A surge of gallery exhibitions in New York this January focuses on deceased artists and estates, including shows for Marcia Marcus at Olney Gleason, Hung Liu at Ryan Lee, and Lynn Geesaman at Yancey Richardson. This trend reflects a broader shift toward historical reappraisals, with young dealers increasingly taking on artist estates and museums doubling their share of solo shows for dead artists from 18% in 2019 to nearly 50% in 2025.
Berlin's Hamburger Bahnhof museum, facing budget cuts of up to 12% and shifting government spending priorities in Germany, is planning its first-ever gala to mark its 30th anniversary. Co-directors Sam Bardouil and Till Fellrath are spearheading the event, set for March, which will feature cultural figures including Cate Blanchett, Matt Dillon, Elmgreen & Dragset, and the Berlin Philharmonic. The museum has also launched the Chanel Commission and the International Companions philanthropy circle to diversify funding sources.
Nan Goldin used the opening of her retrospective “This Will Not End Well” at Berlin’s Neue Nationalgalerie to deliver a forceful 14-minute speech condemning the Israel-Gaza war and criticizing Germany’s censorship of pro-Palestinian voices. She called for a phone-free moment of silence for the dead in Palestine, Israel, and Lebanon, and framed her exhibition as a test case for artistic freedom. The event drew a large crowd, police presence, and was widely shared on social media by figures like Ai Weiwei and Wolfgang Tillmans.
Artist Ai Weiwei will unveil a new exhibition titled “Button Up!” at Factory International in Manchester, England, opening July 2. The show features monumental installations made from 30 tons of buttons he rescued from a shuttered British factory in 2019, along with over 3.5 million Lego pieces. Highlights include eight flags sewn with 9,000 buttons each, referencing the Eight-Nation Alliance that invaded China during the Boxer Rebellion, and a new version of his Lego work *History of Bombs*. The buttons were secretly shipped to China, where artisans assembled the works over 281 days.
Museums and cultural institutions are participating in a viral social media trend where staff, often older guides or curators, deliver marketing scripts written entirely in Gen Z slang. The trend, which began with a video from England's Hever Castle in early September, has spread across TikTok and Instagram, with hundreds of organizations creating their own versions. Typical phrases include "no cap," "ate and left no crumbs," and "menty b," often accompanied by the "Millennial Pause" for comedic effect. The article highlights several examples, including the Poe Museum in Virginia and the New York Historical Society, and notes that the trend has expanded beyond the art world to include accountancy firms, donkey sanctuaries, and even the NYC Ferry.
Jermaine Jackson has announced plans to launch a touring museum dedicated to Michael Jackson's visual art, debuting in Monaco toward the end of 2026 as part of a biennial. The museum, described as a "Showseum," will open with a 120-work exhibition of Jackson's paintings, including collaborations with Andy Warhol and portraits of US presidents. The collection of 200 works, reportedly worth $1.6 billion, has been stored in a secure facility in Washington, D.C., and is not for sale.
Madrid's Prado Museum has announced it will cap visitor numbers after a record-breaking 3.5 million visits in 2025, with director Miguel Falomir declaring the institution does not want or need 'a single visitor more.' The museum unveiled 'Plan Host,' a new strategy prioritizing visitor experience over volume, including measures to limit crowds and attract more local Spanish audiences, as 65 percent of current visitors are overseas tourists. Falomir warned against chasing ever-higher attendance, citing the Louvre as a cautionary example where overcrowding has led to deteriorating conditions, staff strikes, and calls for the director's resignation.
Joseph Atsus, a 51-year-old Pennsylvania man, was sentenced to 48 months in prison, supervised release, and $1 million in restitution for his role in a multi-state museum theft ring that operated from 1999 to 2019. The ring stole millions in art and memorabilia from 20 institutions, including Andy Warhol's silkscreen *Le Grande Passion* (1984) and Jackson Pollock's oil painting *Springs Winter* (1949) from the Everhart Museum in Scranton, Pennsylvania, in 2005. Atsus is the sixth member of the eight-person ring to be sentenced; co-conspirator Nicholas Dombek received 108 months, while others received sentences ranging from six to 96 months. Many stolen works remain missing, and some, including a painting valued at $125,000, were destroyed to avoid evidence recovery.
