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The power of transformation: an immersive, thrillingly layered, journey into William Kentridge’s sculpture

The Yorkshire Sculpture Park has opened "William Kentridge: The Power of Gravity," the first major survey of the South African artist's sculptural work outside his home country. The exhibition spans multiple decades and includes large-scale film installations, about three dozen sculptures, and four of his largest bronzes to date. It features pieces like the "Singer Trio" (2019) and works from his film series "Self-Portrait as a Coffee-Pot" (2023), with exhibition design by his long-term collaborator Sabine Theunissen.

Art Gallery of Ontario acquires more than 200 Peter Hujar photographs

The Art Gallery of Ontario (AGO) has acquired 210 photographs by Ukrainian American photographer Peter Hujar (1934-87) from the Hujar Archive. The acquisition coincides with the gallery’s photography department preparing for its 25th anniversary exhibition, Collective Visions: Celebrating 25 Years of Photography, opening November 7, which will feature around 80 works chosen by the local community. The exhibition uses a unique chain-selection process where local artists, collectors, donors, community leaders, and scholars pick works in sequence, each inspired by the previous choice.

Art Basel Diary: star brings K-pop magic, scents and sensibility, and Liam Gallagher’s romantic side

Art Basel 2025 in Basel, Switzerland, saw K-pop star RM (of BTS) visit the fair's Unlimited section, drawing screaming fans and highlighting his role as an art collector. Other notable moments included Friedrich Kunath's romantic portrait of Liam Gallagher (priced at $135,000) on view with Pace gallery, Italian collector Patrizia Sandretto Re Rebaudengo announcing a dual-site exhibition in Turin for her foundation's 30th anniversary, and Fondation Beyeler drawing luminaries like Carolyn Christov-Bakargiev and Don and Mera Rubell to Jordan Wolfson's VR experience 'Little Room'. The fair also introduced a bespoke fragrance called 'Racing Anticipation' in collaboration with Givaudan, though some staff reported allergic reactions.

‘My bank account is the only thing that slows me down’: Arlene Shechet on trusting her instincts

Artist Arlene Shechet discusses her dual role as creator and collector in an interview with The Art Newspaper ahead of Art Basel. She is installing her welded aluminum sculpture *Midnight* (2024) in the fair's Unlimited section, a work originally commissioned for her show at Storm King Art Center. Shechet reveals that she uses a portion of her sales to buy works by other artists, citing pieces by Fred Sandback, Barry Le Va, Joan Jonas, Kinke Kooi, and Marlon Mullen in her collection. She also mentions a regret over not purchasing a Louise Bourgeois drawing for $5,000 and names a medieval Book of Hours as her dream museum acquisition.

Hot new artist: Jadé Fadojutimi, a colour genius

The article profiles painter Jadé Fadojutimi, highlighted as a "colour genius" by curator and advisor Hervé Mikaeloff in Numéro art's series on hot new artists during the 56th edition of Art Basel. Fadojutimi's large-format, near-abstract compositions feature rich fuchsias, indigos, and yellows with expressionist brushstrokes and oil pastel marks, evoking plant worlds and musical scores. Her work has been shown internationally, including at the Hayward Gallery, Kunstmuseum Bonn, the 59th Venice Biennale, and the National Art Museum in Osaka, and she is represented by Gagosian, Galerie Gisela Capitain, and Taka Ishii. Her first Gagosian solo show in New York in 2024 incorporated a soundtrack, underscoring the role of music, fashion, and animation in her practice.

To help preserve her works, Cindy Sherman is offering to destroy and reprint old photographs

Photographer Cindy Sherman has launched the Cindy Sherman Legacy Project (CSLP), a formal initiative to preserve her photographic works by offering to destroy and replace damaged prints with new, artist-approved reprints. The project, announced on June 16, includes condition assessments, a controlled replacement process, and an online catalogue raisonné. Collectors can submit works for evaluation at a New York facility; eligible prints are destroyed and replaced with mint-condition reprints signed by Sherman, with a $10,000 administrative fee plus production costs. The fee is waived for non-profit institutions.

