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Alma Allen’s US Pavilion Heads to Venice Amid Questions Over Selection Process

The selection of Alma Allen to represent the United States at the 2026 Venice Biennale has ignited controversy over the process. The U.S. State Department abandoned its traditional selection model, which involved a panel of experts convened by the National Endowment for the Arts, and instead handed control to a new nonprofit, the American Arts Conservancy, led by individuals with little museum experience. This shift has drawn criticism from prominent figures in the art world, with some artists declining to participate due to concerns over the political context and unfamiliar leadership.

warhol foundation grant program expansion small nonprofits 1234771721

The Andy Warhol Foundation for the Visual Arts is launching a new grant program to support U.S.-based visual arts nonprofits with budgets under $200,000, offering awards between $20,000 and $30,000. The program will begin accepting applications for its Spring 2026 grant cycle, with a deadline of March 1. This marks a significant expansion of the foundation's previous focus, which had been on organizations with budgets of $300,000 or more.

graham gund architect art collector dead 1234745088

Graham Gund, an architect and prominent art collector, died on June 6 at age 84. With his wife Ann, he built a significant contemporary art collection featuring works by Pablo Picasso, Kenneth Noland, Kiki Smith, Christo and Jeanne-Claude, and Richard Serra. Gund designed and funded the Gund Gallery at Kenyon College, his alma mater, and was a longtime patron of the Museum of Fine Arts Boston, where a gallery and the directorship endowment bear his name. He appeared multiple times on the ARTnews Top 200 Collectors list.

Landmark Exhibition at the Smithsonian American Art Museum Unites U.S. Bicentennial Photography Surveys for the First Time

The Smithsonian American Art Museum will present "Much Here Is Beautiful: Photography Surveys of the U.S. Bicentennial," a landmark exhibition opening September 18, 2026, that brings together for the first time photography surveys created through a federally funded grant program by the National Endowment for the Arts (NEA) around the 1976 U.S. Bicentennial. Featuring 225 photographs by more than 70 photographers, the show draws on the museum's holdings and collections nationwide, including previously unseen works, and places them in the context of federal survey photography dating back to the 19th century.

trump eyes park near jefferson memorial garden of heroes 1234769973

The Trump administration is considering West Potomac Park in Washington, D.C., as the site for its proposed “National Garden of American Heroes,” a sculpture garden featuring statues of American historical figures. According to anonymous sources cited by the Washington Post, the park—located near the Jefferson Memorial and memorials to Martin Luther King Jr. and Franklin D. Roosevelt—may require an exemption under the Commemorative Works Act if the southern tip is used. The project, first announced in January 2021, received $40 million in congressional funding through the One Big Beautiful Bill Act in July 2025, and the National Endowment for the Humanities launched a new grant program for statue design after canceling most of its existing grants.

yale art gallery rejects federal grants for africa migration show citing new anti diversity stipulations 1234747708

The Yale University Art Gallery has withdrawn two federal grant applications totaling $200,000 for an upcoming exhibition on the migration of Nguni peoples from southeastern Africa, scheduled to open in fall 2026. The museum rejected new anti-DEI stipulations attached to grants from the National Endowment for the Arts and the National Endowment for the Humanities, which require applicants to certify they do not operate programs promoting diversity, equity, or inclusion that violate federal anti-discrimination laws. The gallery will instead use its endowment to fund the show, marking the second time it has forfeited NEA grants under similar circumstances.

neh dismantling lawsuit acls mla aha 1234740476

Three humanities-focused organizations—the American Historical Association, the Modern Language Association, and the American Council of Learned Societies—have filed a lawsuit against the National Endowment for the Humanities (NEH) and the Department of Government Efficiency (DOGE) over the dismantling of the NEH. Filed on May 1 in the Southern District of New York, the suit seeks to reverse cuts made in April by the Trump administration, which slashed $65 million from the NEH's $210 million budget and fired approximately 65 percent of its staff. The plaintiffs argue the NEH has been reduced to a shell of its former self, and they name as defendants NEH acting chairman Michael McDonald, DOGE acting administrator Amy Gleason, and DOGE employees Nate Cavanaugh and Justin Fox, who allegedly demanded lists of open grants and terminated most of them without legal authority.