Seven notable art historical rediscoveries from 2025 are highlighted, including an early Eva Hesse painting found at a Goodwill thrift store that sold for $107,100 at Christie's, a previously unknown John Singer Sargent portrait unveiled at the Musée d'Orsay, a Salvador Dalí watercolor bought for $186 that fetched $61,400 at auction, and a John Constable drawing resurfacing after 200 years. Other finds include works by post-minimalist and old master artists uncovered in attics, estate sales, and private collections, often identified by sharp-eyed dealers or lucky amateurs.
A UK judge has scheduled a 10-day trial for January 2028 in the case against mega-gallery Hauser & Wirth and liquidated shipping firm Artay Rauchwerger Solomons over alleged violations of UK sanctions against Russia. The Crown Prosecution Service (CPS) charged the gallery with making George Condo's 2021 work on paper, *Escape from Humanity*, available in 2022 to a person connected to Russia. The next hearing is set for May 5, 2026, for arraignment. Hauser & Wirth has stated it strongly contests the charge and intends to plead not guilty, while the shipping company went into voluntary liquidation in April 2024.
Yoko Ono's retrospective "Music of the Mind" at the Museum of Contemporary Art Chicago showcases over 200 works, including word scores, ephemera, and performances from the 1960s and early '70s. Central to the show is Ono's aesthetic of refusal, exemplified by pieces like *Strip Tease for Three* (1966), where empty chairs await a dancer who never arrives, and *Smoke Painting* (1961), which instructs viewers to burn a canvas. The exhibition, which first appeared at Tate Modern in 2024 and travels to the Broad in Los Angeles after closing in Chicago on February 22, challenges viewers to find meaning in absence and denial.
Kim Sajet, former director of the Smithsonian Institution’s National Portrait Gallery (NPG), has been appointed as the new director of the Milwaukee Art Museum, starting September 22. She left the NPG in June after a high-profile clash with President Donald Trump over diversity initiatives and funding. Sajet brings extensive experience from museums in the Netherlands and Australia, and during her 12-year tenure at the NPG, she doubled attendance and raised $85 million. She replaces Marcelle Polednik, who departed in May after nine years.
The Arkansas Museum of Art in Little Rock is presenting "Architects of Being," an exhibition pairing the work of Esphyr Slobodkina and Louise Nevelson through January 11, 2026. Slobodkina, a Russian-born Jewish immigrant and founding member of the American Abstract Artists, was a painter, sculptor, writer, and fashion designer who also authored the classic children's book *Caps for Sale*. Nevelson, also an Eastern European Jewish immigrant, is renowned for her monochromatic wood assemblages. The show juxtaposes their geometric abstractions, collages, sculptures, and personal fashion, curated as a hypothetical dialogue between two kindred spirits who never met. The exhibition will travel to the Chrysler Museum of Art in Norfolk, Virginia, and the New Britain Museum of American Art.
An inmate in a Virginia prison has had the July/August issue of the Humanist magazine rejected by prison censors because it contains a reproduction of Peter Paul Rubens's painting of Adam and Eve, in which Eve's breasts are visible despite fig leaves covering the couple's genitals. Attorney Jeffrey E. Fogel filed a federal lawsuit on August 31 on behalf of the American Humanist Association, arguing that the rejection violates the First and Fourteenth Amendments and has caused financial harm to the publisher. The article in question, titled "Everything You Know about Sex is Wrong," aims to challenge binary gender concepts.
The Prix Marcel Duchamp, France's most prestigious art prize, has announced its 2026 nominees: Joël Andrianomearisoa, Josèfa Ntjam, Laura Henno, and the duo David Brognon and Stéphanie Rollin. The five nominees will exhibit together at the Musée d’Art Moderne de Paris in October, with the winner receiving €35,000. The jury is led by Centre Pompidou director Xavier Rey and includes prominent curators, collectors, and past winners such as Kader Attia.
Newly uncovered documents from the Museum of Modern Art’s archives confirm that the Franco regime in Spain attempted to censor Robert Motherwell’s painting *Elegy to the Spanish Republic No. 35* (1954–58) before its scheduled 1958 exhibition in Madrid. The painting was part of MoMA’s traveling show “The New American Painting,” which introduced Abstract Expressionism to Europe. Spanish authorities demanded Motherwell remove the phrase “Spanish Republic” from the title, but the artist refused, leading to the work’s exclusion from the exhibition. The documents, reviewed by *El País*, also reveal that Catalan artist Antoni Tàpies boycotted state-sanctioned shows, calling the regime’s cultural propaganda “scandalous.”
