Artist Tom Burckhardt discusses his creative process and upbringing in a studio interview, highlighting his upcoming work and the influence of his New York School lineage. The son of artists Yvonne Jacquette and Rudy Burckhardt, he explores the concept of "mouthfeel" in painting—a textural quality that parallels culinary experiences—while utilizing humor and skepticism to challenge artistic pretension.
This regional update highlights a diverse array of developments, ranging from the seasonal art circuit in Upstate New York to significant human rights actions. Lebanese artist Ali Cherri, a former Venice Biennale Silver Lion winner, has filed a formal war crimes complaint against Israel following a strike in Beirut that killed his parents. Simultaneously, a new report reveals systemic staffing crises within POC-led arts organizations in the Northeast, where over a third of institutions operate without a single full-time employee.
David Byrne, the multi-talented artist best known as the frontman of Talking Heads, discusses his visual art practice in a new interview with Artnet News. He reveals plans for a solo exhibition at Pace Gallery in New York this fall, featuring his drawings and photographs. Byrne also talks about his immersive project 'Theater of the Mind,' which explores neuroscience and perception, traveling to Chicago's Goodman Theatre in 2026, and reflects on his early art school experiences at Rhode Island School of Design and Maryland Institute College of Art.
Indonesian multimedia artist Dian Suci has won the 10th edition of the Max Mara Art Prize for Women, as announced by curator and jury chair Cecilia Alemani in Venice at the Serra dei Giardini. Suci was selected from a shortlist of five finalists that included Betty Adii, Dzikra Afifah, Ipeh Nur, and Mira Rizki. The jury was organized and chaired by Alemani and included Museum MACAN director Venus La.
Para Site, a Hong Kong contemporary arts center, has launched a year-long 30th anniversary programme featuring exhibitions, performances, and residencies. The programme is structured around acts of response, pairing artists and fostering new collaborations, drawing inspiration from the organization's earliest experimental exhibitions.
The Swiss architect Peter Zumthor's new $724 million building for the Los Angeles County Museum of Art (Lacma), now called the David Geffen Galleries, has opened after nearly two decades of anticipation. The swooping concrete-and-glass structure is praised for its harnessing of natural light and horizontality, creating a stunning showcase for antiquities and inviting the city inside with floor-to-ceiling windows offering views of the La Brea Tar Pits and Wilshire Boulevard. The building performs best with sculpture and decorative objects, with standout works including Liz Glynn's "The Futility of Conquest" (2023) and Manjunath Kamath's "Vikatonarva" (2024).
The Peabody Essex Museum has launched "Edmonia Lewis: Said in Stone," the first-ever retrospective dedicated to the 19th-century sculptor who was the first Black and Indigenous American artist to achieve international fame. Curated by Shawnya L. Harris and Jeffrey Richmond-Moll, the exhibition is the culmination of seven years of research and detective work to locate surviving marble sculptures and archival fragments. The show tracks her journey from her early life as "Wildfire" to her education at Oberlin College and her eventual professional success in Boston and Rome.
Cristopher Canizares, a longtime partner at mega-gallery Hauser & Wirth, is departing after 16 years to launch his own venture, the Artist Legacy Bureau. This new agency will function as an artist management firm, with Canizares working directly for and being paid by a select group of five or six artists to advise on long-term career strategy across their gallery, institutional, and collector relationships.
Giovanni Bellini's monumental 15th-century altarpiece, the San Giobbe altarpiece, is undergoing its most extensive restoration in over 500 years at the Gallerie dell'Accademia in Venice. Deemed too fragile to move, the two-year, €500,000 project will stabilize the cracked wood panel and analyze pigments using advanced imaging, all performed behind glass in full public view.
The Metropolitan Museum of Art has acquired a recently rediscovered Renaissance painting, 'Madonna and Child with Saint John the Evangelist,' by Rosso Fiorentino. The work, believed lost for centuries, was identified after conservation removed layers of overpaint, revealing the figure of Saint John. The Met has already placed the painting on view in its European painting galleries.
A rare 1875 letter from Claude Monet, up for auction on March 25, reveals the artist secured a 1,000-franc loan by pledging 35 of his paintings as collateral. The document details his agreement to repay the loan from the proceeds of a future sale, listing specific works including the later-famous 'La Japonaise,' and highlights his persistent financial desperation during this period.
Pedro Friedeberg, the Mexico-based artist and designer famed for his iconic Mano Silla (Hand Chair) created in 1962, has died at age 90. A key figure in 20th-century Mexican art, his singular work blended intricate, fantastical architecture with ornament and irony, creating a unique visual universe that defied easy categorization within movements like Surrealism or geometric abstraction.
Jean-Michel Basquiat’s monumental 1983 painting, 'Museum Security (Broadway Meltdown)', is set to headline Sotheby’s marquee contemporary evening auction this May with an estimate of $45 million. The seven-foot canvas was created during the artist's pivotal year in Los Angeles and features his signature blend of text and symbols, including wry commentaries on the institutionalization and commercial value of art. The work previously sold at Christie’s in 2013 for $14.5 million.
