Photographer Peter van Agtmael reflects on a photograph he took 20 years ago while embedded with the U.S. military in Iraq. The image, captured during his first experience of war, depicts a dejected American soldier sitting in an ordinary Iraqi living room, a scene he describes as showing the vast military machine mobilized in the Middle East.
Photographer Elizabeth Sanjuan has released a new book titled 'Silent Snow,' featuring 40 monochrome images captured over four winters in Hokkaido, Japan. The work focuses on the island's snow-covered landscape, which remains white for half the year, and explores the visual and emotional qualities of this extreme environment.
Photographer Rich-Joseph Facun documents life in Athens, Ohio, in his project '1804,' focusing on the profound influence of Ohio University on the town. His images and interviews capture the socioeconomic and cultural dynamics, including strained housing markets, a nightlife economy driven by students, and the town's identity as a "company town" shaped by the university's calendar and employment.
Photographer Claire Rosen has released a series of portraits featuring live birds, ranging from fluffy owlets to rosy flamingos. The project documents various avian species through a carefully composed, artistic lens.
Bowen Island artist Corey Bulpitt presents his new series "Above the Flood, Watching for the Light" at the Hearth Gallery Community Centre, on view until July 28. The six-painting series follows his earlier "Daalkaatlii Diaries" works, which depicted the great flood of Haida territories and are now held in collections including Paris’ Musée du Quai Branly–Jacques Chirac and Gallery Jones in Vancouver. This new body of work shifts from historical catastrophe to speculative imagination, drawing on Haida cosmology while embracing invention and exploring unseen energies, microscopic spaces, and ephemeral light.
The Westchester Regional Library in Miami is hosting "Circular Reflections," an exhibition featuring over 80 contemporary Cuban artists, each working within a 21-inch circular format. Organized in collaboration with the Miami-Dade Public Library System, the show opened on April 3 and runs through June 25. Curated by Miami-based artist and independent curator Miguel Rodez, the project began nearly a decade ago and has evolved into a traveling, ongoing documentation of Cuban visual culture. Artists like Ismael Gómez Peralta discuss how the circular constraint challenged traditional rectangular composition, pushing them to rethink spatial organization while maintaining their individual visual languages.
The Surrey Art Gallery in British Columbia is presenting a new exhibition titled "In the Shadow of the Pavilions: Expo 86 and Contemporary Art," running from April 18 to June 7, 2026. The show features over 50 artists, including a project by Michael de Courcy who took 1,700 photos of Expo 86 visitors, and works by Henri Robideau, a self-described 'Gianthropologist' who photographed giant roadside attractions across Canada in the 1980s.
A new exhibition titled "From Hermès to Home" at the Waco Welcome Center showcases the work of internationally acclaimed artist Kermit Oliver alongside local artists Cade Kegerreis and Vincent Thomas, who were mentored by Oliver. Oliver is the only American artist to have designed scarves for Hermès, and the show features his iconic scarf designs alongside paintings and self-portraits by all three artists, marking the first time their work has been exhibited together. The exhibition coincides with a limited-edition re-release of Oliver's scarf design "Faune et Flore du Texas" and the upcoming publication of a book about him by Texas A&M University Press.
Flinders University Museum of Art (FUMA) presents 'Anarchive: knowledge follows form', a solo exhibition by South Australian artist Bridget Currie running from 27 April to 19 June 2026. The show reimagines the archive as a living force, drawing on FUMA's 'Post-object and Documentation Art' collection from the 1960s and 1970s. It features works by Bonita Ely, Alison Goodwin, Poppy Johnson, Dorothy Thompson, and Eva Yuen Man-Wah, including Thompson's playful protest performances in bird costumes. The exhibition is co-presented with Adelaide Contemporary Experimental and includes a guest-edited issue of Artlink magazine.
The USC Fisher Museum of Art is hosting the "Freedom Plane National Tour: Documents That Forged a Nation," a traveling exhibition of rare founding-era documents from the U.S. National Archives. The show, which runs through May 3, includes items such as a rare engraved copy of the Declaration of Independence, the Treaty of Paris (1783), and a Senate markup of the Bill of Rights (1789). USC is the only university stop on the eight-city national tour, and the documents arrived in Los Angeles on a special Boeing 737. The exhibition has drawn history students, faculty, and the public, with USC Distinguished Professor Peter C. Mancall bringing his class to study the documents up close.
The Center for Art, Research and Alliances (CARA) in New York is hosting "The Earth, the Fire, the Water, and the Winds: For a Museum of Errantry with Édouard Glissant," an exhibition traveling from the Instituto Tomie Ohtake in São Paulo. The show eschews traditional curatorial hierarchies, instead utilizing the theories of Martinican philosopher Édouard Glissant to present works by artists such as Gerardo Chávez and Eduardo Zamora. Rather than providing didactic labels, the installation encourages "errantry" and "relationality," allowing visitors to discover visual resonances and meanings through their own active engagement with the landscape of the gallery.
