A 1982 Jean-Michel Basquiat painting, "Baby Boom," is returning to auction at Christie's 21st-century evening sale on May 14 in New York, with an estimate of $20 million to $30 million. The work, a triple portrait believed to depict the artist and his parents, has been in private hands for nearly 25 years and is being sold by major Basquiat collector Peter M. Brant. It was previously offered for $35 million in 2017 but did not sell.
The Gwangju Biennale has appointed Singaporean artist Ho Tzu Nyen as artistic director for its 2026 edition, marking a departure from its tradition of selecting world-renowned curators. Ho, known for his films exploring Asia's evolving identity, previously organized the 2019 Asian Art Biennale and represented Singapore at the 2011 Venice Biennale. The biennial hinted that the 2026 edition will focus on art's power to drive change, with Ho emphasizing a collaborative approach that resonates with Gwangju's legacy of democratic transformation.
The 2026 edition of EXPO Chicago opened at Navy Pier with a renewed sense of energy, marking its third year under Frieze ownership and its first under the leadership of director Kate Sierzputowski. Early reports from the VIP preview suggest a successful revitalization of the fair, which has successfully re-engaged longtime Midwestern collectors while simultaneously attracting a more robust international audience.
A critical review of the 2026 Whitney Biennial argues that the exhibition is timid and fails to directly confront the urgent political crises of the moment, including domestic authoritarianism, state violence, and immigration policies. The reviewer finds the show somber, fearful, and overly focused on mood and introspection, suggesting it represents a retreat from meaningful political engagement.
The Gordon Parks Foundation held its annual Awards Dinner and Auction at Cipriani 42nd Street in New York City, raising nearly $2 million to support its mission of social justice through the arts. The gala honored a distinguished group of changemakers, including activist Angela Davis, painter Amy Sherald, philanthropist Clara Wu Tsai, producer Crystal McCrary, and businessman Raymond McGuire. Hosted by Kaseem Dean (Swizz Beatz) and Executive Director Peter W. Kunhardt, Jr., the event celebrated the enduring legacy of Gordon Parks and his commitment to documenting and advancing civil rights.
The Studio Museum in Harlem hosted a star-studded gala at the Glasshouse in Manhattan, raising $3.7 million to support its upcoming reopening. The event marked a significant milestone for the institution, which has been undergoing extensive renovations for seven years and is scheduled to open its new doors on West 125th Street on November 15. Director and Chief Curator Thelma Golden described the evening as a 'threshold' moment, celebrating the museum's legacy of shaping cultural history since its founding in 1968.
New York's major auction houses, Sotheby's and Christie's, are gearing up for their spring sales with high-value consignments from prominent collections. Sotheby's will auction Mark Rothko's "Towering Brown and Blacks in Reds" (1957), estimated at up to $100 million, from the estate of investment banker Robert Mnuchin. Christie's is offering works from the collection of the late gallerist Marian Goodman, including Gerhard Richter's "Kerze" (1982) valued at up to $50 million and "Mohn" (1995) around $15 million, alongside pieces from the estates of publisher S. I. Newhouse and collector Agnes Gund, with a Constantin Brâncuși sculpture and a Jackson Pollock painting each estimated at $100 million, and another Rothko at $80 million.
Wohin am Wochenende?
This week's art tips from Monopol magazine highlight exhibitions and events across Germany and Europe. In Berlin, the Helmut Newton Museum reopens with a new immersive film space and a fresh presentation of its collection, while the Neue Nationalgalerie showcases Ernst Ludwig Kirchner's iconic painting "Potsdamer Platz" in the exhibition "Ruin und Rausch. Berlin 1910-1930." In Bozen, Chinese artist Evelyn Taocheng Wang presents new works at Museion, blending painting, textiles, and installation. The Art Brussels fair returns with a reduced lineup of 138 galleries, focusing on Belgian and neighboring markets. In Duisburg, Anish Kapoor receives the Wilhelm-Lehmbruck Prize, accompanied by a solo exhibition at the Lehmbruck Museum.
