The Mayor Gallery in London is celebrating its centenary with a three-part exhibition series revisiting its history. The second part, 'Celebrating 100 years – Part 2: European Art,' is on view through February 20, 2026, showcasing post-war European artists from movements like ZERO, Arte Povera, and Concrete art, including works by Armando, Lucio Fontana, François Morellet, and Man Ray.
Chinese artist Yun-Fei Ji presents a new body of work in the exhibition “Riding the Tiger” at James Cohan Gallery in New York. The paintings draw on archetypes from Chinese folklore and the 16th-century novel *Journey to the West*, blending fantastical imagery with recognizable human scenes to explore the psychological and spiritual dimensions of migration. Works such as *The Sweep Up of Animal Spirits* and *The Round Up #1* directly reference the persecution of immigrants by government agencies, using symbols like tigers, buddhas, and livestock to critique power structures.
Tristan Unrau, a 36-year-old Los Angeles-based painter originally from Canada, creates works that deliberately avoid a singular style, instead copying or channeling a vast range of art historical sources—from Old Masters and Modernists to cartoons and photorealism. His pluralistic approach has earned him a dedicated following, and David Kordansky Gallery announced representation of the artist this fall, planning a major solo exhibition in Los Angeles in March 2026. Unrau, who earned his MFA at UCLA, is currently preparing for that show in his East Hollywood studio, producing paintings that reference artists such as Bruegel, Jean-Luc Godard, František Kupka, Emil Nolde, and Willem de Kooning.
Miami Art Week 2025 features three interrelated fairs—Art Miami, Context Art Miami, and Aqua Art Miami—running from December 2–7. Art Miami, celebrating its 35th year at One Herald Plaza, hosts over 160 galleries from 24 countries with blue-chip and emerging works, including a never-before-seen Alex Katz piece and Keith Haring's Subway Drawings. Context Art Miami returns for its 13th edition as a platform for emerging and mid-career artists with nearly 70 galleries, while Aqua Art Miami on Miami Beach transforms the Aqua Hotel into an intimate fair space for its 19th year.
Naples-based gallery Alfonso Artiaco has opened a dual exhibition pairing British artists Liam Gillick and Alan Charlton for the first time. Gillick, a former Young British Artist associated with relational aesthetics, presents three new aluminum and Plexiglas "elevation" sculptures plus a wall piece titled *Euphoric Production Cycle* (2025). Charlton, known for his lifelong dedication to grey monochrome painting, contributes three works—a circle, square, and triangle—that anchor the show. The exhibition runs through January 10, 2025.
Art Toronto, Canada's oldest and largest international fair for modern and contemporary art, opens to the public on Friday with a strong focus on Indigenous artists. Over half of the fair's 100-plus booths feature works by Indigenous makers from Canada, Australia, New Zealand, and Latin America. The fair includes a mix of Canadian, European, Latin American, and US galleries, with a dedicated 'Arte Sur' section highlighting Mexican and Central and South American art. Notable exhibitors include Ceremonial Art, Fazakas, Feheley Fine Arts, and N. Smith Gallery, showcasing works by artists such as Ningiukulu Teevee, Shuvinai Ashoona, Gerardo Ramírez, and Manuel Mathieu.
Paul Pfeiffer's studio visit reveals his ongoing exploration of media spectacles, particularly through his "Four Horsemen of the Apocalypse" series (2001–), which digitally isolates NBA basketball players by erasing teammates, opponents, and jersey details from archival images. The artist discusses his counterintuitive relationship to sports, his intense Christian upbringing in Hawaii and the Philippines, and the influence of horror films like "The Exorcist" on his work, which examines the religious undertones of secular activities and the mechanics of voyeurism.
Galerie Gmurzynska is relocating its New York operations to the historic Fuller Building at 595 Madison Avenue later this month. The gallery, which had been at 43 East 78th Street since 2018, will inaugurate its new space on September 16 with an exhibition of works by Joan Miró and Roberto Matta. The Fuller Building, an Art Deco landmark built between 1928 and 1929, was once a major hub for New York galleries, housing such notable dealers as Pierre Matisse, Charles Egan, André Emmerich, and Marlborough-Gerson.