More US artists forced to pay for their own shows as museum and culture budgets shrink

The article reports that U.S. artists like Lucia Hierro are increasingly forced to pay for their own museum exhibitions and public commissions as institutional budgets shrink. Hierro’s ambitious installation centered on a 7.5-foot monobloc chair required $35,000–$40,000 for fabrication alone, far exceeding what the commissioning institution could provide. The project moved forward only after support from her gallerist and a new fund from Miami-based nonprofit Fountainhead Arts, which received 96 applications requesting $1.8 million—14 times its available $125,000 in grants. The article highlights that even artists selected for the Venice Biennale face such funding gaps.

Grunwald Gallery showcases legacy of visiting artist series

The Grunwald Gallery of Art at Indiana University's Eskenazi School of Art, Architecture and Design is hosting “Re:Visit | Celebrating a Decade of McKinney Visiting Artists,” an archival exhibition that highlights 10 years of the McKinney Visiting Artist Series. Founded in 2016 through an endowment by IU alumni Meredith McKinney and Elsa Luise Barthel McKinney, the series brings artists to campus for short residencies, lectures, workshops, and collaborative learning. The exhibition features work by 11 participating artists, including Tetsuya Noda, Yvonne Osei, and Martin Venezky, and runs through Nov. 15.

The Metropolitan Museum of Art to Present Largest-Ever Exhibition of Works by American Artist John Wilson

The Metropolitan Museum of Art will present "Witnessing Humanity: The Art of John Wilson" this fall, the largest-ever exhibition of works by American artist John Wilson (1922–2015) and his first solo museum show in New York. Featuring over 100 artworks—including paintings, prints, drawings, sculpture, and archival material—the exhibition draws from The Met, the Museum of Fine Arts, Boston, and a dozen other lenders, with many works never before shown. Co-curated by Jennifer Farrell and Leslie King Hammond, the show spans Wilson's six-decade career, addressing themes of racial violence, labor, the Civil Rights Movement, and family life.

Moving On Up: 24 Museum Curators and Art Leaders Who Took on New Appointments in First Half of 2025

Culture Type has published its annual list of new appointments among museum curators and arts leaders for the first half of 2025, highlighting two dozen hires and promotions at major institutions. Notable appointments include Deana Haggag as program director for arts and culture at the Andrew W. Mellon Foundation, Ann Collins Smith as chief curator at the New Orleans Museum of Art (the first Black American in a full-time curatorial role there), and Vincent van Velsen as head of exhibitions at Eye Filmmuseum in Amsterdam. The list also features curators such as Alisa Chiles at the Virginia Museum of Fine Arts and Brittany Webb at the Museum of Fine Arts, Houston.

Institutions Across the US to Benefit from Transformative $116 Million Gift to National Gallery

Billionaire collector and National Gallery of Art trustee Mitchell P. Rales has donated $116 million to the museum. The gift, the largest programming endowment in the institution's history, will fund the 'Across the Nation' initiative, which loans works from the National Gallery's permanent collection to small and midsize museums across the United States for two-year periods at no cost to the borrowing institutions.

Today in History March 17 | Opening of the National Gallery of Art

On March 17, 1941, President Franklin D. Roosevelt officially dedicated the National Gallery of Art in Washington, D.C. The museum was established through the massive bequest of industrialist Andrew Mellon, who donated his world-class art collection, the funds for the building's construction, and a significant endowment. The opening marked a milestone in American cultural history, providing the public with access to a premier national collection of Old Master paintings.

Paris to host first museum devoted to Alberto Giacometti with more than 10,000 artworks and objects

The Fondation Alberto et Annette Giacometti has announced the 2028 opening of the Giacometti Museum and School in Paris’s 7th arrondissement. Housed in the former Invalides train station, the 6,000-square-meter facility will be the first museum dedicated entirely to the Swiss master, replacing the much smaller Institut Giacometti. The site will showcase a massive collection of over 10,000 items, including 400 sculptures and 100 paintings, many of which have never been exhibited.

Transform Your Art Practice at UC Davis: The Maria Manetti Shrem Art Studio MFA Program

UC Davis has announced the Maria Manetti Shrem Art Studio MFA Program, a two-year graduate program supported by a $14 million endowment from Maria Manetti Shrem. The program offers generous funding, spacious private studios, and culminates in a thesis exhibition at the Jan Shrem and Maria Manetti Shrem Museum of Art. It features renowned faculty, visiting artists such as Njideka Akunyili Crosby and Wangechi Mutu, and partnerships with institutions like the Headlands Center for the Arts and Skowhegan School of Painting and Sculpture. Applications are open until January 5, 2026, with a virtual MFA Open House on December 8, 2025.

