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Pearlstein Gallery Opens Fall Exhibition Exploring Systems and Structures in Contemporary Art

The Leonard Pearlstein Gallery at Drexel University's Antoinette Westphal College of Media Arts & Design has announced its Fall 2025 exhibition, "Of the Grid: Systems + Structures in Contemporary Art," running from October 14 to December 15. The show features 36 artists working across media including photography, video, drawing, weaving, sculpture, embroidery, printmaking, painting, book arts, and interactive installation, with works that use the grid as a formal, conceptual, or narrative device. Co-curated by gallery director Mark Stockton and Cindy Stockton Moore, the exhibition includes a dynamic mix of Philadelphia-based and international artists, with highlighted pieces such as Jacob C. Hammes's IKEA-hacked fountain, Anne Schaefer's optical color window installation, and a suspended quilt by Jody Graff.

Exhibitions Celebrate Mead’s 75th Anniversary

The Mead Art Museum celebrated its 75th anniversary with a fall installation featuring three distinct exhibitions: Swapnaa Tamhane's immersive textile work "Spaces That Hold," "A Contentious Legacy: Paintings from Soviet Ukraine," and "Re/Presenting: An Activity Gallery." The opening transformed the museum into an interactive space where visitors could lie down, sit, or sing among hanging block-printed textiles, challenging traditional gallery norms. Tamhane's "Mobile Palace" (2020–2021), created with artisans Salemamad Khatri and Mukesh Prajapati, reinterprets Le Corbusier's Mill Owners' Association building as an ornament, while the Soviet Ukraine exhibition presents paintings from the 1960s–1980s that navigated propaganda and creative expression under state censorship.

New Museum’s longtime director to retire after building expansion opens

Lisa Phillips, the director of the New Museum in Manhattan since 1999, will retire in April 2026 after the completion of an $82 million expansion designed by OMA and Cooper Robertson. The expansion, which doubles the museum's exhibition space, is set to reopen this autumn, marking the culmination of Phillips's transformative 26-year tenure. She will become director emeritus and curate an exhibition on the Bowery's artistic history.

Simone Leigh’s largest exhibition yet to explore ‘art made under fascism’

Simone Leigh will present her largest-ever exhibition at the Royal Academy of Arts in London in late 2027, featuring new monumental bronze and ceramic sculptures alongside film installations. The show, curated by Tarini Malik, will explore the theme of architecture and art created under fascist regimes, with Leigh citing the current political climate in the United States as a driving influence. Leigh, who represented the US at the 2022 Venice Biennale and won the Golden Lion, has noted that some artist commissions have been stalled or canceled due to anti-DEI policies.

Dog in Rembrandt’s The Night Watch was copied from widely available book, suggests new research

New research suggests that the barking dog in the lower right corner of Rembrandt's *The Night Watch* (1642) was copied from a title-page illustration by the Dutch artist Adriaen van de Venne. Anne Lenders, curator of 17th-century Dutch paintings at the Rijksmuseum, recognized the resemblance while visiting an exhibition on Van de Venne at the Zeeuws Museum. Macro X-ray fluorescence scans of the painting's underdrawing confirmed the similarity, though Rembrandt modified the dog's posture and added a tongue to make it appear alert and barking at a drum.

Fra Angelico masterworks reunited for two-venue Florence exhibition

Florence is opening a comprehensive double-venue exhibition of over 140 works by Fra Angelico, the early Renaissance master. The show, titled simply "Fra Angelico," runs at the Museo di San Marco and the Palazzo Strozzi, reuniting dispersed altarpieces and panels for the first time in over two centuries. It traces his evolution from late Gothic to early Renaissance, featuring reconstructed altarpieces with panels gathered from major European and American museums, alongside works by his influences like Masaccio, Lorenzo Ghiberti, and Lorenzo Monaco.

Is This the Breaking Point for Museums?

Museums across the West are facing a severe funding crisis as governments slash public support. In the U.S., President Donald Trump’s deep cuts to the National Endowment for the Arts (NEA), National Endowment for the Humanities (NEH), and the Institute for Museum and Library Services (IMLS) have resulted in hundreds of millions of dollars in lost funding, while stock market volatility and increased endowment taxes further strain budgets. In Europe, Berlin cut €130 million from cultural funding in December 2024, and other countries face similar pressures, forcing museums to confront dwindling subsidies and shifting philanthropy.

Ai Weiwei: ‘Nothing scares me anymore—being terrified does not help’

Chinese artist and activist Ai Weiwei has unveiled a major new commission in Kyiv, Ukraine, titled 'Three Perfectly Proportioned Spheres and Camouflage Uniforms Painted White,' on view until November 30. The site-specific installation, commissioned by the non-profit cultural platform Ribbon International, features three spheres wrapped in camouflaged fabric dotted with animal images, responding to escalating global armed conflicts. Ai recently traveled to the front line of the war in eastern Ukraine near Kharkiv, meeting Ukrainian fighters and cultural figures, and also planted sunflower seeds and buttons in a field there as a ceremonial act.