Di Donna Galleries in New York will present a major exhibition titled “Magritte and Les Lalanne: In the Mind’s Garden,” opening October 8, 2025, in collaboration with London-based Ben Brown Fine Arts. The show features over 50 works—paintings, works on paper, and sculptures—by Belgian Surrealist René Magritte and French sculptors François-Xavier Lalanne and Claude Lalanne, including rare loans from private collectors and the Lalanne estate. Highlights include Magritte’s *L’ami intime* (1958), which sold for £33.66 million at Christie’s, and François-Xavier Lalanne’s *Hippopotame I* (1968/1998) and “Sauterelle” Bar (1970).
Independent 20th Century, the art fair focused on 20th-century works, has announced the 30 exhibitors for its fourth edition, running September 4–7 at Casa Cipriani in New York's Battery Maritime Building. The fair emphasizes single-artist presentations, spotlighting underknown figures such as Raymond Jonson, Gertrude Greene, Elda Cerrato, and Bruce Richards, alongside established names like Picasso, Munch, and Judy Pfaff. Notable collaborations include Nahmad Contemporary and Skarstedt Gallery on Georges Rouault, and presentations of self-taught artists like the Florida Highwaymen and Balraj Khanna.
Chinese artist Chen Fei discusses his first institutional solo exhibition in Europe, “Grand Lobby,” at the Consortium Museum in Dijon, France. The show features large-scale still-life paintings that blend Flemish floral traditions with contemporary Chinese symbols like VOSS water bottles and IKEA price tags, using gold leaf and red lacquer to critique class aspiration and visual culture. Chen’s studio, located outside Beijing, is where he creates detail-rich canvases inspired by film storyboarding, aiming for a cinematic, narrative-driven reading experience.
French gallerist Kamel Mennour has announced a donation of 180 artworks to the Musée d’Art Moderne (MAM) in Paris. The gift, drawn from his namesake gallery and personal collection, includes works by over 45 artists such as Alicja Kwade, Anish Kapoor, Daniel Buren, and Lee Ufan. The donation will join MAM’s permanent collections after validation by Paris Musées and the French government, with an exhibition planned for 2027 in the museum’s ARC rooms.
The Chelsea townhouse of legendary art dealer Barbara Gladstone has been listed for sale at just under $12 million. The Greek Revival row house on West 22nd Street, which Gladstone purchased for $6.3 million in 2011, was extensively renovated by architect Annabelle Selldorf, who also designed Gladstone's two Chelsea galleries. The five-bedroom, five-bathroom property features a curving skylit staircase and floor-to-ceiling windows overlooking a garden. The listing is held by Compass agent Scott Hustis.
Swiss-born textile artist Silvia Heyden (1927–2015) devoted over half a century to weaving nearly 800 innovative tapestries, despite early discouragement from pursuing violin-making due to her gender. A new exhibition, “Improvisational Nature: The Weavings and Drawings of Silvia Heyden,” at Charles Moffett gallery in New York (through June 7) marks her first solo show in the city and her first U.S. exhibition of tapestries and drawings since 1972. The show, organized with her family, highlights her improvisational, music-inspired approach to the loom, which she likened to playing a violin.
Phillips announced a major leadership shakeup on Monday, with global chairwoman Cheyenne Westphal resigning after eight years. Robert Manley was named chairman of modern and contemporary art, and Miety Heiden was appointed chairman of private sales. Additionally, Jean-Paul Engelen, president for the Americas and worldwide co-head of modern and contemporary art, is leaving after over a decade to join Acquavella Galleries as a director. The changes follow a challenging marquee auction season, where the May evening sale matched its pre-sale estimate of $52 million but fell 40% below the previous year's $86 million haul.
David Nolan Gallery in New York is presenting “Ian Hamilton Finlay: Fragments,” an exhibition marking the centenary of the Scottish artist Ian Hamilton Finlay (1925–2006). On view through June 7, 2025, the show features works from the late 1970s through the late 1990s in mediums including porcelain, ceramic, stone, bronze, plaster, metal, and prints. It highlights Finlay’s multidisciplinary practice as an artist, poet, philosopher, and gardener, with notable pieces such as *Watering Can (Shenstone)* (1995) and references to his famous garden *Little Sparta* (1966). The exhibition coincides with a book of the same title containing 100 works and fragmentary texts by writers including Stephen Bann, Tom Lubbock, and Alec Finlay.