Anna Maria Maiolino: ‘My body speaks to me and I’ve been listening to it since I was really young’

Anna Maria Maiolino, an 83-year-old Italian-born Brazilian artist, is the subject of a feature interview following her first solo exhibition in France, titled "Estou Aqui (I am here)", at the Musée Picasso in Paris. The exhibition spans her career of over 60 years and includes newly commissioned work. Maiolino, who won the Golden Lion for Lifetime Achievement at the 2024 Venice Biennale, discusses her migration from Italy to Venezuela to Brazil, her time in New York, and her return to São Paulo. She reflects on her artistic practice, which evolved from gestural works on paper and film to clay installations, and her engagement with themes of exile, language, and memory, often using simple materials like paper, cement, and clay.

The UAE’s art market is on the up

The UAE's art market is experiencing a resurgence nearly two decades after the 2008 financial crash, driven by a booming economy and strategic investments. Key developments include an Abu Dhabi sovereign wealth fund, ADQ, acquiring a $1 billion stake in Sotheby's, and Art Basel announcing a new fair in Doha, Qatar, set to launch in February 2026. Meanwhile, Christie's is expanding its Dubai office, and Saudi Arabia hosted its inaugural Art Week Riyadh in April, featuring 32 commercial galleries. Despite these regional moves, Dubai remains the Gulf's commercial art hub, with Sotheby's chairman Edward Gibbs noting a 70% increase in regional bidders over five years and Christie's president Anthea Peers reporting that sales of modern Middle Eastern art trebled between 2020 and 2024.

11 Must-See Museum Exhibitions This Summer

This article highlights 11 must-see museum exhibitions for summer 2025, curated by Monica Jae Yeon Moon. Key shows include Melissa Joseph's site-specific installation 'Tender' at the Brooklyn Museum, a comprehensive solo exhibition of 18th-century Dutch still life painter Rachel Ruysch at the Toledo Museum of Art and Museum of Fine Arts Boston, and a queer photography exhibition at the Getty Center. Other notable events include the Venice Architecture Biennale, Berlin Biennale, and Ljubljana Biennial, with a focus on women artists like Emily Kam Kngwarray and Takako Yamaguchi receiving overdue recognition.

Folklore, mythology and tradition: five must-see shows at London Gallery Weekend

London Gallery Weekend features several exhibitions that draw on folklore, mythology, and traditional processes, offering a counterpoint to the AI-dominated art world. The article highlights five female artists whose shows span from Argentina to Australia to South Korea: Anna Perach at Richard Saltoun explores ancient folklore and identity through tufted sculptures; Francis Upritchard at Kate MacGarry presents uncanny sculptures inspired by mythology and science fiction; and Soyoung Hyun at IMT Gallery examines memory and ritual through clay vessels and shadow works. Other shows include indigenous Aboriginal artist Emily Kam Kngwarray and New Zealand-born Upritchard, who borrows from diverse cultural sources.

15 Art Shows to See in Upstate New York This Summer

This guide highlights 15 art exhibitions across Upstate New York for summer, featuring moody paintings by Emily Pettigrew at Fenimore Art Museum, Native artists exploring time and memory at Hudson River Museum, Renée Green’s conceptual word shuffling at Dia Beacon, and Black history in the Hudson Valley at Vassar College's Loeb. Other shows include Arlene Shechet's intimate sculptures at Catskill Art Space and Larry Fink's photography at CPW in Kingston.

The Metropolitan Museum of Art Presents First Museum Survey of Lorna Simpson’s Paintings

The Metropolitan Museum of Art has opened "Lorna Simpson: Source Notes," the first museum survey dedicated to Lorna Simpson's painting practice. Running from May 19 to November 2, 2025, at The Met Fifth Avenue, the exhibition features over 30 works spanning a decade, from her first painting to her latest series, alongside related works in other media. Simpson, known for her conceptual photography since the 1990s, explores identity and representation through screen-printed collages that incorporate vintage imagery from Ebony, Jet, and archival sources. The exhibition is supported by the Ford Foundation, Hauser & Wirth, and other donors.