Miami collectors donate 36 works by African and diaspora artists to Tate

Miami-based collectors Jorge and Darlene Pérez have donated 36 works by 15 artists from Africa and the African diaspora to Tate. The gift includes photographs by Seydou Keïta, paintings by Cheri Samba, a hanging piece by El Anatsui, and works by Joy Labinjo, Wangechi Mutu, Rotimi Fani-Kayode, Buhlebezwe Siwani, Bruce Onobrakpeya, and Gavin Jantjes. The donation also comes with a multi-million dollar endowment to support curatorial research on African and Latin American art, funding a dedicated curatorial post currently held by Osei Bonsu.

Outgoing Tate Director Argues for Bigger Tax Breaks for Donors

Outgoing Tate director Maria Balshaw has publicly called on UK Chancellor Rachel Reeves to implement larger tax breaks for wealthy philanthropists who donate to museum endowment funds. She argues this would level the playing field with US institutions and provide crucial financial stability for UK museums.

Barbara Chase-Riboud Speaks Out on Declining US Biennale Pavilion

Sculptor and author Barbara Chase-Riboud has publicly declined an invitation to represent the United States at the 2026 Venice Biennale, stating it was "not the moment" for her to do so. She was among the artists initially considered by the newly formed American Arts Conservancy (AAC), which is organizing the US pavilion after both she and photographer William Eggleston turned down the opportunity.

Annual photo show at MacNider Museum showcases local talent

The Charles H. MacNider Art Museum in Mason City, Iowa, has opened its 46th Annual Cerro Gordo Photo Show in the Center Space Gallery, sponsored by the Safford and Lena Lock Photo Endowment Fund. Sixty-two entries were submitted by residents of Cerro Gordo County and students at North Iowa Area Community College, with 36 photographs by 20 artists selected for exhibition. An opening reception and awards ceremony will be held on May 7, 2026, with cash prizes including $125 for Best in Show. The exhibition runs through July 11, 2026, and admission is free.

46th annual Cerro Gordo Photo Show open at Charles H. MacNider Art Museum

The 46th Annual Cerro Gordo Photo Show has opened at the Charles H. MacNider Art Museum's Center Space Gallery in Mason City, Iowa. The exhibition features 36 photographs by 20 artists from Cerro Gordo County and North Iowa Area Community College, selected by a panel of judges from 62 entries. Artists include Alec Heggen, Brad Janson, Wendy Janson, Dennis Nettifee, Margo Underwood, Lisa Wolf, and many others from Clear Lake, Mason City, and Plymouth. The show is sponsored by the Safford and Lena Lock Photo Endowment Fund, with an opening reception and awards ceremony scheduled for May 7, offering cash prizes including $125 for Best in Show.

Intuit Solo Show A Dream Come True For Self-Taught Morgan Park Artist Marvin Young

Self-taught artist Marvin Young, 64, who has an intellectual and developmental disability, will have his first solo exhibition, “Impressions of a City,” at the Intuit Art Museum in Chicago from April 9 to August 23, 2026. Curated by Christina Stavros, the show features Young’s vivid drawings of Chicago cityscapes, architecture, and portraits, created from memory using graphite, colored pencils, crayons, and markers. Young, who works at Envision Unlimited and Arts of Life—nonprofits supporting people with disabilities—has long dreamed of selling his art, and this exhibition marks a major milestone in that goal.

Sculptor Alma Allen reportedly selected to represent US at 2026 Venice Biennale

Sculptor Alma Allen has reportedly been selected to represent the United States at the 2026 Venice Biennale, replacing Robert Lazzarini, who was dropped after political interference and delays linked to the Trump administration's cuts to the National Endowment for the Arts. The selection process has been fraught, with the State Department directly choosing Lazzarini without NEA involvement, and his proposal—featuring distorted renderings of US national symbols—collapsed amid claims of political meddling. Allen, a Mexico-based artist formerly represented by Kasmin and now in talks with Perrotin, is less established than recent US pavilion artists like Jeffrey Gibson or Simone Leigh, but has a strong practice in stone, wood, and bronze sculpture.

