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MIT List Visual Arts Center celebrates 40 years

MIT's List Visual Arts Center celebrated its 40th anniversary on April 10, 2026, with performances, receptions, and the opening of a new exhibition titled "Performing Conditions," which explores work, debt, and labor. Housed in the Wiesner Building designed by I. M. Pei, the museum manages public art across MIT's campus, including works by Olafur Eliasson and Sanford Biggers, and runs a Student Lending Art Program that loans about 700 works annually. An anonymous donor has launched a $1 million matching challenge grant for conservation of the public art collection.

Taiwan Strips National Prize from Sakuliu Pavavaljung After Sexual Assault Conviction

Taiwan’s National Culture and Arts Foundation has revoked the National Award for Arts from Indigenous Paiwan artist Sakuliu Pavavaljung, following his conviction for sexual assault. The Supreme Court upheld a four-and-a-half-year prison sentence for forcible sexual intercourse involving a female student in 2021. Pavavaljung, who received the award in 2018, must return the NTD 1 million prize. The case gained traction after artist Kuo Yu Ping disclosed it on social media in December 2021, leading to additional victims coming forward. His planned exhibition for Taiwan at the 59th Venice Biennale was canceled in 2022.

Local artist work on exhibit in Tulsa

Living Arts of Tulsa is presenting “Who Lives, Who Dies, Who Decides?”, an exhibition by Kenneth and Isabelle Watson Reams, with support from JustArts Gallery. Kenneth Reams, a former Arkansas death row inmate now serving a life sentence, created over 50 works including paintings, drawings, sculptures, and poetry alongside his wife Isabelle. The show opened April 3 and runs through April and May, exploring themes of incarceration, capital punishment, and social justice through the lens of Reams’ 31 years on death row.

NEREIDA APAZA MAMANI A HISTORY OF MIGRATION AND VIOLENCE AT THE ICPNA CULTURAL IN MIRAFLORES

Nereida Apaza Mamani presents a solo exhibition at ICPNA Cultural in Miraflores, Lima, featuring 150 works across watercolor, painting, printmaking, photography, sculpture, embroidery, and installation. The show traces stories of migration and displacement through cartographies, maps, and family trees, drawing on embroidery techniques inherited from her mother and grandmother. Curated by Miguel López, the exhibition explores belonging in a country marked by discrimination and centralism, incorporating the artist's notebooks begun in 2009 and works that address political violence and memory.