The article examines the largely overlooked curatorial work of poet Frank O'Hara during his tenure at the Museum of Modern Art in New York. It details his role in organizing significant exhibitions, championing emerging artists like Robert Rauschenberg and Jasper Johns, and his influential collaborations with artists such as Larry Rivers.
Sesse Elangwe's 2025 painting *True Friends?* sold for $22,000 at San Francisco dealer Jonathan Carver Moore's booth during the opening of FOG Art + Design on January 21. The work, created during a residency run by Moore, was purchased by a local collector. Elangwe, a self-taught Cameroonian artist known for emotionally charged portraits of Black subjects, was the fourth participant in Moore's residency program, which aims to connect artists with Bay Area collectors. Another portrait, *And My Better Half* (2025), was pre-sold for $9,000 to another Bay Area collector.
Artnet News asked several working artists—Manuel Mathieu, Hanna Salomonsson, Aki Sasamoto, Nigel Hall, Sharmistha Ray, and Miljohn Ruperto—to share the practical and philosophical lessons that sustain their creative practices. Topics include building trust with collaborators, navigating financial uncertainty, setting up shared studio spaces, using recycled materials, maintaining optimism at age 82, reframing rejection, and adapting to the expectation that artists must act as entrepreneurs before their first gallery show.
Hundreds gathered on a cold Monday night in New York at Phillips auction house and the Metropolitan Club to celebrate the life and legacy of Walter Robinson, the beloved art-world figure who died in February 2025. The event, organized by the New York Academy of Art as part of its annual “Take Home a Nude” fundraiser, featured silent and live auctions, a posthumous honorary doctorate awarded to Robinson, and the announcement of the Walter Robinson Scholarship funded by auction proceeds. The evening raised over $800,000, with works by students and acclaimed artists like Richard Prince and Kiki Smith on offer, and Robinson’s painting *Blood on the Sun* (2018) selling for $35,000.
The FLAG Art Foundation, based in New York, has pledged £1 million ($1.3 million) to London's Serpentine Galleries to establish a new biennial artist prize. Named the Serpentine x FLAG Art Foundation Prize, it will award £200,000 ($265,000) to an international artist who has been exhibiting for fewer than ten years, along with an exhibition at both institutions and a catalog. The first winner will be selected in 2026, with exhibitions at Serpentine in 2027 and FLAG in 2028. The prize is funded by collector Glenn Fuhrman's foundation and is the largest contemporary art prize in the UK.
Altman Siegel, a key gallery in San Francisco's art scene, will close in November 2025 after 16 years. Founder Claudia Altman-Siegel attributed the closure to a challenging market for mid-size galleries, stating it became too difficult to scale in the current climate. The gallery's final show is a solo exhibition by Shinpei Kusanagi, ending November 22. Its roster included artists such as Simon Denny, Lynn Hershman Leeson, Trevor Paglen, and others. The closure follows a trend of galleries shutting down or scaling back, including Blum and LA Louver in Los Angeles, and Clearing and Venus Over Manhattan in New York.
Frieze London and Frieze Masters have announced highlights for their 2025 editions, running concurrently October 15–19 in Regent’s Park. Frieze London will feature ceramics and textiles, including a presentation titled “Three Generations of Female California Ceramics” at The Pit, stoneware sculptures by Sanya Kantarovsky at Modern Art, and textile works by Antonio Pichillá Quiacaín at Portas Vilaseca. Major galleries like Gagosian, Pace, Lehmann Maupin, White Cube, and Lisson will present new works by artists such as Lauren Halsey, William Monk, Do Ho Suh, and Marguerite Humeau. The fair’s curated section “Echoes in the Present” by Jareh Das includes artists like Diambe and Tadáskía, while the Focus section emphasizes installation-based works. Frieze Masters highlights include a booth of 19th- and 20th-century paintings curated by Nicolas Party at Hauser & Wirth, a solo of Peter Hujar’s drag portraits at Pace, and a new Reflections section organized by Abby Bangser focusing on decorative art.
