Bohol artist Jjawzip debuts solo exhibit “April’s Fool” at Dajon Art Gallery Bohol

Boholano mixed-media artist Joseph “Jjawzip” Ingking has launched his debut physical solo exhibition, “April’s Fool,” at Dajon Art Studio & Gallery in Baclayon, Bohol. The showcase features a series of paired paintings and toy sculptures that explore the recurring character "Energy Kid," a figure shaped by the artist’s personal history. Utilizing vibrant colors and recycled materials, the works—such as “Fragile Freedom” and “Radiance Reimagined”—blend fantasy with social commentary on themes ranging from the fragility of peace to the vitality of creative discovery.

Mexican Artist Alleges Plagiarism of Femicide Project

Mexican artist Elina Chauvet has accused Romanian news anchor Alessandra Stoicescu of plagiarizing her famous installation, "Zapatos Rojos" (Red Shoes). The dispute arose after Stoicescu organized a public intervention titled "Dragostea poartă pantofii roșii" outside the Romanian Athenaeum to mark new femicide legislation, featuring hundreds of red shoes in a manner nearly identical to Chauvet’s long-running global project. Chauvet claims this is the second time Stoicescu has co-opted her work without authorization or credit, following a similar incident in 2018.

700 square meters of a luminous street-art exhibition! The Colors Festival is back in Paris.

The Colors Festival has returned to Paris with a new immersive exhibition titled "Colors Light," located in the 15th arrondissement. Running from April 16 to July 26, 2026, the show features over 35 artists who have transformed a 700-square-meter building into a sensory playground using blacklight, fluorescence, and phosphorescence. The works are designed to shift and reveal hidden compositions as visitors move through the darkened space, marking a technical evolution for the festival toward light-based urban art.

Eye on Art: Whistler House hosts 200th Anniversary of Lowell Exhibition

The Whistler House Museum of Art is launching a special exhibition to commemorate the 200th anniversary of Lowell, Massachusetts. Running from April 18 to June 20, the show features a diverse array of media—including painting, sculpture, and photography—created by members of the Lowell Art Association, Inc. The works focus on the city’s identity as the cradle of the American Industrial Revolution, capturing its historic textile mills, urban landscapes, and cultural heritage.

MEMORY MOURNING AND REBELLION BETTINI AT DA2

DA2 Domus Artium in Salamanca has opened the first Spanish retrospective of Gabriela Bettini, titled "Cierta tarde, la más bella de las tardes de mi vida." The exhibition surveys the Spanish-Argentine artist's career, centering on themes of memory, exile, and the trauma of the Argentine military dictatorship. A focal point is the work "Memoria del agua," inspired by an unfinished poem found in a book belonging to her grandfather, who was disappeared during the regime.

Withdrawing from Intense Labor: 'Quiet Quitting' Discussed in a Milan Exhibition

Sottrarsi al lavoro troppo intenso. Si parla di ‘quite quitting’ in una mostra a Milano

Artist Niccolò de Napoli explores the phenomenon of "quiet quitting" in his solo exhibition, "I’m here, but not entirely yours," hosted at Studio Lombard DCA in Milan. The exhibition, produced by PROGETTO LUDOVICO, utilizes the unconventional setting of a strategic consultancy firm to showcase works that critique modern labor expectations. Key pieces include a blue neon sign mimicking corporate aesthetics, a sound installation referencing the 1983 film "Vieni avanti cretino," and monochromatic cases made of switchable glass that obscures itself as viewers approach, symbolizing the withdrawal of the self from the workplace.

A Painting by the Master of the Blue Jeans Joins a Museum in Ticino

Un tableau du Maître de la toile de jean rejoint un musée dans le Tessin

The Pinacoteca cantonale Giovanni Züst in Rancate, Switzerland, has acquired 'Woman Begging with Two Children,' a significant work by the anonymous 17th-century artist known as the Master of the Blue Jeans. The painting was notably featured in a landmark 2010 exhibition at Galerie Canesso that helped define the identity of this Lombard artist, famous for depicting lower-class subjects wearing indigo-dyed denim-like fabric.

On Showing My Paintings in Auschwitz

Artist and Holocaust survivor Yehudis Barmatz-Harris has installed a series of paintings within the barracks of Auschwitz-Birkenau, marking a profound personal and artistic return to the site of her family's trauma. The works, which utilize materials like salt and organic textures, are placed directly on the wooden bunks where prisoners once slept, creating a visceral dialogue between contemporary Jewish life and the void left by the Shoah.

New exhibition opening April 24 at Link Art Gallery

The Link Art Gallery in Paris, Illinois, is set to host a collaborative exhibition titled 'The Mundane and the Marvelous' from April 24 through May 22. The show features the work of three distinct artists whose practices span various disciplines and historical influences, culminating in a public opening reception on April 26.

Mass for Care of Creation; exhibition of art inspired by Laudato Si'

The London Jesuit Centre is hosting "Paintings of Prayer and Protest," an exhibition featuring the works of artists Helen Elwes and Martin Jarvis. The show coincides with a special Mass for the Care of Creation at Farm St Church in Mayfair, marking the anniversary of Pope Francis' death. Both artists, members of Christian Climate Action and the Laudato Si' Movement, present works that blend ecological activism with spiritual devotion, including painted banners used in climate marches and contemporary icons addressing rainforest devastation.

Art in the Multicultural Center Opening Reception: “Standing Firm” by Robert Rell

Orange County Arts & Cultural Affairs is launching a new solo exhibition titled “Standing Firm” featuring the work of artist Robert Rell. Hosted at the Orange County Multicultural Center Art Gallery in Orlando, the exhibition opens with a public reception on April 15, 2026, and showcases Rell’s evolution from a comic-inspired youth to a painter influenced by the creative freedom of Newark’s graffiti scene.