miriam simun octopus teacher 2650767

Artist Miriam Simun is currently presenting an exhibition about her Institute for Transhumanist Cephalopod Evolution at the art space Recess in Brooklyn. The centerpiece is a series of workshops titled “How to Become an Octopus (and sometime squid),” where she guides participants through psycho-physical exercises developed with marine biologists, engineers, dancers, and synchronized swimmers. Artnet News co-host Ben Davis attended the workshop and discusses the experience on this week's Art Angle podcast.

kaleidoscope a digital exhibition 2640272

Teravarna Art Gallery has launched a digital group exhibition titled "Kaleidoscope," featuring works by seven artists: Caitlin Accurso, Stephanie Bing, Diane Burchette-Gomez, Carina Imbrogno, Daniel Juric, Valeri Larko, and Debra Shapiro. The show, on view through May 16, 2025, spans figurative and abstract painting, collage, and mixed media, with highlights including Valeri Larko's photorealist "Secor Avenue Train Bridge" (2022) and Debra Shapiro's mixed-media piece "Las Tres Gracias" (2024). The exhibition is hosted entirely online, allowing global access.

Vânia Quintão | Cold Afternoon (2023) | For Sale

Brazilian artist Vânia Quintão is offering her 2023 painting "Cold Afternoon" for sale through Inn Gallery. The acrylic-on-canvas work, sized 70 × 100 cm, depicts a suspended, cool-toned landscape under a diffuse blue sky. Quintão, a self-described cultural producer and fundraiser based in Belo Horizonte, has exhibited internationally including at the Louvre Museum in Paris and won prizes at The Holly Art Exhibition (London) and Art Connects Women (Dubai). The work is hand-signed, includes a certificate of authenticity, and is priced at US$1,500.

Eye on Art: Whistler House hosts 200th Anniversary of Lowell Exhibition

The Whistler House Museum of Art is launching a special exhibition to commemorate the 200th anniversary of Lowell, Massachusetts. Running from April 18 to June 20, the show features a diverse array of media—including painting, sculpture, and photography—created by members of the Lowell Art Association, Inc. The works focus on the city’s identity as the cradle of the American Industrial Revolution, capturing its historic textile mills, urban landscapes, and cultural heritage.

Body, Territory, and Food Sovereignty at MAMM

CUERPO, TERRITORIO Y SOBERANÍA ALIMENTARIA EN EL MAMM

The Museo de Arte Moderno de Medellín (MAMM) has inaugurated a trio of exhibitions titled 'Nos habitan pájaros y montañas', 'La luz, el fuego y la ceniza', and 'El susurro del barro'. These shows collectively explore the intersection of the human body, territorial sovereignty, and food security, featuring a dialogue between the museum's permanent collection—specifically the work of Débora Arango—and contemporary artists. The exhibitions utilize diverse media, including sound and raw materials like clay and soil, to address environmental and social crises.

Jamie Robertson’s soft heat at Houston Center for Photography, Houston

Jamie Robertson’s solo exhibition, "soft heat," at the Houston Center for Photography presents a series of infrared photographs documenting Southern wetlands, including Caddo Lake and the Great Dismal Swamp. Using archival pigment prints and a zine titled "Alligatorwatergreen," Robertson utilizes thermosensational imagery to transform dense marshlands into ethereal, snow-like landscapes. The work incorporates archival figures, such as a liberated formerly enslaved man named Osman, to highlight the historical role of swamps as sites of maroonage and Black resistance.

$450 Million Worth of Newhouse Trophies Come to Christie’s

Christie’s will hold a special evening sale in May featuring 16 artworks from the collection of the late Condé Nast chief S.I. Newhouse Jr., valued at a combined $450 million. The works are considered museum-quality trophies from one of the most significant private collections assembled in recent decades.

The Great Shitshow

Die große Shitshow

Florentina Holzinger has transformed the Austrian Pavilion at the Venice Biennale into a radical performance installation titled "Seaworld Venice." The piece features naked performers suspended from meat hooks, a performer ringing a bell while dangling upside down from a crane, a woman on a jetski circling inside a flooded pavilion, and a system where visitors are invited to urinate into portable toilets, with the waste processed and recirculated into the water. The work combines extreme physical stunts, nudity, and bodily fluids to create a visceral, immersive experience that has drawn long queues and stunned reactions from the art world.

Shit has the power to destabilize systems of order

"Scheiße hat die Kraft, Ordnungssysteme zu destabilisieren"

Aline Bouvy, the artist representing Luxembourg at the Venice Biennale, has created a film essay titled "La Merde" that centers on excrement as its main character. Originally conceived as a performance, the work explores themes of bodily circulation, transformation, and the grotesque, using feces to challenge societal taboos and systems of order. Bouvy discusses the film's development with curator Stilbé Schroeder, noting that the Biennale provided the resources and time to realize the project, which will later travel to the Kunstverein in Salzburg.

I Try to Allow Chaos

"Ich versuche, Chaos zuzulassen"

Florentina Holzinger presents her exhibition "Seaworld Venice" at the Austrian Pavilion of the Venice Biennale, a spectacular underwater-themed installation that combines a theme park, sacred building, and sewage treatment plant. The work explores transformation from dirt to cleanliness, featuring water, dolphins in the lagoon, and boundary-pushing performance elements.