The article recounts the author's experience at Art Basel Miami Beach 2025, beginning with a moment of reflection on the beach before the fair week's chaos. Three veteran attendees—an artist, an advisor, and a gallery owner—chose to skip the event this year, citing lackluster parties, declining collector interest in Miami compared to Paris, and poor sales attrition. Despite these doubts, the fair saw strong sales, with Hauser & Wirth reporting a 40% increase in the first three hours, and a new digital art sector boosting optimism. Pop-up exhibitions, like "The Body is The Body" at the Rice Hotel, were highlights, while Vanity Fair's party remained the most coveted invite.
The Gardiner Museum in Toronto has reopened after a 15-month, CA$15.5 million renovation of its ground floor spaces. The overhaul, led by Montgomery Sisam Architects and Andrew Jones Design with studio:indigenous, includes new collection galleries, a reworked entrance hall, a ceramics studio, and a community learning center. The renovation was funded by public and private gifts, including a CA$9 million donation from the Radlett Foundation that also added over 250 ceramic objects. A key addition is "Indigenous Immemorial," a permanent gallery dedicated to Indigenous clay art, developed by the museum's first curator of Indigenous ceramics, Franchesca Hebert-Spence, in collaboration with Indigenous artists and advisors.
Gagosian has secured special permission from Art Basel Paris to exhibit a rediscovered Old Master painting by Peter Paul Rubens, titled "The Virgin and Christ Child, with Saints Elizabeth and John the Baptist" (c. 1611–14), at a fair that typically restricts its main sector to works created between 1900 and 2025. The painting, last sold at Sotheby’s New York in 2020 for just over $7 million, will be shown alongside modern and contemporary works by artists such as John Currin, Jenny Saville, and Pablo Picasso. The exception was granted by Art Basel’s management and Selection Committee due to the work's exceptional quality and its resonance with the gallery's booth.
An exhibition titled "Before the Americas," originally scheduled to open at the Art Museum of the Americas in Washington, D.C., was canceled after the Trump administration deemed it a DEI program and cut its funding. The show, which surveys work by Afro-Latino, Caribbean, and African American artists from the Greater Washington area, has now opened at Gillespie Gallery at George Mason University School of Art in Fairfax, Virginia, thanks to about 50 to 60 private donors who stepped in to fund it. Curated by Cheryl Edwards, the exhibition features 39 artists from 17 countries, including Amy Sherald, Renee Stout, Alma Thomas, Elizabeth Catlett, and Alonzo Davis, and runs through November 15 before traveling to the University of Maryland Global Campus.
The San Francisco Museum of Modern Art (SFMOMA) has announced a new exhibition titled “RM x SFMOMA,” featuring around 200 works from both the museum’s permanent collection and the personal collection of K-pop star RM, a member of BTS. RM will serve as lead curator, alongside assistant curator Hyoeun Kim and curatorial project manager América Castillo. The exhibition, running from October 2026 to February 2027, will pair Korean artists—including historical figures like Yun Hyong-keun, Park Rehyun, Chang Ucchin, and Kwon Okyon, as well as contemporary artists such as To Sangbong and Kim Yun Shin—with Western masters like Mark Rothko, Agnes Martin, Henri Matisse, Georgia O’Keeffe, and Paul Klee. A key highlight is Kim Whanki’s 26-I-70 (1979), owned by SFMOMA.
A new museum dedicated to M. F. Husain, one of India's most important modernist artists, will open in Doha, Qatar, on November 28, 2025. Officially named Lawh Wa Qalam: M. F. Husain Museum, it is operated under the Qatar Foundation and will be the first museum devoted solely to Husain. The 32,300-square-foot institution, designed based on a 2008 sketch by the artist, will house a newly formed permanent collection spanning paintings, tapestries, photographs, films, installations, and poetry. Highlights include a series of paintings on Arab civilization commissioned by Sheikha Moza bint Nasser and Husain's final work, *Seeroo fi al ardh* (2009), which will have its own gallery. The museum is located in Doha's Education City, home to several US university outposts.
The Art Dealers Association of America (ADAA) has canceled the 2025 edition of its annual New York art fair, The Art Show, which was scheduled to open at the Park Avenue Armory on October 28. The decision was communicated to members via email and confirmed by ADAA president Susan Sheehan, with the board citing a strategic pause to reimagine the fair for long-term sustainability. The fair has been a staple of the New York social calendar, with its VIP opening night serving as a fundraiser for the Henry Street Settlement, raising over $38 million for the nonprofit over three decades.