Letter calls on Judy Chicago and Pussy Riot's Nadya Tolakonnikova to cancel Tel Aviv exhibition

More than 50 artists and cultural figures, many based in Israel, have signed a letter urging American artist Judy Chicago and Pussy Riot co-founder Nadya Tolokonnikova to cancel their collaborative exhibition "What if women ruled the world?" at the Tel Aviv Museum of Art. The show, which opened last week, features a digital quilt responding to the titular question. The letter, seen by The Art Newspaper, argues that holding the exhibition in Israel makes the artists "complicit" in what the signatories describe as genocide in Gaza, citing a recent UN commission finding. Tolokonnikova stated she is not involved in the ongoing project, while Chicago declined to comment. The museum defended the exhibition as a space for reflection and dialogue, not an endorsement of any political position.

Marianne and Edward Gibson Art Museum opens at SFU Burnaby campus

The Marianne and Edward Gibson Art Museum, a new 12,100-square-foot facility on the Simon Fraser University Burnaby campus in British Columbia, has officially opened to the public. Designed by Siamak Hariri of Hariri Pontarini Architects, the museum features B.C.-sourced mass timber beams, floor-to-ceiling windows, and a layout that integrates with the surrounding forest. Its inaugural exhibition, "Edge Effects," includes works by artists such as Debra Sparrow, Cindy Mochizuki, Patrick Cruz, Lorna Brown, and Jin-me Yoon, and the museum also houses approximately 5,900 works from the Simon Fraser University Art Collection.

Exhibition Opening: Body Vessel Clay: Black Women, Ceramics & Contemporary Art

The Ford Foundation Gallery in New York will host 'Body Vessel Clay: Black Women, Ceramics & Contemporary Art,' curated by Dr. Jareh Das, from September 10 to December 6, 2025. The exhibition brings together over fifty works by three generations of Black women artists, including Simone Leigh, Magdalene Odundo, and Ladi Kwali, spanning ceramics, film, photography, and archives, and traces the influence of Nigerian potter Ladi Dosei Kwali on contemporary practice.

Huge fashion photography archive heads this month’s acquisition round-up

The New York Historical has acquired the vast archive of legendary New York Times fashion photographer Bill Cunningham, nearly a decade after his death in 2016. The collection includes tens of thousands of images, negatives, slides, contact sheets, and correspondence documenting Manhattan street style and high-society events over 50 years. Separately, the J. Paul Getty Museum received a gift of 38 Italian manuscript illuminations from T. Robert Burke and Katherine States Burke, doubling its holdings in that area. The Hamburger Kunsthalle purchased René Magritte's painting *Le Palais de Rideaux* (1928) for €2.4 million from a Belgian private collection.

Can’t-Miss Chicago Art Moments: Fall 2025

The article previews three major art exhibitions in Chicago for fall 2025. Theaster Gates will present his first solo museum exhibition in his hometown at the Smart Museum of Art, featuring new installations derived from his collections of glass lantern slides, display vitrines, and the Johnson Publishing archive. Diane Simpson, at age ninety, makes her Art Institute of Chicago debut with an installation of three new works on the Bluhm Family Terrace, based on drawings from the mid-1980s. A comprehensive survey of Scott Burton, who died in 1989, opens at Wrightwood 659, showcasing nearly forty sculptures, photographs, ephemera, and the only known video of his performance work.

Ten surprises at the National Gallery’s five-star Van Gogh exhibition

The National Gallery in London opened its exhibition "Van Gogh: Poets & Lovers" (14 September 2024–19 January 2025) to five-star reviews, attracting a record 335,000 visitors. The article reveals ten surprising details about individual paintings on loan from around the world, including a self-portrait that once hung in the American ambassador's residence in Regent's Park, a painting executed on a dish towel when Van Gogh ran out of canvas, and the revelation that casino mogul Steve Wynn owns The Trinquetaille Bridge. Other surprises include a stark white replica frame for Roses, inspired by frames designed by Dr. Paul Gachet, and the fact that The Public Garden, Arles is owned by a foundation set up by Bernard Arnault, the world's third richest person.

Antony Gormley: ‘Everything I make now is a surprise to me’

Antony Gormley, the British sculptor best known for public works like *Angel of the North* and *Another Place*, is opening his first solo exhibition in Seoul this September, titled *Inextricable*, simultaneously at White Cube and Thaddaeus Ropac. The shows coincide with Frieze Seoul and explore how urban infrastructure shapes human consciousness. Gormley also discusses his ongoing collaboration with Japanese architect Tadao Ando at Museum SAN, where their permanent installation *Ground* (2025) is on view, and reflects on past unrealized projects in Korea, including a utopian proposal with the Kim Dae-jung Foundation.

