Two documentaries premiering at the 2026 Sundance Film Festival directly confront the discourse surrounding artificial intelligence. Valerie Veatch's 'Ghost in the Machine' traces the racist, eugenicist origins of AI research, linking it to a history of American techno-fascism, while Daniel Roher and Charlie Tyrell's 'The AI Doc: Or How I Became an Apocaloptimist' offers a more measured, personal exploration of public anxieties about the technology.
Argentinian artist Laura Langer presents her solo exhibition titled "Why am I me?" at Simian in Copenhagen. The show, which runs through April 2026, features a comprehensive installation of new works that explore themes of identity and self-reflection within the industrial, subterranean architecture of the venue.
The gallery Taon in Ivry-sur-Seine, France, is presenting a two-person exhibition featuring the works of artists Bruno Pélassy and Perla Zuñiga. The show runs from March 6 to April 14, 2026, and is documented with installation photography.
Artist Gerrit Frohne-Brinkmann opened a solo exhibition titled "Carnivores" at Beige gallery in Brussels. The show, featuring new work, ran from February 26 to March 28, 2026, with documentation provided by photographers Isabelle Arthuis and Volker Renner.
Jill Tate's solo exhibition "Self-Fulfilment" is on view at Seventeen gallery in London from February 6 to March 21, 2026. The exhibition is documented with 29 installation photographs by Damian Griffiths, providing a visual record of the new body of work.
Artist Steve Wetzel presented a solo exhibition titled "Baby Wetzel Returns and Remembers" at The Green Gallery in Milwaukee. The show ran from February 20 to April 4, 2026, and was documented extensively online with 30 installation images.
Lawrence Leaman at Roland Ross
Lawrence Leaman has opened a solo exhibition of new photoprints at the Roland Ross gallery in Kent. The show, which runs from February 21 through March 29, 2026, is comprehensively documented with fourteen installation photographs, providing a detailed visual record of the presentation.
Nicole-Antonia Spagnola at FELIX GAUDLITZ
Artist Nicole-Antonia Spagnola has opened a solo exhibition titled "The first person" at the FELIX GAUDLITZ gallery in Vienna. The show, which runs from February 11 to March 21, 2026, presents a new body of work documented through eighteen installation photographs.
British photographer Barry Webb creates large-format macro photographs of slime molds, revealing their intricate, sculptural forms and vibrant colors. His work transforms organisms typically only a few centimeters tall into atmospheric, large-scale images that showcase a hidden world.
Photographer Frank Relle continues his long-term artistic exploration of Louisiana's swamps, capturing the ethereal transition between day and night in his series 'Until the Water'. Based in New Orleans, Relle uses submerged lights to illuminate cypress trees and Spanish moss, creating serene, otherworldly images that convey a sense of timelessness and connection to a primordial landscape.
The art exhibition ‘Like a Rising River: Stories of Women and Change’ recently opened in Nepal, showcasing the results of a collaborative project between Srijanalaya, UN Women Nepal, and the Government of Finland. The initiative sent 15 Nepali artists to four provinces—Sudurpaschim, Bagmati, Sarlahi, and Madhesh—to document the lived experiences, social struggles, and resilience of local women through various artistic mediums, including textiles, mixed-media animation, and storytelling.
Enfants et satyre : deux ventes Artcurial à Paris
Artcurial in Paris is holding two upcoming sales on March 25, featuring a diverse collection of works on paper. The sales include a drawing of a camel by Jean-Pierre Houël, a preparatory sketch of a plucked chicken by Jean-François Tourcaty, a study of a man wearing a satyr mask by Parmigianino, and a drawing by Thomas Couture depicting a scene from his painting 'Pierrot en correctionnelle.'
A documentary screening in Whippany, New Jersey, featured artwork created by Ukrainian children affected by the ongoing war. The event, organized by local community groups, aimed to share these personal expressions of trauma and resilience with an American audience, fostering cross-cultural understanding and highlighting the human impact of the conflict. The artwork served as a poignant centerpiece, transforming the children's experiences of displacement and fear into a visual dialogue accessible to the Whippany community.
MODERN MEXICO CITY IN JUAN GUZMAN S PHOTOGRAPHS AT ICME
An exhibition titled 'En donde no cabe un alfiler, bien caben dos ruleteros' at the Instituto Cultural de Mexico en Espana (ICME) in Madrid showcases the photographic work of German-born photojournalist Juan Guzman. The show presents a selection from his personal archive, now part of the Fundación Televisa collection, focusing on his documentation of Mexico City's rapid mid-20th century transformation into a modern metropolis.