Artnet News published a French-language glossary of Old Masters terminology and a list of French museums dedicated to Old Masters. The article defines an Old Master as a European painter who worked before 1800, then provides an A–Z bilingual glossary covering terms from Baroque to Venetian Renaissance. It also profiles two museums: the Musée du Louvre in Paris, highlighting its history, collection size, and a wartime anecdote about Théodore Géricault's "Le Radeau de la Méduse," and the Musée du Louvre-Lens, a branch museum opened in 2012 on a former mining site.
Artnet News has compiled a guide to holiday art shows in New York City for December 2025. The featured exhibitions include the Metropolitan Museum of Art's annual "Christmas Tree and Neapolitan Baroque Crèche" (November 25–January 6), the American Museum of Natural History's "Origami Holiday Tree" (November 24–January 20) inspired by its dinosaur extinction exhibition, the Morgan Library and Museum's display of Charles Dickens's original manuscript of "A Christmas Carol" (November 25–January 11), and the New York Public Library's "Best Friends Forever: Holiday Greeting Cards" (December 3–January 4). Each venue offers a unique artistic take on the holiday season, from 18th-century Neapolitan figurines and thousands of origami animals to literary history and vintage greeting cards.
On Public Domain Day 2026, works from 1930 entered the U.S. public domain, including art by Piet Mondrian, Paul Klee, José Clemente Orozco, and Sophie Taeuber-Arp. Notable artworks now free to use include Mondrian's *Composition With Red, Blue, and Yellow*, Klee's *Tierfreundschaft*, Orozco's *Prometheus*, and Taeuber-Arp's *Composition of Circles and Overlapping Angles*, as well as pieces by Philip Guston, Marc Chagall, and Edward Hopper from the Metropolitan Museum of Art. Literary works like Sigmund Freud's *Civilization and Its Discontents* and William Faulkner's *As I Lay Dying*, films such as *All Quiet on the Western Front*, and musical compositions including "Dream a Little Dream of Me" and "Georgia on My Mind" also entered the public domain, along with the original Betty Boop character and early *Blondie* comics.
Palazzo Dario, a historic Gothic palace on Venice's Grand Canal built in 1486 by diplomat Giovanni Dario, is now listed for sale through Christie's International Real Estate following a structural restoration. The 10,000-square-foot property features four levels, marble staircases, Murano chandeliers, and a Moorish fountain, with its asking price available upon request. The palace has changed hands through noble families, countesses, and financiers over centuries, and was famously painted by Claude Monet in 1908 and sketched by John Ruskin.
Artnet News has published a preview of major European museum exhibitions opening in early 2026. Highlights include a monographic show on Paul Cézanne at Fondation Beyeler (January 25–May 25), featuring 80 works from his late career; “Yellow. Beyond Van Gogh’s Favourite Colour” at the Van Gogh Museum, Amsterdam (February 13–May 17), exploring the color yellow across art, fashion, and literature; a solo exhibition by conceptual artist Danh Vo at the Stedelijk Museum (February 14–August 2); and “The First Homosexuals” at Kunstmuseum Basel (March 7–August 2), examining the intersection of emerging homosexual identity and the arts in the late 19th century.
Artnet News asked leading curators and museum directors to share their favorite artworks of all time. Connie Butler of MoMA PS1 chose David Hammons's "Bliz-aard Ball Sale" (1983), praising its connection from Duchamp to AI. Julieta Gonzalez of the Wexner Center selected Hans Holbein the Younger's "The Ambassadors" (1533), highlighting its anamorphic skull as a metaphor for viewing modernity from the margins. Madeleine Grynsztejn of MCA Chicago picked Francisco Goya's "A Pilgrimage to San Isidro" (1819–23) from his Black Paintings cycle, calling it a metaphor for fanaticism.