Treated as Cannon Fodder

"Als Kanonenfutter behandelt"

Artist Mario Pfeifer has created a new film, "Wutame / Caché," which portrays two men from Cameroon who fought for Russia in the war against Ukraine before deserting. The film is currently featured in the "Tirailleurs" exhibition at Berlin's Haus der Kulturen der Welt (HKW). Pfeifer's work focuses on the men's personal accounts of being deceived, poorly treated, and used as "cannon fodder," employing anonymized voices and altered imagery to protect their identities while allowing their stories to unfold.

Manet Under the Magnifying Glass

Manet à la loupe

A new documentary film titled 'Le Monde dans un tableau : les lampes de Manet' offers a detailed investigation into Édouard Manet's final major painting, 'Un bar aux Folies Bergère'. The film features an eclectic mix of interviewees, from a Folies Bergère lighting technician to a Shintō monk and a Tokyo print editor, weaving together art history and broader historical context around the iconic work.

At Centquatre, Circulation(s) Highlights the Diverse Perspectives of Young European Photographers

Au Centquatre, Circulation(s)s met en lumière la diversité de regards des jeunes photographes européens

The 16th edition of the Circulation(s) festival has opened at Centquatre-Paris, showcasing the work of 26 emerging photographers from 15 European countries. Organized by the Fetart collective, this year’s festival features Ireland as the guest country and emphasizes the hybridization of photography with other mediums, such as embroidery, tapestry, and digital installations.

The true story of the Caravaggio theft by the Sicilian Mafia behind the Arte series 'The Caravaggio Conspiracy'

La véritable histoire du vol du Caravage par la mafia sicilienne derrière la série « Le Complot Caravaggio » sur Arte

The theft of Caravaggio’s 'Nativity with Saint Francis and Saint Lawrence' from the Oratory of San Lorenzo in Palermo remains one of the world's most notorious unsolved art crimes. Stolen in October 1969 by professional thieves who cut the massive three-meter canvas from its frame, the masterpiece has been missing for over 50 years. Investigations have long pointed toward the Sicilian Mafia, with various theories suggesting the work was displayed at secret summits, hidden in Switzerland, or tragically destroyed.

The True Story of the Caravaggio Theft by the Sicilian Mafia Behind the 'Le Complot Caravaggio' Series on Arte

La véritable histoire du vol du Caravage par la mafia sicilienne derrière la série « Le Complot Caravaggio » sur Arte

The article details the infamous 1969 theft of Caravaggio's masterpiece, "Natività con i santi Lorenzo e Francesco d'Assisi" (The Nativity with Saint Francis and Saint Lawrence), from the Oratory of San Lorenzo in Palermo, Sicily. The painting, a large-scale work measuring three by two meters, was expertly cut from its frame and has never been recovered, remaining second on the FBI's Top Ten Art Crimes list. The theft is widely attributed to the Sicilian Mafia, with theories suggesting it was stolen to order or for use in secret mafia gatherings.

art sagg napoli exhibition champ lacombe london

SAGG Napoli, a multidisciplinary artist who incorporates Naples into her name, presents her latest exhibition at Champ Lacombe in London from March 26 to May 16, 2025. For the first time, her own body is absent from the work; instead, she shows a new sculpture and a film juxtaposing volcanic eruptions of Mount Vesuvius with New Year's Eve celebrations in Naples. The article includes a studio visit interview where Napoli discusses her creative process, her training as a competitive archer, and her concept of 'South Aesthetics.'

art udo kittelmann julia stoschek los angeles

German curator Udo Kittelmann and leading time-based art collector Julia Stoschek have collaborated on "What a Wonderful World," an audiovisual poem on view at Los Angeles's Variety Arts Theater from February 6 through March 20. The project interweaves early film entries by Alice Guy-Blaché, Georges Méliès, and Walt Disney with contemporary video works from Stoschek's collection, featuring artists such as Lu Yang, Bunny Rogers, and Paul Chan. Kittelmann and Stoschek insist the work is not an exhibition but a "poem," designed to challenge how audiences consume art and moving images, urging viewers to move beyond entertainment toward a raw, emotional experience.

art diane severin nguyen protest music

Artist-filmmaker Diane Severin Nguyen is preparing for her live-performance directorial debut, "WAR SONGS," premiering at the Performa Biennial in November 2025 at BRIC in Brooklyn. The piece features a cast of musicians performing a wide-ranging program of protest music, from Woody Guthrie to Black Sabbath, led by musical director Laszlo Horvath. Nguyen, known for her films exploring performance and identity, is working with a group that practices being a band rather than an actual band, creating a raw, protean work that blends music, theater, and filmic sensibilities.