The top lot of Sotheby's May auction season in New York, Alberto Giacometti's bronze sculpture *Grande tête mince (Grande tête de Diego)* (1955), estimated at $70 million, failed to sell on Tuesday night. The work was consigned by the Soloviev Foundation, set up by Stefan Soloviev, son of late mega-collector Sheldon Solow, and was offered without a financial guarantee, a risky strategy that backfired when no bidders emerged. Auctioneer Oliver Barker made several chandelier bids before declaring the lot unsold at $64.2 million, shocking the packed salesroom.
TEFAF New York returns to the Park Avenue Armory from May 9–13, 2025, featuring 91 exhibitors from around the world. The fair presents a broad range of modern and contemporary art, jewelry, antiquities, and design, with highlights including an untitled canvas by Shirley Jaffe at Galerie Nathalie Obadia, a ceramic bird sculpture by Guidette Carbonell at Lebreton Gallery, a Roman marble head of a bearded god at Charles Ede, and design pieces such as Zaha Hadid's Liquid Glacial coffee table at David Gill Gallery and Josef Frank's 'Flora' chest of drawers at Modernity Stockholm. The event also includes curated displays in the venue's historic period rooms, a feature unique to this fair.
Expo Chicago opened on Thursday at Navy Pier Festival Hall, featuring 20 exhibitors from South Korea in partnership with the Galleries Association of Korea. The fair, acquired by Frieze in 2023 alongside the Armory Show, balances regional character with an increasingly international feel. In the 'Exposure' section spotlighting emerging artists, New York-based Palo Gallery devoted its booth to New Orleans artist Auudi Dorsey (b. 1992). By opening day, Dorsey's painting *Rumble* (2025), depicting a Black boxer, sold for $14,000. The work belongs to his 'Gunslinger' series, named after the Louisiana State Penitentiary's boxing team and inspired by boxer Clifford Etienne. Dorsey's booth, designed with wood-like wallpaper to evoke boxing gyms, drew praise. His recent group show at the San Francisco Museum of Modern Art, 'In The Game: Sports, Art, Culture,' and a forthcoming solo exhibition at Palo Gallery, 'Southern Whips' (opening May 15), underscore his rising profile.
The Museum of Modern Art (MoMA) has opened "Jack Whitten: The Messenger," a major posthumous retrospective featuring nearly 200 objects, mostly paintings, by the late artist Jack Whitten. Curated by MoMA's curator at large Michelle Kuo, the exhibition occupies MoMA's top-floor gallery and is arranged largely chronologically, highlighting Whitten's experimental techniques such as using dried acrylic tesserae and extruding paint through screens. The show includes early works from the 1960s and later mosaic compositions, offering a comprehensive view of his career.
Kenny Nguyen, a Vietnamese-born artist based in Charlotte, North Carolina, creates large-scale wall works using thousands of hand-cut strips of silk. Drawing on his background in fashion design, he employs techniques like pinning, weaving, sewing, and layering to produce what he calls “deconstructed paintings.” Each piece is built around an imaginary body, with creases and undulating forms that evoke movement. Though the works appear fixed, they are malleable—their shape changes depending on pin placement during installation. Nguyen’s work is currently on view in the group exhibition *Textile Art Redefined* at Saatchi Gallery in London.
Manhattan District Attorney Alvin L. Bragg, Jr., has returned 17 rare books, collectively valued at nearly $3 million, to the heirs of John Hay and Betsey Cushing Whitney. The books were stolen from the couple's Long Island estate in the 1980s and include a bound collection of John Keats's love letters, a signed James Joyce volume, and an illustrated Brothers Grimm book. The recovery followed a tip from Manhattan book dealers in 2015, leading to search warrants executed in 2025 and 2026.
Thaddaeus Ropac Milan is hosting a landmark exhibition titled "Dialogues are mostly fried snowballs," marking the first-ever joint presentation of Marcel Duchamp and Sturtevant. The show stages a cerebral confrontation between Duchamp’s original readymades, such as "Porte-bouteilles" and "Trébuchet," and Sturtevant’s radical repetitions of his work. By showcasing these pieces alongside archival materials and films, the exhibition traces how Sturtevant used Duchamp’s style as a medium to investigate the canonization and "understructure" of conceptual art.