Tentatively, Photo London's tenth edition moves away from traditional content and crowds

Photo London's tenth edition, under new director Sophie Parker, opened at Somerset House with a deliberate shift away from its traditional focus on established male photographers and celebrity subjects like Kate Moss. The fair eliminated its 'Master of Photography' award and revived the Positions section for unrepresented artists, featuring Palestinian-American Adam Rouhana and British Indian photographer Kavi Pujara. While the main pavilion still showcased familiar names like Sebastião Salgado, newer galleries reported strong early sales, including a £10,000–£15,000 portrait by Chou Ching Hui sold to a Norwegian museum via Taipei's Chini Gallery, and multiple sales at Amsterdam's Hungry Eye Gallery and Paris's Galerie XII.

7 Artists Who Capture the Essence of Black Dandyism

The article highlights seven contemporary artists whose work embodies Black dandyism, timed to the 2025 Met Gala theme 'Superfine: Tailoring Black Style' and the corresponding exhibition at the Metropolitan Museum of Art's Costume Institute. It traces the history of Black dandyism from its 18th-century European roots through its evolution during slavery and the 20th century, emphasizing its role as a defiant, empowering form of self-expression that challenges gender norms and racial stereotypes. Featured artists include Barkley L. Hendricks, Derek Fordjour, and Tyler Mitchell, among others.

How To Do New York Art Week 2025 Like An Insider

Sophia Penske, founder of Penske Projects and an art advisor at Gagosian Art Advisory, provides an insider guide to New York Art Week 2025, running May 5–12. She highlights three main fairs: Frieze New York at The Shed (May 7–11), Independent Art Fair at Spring Studios (May 8–11), and TEFAF. The guide includes notable artists to see—such as Daisuke Fukunaga at Tomio Koyama Gallery, Doron Langberg at Victoria Miro, Moka Lee at Carlos/Ishikawa, Julia Jo at Charles Moffett, Laura Footes at SHRINE, and Nicole Economides at Callirrhoe—along with nearby dining, spa, and gallery recommendations.

New York’s Rachel Uffner Gallery brings on new partner and rebrands

New York's Rachel Uffner Gallery, founded in 2008, has appointed director Lucy Liu as its first business partner, prompting a rebrand to Uffner & Liu. Liu, 25, joined the gallery as a sales assistant in 2023 and was promoted to director in 2024. The partnership aims to expand the gallery's international presence, particularly in Asia, and to introduce more artists from the Asian American Pacific Islander community into its programming.

Comment | Perhaps artists do have only ‘ten good years’—but they can happen at any time in their career

The article reflects on the idea that artists may have only 'ten good years' of peak creativity, prompted by a visit to the exhibition "Anselm Kiefer: Early Works" at the Ashmolean Museum in Oxford. The author contrasts the young Kiefer's deft, emotionally intimate works from 1969–1982 with his later, more grandiose output, arguing that Kiefer's early period surpasses anything he has achieved since. The piece also revisits critic Douglas Cooper's harsh dismissal of late Picasso and former Tate director Alan Bowness's theory of artistic prime.

Chicago's Intuit Art Museum set to unveil $10m renovation

Chicago's Intuit Art Museum has completed a two-year, $10 million renovation that triples its footprint and adds a lower level featuring the Henry Darger Room, a permanent installation recreating the artist's apartment. The museum will preview publicly on April 25 during Expo Chicago and officially reopen on May 23. The renovation, led by president and CEO Debra Kerr and local architecture firm Doyle & Associates, balances improved accessibility and natural light with preservation of the building's historic character. The inaugural exhibition, "Catalyst: Im/migration and Self-taught Art in Chicago" (May 23–January 11, 2026), features 75 works by 22 artists exploring migrant and immigrant contributions to outsider art from the 1930s to today.

Kingston’s Art Renaissance Continues: 68 Prince Street Gallery Opens with Francine Tint’s “Symbolic of the Whole”

A new contemporary art gallery, 68 Prince Street Gallery, has opened in Midtown Kingston, New York, in a former dry cleaners space transformed over six years by artists Paula and David Kucera. The inaugural exhibition, “Symbolic of the Whole,” features paintings and sculptures by New York artist Francine Tint, a former costume designer for David Bowie and Ridley Scott who turned to abstraction in the 1970s. Curated by Alan Goolman, the show highlights Tint’s rarely seen bronze sculptures alongside her canvases, while a front room dedicated to artist books and prints is overseen by book artist Maureen Cummins.

teamLab in Abu Dhabi, Christine Sun Kim and Thomas Mader, Vermeer’s final painting?—podcast

The article covers three major art stories: the opening of Christine Sun Kim and Thomas Mader's exhibition "1880 THAT" at the Wellcome Collection in London, which explores the 1880 Milan Conference that banned sign language in Deaf education; the launch of a new teamLab museum in Abu Dhabi's Saadiyat Cultural District; and new conservation findings on Johannes Vermeer's "Young Woman seated at a Virginal" (1670-75), which may be his final painting, with 17th-century pollution helping to date the work.