ArtReview and Dirimart London are hosting a conversation between artist Çağla Ulusoy and ArtReview editor Fi Churchman about Ulusoy's book 'Overworked', which features 83 selected abstract paintings and accompanying collages. The event takes place on 6 June 2026 at Dirimart's London gallery, coinciding with the group exhibition 'Colour is the Place', which includes Ulusoy's work alongside artists Hashel Al Lamki, Tala Worrell, and Berke Yazıcıoğlu. Ulusoy's practice integrates lived experiences from various cultures into abstract compositions using materials like acrylic, oil paint, sand, and wax.
Bruno Bischofberger, the influential Swiss gallerist who founded his eponymous gallery in 1963, has died at age 86. He was best known for his decades-long relationship with Andy Warhol, securing right of first refusal on all of Warhol's new works after purchasing eleven early paintings in 1968. Bischofberger also represented Jean-Michel Basquiat internationally from 1982 and gave solo exhibitions to a generation of major artists including Julian Schnabel, David Salle, George Condo, and Francesco Clemente. In 2013, his gallery relocated to a former factory in Männedorf, Switzerland, redeveloped by his daughter and son-in-law.
Fashion photographer Alessio Bolzoni and film director Luca Guadagnino have collaborated on 'Felicità', a new book and exhibition at Thomas Dane Gallery featuring 45 previously unseen color photographs by the late Italian master Luigi Ghirri. The project is divided into two portfolios: the first focuses on intimate, abstract details of found objects and surfaces in Modena, while the second expands into larger vistas and populated spaces across Italy during the 1980s.
Artist Isabel Nolan will represent Ireland at the 61st Venice Biennale in 2026 with an exhibition titled 'Dreamshook' in the Arsenale. Her presentation will feature a room of tapestries, sculptures, and drawings, inspired by late Medieval European humanist thinkers who questioned inherent human goodness and sought meaning in earthly life.
Sotheby’s London achieved a rare "white-glove" result during its spring modern and contemporary evening sale, with every lot finding a buyer. The auction totaled £131 million ($175 million), representing a 110 percent increase over the previous year's equivalent sale. High-profile successes included a record-breaking £5.2 million sale for Leon Kossoff’s "Children’s Swimming Pool" and strong performances for works by Andy Warhol and Josef Albers, largely driven by prestigious consignments like the Lewis Collection.
In March 2025, major auction houses, particularly in London, achieved strong sales despite the month typically being quiet. Christie’s and Sotheby’s sold ten high-value lots, led by Jean-Michel Basquiat’s *Sabado Noche* (1984) at £8.4 million ($14.5 million). A standout result was M.F. Husain’s *Untitled (Gram Yatra)* (1954), which sold for $13.75 million at Christie’s New York, marking the first time an Indian Modern artwork exceeded $10 million at auction. Other notable sales included works by René Magritte, Yoshitomo Nara, Francis Bacon, Tamara de Lempicka, Amedeo Modigliani, Paul Delvaux, Michael Andrews, and Lisa Brice.
The second edition of Vima, Cyprus' emerging international art fair, took place in Limassol from May 15-17, 2026, drawing 5,200 visitors and featuring 26 invited galleries from over 20 countries. Artworks sold ranged from €550 to €90,000, reflecting increased sales from the inaugural 2025 edition. Highlights included a special exhibition curated by Kostas Stasinopoulos titled "The Crashing Waves," performances by Scottish choreographer Magnus Westwell, and notable presentations by galleries such as Cut Art Gallery (Riga) and Eins Gallery (Limassol). The fair also hosted 25 events including talks, live music, and off-site shows across Limassol and Nicosia.
British artist Alexander James presents *Dissecting the Square*, a new exhibition at Phillips Gallery in Hong Kong, running until 31 May 2026. The show features a series of paintings, sculptures, and installations that explore the square as a geometric form, inspired by a moment when sunlight dissected an empty canvas in his studio. James divides canvases into quadrants, creating works that balance order and disruption. The exhibition also includes Josef Albers’ *Homage to the Square: In Time* (1967) and a sculpture by Sean Scully, placing James’s practice in dialogue with art historical precedents.
