Photographer Alfredo Cunha presents 'Rostos da Imigração' at the UCCLA gallery in Lisbon, a photographic exhibition featuring portraits of individuals from lusophone communities. The series resists anonymity and aestheticization, instead focusing on the lived experiences of migrants in contemporary Portugal. The exhibition is on view until 20 May 2026.
Photographer and writer Johny Pitts presents 'Black Bricolage' at MEP Studio, a visual essay spanning two decades of work documenting Black life across European cities like Paris, Lisbon, and Berlin. The exhibition utilizes a mix of photography, personal notes, and lived encounters to map the 'Afropean' experience, focusing on the quiet textures of daily life rather than grand spectacles.
Photographer Ken Karagozian, who began documenting L.A. Metro construction workers in 1995, has collaborated with historian India Mandelkern on a photo book titled "Wilshire Subway: The Making of the D Line Subway Extension." The book chronicles the history, conflicts, and the workers behind the D Line extension along Wilshire Boulevard, ahead of its May 8 opening. A related exhibition, "Wilshire Subway: Photographed by Ken Karagozian," is on view at the 1301PE art gallery through May 14.
DE LAS MINOR KEYS AL ESTRUENDO: LA CRISIS DE LA BIENAL DE VENECIA
The 61st Venice Biennale is engulfed in a structural crisis, marked by geopolitical tensions over the inclusion of Russia (amid its invasion of Ukraine) and Israel (amid the Gaza genocide). The Biennale Foundation, led by Pietrangelo Buttafuoco, defended their participation on legalistic grounds, sparking outrage from over 200 artists, curators, and cultural workers who demanded Israel's exclusion, aligning with Art Not Genocide Alliance (ANGA). The international jury, chaired by Solange Farkas and including Zoe Butt, Elvira Dyangani Ose, Marta Kuzma, and Giovanna Zapperi, resigned collectively on April 30 after deciding not to award prizes to countries whose leaders face International Criminal Court arrest warrants. This led to the cancellation of the traditional Golden and Silver Lions, replaced by audience-voted "Visitor Lions," with awards deferred until November. The European Commission suspended a €2 million subsidy over Russia's participation, and Italian Culture Minister Alessandro Giuli notably skipped the May 9 opening.
Lebanese photographer, filmmaker, and Cold Cuts magazine creative director Mohamad Abdouni has released a new documentary titled "Treat Me Like Your Mother," which documents the lives of trans women in Lebanon. The film, drawn from an Arabic expression asking for mercy, reframes motherhood as an ethical position rooted in responsibility for the trans community. Rather than extracting trauma, Abdouni allows the women to tell their own histories in personal, nonlinear, and surprising forms. The documentary evolved from a book project featuring oral histories of ten women, and the film centers Abdouni's own reflections on what these women represented to him growing up. In a dialogue with photographer Michael Bailey-Gates for CULTURED, Abdouni discusses the importance of letting trans women define the terms of their own visibility.
Filmmaker Joshua Charow premiered his short documentary *Echoes of the Past* at the Miami Beach Edition, offering an intimate look at Kid Cudi's painter alter ego, Scotty Ramon, as he prepares for his first solo exhibition in Paris in 2026. The screening, attended by collector Larry Warsh and other art-world figures, showcased Cudi's experimental paintings and marked a new creative chapter for the musician-turned-visual artist.
Cultured magazine has announced its annual selection of 12 emerging photographers, aged 24 to 35, chosen by top names in the photography world. The list includes artists such as Adali Schell, Ashley McLean, Camille Farrah Lenain, Charlie Denis, Chris Cook, Hannah Altman, Hero Bean Stevenson, Iva Sidash, Jak Bannon, Jasmine Clarke, Michael Wolever, and Sara Messinger, who work across traditional darkroom techniques and AI tools, drawing on personal histories and community perspectives.
Jeremyn Lee, Senior Footwear Designer at Thom Browne, opens his personal archive of luxury shoes to CULTURED magazine. His collection, housed in his Fort Greene home, includes rare runway samples and discontinued styles from brands like Prada, Miu Miu, Marc Jacobs, Louis Vuitton, and Maison Margiela. Lee began collecting after an internship at Marc Jacobs, focusing on nostalgia-driven pieces he first admired on Tumblr as a teen. The archive is meticulously catalogued with photography organized by size, brand, and season, featuring items like the Maison Margiela Spring 2009 'oversized sandals' sold as display objects.
