deluge’ examines last summer’s tragic Texas floods

Visual artist Karen Mahaffy has created a new installation titled 'Deluge' that directly responds to the devastating floods that struck Texas in the summer of 2023. The work uses materials and imagery drawn from the event to process the environmental and human impact of the disaster.