Patrizia Sandretto Re Rebaudengo, a top European art collector and founder of a Turin-based foundation, is partnering with New York's New Museum for a series of commissions. The first commission will be realized by Italian artist Diego Marcon, known for his uncanny videos, with his work titled 'Krapfen'—a musical dance film blending American animation and Italian opera. The New Museum, currently undergoing a renovation and expansion with a seven-story annex, is set to reopen this fall. 'Krapfen' was also co-commissioned by Chicago's Renaissance Society, Paris's Lafayette Anticipations, and the Vega Foundation, run by Canadian collector Elisa Nuyten, and will debut at the Renaissance Society before its New Museum run.
New York galleries are rethinking the traditional summer group show, moving away from ambitious, canon-redefining exhibitions toward more pragmatic, relationship-driven presentations. Dealers and advisers note that these shows now serve primarily to maintain gallery visibility during the slow August season, test emerging artists, and foster networking. The article highlights examples like "Open Eyes" at A Hug from the Art World, curated by 14-year-old Luke Newsom, which balances playfulness with serious curation, featuring works by KAWS, Urs Fischer, and Raymond Pettibon.
Maya Man, an artist who earned her MFA from UC's Media Art program in 2023, is the subject of a conversation with critic Ben Davis. Her work *A Realistic Day in My Life Living in New York City* is the first commission for the Whitney Museum's 'On the Hour' program, appearing on the museum's website for 30 seconds each hour. Man also founded the experimental art space HEART in New York City, which operated briefly but left a significant impact on the online/offline art scene before closing earlier in 2025.
Independent curator Brice Arsène Yonkeu has organized "Ever So Present II: Between Home and Elsewhere," the second installment of a two-part exhibition at Gagosian's Park & 75 space in New York. The show features four emerging artists of African descent—including Emma Prempeh and Josèfa Ntjam—whose works in painting, photomontage, and assemblage explore themes of diaspora, memory, migration, and belonging. Yonkeu is the first curator invited to participate in dot.ateliers' new residency program, a foundation and exhibition space launched by Ghanaian painter Amoako Boafo in Accra in 2023. The exhibition expands on questions raised in the first iteration held in Accra, asking what remains "ever so present" in diasporic art across borders and cultures.
Art in America's 2025 "New Talent" issue features 20 emerging artists chosen by the magazine's editors, including Nico Williams, Bint Mbareh, Justin Allen, Agnes Questionmark, and Brooklin A. Soumahoro. The issue also includes a postmortem on figurative painting by Barry Schwabsky, an essay on spiritual art by Eleanor Heartney, a symposium on art's purpose with seven artists, and a tribute to the late Jaune Quick-to-See Smith by Emmi Whitehorse. Other sections cover Suzanne Valadon, Hito Steyerl's book, and a debate between art fairs and biennials.
Art in America hosted a launch event for its 2025 "New Talent" issue at PMC's headquarters in New York, bringing together 20 emerging artists and two established luminaries—Carroll Dunham and Rochelle Feinstein—for a panel discussion moderated by senior editor Emily Watlington. The conversation explored the art world's current shift from figuration to abstraction, with Dunham and Feinstein reflecting on their own careers and the evolving dynamics of painting.
During Frieze London's VIP preview day, guerrilla dealers Jack Chase and James Sundquist parked their U-Haul Gallery truck outside Regent's Park, selling T-shirts and art by Vladimir Umanetz. The duo, known for launching the U-Haul Art Fair during Armory Week in New York, set up a mobile exhibition inside the truck featuring Umanetz's mixed-media work O-14 (LPSVCYDH) (2025–present) and a giant image of Tina Turner. Park attendants eventually forced them to move under threat of police action, but they later relocated outside Thaddaeus Ropac's London gallery during a party for Tom Sachs.
Luis Emilio Romero, a Jersey City native, moved from Bushwick to the Monira Foundation's residency at Mana Contemporary in Jersey City, where he now paints intricate, textile-influenced patterns in a calm basement studio. Mana Contemporary, a 2 million-square-foot former tobacco warehouse converted in 2011 by Moishe Mana, Eugene Lemay, and Yigal Ozeri, hosted its Spring Open Studios on May 17, with over one-third of its 300 artists participating—the largest turnout in years. The event featured installations by TLaloC, sculptures by John Chamberlain, and an exhibition of artist books, "Open Book(s): Observations," presented by Pierogi Gallery, Mana, and the Monira Foundation. Pierogi co-owners Joe Amrhein and Susan Swenson also brought their Flat Files containing nearly 4,000 works to Mana for six months to a year.