手の中の影――上原沙也加「緑の部屋：平和の島」
Photographer Sayaka Uehara, born in Okinawa in 1993, presented the exhibition "Green Room: Peace Island" at Gallery Athos in Naha in February 2025. The show brings together two series—the monochrome "Green Room" and the color "Green Days"—for the first time, focusing on Heping Island (Heping Dao) off the coast of Keelung, Taiwan. Uehara's black-and-white photographs document the island's layered colonial history, from Spanish and Dutch occupation to Japanese rule and the 1947 February 28 Incident, where local Ryukyuan residents were killed. The exhibition uses a circular layout that encourages viewers to move repeatedly through the images, connecting historical violence to the present through small objects like souvenir cookies and bottle openers.
A pop-up exhibition in Tribeca, New York, has transformed Mriya Gallery into the Donald J. Trump and Jeffrey Epstein Reading Room, displaying over 3,000 bound volumes of printed Epstein files. Organized by the Washington, DC-based Institute for Primary Facts, the room holds 3,437 volumes encompassing 3.5 million pages of released documents, printed over about a month. The free exhibition runs until 21 May and requires advance booking.
Fabian Perez Gallery in Los Angeles is hosting the Neo-Emotionalism Group Exhibition, featuring 20 artists working in painting, photography, and sculpture. The show, running through May 23, centers on feeling and memory, with artists like Shaylen Nelson, Awadé Wade, James Smith, and Martinos Aristidou presenting works that explore personal and cultural narratives. Nelson, an Afrocentric Realism painter, uses Black figures and music to place culture within traditional painting, while Wade’s piece "Abstract Love" draws on a Prince song and uses a tree as a symbol of life and transition.
Young Malaysian artist Lee Wei Heng, 22, has opened his first solo exhibition titled "Ananas" at Artas Gallery in Petaling Jaya. The show features 17 oil paintings that document the grueling lives of pineapple farmers in Pekan Nenas, Johor, where his grandparents worked as laborers. Lee, who studied fine arts and worked part-time in the plantations during school holidays, captures the farmers' daily struggles—from cutting thorny fruit under the sun to praying for protection against wild animals. His works, such as the monochromatic "Old Farmer," use motifs like the parang (machete) to symbolize both the farmers' hidden identities and their pain.
Perché la ricchezza culturale italiana non entra mai davvero nei conti e nei bilanci pubblici?
Italy has exceeded the European Commission's structural adjustment path by 0.1 percentage points of GDP, reopening fiscal scrutiny. Amid this debate, the article highlights a deeper issue: Italy's immense cultural heritage is drastically undervalued in public accounts. For example, the Pompeii Archaeological Park is recorded at just €48.9 million, the Colosseum at under €15 million, and the Uffizi at about €2 billion—figures based on outdated 2002 ministerial criteria that bear no relation to actual economic or cultural worth. The State General Accounting Office, with the University of Roma Tre and EU technical assistance, has proposed a new methodology to value cultural assets by discounting their future net financial flows, including direct revenues and indirect tourism-related returns.
Historian and lifelong collector Jason Blumklotz is opening an exhibition titled "The History of Portland Concert Posters" at Mint Gallery Records on November 14. The show features over 40 posters from his personal archive, spanning 1962 to 1996, many of which are for sale. The exhibition highlights Portland's rich concert poster tradition, including works from venues like Satyricon, the Masonic Temple, and La Luna, and includes posters for bands such as Heatmiser, King Bee, and Wipers.
The Guardian's weekly photo feature presents a global visual summary of the past seven days, compiled by leading photojournalists. The selection includes powerful and sometimes distressing images covering major international events, from the ongoing crisis in the Middle East and a Russian drone attack in Kharkiv to a Saharan dust storm in Crete and the launch of NASA's Artemis II mission.
The Guardian's weekly photo feature presents 20 images capturing global events from March 2026. The selection documents intense conflict in the Middle East, including Israeli military actions in the West Bank and Lebanon, attacks on energy infrastructure in the UAE, and violent clashes with worshippers in Jerusalem during Ramadan. It also shows scenes from a blackout in Havana and the Oscars ceremony.
The Armenian Museum of America in Watertown, Massachusetts, will debut the exhibition “Father” by internationally acclaimed artist Diana Markosian, running from May 29 to September 13. The show uses photography, archival materials, video, and text to document Markosian’s journey to reconnect with her estranged father, exploring themes of family, memory, and identity. Curated by Anahit Gasparyan, the exhibition is co-produced by Les Rencontres d’Arles and Foam, Amsterdam, and sponsored by the JHM Charitable Foundation. A private member preview on May 28 will feature a conversation between the artist and curator.
BUILDING Gallery in Milan has opened "Tempo e passione," the first posthumous exhibition dedicated to Giovanni Campus (1929–2025), who died less than five months ago at nearly 100 years old. Curated by Marco Meneguzzo, the two-floor show spans Campus’s career from his Sardinian roots to his Milanese performances, featuring works that measure space using materials like springs and cords, alongside vintage video documentation of his actions in Piazza Palazzo Reale and Sardinia.
