department of homeland security thomas kinkade

The Department of Homeland Security (DHS) posted a painting by the late artist Thomas Kinkade titled *Morning Pledge* on social media platforms Facebook, Instagram, and X, with the caption “Protect the Homeland.” The painting depicts an idealized American small town with midcentury cars, a schoolhouse, and an American flag. Kinkade, known for mass-producing sentimental, conservative scenes and dubbed the “painter of light,” was widely dismissed by the mainstream art world as kitschy. The DHS post coincided with the opening of a new ICE detention center in the Florida Everglades, nicknamed “Alligator Alcatraz,” built to imprison immigrant detainees, and with the passage of a controversial bill expanding ICE funding while cutting healthcare and food benefits.

conceptual nude portraits set web abuzz

Trevor Christensen, a photographer from Provo, Utah, has gained viral attention on Imgur for his "Nude Portraits" series, in which he photographs fully clothed subjects while he himself is nude. The project aims to address the inherent power imbalance between photographer and subject by shifting vulnerability onto the photographer. Christensen's subjects react with a range of emotions—embarrassment, slyness, queasiness—which he captures as unguarded moments. The series is documented on his Instagram and his website, where he invites participation from Utah and beyond.

trump cultural offensive or offensive culture

This episode of the Art Angle podcast, co-hosted by Ben Davis, features art critic and journalist Brian Boucher discussing the impact of Donald Trump's return to office on American culture. Since January, Trump has launched a cultural offensive through executive orders and policies, including canceling humanities grants to fund a 'heroes' sculpture garden, targeting the Institute of Museum and Library Services, taking personal control of the Kennedy Center, and shuttering DEI offices nationwide. Boucher, who has extensively covered these developments for Artnet, joins the podcast to analyze the administration's first 100 days and the risks posed to the arts.

What Biennials Reveal About the Art World

Ben Davis and Jo Lawson-Tancred of Artnet News have published complementary projects analyzing global art biennials. Davis compiled data from major biennials including Istanbul, Gwangju, São Paulo, Sharjah, and Venice over the past four years, tracking which artists have been shown most frequently worldwide since the 2022 Venice Biennale. Lawson-Tancred examined the upcoming Venice Biennale, titled "In Minor Keys" and curated by the late Koyo Kouoh, comparing the demographics of its artists to previous editions to trace shifts in the global art conversation.

IMLS Funding for Freedom Truck Mobile Museums Under Trump Administration

imls funding museums libraries trump freedom truck museum

The Trump administration has launched 'Freedom 250,' a fleet of six 'Freedom Trucks' serving as mobile museums to commemorate the 250th anniversary of the Declaration of Independence. These tractor-trailers, which will tour the United States through 2026, feature historical artifacts such as George Washington’s spectacles and an Aitken Bible, alongside interactive AI-powered displays developed in partnership with Hillsdale College and PragerU.

milton esterow artnews editor dead

Milton Esterow, the award-winning journalist who owned and edited ARTnews for 42 years, died on Friday at age 97. His death was confirmed by his daughter Judith Esterow, a former associate publisher of the magazine. Esterow purchased ARTnews in 1972 from Newsweek and transformed it into a news-focused powerhouse, winning a National Magazine Award and two George Polk Awards. He introduced the influential ARTnews Top 200 Collectors list in 1990 and was known for his relentless investigative journalism, particularly on Holocaust art restitution. He continued writing into his 90s, using his 1950 Royal typewriter.

a i art summary venice intelligens

Nick Axel and Daniele Balleri have written a reply to this article. The 2025 Venice Architecture Biennale, organized by MIT professor Carlo Ratti under the theme “Intelligens. Natural. Artificial. Collective.,” features A.I.-generated summaries alongside traditional wall texts for each exhibit. These two-sentence distillations, labeled “A.I. Summary,” are designed to help visitors quickly grasp core ideas and choose their pace through the dense show. An example is Beatriz Colomina, Roberto Kolter, Patricia Urquiola, Geoffrey West, and Mark Wigley's installation *The Other Side of the Hill*, whose 200-word wall text is condensed into a succinct A.I. summary about microbial intelligence and demographic collapse.

miriam simun octopus teacher

Artist Miriam Simun is currently presenting an exhibition about her Institute for Transhumanist Cephalopod Evolution at the art space Recess in Brooklyn. The centerpiece is a series of workshops titled “How to Become an Octopus (and sometime squid),” where she guides participants through psycho-physical exercises developed with marine biologists, engineers, dancers, and synchronized swimmers. Artnet News co-host Ben Davis attended the workshop and discusses the experience on this week's Art Angle podcast.

the new rules of subculture

Writer and theorist Nadia Asparouhova has published a new book titled *Antimemetics: Why Some Ideas Resist Spreading*, which introduces the concept of "anti-memes"—cultural phenomena whose influence derives from being hard to find or difficult to understand, rather than from popularity and visibility. The book is released by the Dark Forest Collective, a group of artists and thinkers inspired by Yancey Strickler's metaphor of the internet as a "dark forest," where meaningful exchange retreats to private spaces away from commercial and contentious public platforms. Artnet News critic Ben Davis reviews the book, connecting its ideas to contemporary art that deliberately operates below the radar.

The Sky High Farm Biennial Cultivates Something Special

The Sky High Farm Biennial, curated by former Downtown art star Dan Colen, opened in a cold storage warehouse in Germantown, N.Y., featuring over 160 works by 50 artists across two floors. The exhibition is loosely themed around humanity's relationship with the natural world, with immersive installations by Anne Imhof (a maze of cider crates) and Rudolf Stingel (a mirrored floor requiring paper booties). Highlights include works by Nan Goldin, Thiago Rocha Pitta, Stephen Lichty, Carrol Dunham, Pia Camil, and Ann Craven. The show balances informal and polished elements, offering a breezy summer experience while serving as a thesis on artist community.