‘I feel a renewed passion to shape a new era’: Youn Bummo takes the reins as president of the Gwangju Biennale

Youn Bummo has been appointed president of the Gwangju Biennale Foundation, returning to the organization he helped launch in 1995. He previously served as director of South Korea's Museum of Modern and Contemporary Art (MMCA) from 2019 until his resignation in 2023, which was widely attributed to political pressure. The 16th edition of the Biennale in 2025 will be curated by Singaporean film artist Ho Tzu Nyen.

See Ai Weiwei’s Largest-Ever U.S. Exhibition in Seattle Before It’s Gone

The Seattle Art Museum (SAM) has opened 'Ai, Rebel: The Art and Activism of Ai Weiwei,' the largest-ever U.S. exhibition of the Chinese-born artist-activist, featuring 130 works from the 1980s to the 2020s. Organized in three thematic sections—'Introducing the Rebel,' 'Material Disruptions,' and 'Watching Ai Watching Power'—the retrospective includes performance, photography, sculpture, and installations. Additionally, Ai Weiwei's 'Water Lilies' (2022), a Lego-based work referencing Monet, is on view at the Seattle Asian Art Museum. The exhibition runs through September 7, 2025.

Claws for celebration: Canada’s first cat museum launching with Montreal pop-up exhibition

Canada's first cat museum, Le Miaousée, is launching with a pop-up exhibition in Montreal's Little Italy district from September 12-28, 2025. Founded by cultural entrepreneur Aqeela Nahani, the museum aims to celebrate the bond between cats and humans while supporting rescue cat charities. The debut show, titled 'Miaoutréal: The History of Montreal’s Cats,' will feature archival photographs dating back to the 1860s, cat-themed events, contemporary art by local artists including Sylvain Amblard, Andréanne Lupien, and Linda Luttinger, and a tribute to animal rescue organizations such as the Montreal Society for the Prevention of Cruelty to Animals. A permanent museum is planned for 2026, which will include rotating exhibits, a cat lounge for adoptable cats, and a boutique.

79th Juried Members’ Exhibition opens at Museum of Art

The 79th Juried Members’ Exhibition has opened at the Museum of Art, showcasing works selected from member artists through a competitive jury process. The exhibition highlights a diverse range of media and styles, reflecting the creative output of the museum's artist community.

Dallas Museum of Art picks director wrapping up another institutional expansion to guide it through campus overhaul

The Dallas Museum of Art (DMA) has appointed Brian Ferriso, the longtime director of the Portland Art Museum (PAM), as its next director. Ferriso will oversee the inauguration of PAM's $111 million expansion on November 20 before starting his new role in Dallas on December 1. He succeeds Agustín Arteaga, who left the DMA last spring to lead the Crocker Art Museum in Sacramento. Ferriso brings nearly two decades of experience at PAM, where he increased the endowment by $40 million, doubled curatorial staff, eliminated $7 million in debt, and led a $140 million fundraising campaign for the museum's expansion and endowment.

Alexandria Biennale—third-oldest after Venice and São Paulo—announces return following 12-year hiatus

The Alexandria Biennale, the third-oldest biennial in the world after Venice and São Paulo, is relaunching in September 2026 after a 12-year hiatus. Curated by Egyptian artist Moataz Nasr under the title "This Too Shall Pass," the event will feature artists mainly from the Mediterranean basin, along with performances, music, and lectures. In a shift from its previous state-funded model, the biennial now operates as a private-public partnership, with seed money from the Egyptian and Alexandria governments and pledges from local businesses. The exhibition will take place at historic venues across Alexandria, including the Roman amphitheatre, the Alexandria Library, and the Qaitbay Citadel.

Guggenheim Fellows Featured in Stockton’s Art Gallery

Stockton University’s Art Gallery in Galloway, New Jersey, will present a fall exhibition titled “Diverse Perspectives in Photography: Four Black Guggenheim Fellows in the Philadelphia Region,” running from September 4 to November 8. The show features works by four African American photographers who are Guggenheim Fellows: Donald E. Camp (1995), Ron Tarver (2021), William E. Williams (2003), and Wendel A. White (2003). The exhibition opens with a free reception and panel discussion moderated by Julie L. McGee, associate professor at the University of Delaware, and includes a lecture by Laura Auricchio, vice president of the John Simon Guggenheim Memorial Foundation, on the fellowship’s 100th anniversary.