The Hook Experiment in Oxford is currently hosting "Tender Ground," a lens-based exhibition featuring the work of four regional women artists: Lynda Schmid, Sarah R. Bloom, Marnie Ellen Hertzler, and Jonna McKone. Curated by Constance McBride and Lisa Baird, the show utilizes photography and found objects to explore themes of environmental instability, physical vulnerability, and the fragility of place. The works range from disjointed equine photography and nude self-portraiture in decaying spaces to documentation of the disappearing Tangier Island.
The organizers of the 47th La Cloche Art Show have named Robert Potvin as the Artist of Distinction for the 2026 exhibition. Potvin, a self-taught acrylic painter and elected member of the Society of Canadian Artists, is recognized for his depictions of Northern Ontario landscapes and vanishing ways of life. The announcement comes as the community prepares for the 2025 edition of the juried show, which remains a staple of the regional art scene in Whitefish Falls.
The USC Fisher Museum of Art has welcomed the "National Archives’ Freedom Plane National Tour," a traveling exhibition featuring foundational American documents. Arriving via a specially branded Boeing 737 at Van Nuys Airport, the collection includes rare items such as a 1823 Stone engraving of the Declaration of Independence, the Treaty of Paris, and a secret printing of the Constitution. USC is the only university selected as a stop on this eight-city tour, which commemorates the upcoming 250th anniversary of the United States.
Christopher Moller Gallery in Cape Town is set to host "Echoes of Home," a group exhibition featuring the works of Mpho Feni, Lionel Mbayiwa, and Olamide Ogunade. The show explores the evolving concept of identity and heritage across the African continent, contrasting traditional ancestral knowledge with contemporary lived experiences. Each artist provides a unique lens: Mbayiwa focuses on Shona cosmology, Ogunade utilizes introspective symbolism to capture the fragility of memory, and Feni documents the communal rituals of everyday family life.
Finnish street artist EGS has launched a comprehensive solo exhibition at the Poco Pop Art Museum in Tallinn, Estonia. The showcase features a diverse array of media including paintings, glass sculptures, and site-specific installations that document the artist's three-decade relationship with the city's urban landscape. A central highlight is a collaborative series of hand-painted ceramic plates created with Estonian artist Viktor Gurov, paying homage to the historic Tallinn ceramics factory in Kopli where EGS painted for 15 years.
Tasmanian artist Joan Humble is presenting her final exhibition at the Lady Franklin Gallery in Hobart, featuring over 40 works that span from large-scale paintings to her signature miniatures. Despite a terminal cancer diagnosis at age 88, the internationally acclaimed artist remains dedicated to her craft, completing a three-year effort to document the rugged beauty of Tasmania’s South West Wilderness. Humble, a recipient of the prestigious Golden Bowl for miniature art, continues to work on remaining commissions, citing the intense concentration required for painting as a vital source of strength.
Photographer Rania Matar has opened a new exhibition at the Eskenazi Museum of Art at Indiana University. The show features her work focusing on the lives, resilience, and resistance of women and girls in Lebanon, particularly in the aftermath of the 2020 Beirut port explosion.
The Saint Mary’s College Museum of Art has launched a new exhibition season featuring three distinct Bay Area artists: Hilda Robinson, Zach Clark, and Beth Van Hoesen. The showcase includes a retrospective of Robinson’s vibrant oil pastels documenting Black communal joy, a collaborative landscape project by Clark involving student research, and a survey of Van Hoesen’s minimalist line work and intaglio prints.
Kyoto-based painter Masako Yasuki will serve as the Clifford Iwao Arinaga Visiting Artist at the University of Hawaiʻi at Mānoa, featuring an exhibition at The Commons Gallery from March 3 to 10, 2026. The showcase highlights Yasuki’s unique technical approach, which blends traditional East Asian mineral pigments and gold leaf with Western oil and tempera paints, alongside her use of frottage to document urban and natural landscapes.
London's Mosaic Rooms, a non-profit gallery dedicated to art and culture from the Arab world, reopens on February 18 after a year-long refurbishment and expansion. The renovation, funded by the Al-Qattan Charitable Trust, added new facilities including a recording suite, a salon, a family playroom, and an expanded bookshop. A permanent stained-glass window commission by Dima Srouji, 'Four Moons from Home (2026)', greets visitors, and the reopening is inaugurated with a solo exhibition by French-Moroccan artist Bouchra Khalili exploring the Arab Workers' Movement.
Ukraine's pavilion at the 2024 Venice Biennale will feature artist Zhanna Kadyrova's concrete sculpture *Origami Deer*, which was evacuated from Pokrovsk in the Donetsk region as Russian forces advanced in 2024. The pavilion, titled *Security Guarantees*, references the 1994 Budapest Memorandum and will include archival materials and a video installation documenting the sculpture's journey across Europe. The work will be suspended from a crane on a truck along the Venice lagoon, symbolizing forced displacement and the fragility of international promises.