Avec plus de 3 000 institutions participantes, la Nuit européenne des musées revient ce samedi 23 mai
The 22nd edition of the European Night of Museums returns on Saturday, May 23, with over 3,000 institutions across France and Europe opening their doors free of charge from late afternoon. Many museums are offering special activities such as concerts, performances, games, guided tours, and walks. The youth program "La classe, l'œuvre!" will again involve primary, middle, and high school students acting as mediators for artworks they studied throughout the year. Highlights include exhibitions at the Centre Pompidou-Metz dedicated to François Morellet and Louise Nevelson, a concert at Jean Tinguely and Niki de Saint Phalle's Cyclop in Milly-la-Forêt, a dance performance by Korean artist Eun-Me Ahn at the Musée d'Art Moderne de Paris, and exhibitions at museums in Tours, Vernon, Rouen, and Sète, as well as a Brazilian ball at the Château des ducs de Bretagne in Nantes.
Nos 5 expos coups de cœur à voir en galeries ce printemps à Paris
Paris is experiencing a vibrant gallery season this spring, marked by the arrival of major international players and the rediscovery of overlooked artists. Highlights include the opening of Singapore’s Cuturi Gallery at the Palais-Royal with a cross-disciplinary show on decadence, and the London-based Waddington Custot establishing a new space in Saint-Germain-des-Prés with an exhibition bridging Nabis masters and contemporary painters. Other notable shows include a first-ever public look at the surrealist collages of Roland Sig and a dialogue between neo-impressionism and contemporary art at Galerie Pavec.
À la Tate Modern, la bouleversante renaissance de Tracey Emin
Tracey Emin has returned to the Tate Modern for a major retrospective titled "A Second Life," marking a poignant milestone in her career. The exhibition features over a hundred works, including the iconic and once-scandalous "My Bed," which first catapulted her to international fame during the 1999 Turner Prize. This survey explores her evolution from the "enfant terrible" of the Young British Artists to a Dame of the British Empire, showcasing her multidisciplinary practice across painting, sculpture, and installation.
This profile explores the Upper West Side residence of Crystal McCrary McGuire and Raymond J. McGuire, a power couple deeply embedded in New York City’s cultural and financial sectors. Their home serves as a private gallery for a significant collection of African American art, featuring masterworks by Norman Lewis, Henry Ossawa Tanner, Elizabeth Catlett, and Romare Bearden. The couple’s shared passion for collecting began independently, sparked by their formative years studying in France, and has since evolved into a joint mission to preserve and live alongside Black artistic heritage.
Art Dubai returns to Madinat Jumeirah from 15–17 May 2026 for a special 20th-edition programme that reflects on the fair's evolution and reaffirms Dubai's role as a global cultural hub. Presented in partnership with A.R.M. Holding and Dubai Culture, the fair features approximately 75 presentations from commercial galleries, institutional partners, and cultural initiatives, with around 60% of participating galleries drawn from the region. Highlights include the Made Forward presentation from Dubai Collection, the 20th edition of the Global Art Forum titled 'Before and After Everything', and an exhibition of modern Arab art from the Barjeel Art Foundation. The fair also introduces an innovative risk-sharing model where booth costs are payable based on sales performance, and entry is free for all visitors.
New Zealand returns to the Venice Biennale in 2025 with Fiona Pardington’s solo exhibition *Taharaki Skyside* at the Istituto Provinciale per l’Infanzia Santa Maria della Pietà. The show features 17 large-scale photographic portraits of taxidermied birds from the South Canterbury Museum Timaru’s collection, including the extinct whēkau (laughing owl) and the critically endangered kākāpō. Pardington, an artist of Māori and Scottish descent, draws on Māori cosmology in which birds serve as spiritual messengers, and her work continues a long-standing photographic investigation of objects that hold “mana” (power) for Māori people.
Artist Sarah Rosalena has completed a monumental 27-foot tapestry titled "Threading the Boundless: Omnidirectional Terrain" (2025), commissioned for the Los Angeles County Museum of Art’s (LACMA) new David Geffen Galleries. The work utilizes an industrial-scale jacquard-rapier loom to weave complex patterns that distort NASA satellite imagery of Earth and Mars. By blending her Wixárika maternal weaving traditions with computational craft, Rosalena transforms scientific data into a tactile, atmospheric landscape that challenges traditional methods of planetary mapping.
A collection of 18 previously unseen photographs by legendary filmmaker Stanley Kubrick will make its public debut at the Photography Show in New York. Discovered by the Duncan Miller Gallery within a larger archive purchase, these images date back to 1945 when a teenage Kubrick worked as a staff photographer for Look magazine. The series captures candid, late-night scenes within the New York City subway system, utilizing a concealed shutter release to document commuters in their most natural states.
Philip Mould & Company in London is hosting a new exhibition titled "Elizabeth I: Queen and Court," featuring four rare portraits of the Tudor monarch alongside depictions of her closest advisors and political rivals. The show traces Elizabeth's visual evolution from a pious young princess to a formidable, iconographic ruler, highlighting how she utilized fashion and symbolism to solidify her authority and manage public perception during a period of immense political and religious transition.