Comment | US museums are finally going bilingual: here's why it matters

US museums are increasingly adopting bilingual and multilingual programming, primarily adding Spanish translations to wall texts, websites, and catalogs. Institutions like the Museum of Contemporary Art Chicago (MCA) and MoMA PS1 in New York have led this shift, with MCA hiring bilingual staff and developing a bilingual website, while MoMA PS1 offers texts in Spanish, simplified Chinese, Arabic, Tagalog, and Bisaya for specific exhibitions. This trend responds to the fact that 14% of the US population speaks Spanish at home, and Latinx people represent a growing demographic in cities like Chicago.

Museum Exhibition Uses The Art Of Sports To Attract Visitors

The article reports on a museum exhibition that leverages the intersection of art and sports to draw in visitors. By showcasing works that explore athletic themes, movement, and sports culture, the exhibition aims to broaden the museum's audience beyond traditional art enthusiasts.

‘Everyone's suffering right now’: New York and Los Angeles gallery Clearing will close

Clearing, the influential New York and Los Angeles gallery that launched the careers of many prominent artists, will close both locations. Founder Oliver Babin announced the closure on August 7, citing crushing overhead costs—rent, shipping, and art fair expenses—that outpaced declining revenue. The gallery opened in 2011 in Bushwick, later moved to the Bowery in Manhattan in 2023, and expanded to Brussels and Los Angeles. Babin described the decision as inevitable, noting that the gallery had been kept alive by hope but now faces no viable path forward. The closure follows a wave of US gallery shutdowns this summer, including Kasmin, Venus Over Manhattan, and Tim Blum’s spaces.

On the Market: Artist Lorna Simpson's Studio, Custom-Designed by David Adjaye in Brooklyn, New York

Lorna Simpson's custom-designed Brooklyn studio, created by architect David Adjaye in 2006, has been listed for sale at $6.5 million. The 3,300-square-foot, four-story property at 208 Vanderbilt Avenue in Fort Greene features a double-height great room, three bedrooms, a rear garden, and was originally built as a live/work space for the artist and her then-husband James Casebere. The listing is handled by Leslie Marshall and Nick Hovsepian of the Corcoran Group. Simpson, whose survey exhibition "Lorna Simpson: Source Notes" is currently on view at the Metropolitan Museum of Art, has moved her primary practice to a larger nearby space, using the Vanderbilt Avenue property for archives and events.

Influencer, politician, museum director: what Eike Schmidt did next

Eike Schmidt, the German-born museum director who led Florence's Uffizi Galleries from 2015, has taken on a series of high-profile and controversial roles. After restructuring the Uffizi and nearly leaving for Vienna's Kunsthistorisches Museum in 2019, he stayed on, then moved to Naples' Museo di Capodimonte in 2024. Months later, he ran for mayor of Florence as a centre-right independent backed by far-right parties, losing in a run-off. Now settled at Capodimonte, he reflects on his unpredictable career with no regrets.

Catch These Glamourous Summer Exhibitions at SCAD Lacoste

SCAD Lacoste, the Savannah College of Art and Design's campus in Provence, France, is hosting three summer exhibitions: 'Christian Dior: Jardins Rêvés', the first Dior exhibition in southern France, featuring over 30 haute couture silhouettes and 60 accessories by Dior and his successors; 'DRIFT: Unfold', a permanent interactive installation by the Dutch artist duo DRIFT that transforms visitors' heartbeats into audiovisual displays; and 'Studio Bee: 100% Made by SCAD', showcasing work by recent SCAD fashion graduates. The Dior show runs until September 28, while the Studio Bee exhibition continues until November 2.

Lord of the Flies: How This Artist Enlists an Army of Tiny Collaborators

Los Angeles artist John Knuth uses flies as collaborators to create paintings, with over one million insects contributing to his current exhibition 'The Hot Garden' at Hollis Taggart Downtown in New York. Inspired by flyspecks he noticed on a windowsill in 2005, Knuth orders fly larvae by the thousands, letting them hatch on canvases where their regurgitation deposits pigment. The show features works priced between $700 and $20,000, and a custom enclosure at the gallery allowed visitors to see the flies working live during the opening. Knuth's fly paintings gained viral attention in 2013 after a video by the Los Angeles Museum of Contemporary Art received over 100,000 views, helping launch his career.

‘Slowing the process down’: how a bohemian Somerset art gallery is forging its own path

Close gallery, founded in 2009 by curator and art advisor Freeny Yianni in the grounds of her 17th-century home near Hatch Beauchamp, Somerset, is expanding its operations. Yianni, who previously worked at Lisson Gallery and helped Grenville Davey win the Turner Prize, recently hired sales director Richard Scarry, formerly of Coates and Scarry in Bristol. The gallery's current exhibition features previously unseen works by British abstract artist Jane Harris (1956–2022), shown both in Somerset and at a new London project space in Marylebone. Upcoming plans include presenting a monumental sculpture by Simon Hitchens at Frieze Sculpture in Regent's Park.