Young Malaysian artist Lee Wei Heng, 22, has opened his first solo exhibition titled "Ananas" at Artas Gallery in Petaling Jaya. The show features 17 oil paintings that document the grueling lives of pineapple farmers in Pekan Nenas, Johor, where his grandparents worked as laborers. Lee, who studied fine arts and worked part-time in the plantations during school holidays, captures the farmers' daily struggles—from cutting thorny fruit under the sun to praying for protection against wild animals. His works, such as the monochromatic "Old Farmer," use motifs like the parang (machete) to symbolize both the farmers' hidden identities and their pain.
Two exhibitions in Sarasota trace the origins of the Sarasota Artist Colony, which flourished between 1945 and 1965. One is at Ringling College of Art and Design, titled “Origins: Sarasota Artist Colony, 1945-1965,” co-curated by Tim Jaeger and Bill Hartman. The other is at the downtown offices of Michael Saunders & Co. The Ringling College show features 36 works by colony artists, including Jon Corbino, Ben Stahl, Syd Solomon, and Craig Rubadoux, and places them in the context of post-World War II America, when the GI Bill and cheap rents attracted hundreds of artists to the small beach community.
Artist Isabelle Brourman, known for courtroom sketches of high-profile figures like Donald Trump and Johnny Depp, has unveiled a new painting titled "No Rest for the Wicked" (2025). The work synthesizes her observations from documenting the Trump administration's immigration crackdown in courtrooms across the country, incorporating imagery from the Everglades and the detention facility nicknamed Alligator Alcatraz in southwest Florida. The painting is featured in the exhibition "The Body is the Body," curated by Simon Brewer and Nathalie Martin at the Rice Hotel, a renovated former hotel in downtown Miami now used as an art studio and exhibition space.
Red Deer's First Fridays gallery openings for December 2025 feature multiple exhibitions across the city. The Red Deer Arts Council and Red Deer Public Library present “The Canadian Landscape Abstract Paintings” by John Bladek at Kiwanis Gallery (Dec. 2–Feb. 8, 2026), showcasing abstract interpretations of iconic Canadian scenes. The Red Deer Arts Council Community Gallery hosts the Mini Masters Year-End Fundraiser pop-up (Nov. 17–Jan. 5, 2026), selling small artworks to support local arts. At the Red Deer Museum + Art Gallery (MAG), Tim Smith's photography exhibition “In the world, but not of it. Hutterite” (Dec. 6–March 7, 2026) documents Hutterite communal life, while Bailey Horton's “UNHAMPERED” (Dec. 5–March 15, 2026) addresses food security through collaborative art. Curiosity Art & Framing presents “Winter's Gift” featuring works by Brenda Garrett, Larry Reese, and others.
An exhibition titled "Art Deco: A Modern Vision" has opened, featuring a series of social photographs capturing attendees at the event. The images show various pairs and groups of visitors, including Mary Abbott and Katie Abbott, Penelope Curtin and Janet Worth, and others, documenting the opening night's social scene.
Milwaukee's Real Tinsel Gallery is hosting "Gig's Up: 50 Years of Punk Poster Art," a show collecting five decades of punk poster art from the local music scene. Curated by Dave Luhrssen, Clancy Carroll, Paul Host, and Tim Noble, the exhibition draws from Carroll's personal collection and contributions from other collectors and artists, featuring works by Eric Von Munz and others. The show includes a hardcover catalog and runs through December, with panel discussions and performances tied to it.
Pepperdine University, a private Christian university in Malibu, abruptly closed the exhibition "Hold My Hand in Yours" at its Frederick R. Weisman Museum of Art six months early, after at least a dozen artists requested to withdraw their works in protest. The school had removed or altered artworks it deemed "political," including Elana Mann's video "Call to Arms 2015-2025" (2025), which documented performances using megaphone-like sculptural instruments and included footage from a 2017 May Day March with chants supporting immigrants and racial justice. Another work by the group AMBOS, a collaborative sculpture featuring an embroidery reading "Save the Children" and "Abolish ICE," was altered by turning the fabric swatch to hide the text and removing a sign inviting visitor interaction. The school did not explain its decisions to the artists.
An art exhibition titled "Unspoken Resilience: Healing from the Lewiston Shootings Two Years In" will open at the University of New England Art Gallery in Portland on September 25, 2025, coinciding with Deaf Culture Week. Co-curated by Michelle Ames and Meryl Troop, the show features works by deaf artists and artisans, alongside photographs by Michael Kolster documenting Lewiston, Maine, where a mass shooting in 2023 killed 18 people and injured 13. Four of the victims were deaf, and two other deaf individuals were injured, making this the only mass shooting in U.S. history to disproportionately impact the Deaf community. The exhibition runs through February 7, 2026, and includes contributions from American Sign Language interpreters.