Frieze has published a critic's guide highlighting seven must-see exhibitions during Art Brussels, including Richard Tuttle's restless assemblages at Galerie Greta Meert and an expansive show of Lutz Bacher at WIELS. The guide, written by Emile Rubino, provides a curated selection of notable shows for visitors to the Brussels art fair.
The article highlights seven artists and presentations to watch at the New York art fairs this weekend, including Frieze, TEFAF, Independent, and NADA. Key highlights include Comme des Garçons' sculptural fashion display at Independent, Danish painter Eva Helene Pade's U.S. debut at Thaddaeus Ropac's TEFAF booth, and sold-out booths for Kelly Sinnapah Mary at James Cohan and Rachel Youn at G Gallery during Frieze. The piece notes that while no single viral spectacle dominates this fair week, a quieter but compelling mix of works and sales is drawing attention across venues.
Danielle Mckinney, a rising painter known for intimate depictions of Black women in moments of repose, shares insights into her creative process in a studio visit interview. She has two concurrent exhibitions: one at the Norton Museum of Art in West Palm Beach (through Oct. 4) and one at Marianne Boesky Gallery in New York (through June 13), where she debuts a series of watercolors and continues dissolving boundaries between figures and their domestic surroundings.
Miami-based collectors Javier Martin and Austria Ulloa discuss their 404 Art Collection, which spans works from mid-20th century Ivorian artist Frédéric Bruly Bouabré to contemporary pieces by Ryan Schneider, Augusta Lecaros, and others. The couple, who met through their respective art-world careers, acquire works through studio visits, gallery discoveries, and friend recommendations, and they are donating a Bouabré drawing to the Boca Raton Museum of Art for an upcoming exhibition. Their collection also includes pieces by Sadaharu Horio, Ami Yoshida, Lucas Pereira Elias, Katarina Weslien, Michelangelo Pistoletto, Elsa Mora, and Waichi Tsutaka.
Cultured magazine highlights three emerging artists to watch during Frieze Los Angeles: Katelyn Eichwald, Nevine Mahmoud, and Casey Bolding. The article features interviews with each artist, discussing their upcoming presentations in LA, their creative processes, and how their life experiences inform their work. Casey Bolding, for example, discusses his exhibition "Bloodstream" at Karma Los Angeles and how his background in graffiti and faux finishing influences his paintings.
CULTURED magazine's November gallery guide for New York highlights five exhibitions across Manhattan galleries. Aiza Ahmed's debut solo show "The Music Room" at Sargent's Daughters draws on Satyajit Ray's 1958 film, featuring paintings, sculpture, and a musical composition. B. Wurtz's "13 Works" at Garth Greenan presents assemblages of everyday objects exploring consumption and waste. Ali Banisadr's "Noble/Savage" at Olney Gleason responds to visual overload with paintings, bronzes, and works on paper. Brock Enright's "I AM SO PRETTY" at Club Rhubarb showcases diverse mediums from his collecting habit. Jay DeFeo's "Garnets on the Boulder" at Paula Cooper focuses on her post-"The Rose" abstract expressionist works from the 1980s.
Art collector Joel Lubin travels to Margate, England, to commission a portrait from Brogan Bertie, winner of the Sky Arts Portrait Artist of the Year prize. During his visit, Lubin tours the Carl Freedman Gallery, meets artists in Tracey Emin's TEAR residency program, visits the Turner Contemporary, and has dinner at Emin's home, where he also encounters works by emerging artists.
Cultured magazine profiles a cross-section of Atlanta art collectors as the Atlanta Art Fair returns for its second edition, highlighting the city's growing art scene. The article features Esohe and George Galbreath, who discuss their collection of about 200 works focused on emerging Atlanta artists, their annual art party ARTiculate ATL, and how their tastes have evolved from figurative works responding to cultural moments to smaller pieces that allow for greater diversity.