In March 2025, major auction houses, particularly in London, achieved strong sales despite the month typically being quiet. Christie’s and Sotheby’s sold ten high-value lots, led by Jean-Michel Basquiat’s *Sabado Noche* (1984) at £8.4 million ($14.5 million). A standout result was M.F. Husain’s *Untitled (Gram Yatra)* (1954), which sold for $13.75 million at Christie’s New York, marking the first time an Indian Modern artwork exceeded $10 million at auction. Other notable sales included works by René Magritte, Yoshitomo Nara, Francis Bacon, Tamara de Lempicka, Amedeo Modigliani, Paul Delvaux, Michael Andrews, and Lisa Brice.
Roni Horn returns to London for her first solo exhibition in a decade, titled *Seizure of Hope*, at Hauser & Wirth. The show features over 45 works on paper centered on the repeated phrase "I am paralyzed with hope," drawn from a performance by comedian Maria Bamford, alongside a cast-glass sculpture *Untitled ("What happens to the hole when the cheese is gone?")* (2022). The drawings explore language, repetition, and the instability of meaning, with words shifting between clarity and abstraction through wax crayon layering. A limited-edition artist book of the same title will be released by Hauser & Wirth Publishers.
British artist Alexander James presents *Dissecting the Square*, a new exhibition at Phillips Gallery in Hong Kong, running until 31 May 2026. The show features a series of paintings, sculptures, and installations that explore the square as a geometric form, inspired by a moment when sunlight dissected an empty canvas in his studio. James divides canvases into quadrants, creating works that balance order and disruption. The exhibition also includes Josef Albers’ *Homage to the Square: In Time* (1967) and a sculpture by Sean Scully, placing James’s practice in dialogue with art historical precedents.
The High Museum of Art in Atlanta opens "Amy Sherald: American Sublime" on May 15, a mid-career retrospective featuring over 35 paintings from 2007 to 2024. The exhibition was originally scheduled to conclude at the National Portrait Gallery in Washington, D.C., but Sherald canceled that stop after a Trump administration executive order directed Smithsonian institutions to remove so-called "un-American content." The High Museum secured the final slot after the Baltimore Museum of Art, following months of coordination with SFMOMA, Sherald's studio, and Hauser & Wirth. The show includes Sherald's portrait of Breonna Taylor and her iconic Michelle Obama portrait, organized into five thematic sections.
A roundup article highlights ten must-see museum and gallery exhibitions in New York City for the summer season. Featured shows include Carol Bove's interactive installation at the Solomon R. Guggenheim Museum, a dual exhibition of Frida Kahlo and Diego Rivera at MoMA, Sarah Lucas's public sculpture "VENUS VICTORIA" at the New Museum, and Andreas Schulze's "Cake" at Sprüth Magers Gallery New York. Other notable exhibitions include "Revolutionary Women" at The New York Historical and "Another Wonderland" at the Museum of the City of New York, which presents a restored 1930s Alice in Wonderland mural.
TEFAF New York returned to the Park Avenue Armory with record attendance on its Collector Preview day, May 14, featuring 90 exhibitors showcasing modern and contemporary masterpieces, antiques, decorative arts, and jewelry. Dealers reported strong sales across price tiers, including an Andy Warhol Mao sold by ML Fine Art within the first hour, a Lucio Fontana *Concetto Spaziale* for $2.3 million at Mennour, and works by Giorgio Morandi, Giosetta Fioroni, and Meret Oppenheim sold by Galleria d’Arte Maggiore g.a.m. A new secondary-market partnership, Pace Di Donna Schrader Galleries, debuted with a booth anchored by a 1956 Rothko, signaling renewed confidence in the market.
Ed Ruscha's 2014 lithograph "Angel" is being offered for sale through Leslie Sacks Gallery in Santa Monica. The work is a unique color trial proof from an edition of 60, measuring 23 by 16 inches, hand-signed and numbered by the artist, and includes a certificate of authenticity. The listing appears on Artsy, where the price is available on request, and notes increased collector interest over the past 14 days.