Agitare, educare, organizzare. Una conversazione con il collettivo indonesiano che è a Venezia con due progetti
Sale Docks, an activist art space born from a 2007 occupation in Venice, has invited the Indonesian collective Taring Padi to collaborate on two projects. The first is the exhibition "Taring Padi: People's Liberation," which reactivates banners as tools for propaganda, mobilization, and resistance. The second is a public intervention in Venice, where the collective and local community will repaint the walls of the historic social center Laboratorio Occupato Morion. The article includes an interview with Taring Padi, which was founded in 1998 in Yogyakarta by students and activists, and discusses their use of wayang shadow-puppet imagery and collaborative processes to agitate, educate, and organize communities.
Franco Mazzucchelli's exhibition at Champ Lacombe in Biarritz presents a medley of his public interventions from the 1970s, including inflatable sculptures like "Cono Rosso" (1973/2021), "Bieca Decorazione," and "Catena N.5 anelli." The show documents his practice of placing inflatables in public spaces without viewers knowing they were artworks, capturing reactions of curiosity, rage, and self-expression. The gallery space transforms these once-anti-monumental works into precarious monuments, now controlled within the art world's agenda.
Simon Burstall, at age 17, began photographing Sydney's underground rave scene in the 1990s, using borrowed school cameras and sneaking out in the family car to capture the burgeoning subculture. His images from that era were later compiled into the photobook '93: Punching the Light, published by Damiani in 2019.
A rare, intricately carved wooden chair, potentially used by Anne Boleyn during her time in the French courts between 1510 and 1520, has been acquired and is now on display at Hever Castle. The chair was purchased by antiques dealer Paul Fitzsimmons from an online American auction in 2022, and its carvings—featuring dolphins, a Tudor rose, and the initials "AB" intertwined with a cordelière emblem of Queen Claude—suggest a strong link to the Tudor queen's early life.
The LensCulture Portrait Awards 2026 have announced their winning and shortlisted photographers, showcasing a diverse range of styles from documentary realism to conceptual invention. Highlights include an Australian photographer's winning portrait of a 'barefoot volcanologist' and poignant series documenting the ongoing conflict in Ukraine and the reclamation of identity in post-colonial contexts.
Photographer Jon McCormack captured a striking image of the Remarkable Rocks on Kangaroo Island, Australia, framing the Southern Ocean through a naturally eroded granite hollow. The photograph, taken at sunset, emphasizes the graphic simplicity and sculptural quality of the ancient rock formations, which have been shaped by wind and salt over 10,000 years of isolation.
Photographer Eddie Otchere recounts capturing his iconic 1994 black-and-white portrait of Wu-Tang Clan's Method Man in London. Otchere, then a 19-year-old fan, boldly asked to join the group's coach after spotting them, leading to a spontaneous shoot where Method Man performed his "new trick" of contorting his eye.
Artist Liss Fenwick has created a photobook titled 'The Colony' by feeding a collection of historical Australian novels, described as 'settler fan fiction,' to a colony of termites. The insects consumed the books over several years, leaving behind hollowed, sculptural remains that Fenwick photographed. The resulting work documents this process of organic transformation, where the physical texts are digested and reshaped.
The Guardian's picture editors curated a selection of global photographs for Tuesday, March 31, 2026. The images include a Holy Week procession by the Trabajo y Luz brotherhood in Granada, Spain; white pelicans at Lake Çavuşçu in Turkey; apricot blossoms in Gilgit-Baltistan, Pakistan; and scenes from California, Lebanon, India, Israel, Ukraine, the West Bank, and France, capturing moments of nature, conflict, displacement, and commemoration.
The Guardian's picture editors curated a global selection of photographs from March 30, 2026. The images depict a wide range of events, including a carnival parade in Mexico City, a Palm Sunday procession in Madrid, an art installation at California's Bombay Beach Biennale, scenes of conflict and its aftermath in Gaza, Tehran, and Lebanon, and political moments like Donald Trump showing renderings onboard Air Force One.
Guardian Australia's picture editor Carly Earl selected the publication's top three photographs for March, highlighting a total lunar eclipse, the Iranian women's football team's tense departure, and a portrait of a man displaced by Cyclone Narelle. The monthly series provides insight into the craft of photojournalism, showcasing the technical skill and narrative power behind compelling images while elevating the work of Australian photographers and the stories they capture.
Photographer Mark Linel Padecio captured his 10-year-old daughter, Xianthee, and her five-year-old cousin, Zack, playing joyfully in the mud of a riverbed on the family farm in Dapdap, Philippines. The moment occurred after a brief rainfall ended a severe drought, transforming a landscape of hardship into one of relief. Padecio, initially surprised by his usually serious city-dwelling daughter's abandon, was moved by the children's authentic happiness to document the scene with his phone instead of stopping them.