The article examines the current state of global art biennials, arguing that recent controversies—such as the 2022 documenta antisemitism crisis and geopolitical tensions at the 61st Venice Biennale—reveal these exhibitions as deeply politicized platforms rather than neutral cultural events. It highlights how juries and curators have introduced geopolitical criteria, and cites ongoing debates in Artforum (April 2026) featuring voices like Daniel Birnbaum, Michelle Grabner, and Adam Szymczyk, who diagnose visible tensions but overlook deeper structural conditions.
The Guggenheim New York has announced its spring and summer 2026 public programs, featuring a range of events including a performance lecture by LG Guggenheim Award recipient Trevor Paglen on May 18, a conversation between artist Carol Bove and curator Katherine Brinson on June 2, and the annual Museum Mile Festival on June 9. Other highlights include Late Shift evening events with live music, family-friendly activities like Stroller Hour and Art Cart, Teen Circle and Teen Tuesdays, and a screening of Douglas Gordon and Philippe Parreno's video work "Zidane, a 21st century portrait" in celebration of the 2026 FIFA World Cup. Poet-in-Residence Patrick Rosal will also launch summer activations.
The 2026 edition of VARIOUS OTHERS in Munich featured a tightly curated program of exhibitions across participating galleries, institutions, and artist-run spaces. For the first time, the event awarded the "VARIOUS OTHERS Prize" (VO Award) to both a gallery and an off-space: Gallery Sperling and space n.n. won for their respective exhibitions. Notable presentations included solo shows by Paola Siri Renard at nouveaux deuxdeux, Milena Muzquiz at Galerie Rüdiger Schöttle, and a dual exhibition at Knust Kunz Gallery Editions featuring Robert Motherwell and Merce Cunningham. Museum Brandhorst also opened the "Carrying" project with works by international artists.
Frieze New York 2026 took place from May 13 to 17 at The Shed in Manhattan, featuring nearly 70 galleries. Highlights included Cindy Sherman’s new photographs at Hauser & Wirth (many sold on preview day, with Leonardo DiCaprio visiting), the Focus section curated by Lumi Tan and sponsored by Stone Island, and the Frame section where Diedrick Brackens’ woven works were acquired by the Brooklyn Museum. Frieze Sculpture at Rockefeller Center, curated by Brett Littman, showcased 14 international artists including Nick Cave and Hank Willis Thomas. Mapuche artist Seba Calfuqueo won the Focus Stand Prize for hair-centered works exploring feminism and indigenous heritage.
Jean-Michel Basquiat's 1983 painting 'Museum Security (Broadway Meltdown)' sold for US$52.7 million at Sotheby's Now and Contemporary Evening Auction in New York, becoming the fifth-most expensive Basquiat ever auctioned. The work, estimated at over US$45 million and backed by an irrevocable bid, hammered at US$45.3 million to a telephone bidder represented by Sotheby's Lucius Elliott. The auction totaled US$266.8 million with fees, selling 40 of 44 lots, and combined with the preceding Robert Mnuchin collection sale—led by Mark Rothko's 'Brown and Blacks in Reds' at US$85.8 million—the evening brought in US$433.1 million.
Creative New Zealand (CNZ) explicitly states on its website that it does not fund fashion design, classifying it as primarily part of the commercial creative industries. The article highlights the contradiction that while major institutions like The Dowse Art Museum, Auckland Art Gallery, and World of WearableArt treat fashion as art, CNZ denies funding to fashion designers, with rare exceptions for non-commercial, cross-cultural, or collaborative projects. Fashion designer Doris de Pont, founder of The New Zealand Fashion Museum, notes that even when her trust received CNZ support, it was for the art connection, not the fashion itself.
Frieze New York 2026 opened at the Shed with 68 galleries from 26 countries, marking the fair's 15th year. The event drew art-world elite including curators, gallery owners, and advisers, with notable attendees such as Paulina Kolczynska, Jim Kelly, Larry Ossei-Mensah, and Ludlow Bailey. Latin American and African galleries had a strong presence, and conversations highlighted increased diversity and representation from the Global South. The fair is part of a broader art sprint that includes the Whitney and Venice Biennials, TEFAF, and the Independent Art Fair.