Regional strength helps insulate Art Dubai from tariff-related turbulence

Art Dubai, running until 20 April, opened as the first major art fair since US President Trump announced global tariffs that nearly triggered a financial crisis. Sales were solid, with most works priced in the low six figures or thousands, insulating the fair from market anxieties. A divide emerged between regional SWANA galleries—which presented the strongest booths—and international galleries from the US, Europe, and Latin America, which seemed uncertain about what to bring. Notable sales included works by Rana Begum, Mehdi Ghadyanloo, Ali Cherri, and Shaikha Al Mazrou, while galleries like Sfeir-Semler, Vigo Gallery, and Experimenter reported strong results.

Artist interview

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The Changing Face of the Latin American Art Market

The article provides a critic's guide to seven must-see exhibitions during the Art Brussels event. It highlights specific shows, including Richard Tuttle's assemblages at Galerie Greta Meert and an expansive presentation of Lutz Bacher's work at WIELS.

A Brief History of Protest at the Venice Biennale

The article provides a historical overview of protest actions that have taken place at the Venice Biennale, tracing key moments of political and social dissent within the prestigious international art exhibition. It highlights instances where artists, activists, and participating nations have used the Biennale as a platform to challenge authority, address censorship, and critique global issues, from the 1968 student protests to more recent controversies involving national pavilions and institutional policies.

Emily Kraus’s Glitchy Paintings Challenge Aesthetic Authority

Emily Kraus’s solo exhibition at Frieze presents a series of glitchy, digitally inspired paintings that disrupt traditional notions of aesthetic authority. The works employ pixelated distortions and vibrant color fields to question the boundaries between digital error and artistic intention, drawing attention to the role of technology in contemporary art-making.

Franco Vaccari Recasts the Viewer as Creator

Franco Vaccari, a pioneering Italian artist associated with Arte Povera and conceptual art, is the subject of a new exhibition that repositions the viewer as an active participant in the creative process. The show, featured in Frieze's Critic's Guides, highlights Vaccari's interactive works, including his famous photomatic booth installations where visitors become both subject and author of the artwork.

‘Emergent Figures’ Carves Space for Thai Artists in a Global Canon

Frieze published a critic's guide titled 'Emergent Figures' Carves Space for Thai Artists in a Global Canon, which highlights a group exhibition featuring Thai artists at a venue in Brussels during Art Brussels. The show aims to present Thai contemporary art within a broader international context, moving beyond regional stereotypes. The article is part of a larger guide that also includes recommendations for other must-see shows during the fair, such as Richard Tuttle at Galerie Greta Meert and Lutz Bacher at WIELS.

Historical Downtown Icons in ‘Focus’ at Frieze New York

Frieze New York is spotlighting historical downtown icons in a new 'Focus' section at its upcoming fair. The initiative will feature curated presentations of works by artists who were central to New York's downtown art scene, highlighting their enduring influence and the cultural history of the era.

The Best Shows to See Across the UK Right Now

Frieze has published a critic's guide highlighting seven must-see exhibitions during Art Brussels, including Richard Tuttle's restless assemblages at Galerie Greta Meert and an expansive show of Lutz Bacher at WIELS. The guide, written by Emile Rubino, offers a curated selection of notable shows across the UK and Brussels art scene.

Marina Xenofontos Recreates an Empty Nightclub

Marina Xenofontos recreates an empty nightclub in her latest exhibition, transforming the gallery space into a hauntingly still environment that evokes the aftermath of a night out. The installation features meticulously crafted details such as discarded drinks, abandoned furniture, and dim lighting, capturing the melancholic atmosphere of a venue devoid of its usual crowd. The show is part of the broader Art Brussels programming, with the critic's guide highlighting it among seven must-see exhibitions during the fair.