art mimosa echard amant show france

French artist Mimosa Echard presents "Facial," a new exhibition at Amant in East Williamsburg, Brooklyn, running through February 16, 2026. The show features a series of palimpsest-like canvases and a video work of Times Square, inspired by Echard's pedestrian observations of New York City. Key motifs include ginkgo trees—which she links to survival, ancient sexuality, and the city's olfactory character—and the repetitive eye imagery found on beauty salon facades, which she interprets as a form of "sweet surveillance." Echard, who won the Prix Marcel Duchamp in 2022, created the works during a two-month residency in the neighborhood, drawing on her characteristic blend of botanical and digital themes.

christian dior couture scad fash lacoste exhibition

A new exhibition titled “Christian Dior: Jardins Rêvés” has opened at SCAD FASH Lacoste, the Provençal campus of the Savannah College of Art and Design in France. The show features nearly 30 archival Dior couture silhouettes, over 60 accessories, perfume bottles, press sketches, René Gruau illustrations, and personal ephemera, all organized around a botanical theme. A bespoke paper installation by Spanish studio Wanda Barcelona crowns the exhibition, which traces the house’s evolution from founder Christian Dior’s childhood gardens in Granville to the work of his successors, including Yves Saint Laurent, Raf Simons, and Maria Grazia Chiuri.

Rockefeller Center Unveils Sculpture by German Iranian Artist Bettina Pousttchi.

Rockefeller Center in New York has installed a new public sculpture, 'Vertical Highways V03 (2025)', by German Iranian artist Bettina Pousttchi. The work, composed of bent and battered red guardrails arranged in a tangle, will be on view in the Channel Gardens through April 17th.

An Hoang at Halsey McKay

An Hoang at Halsey McKay

An Hoang has opened a solo exhibition titled "Garden Poems" at Halsey McKay Gallery in East Hampton. The show, running from February 7 through March 29, 2026, features a collection of new works, documented by 33 images in the announcement. This presentation marks a continued collaboration with the gallery, highlighting Hoang's latest artistic developments.

Dyani White Hawk: LISTEN at the Nasher Museum of Art at Duke University

Dyani White Hawk's eight-channel video installation "LISTEN" (2020–ongoing) is on view at the Nasher Museum of Art at Duke University. The work features Indigenous women speaking in their native languages on their tribal homelands, with no subtitles or explanatory text, encouraging viewers to physically move closer to each screen to hear and engage with the speakers' voices and surrounding environments.

‘A Language We Share’ Traces a Photographic Lineage Between Gordon Parks and Beverly Price

‘A Language We Share’ Traces a Photographic Lineage Between Gordon Parks and Beverly Price

A new exhibition, "A Language We Share," opens this month at the Center for Art and Advocacy, placing the work of photographer Beverly Price in direct conversation with the legendary Gordon Parks. The show highlights their shared focus on social advocacy through imagery, particularly documenting the lives of children and communities in areas like Southeast Anacostia in Washington D.C., a location both photographers have captured across different eras.

Jenna Sutela “With each cycle” at Nicoletta Fiorucci Foundation, London

Jenna Sutela's exhibition "With each cycle" at the Nicoletta Fiorucci Foundation in London features a site-specific iteration of her sculptural sound installation *Pond Brain*. The work, a water-filled bronze piece forged as the artist's neuroplastic portrait, functions as both instrument and fountain, creating feedback loops of sonic vibrations and dancing droplets inspired by cybernetic ideas of ponds as self-regulating living systems.

Dominique White “All Great Powers Collapse from the Centre” at Kunsthalle Basel

Dominique White (b. 1993) presents her solo exhibition "All Great Powers Collapse from the Centre" at Kunsthalle Basel, transforming the galleries into immersive environments with her sculptures. The exhibition evokes a sense of submersion, as if walking along an ocean floor where orientation shifts and measures dissolve, creating a weighty, water-like atmosphere.

Edgar Calel at Kunsthalle Bern

Edgar Calel, a Guatemalan artist born in 1987, is the subject of an exhibition at Kunsthalle Bern. His work draws on the rituals and traditions of his native Guatemala, focusing on the working conditions and environmental impact of export-oriented agricultural industries, particularly palm oil and coffee plantations that dominate the country's economy.

Tania Willard “Photolithics” at The Polygon Gallery, North Vancouver

The Polygon Gallery in North Vancouver is presenting a major solo exhibition titled "Photolithics" by artist, curator, and scholar Tania Willard. The show, on view from March 7 to May 24, 2026, is a decade-long survey featuring new and existing works that demonstrate Willard's innovative use of photographic printing and presentation techniques.

Alice Peach “Still Curly” at Iowa, New York

Alice Peach’s solo exhibition "Still Curly" at Iowa, New York, features a series of new sculptures constructed from popsicle sticks. These humble, mass-produced materials are transformed into modular, skeletal forms that mimic biological structures such as spines and torsos. The works are displayed in various states of tension, either splayed against the gallery walls or suspended from the ceiling to create a sense of precarious movement.

Sanna Helena Berger “Difference” at Matteo Cantarella, Copenhagen

Berlin-based Swedish artist Sanna Helena Berger makes her Danish debut with "Difference" at Matteo Cantarella in Copenhagen. The exhibition explores the concept of the remainder—the mathematical and physical space left behind when one value is subtracted from another—through a series of sculptural and spatial interventions.