Capture the Senses: Attraction and Horror in Early Modern Art // Haggerty

The Haggerty Museum at Marquette University will present 'Capture the Senses: Attraction and Horror in Early Modern Art' from August 22 to December 20, 2025. The exhibition draws from the museum's own collection to explore how Early Modern artists combined aesthetic pleasure with terrifying subject matter, featuring works by Albrecht Dürer, Ferdinand Bol, Giovanni Battista Piranesi, and Francesco Solimena. Curated by Kirk Nickel, the show examines themes such as the end times, human sacrifice, imperial decay, and fate, using paintings, prints, and sculpture from Europe and the Americas between the Renaissance and the Industrial Revolution.

mellon foundation emergency funding state councils neh cuts 1234740188

The Mellon Foundation, the largest funder of the arts and humanities in the U.S., announced $15 million in emergency funding to the Federation of State Humanities Councils (FSHC). The funds will be distributed to state councils in all 50 states and six jurisdictions, with each council receiving a $200,000 one-time grant totaling $11.2 million, plus $2.8 million in challenge grants requiring local matching. This comes after the Trump administration cut $65 million from the National Endowment for the Humanities budget that was earmarked for these councils, threatening severe deficits or closures. The cuts were justified by the federal government as necessary for fiscal priorities, with $17 million redirected to a Trump-designated National Garden of American Heroes.

federal court rules gender ideology ban on art endowments unconstitutional 1234753210

A Rhode Island federal court ruled on Friday that National Endowment for the Arts (NEA) grants do not have to comply with President Trump’s executive order banning “gender ideology.” The order, introduced in February, prohibited federal funds from being used to promote the idea that males can identify as women and vice versa, and was applied to the NEA grant application process. The ACLU’s Rhode Island branch filed a lawsuit in March on behalf of several theaters, arguing the policy violated First Amendment rights by restricting the types of works that could receive funding. Judge William E. Smith, appointed by former President George W. Bush, found the policy unconstitutional, noting that the 1965 law establishing the NEA requires grants to be awarded solely on merit. A subsequent “final notice” allowing the NEA chair to review applications on a case-by-case basis was also struck down as a viewpoint-based restriction on artists’ speech.

Comment | Trump's 100 days should remind us to be brave—because in an autocracy there is no safety

The article examines the impact of the first 100 days of Donald Trump's second term on the U.S. cultural sector, detailing executive actions that force museums, libraries, and arts institutions into ideological conformity. Orders targeting diversity, equity, inclusion, and gender threaten funding from the National Endowment for the Arts and the National Endowment for the Humanities, while the Smithsonian Institution and Kennedy Center face direct political oversight. The administration also redirects funds toward patriotic projects like a sculpture garden of 'American Heroes,' and private institutions such as the Rhode Island School of Design and Creative Capital face pressure over pro-Palestinian expression and diversity-focused programs.

Why Did Trump Officials Award $2 Million to a Small Art School in Queens?

The Trump administration's National Endowment for the Humanities awarded a $2 million grant to a small art school in Queens with only three full-time employees. This grant was part of a new pattern of large, handpicked awards, a significant departure from the agency's typical grant-making process which historically avoided such large sums to very small institutions.

‘La Musée’: The history and challenges behind a landmark acquisition of works by women artists

The Museums of Poitiers in France have officially acquired 'La Musée,' a landmark collection of 523 works by women artists spanning the 17th to the 21st centuries. Assembled by artist and historian Eugénie Dubreuil since 1999, the collection includes paintings, sculptures, and decorative arts intended as a 'counterproposal' to the male-dominated art historical canon. The acquisition was finalized in March 2024 following a rigorous two-year review process and was accompanied by a €150,000 grant from the Les Beaux Yeux endowment fund to support a five-year project dedicated to women artists.

Napa County’s di Rosa Preserve listed for sale at $10.9 million – art not included

Napa County's di Rosa Preserve, a 217-acre estate housing the di Rosa Center for Contemporary Art, has been listed for sale at $10.9 million. The sale includes the land, buildings, and event spaces but explicitly excludes the art collection, which is owned by the Rene & Veronica di Rosa Foundation. Executive director Kate Eilertsen stated the move is part of 'thoughtful planning' to ensure the institution's sustainability, as operating costs have outpaced endowment income and charitable giving. The foundation is open to a leaseback arrangement that would allow the center to continue operating on site, and the property remains open to the public during the sale process.

Life Lines // Haggerty

The Haggerty Museum at Marquette University presents "Life Lines," an exhibition running from August 22 to December 20, 2025, featuring works by Sol LeWitt, Jean Dubuffet, and Victor Vasarely. Curated by Lynne Shumow with intern Bridget Neugent, the show is designed to encourage contemplative beholding, inviting visitors to slow down and reflect on the art as a sacred or meditative experience. The exhibition was created in collaboration with Fr. Ryan G. Duns, S.J., whose Contemplation and Action class will visit regularly.