The Brooklyn Museum opens "Iris Van Herpen: Sculpting the Senses," a mid-career retrospective of the Dutch fashion designer known for pioneering 3D-printed garments. The exhibition, which originated at the Musée des Arts Décoratifs in Paris in 2023, features over a decade of van Herpen's work, including her first 3D-printed garment from 2010, pieces worn by celebrities like Lady Gaga, Björk, and Beyoncé, and new works such as an algae dress grown from 125 million living organisms. Organized by senior curator Matthew Yokobosky, the show spans eleven themes exploring van Herpen's fusion of traditional craftsmanship with technology, science, and nature.
Art Basel 2026 has announced that artist Trevor Paglen will co-curate the latest edition of Zero 10, the fair's global initiative dedicated to digital art, alongside digital art strategist Eli Scheinman. Making its debut at Art Basel's flagship Swiss edition, Zero 10 will take over the Event Hall on Messeplatz from June 17–21, 2026, with a Preview Day on June 16. The expanded presentation will feature 19 exhibitors showcasing artists working at the forefront of digital, generative, and media-based practices, and is themed "The Condition," examining life within algorithmic systems and AI. Highlights include works by Hito Steyerl, Avery Singer, Andreas Gursky, Vera Molnar, Ryoji Ikeda, John Gerrard, and Rafael Lozano-Hemmer, presented by galleries such as Hauser & Wirth, Marian Goodman Gallery, Sprüth Magers, Esther Schipper, Almine Rech, bitforms gallery, Art Blocks, and HEK (Haus der Elektronischen Künste).
Amy Sherald, the celebrated painter known for her official portrait of former first lady Michelle Obama, brings her traveling exhibition 'American Sublime' to Atlanta's High Museum of Art, where it will be on view from May 15 to September 27. The show, the largest presentation of her work to date, marks a homecoming for Sherald, who was born in Columbus, Georgia, and graduated from Clark Atlanta University. The exhibition includes paintings that explore themes of identity, the American South, and the Black experience, and features works such as 'A God Blessed Land (Empire of Dirt)' (2022) and 'They Call Me Redbone, but I'd Rather Be Strawberry Shortcake' (2009).
Art Basel has announced that artist Trevor Paglen and digital art strategist Eli Scheinman will co-curate the third edition of Zero10, the fair's initiative dedicated to digital art, at its flagship Swiss edition in Basel from June 17–21, 2026 (with a preview on June 16). The presentation will feature 20 exhibitors, including major galleries such as Hauser & Wirth, Marian Goodman, and Sprüth Magers, and will be freely accessible to the public in the Event Hall on Messeplatz. The curatorial theme, "The Condition," explores life in a world saturated by digital imagery, computational systems, and artificial intelligence, bringing together historical and contemporary voices across digital, generative, and media art.
Cassandra Bird Paris, supported by Zimmermann, presents 'Once Were Forests,' an immersive solo exhibition by Australian artist Janet Laurence. The show features a major installation alongside new sculptures, paintings, and photographs that explore ice, forest, and water as carriers of time, memory, and life. Soundscapes from Australian forests and birdsong deepen the sensory experience, inviting visitors into a contemplative space where ancient ecologies, present nature, and possible futures converge.
The article profiles six rising artists at the 2026 Venice Biennale, focusing on Sung Tieu and Gala Porras-Kim. Tieu transforms the German Pavilion with a tile shell recreating a former housing complex for Vietnamese contract workers, while inside she scatters chocolate ladybugs as a symbol of occupation. Porras-Kim presents work in the Arsenale examining 'institutionally defined damage' and how decay can realign objects with their natural state.
The 2026 Venice Art Biennale has opened across the Giardini, Arsenale, and venues throughout the city, with geopolitics, climate collapse, and national identities dominating the exhibitions. Notable pavilions include Austria's "Seaworld Venice" by Florentina Holzinger, the Czech and Slovak Pavilion's "Il Silenzio della Talpa" by Jakub Jansa and Selmeci Kocka Jusko, India's "Geographies of Distance: remembering home" featuring multiple artists, and the Taiwan Pavilion's "Screen Melancholy" by Li Yi-Fan. The Russian Pavilion has become a focal point of controversy, with guards and empty beer bottles outside, and the Pussy Riot collective staging a protest nearby.