The Ojai Valley Museum has opened its annual 'Ojai Mystique' exhibition, featuring 19 invited artists from California and beyond. Each artist created two paintings inspired by the Ojai Valley—a large masterwork and a smaller companion piece—resulting in 38 works that explore the region's landscape, atmosphere, and light. The exhibition runs through August 9 and includes a series of Sunday Town Talks with artists and a master framer.
The Mike Kelley Foundation for the Arts (MKFA) has announced the recipients of its 2026 Infinite Expansion Grants (IEG), awarding funding to nine contemporary arts organizations across Los Angeles County. This year marks the tenth anniversary of the grant program, with six of the nine organizations receiving MKFA funding for the first time. The grantees include Art in the Park, Clockshop, and Color Compton, among others, each undertaking projects that explore themes of place, memory, diaspora, and community resilience through exhibitions, installations, and public programming. The grants were selected by a jury of five arts professionals including Tiffany Barber, Jibz Cameron, Justen Leroy, Jenny Lin, and Rodrigo Valenzuela.
The Art Dealers Association of America (ADAA) has launched a digital guide on Bloomberg Connects, a free arts and culture app developed by Bloomberg Philanthropies. The guide aggregates information on more than 200 member galleries across the United States, including exhibition listings, public programs, archival material, an interactive map, weekly openings, and interviews. The ADAA becomes one of the first national gallery associations to consolidate its programming on the platform, which already hosts guides from over 1,100 cultural organizations worldwide, including the Whitney Museum of American Art, Storm King Art Center, and the Hammer Museum.
Two of New York City's most influential contemporary art institutions, the Studio Museum in Harlem and the New Museum on the Bowery, are set to reopen this autumn after major architectural transformations. The Studio Museum will unveil its first purpose-built facility, an 82,000 sq. ft seven-story building on West 125th Street designed by Adjaye Associates with Cooper Robertson, featuring expanded exhibition space, artist studios, and a "reverse stoop" for public programming. The New Museum will debut a seven-story expansion to its flagship building at 235 Bowery, doubling its exhibition space and reinforcing its role as a hub for experimental art.
The Studio Museum in Harlem, founded in 1968 in a rented loft above a liquor store, will open its first purpose-built 82,000-square-foot building on West 125th Street this fall, following a landmark $300 million capital campaign led by director and chief curator Thelma Golden. Designed by Adjaye Associates with Cooper Robertson, the new facility doubles the exhibition and studio space and includes dedicated areas for performance, education, and public programs. The museum, which has operated without a permanent space since 2018, has been a pioneering platform for artists of African descent, launching the careers of figures like David Hammons, Kerry James Marshall, Glenn Ligon, and Simone Leigh through its groundbreaking exhibitions and artist-in-residence program.
Artist Nicholas Galanin withdrew from a symposium tied to the Smithsonian American Art Museum exhibition “The Shape of Power: Stories of Race and American Sculpture,” alleging that organizers asked him not to record the event or share footage on social media. The symposium, a private event not publicly listed on the Smithsonian’s website, also included curator Hamza Walker, artists Titus Kaphar and Miguel Luciano, and critic Aruna D’Souza. Galanin stated on Instagram that the request effectively censored participants, though a Smithsonian spokesperson denied censorship, citing that not all participants consented to recording. The exhibition was previously singled out by President Donald Trump in an executive order criticizing the Smithsonian for promoting “divisive, race-centered ideology.”
Bloomfield College of Montclair State University's Scott H. Kaplan ’02 Art Gallery will open its fall exhibition, “The King Has Spoken,” on September 25, 2025. Curated by gallery director Wanda Croudy, the show features six male artists—Kervin André, José Camacho, Jo-El Lopez, Suliman Onque, Ron “Reap” Powell, and Levi Robinson—presenting deeply personal works exploring identity, resilience, and expression. The exhibition is supported by Marc and Ellen Kaplan and presented in partnership with Newark Arts.
The New Museum in Manhattan is partnering with Fondazione Sandretto Re Rebaudengo, founded by Italian patron Patrizia Sandretto Re Rebaudengo, to launch the New Futures Production Fund. This initiative will support the production and exhibition of new works by international artists, with Italian-born Diego Marcon as the first commissioned artist. Marcon's new work will debut in a solo exhibition at the New Museum next year before traveling to the foundation in Turin. The collaboration coincides with the New Museum's expansion, a seven-story addition designed by Rem Koolhaas and OMA's Shohei Shigematsu, which will double its exhibition space.
Ceres Gallery, a pioneering feminist gallery in New York, opens its 43rd season with two exhibitions: "Marcy Bernstein: Evocative Abstractions" and Carlyle Upson's "Submerged," running from September 2 to September 27, 2025. Bernstein's mixed media paintings on recycled surfaces feature bold brushstrokes and layered textures exploring geometry, symbolism, and nature, while Upson's work is also on view. The season includes public programs such as an opening reception, an author talk and book signing with Michael G. Garber, and a closing reception.
The University of Toledo Department of Art will host a free public exhibition of photographs and installation works by guest artist Margaret LeJeune, opening August 25 at the Center for the Visual Arts. Titled "Drawn from Memory: Mapping Salt and Time," the exhibition examines ecological shifts in Dare County, North Carolina, including the transformation of coastal forests into ghost forests due to saltwater intrusion and rising sea levels, while also addressing histories of colonialism, enslaved Africans and their descendants, and Indigenous displacement. LeJeune will give an artist talk on September 24, and the show runs through October 10.
Blue Fern Artists Collective Gallery will hold its grand opening and ribbon-cutting on Friday, Sept. 5, from 6 to 8 p.m. at 40B Main St. in Peterborough, N.H., in a space formerly occupied by Grey Horse Candles. The gallery, founded by Deborah Caplan and a group of local artists, had a soft opening during the Aug. 8 Night Market. It features 18 artists working in diverse media including paintings, drawings, collage, multimedia, ceramics, felting, jewelry, leather work, and photography. The collective is collaboratively owned and run, with each artist paying a nonrefundable buy-in and monthly dues, and working two shifts per month. Artists receive 82% of sales profits, far above the typical 40-50% gallery commission. The gallery is also partnering with MAXT Makerspace to showcase makers’ work and plans to host classes, art history lectures, poetry readings, and evening events in the adjacent alley.