Collector Amitha Raman shares her journey into art collecting, which began with late-night classes at MoMA under art historian Agnes Berecz, where she explored empty galleries after hours. Her first acquisition was Mary Beth Edelson's "Hounds of Hell" (1973), and she now serves as co-chair of MoMA's Young Patrons Council and a member of its Black Arts Council. Raman's collection includes works by Rashid Johnson, Wolfgang Tillmans, Tracey Emin, Jenny Holzer, and Jeffrey Gibson, and she actively loans pieces to major museums worldwide.
The Rose Art Museum held its first-ever New York benefit gala, marking its return to the fundraising circuit after two decades. Co-chaired by advisor Abigail Ross Goodman and Christie’s Sara Friedlander, the event honored sculptor Hugh Hayden and philanthropist Lizbeth Krupp, the longtime chair of the museum’s board of advisors. The evening raised $900,000 toward a new $2 million Exhibition Endowment Fund, with Krupp making the first gift. Guests included artists Salman Toor, Leilah Babirye, Ali Banisadr, and Ilana Savdie, as well as gallerist Jeanne Greenberg Rohatyn and Public Art Fund’s Nicholas Baume.
Daniel Sikkema, the estranged husband of murdered New York art dealer Brent Sikkema, was found guilty in Manhattan federal court on charges related to a murder-for-hire plot. Prosecutors proved that Daniel orchestrated the killing of Brent Sikkema, founder of the Chelsea gallery Sikkema Jenkins & Co., at his vacation home in Rio de Janeiro in January 2024, amid a bitter divorce and custody dispute. Daniel was convicted on three counts for conspiring to hire Alejandro Triana Prevez, a Cuban former security officer, who stabbed the dealer 18 times. Daniel faces a mandatory life sentence.
The Independent art fair in New York has relocated from Spring Studios in Tribeca to Pier 36 on the East River, doubling its footprint while slightly reducing the number of exhibitors from 87 to 76. The move creates a more spacious, single-level layout with larger stands and improved circulation, allowing for more ambitious installations. Dealers report strong early collector turnout, with over a third of exhibitors presenting solo stands by artists showing in New York for the first time, including Omar Mismar and Julia Maiuri. Notable presentations include Charles Moffett’s revival of late textile artist Silvia Heyden, James Fuentes’s cross-generational downtown New York showcase, and a large-scale installation by Gretchen Bender.
Gratin Gallery, founded by Talal Abillama, is opening a new outpost in Tribeca at 15 White Street, leased for ten years. The space will debut on May 15 with “Blinds and Shutters,” the first U.S. solo exhibition of Spanish sculptor Mónica Mays. The gallery, which started on Avenue B in 2022 and later moved to Grand Street, is expanding despite a challenging art market. Abillama cites the need to be closer to collectors who avoid the 15-minute walk from Tribeca to Chinatown. The new location sits near Luhring Augustine and Ortuzar Projects, and will officially open in November after renovations.
The Sherman Family Foundation Acquisition Fund has launched at Frieze New York, providing $50,000 annually to help US museums acquire works from the fair's Focus section, which features solo stands by galleries under 12 years old. In its first year, the Baltimore Museum of Art acquired works by Reika Takebayashi, Seba Calfuqueo, and Joanne Burke, while the Brooklyn Museum acquired two works by Bettina (Bettina Grossman). Each artist also receives an unrestricted $5,000 award.
British artist Anouska Samms has publicly claimed that the Metropolitan Museum of Art's Costume Institute exhibition "Costume Art" includes a dress, Corpus Nervina 0.0 (2023-24), that was based on her collaborative work with Israeli fashion designer Yoav Hadari. Samms alleges that she co-created the original "Hair Dress" with Hadari in 2023 while both were residents at the Sarabande Foundation, and that the Met initially sought to acquire that piece. After negotiations fell through, Hadari instead provided a similar garment attributed solely to him, prompting Samms to demand proper credit via Instagram posts and through her lawyer.