Sotheby's held its inaugural Abu Dhabi Collectors' Week at the St. Regis Island Resort on Saadiyat Island, transforming the venue into a luxury showcase with handbags, diamonds, watches, a non-selling art display worth $500 million, and rare cars. The week culminated in open-air auctions under a full moon, netting $133 million—far exceeding the $17 million from Sotheby's first Middle East luxury sale in Saudi Arabia earlier this year. Highlights included a 1994 McLaren Formula 1 car sold for $25.3 million, a Jane Birkin Hermès handbag that fetched $2.9 million, and a 31.68-karat pink diamond called The Desert Rose that went for $8.8 million. A jewelry and timepieces sale achieved white-glove status, taking $25.4 million.
Artnet News revisits a podcast episode featuring editor-in-chief Naomi Rea, who examines the breakdown of traditional art pricing logic amid a cooling market. The episode explores how the rules that once governed art valuation have eroded, leaving dealers, advisors, and collectors struggling to navigate a market described as being in a "danger zone." Rea discusses how mega-galleries, emerging dealers, and advisors are quietly recalibrating their strategies as speculation dries up and confidence wanes.
Artnet News has launched a new four-part podcast mini-series titled "How to Get Ahead in the Art World," produced in partnership with Art Market Mentors. Hosted by editor-in-chief Naomi Rea and produced by Sonia Manalili, the series features insights from top art-world insiders including Cat Manson (former Christie's leader turned career coach), Loïc Gouzer (former Christie's rainmaker and founder of Fair Warning), and Brooke Lampley (senior roles at Sotheby's and Gagosian). Each episode covers a key career lesson: taking ownership of your career, trusting your instincts, leading with passion, and embracing a layoff as a reset.
Robert Rauschenberg designed the cover for Talking Heads' 1983 album *Speaking in Tongues*, creating a limited-edition LP package with three plastic discs featuring cyan, magenta, and yellow designs that produced a full-color, kinetic composition when overlaid on the spinning record. The project stemmed from a friendship between Rauschenberg and frontman David Byrne, who met after Byrne saw Rauschenberg's photo collages in a New York gallery. Despite production challenges that limited the design to a special edition, the album won a Grammy for best album cover.
Sotheby's will hold its second auction in Saudi Arabia on January 31, 2026, following a successful inaugural sale in Diriyah in February 2024 that netted $17.3 million. The upcoming sale, titled "Origins," features over 70 works by established Saudi Arabian and Middle Eastern artists alongside international names, with top lots including a Pablo Picasso painting estimated at $2–3 million and works by Jean Dubuffet, Roy Lichtenstein, and Andy Warhol. The auction aims to build on lessons from the first sale, which revealed strong demand across price points and generational diversity among buyers.
Jack Whitten is the recipient of the 2025 ARTnews Award for his retrospective "Jack Whitten: The Messenger" at the Museum of Modern Art, New York, running from March 23 to August 2, 2025. Curated by Michelle Kuo with Helena Klevorn, Dana Liljegren, and David Sledge, the exhibition features 175 works spanning Whitten's six-decade career, highlighting his innovative use of acrylic paint, his custom squeegee-like tool called the Developer, and his mosaic-like paintings made from dried acrylic chips. The show includes early works from the civil rights era, mid-career homages to Black thinkers like W.E.B. Du Bois and Ralph Ellison, and a monumental abstraction memorializing 9/11.
The Detroit Institute of Arts (DIA) has released a 50th-anniversary remake of its iconic 1976 television commercial, "You Gotta Have Art." The original spot, created by advertising agency W.B. Doner & Co., featured museum staff, volunteers, and local performers singing and dancing among masterpieces. The new version, directed by DIA's Director of Visual Media Adam Kosberg, recreates the original shot-for-shot, incorporating updated choreography, a Motown-influenced arrangement by Detroit musicians Marion Hayden and Alvin Waddles, and appearances by local artists including Carole Harris and Allie McGhee, who reprised their roles from the 1976 film. Over 200 museum employees and performers from Wayne State University participated in the production.
Hundreds gathered on a cold Monday night in New York at Phillips auction house and the Metropolitan Club to celebrate the life and legacy of Walter Robinson, the beloved art-world figure who died in February 2025. The event, organized by the New York Academy of Art as part of its annual “Take Home a Nude” fundraiser, featured silent and live auctions, a posthumous honorary doctorate awarded to Robinson, and the announcement of the Walter Robinson Scholarship funded by auction proceeds. The evening raised over $800,000, with works by students and acclaimed artists like Richard Prince and Kiki Smith on offer, and Robinson’s painting *Blood on the Sun* (2018) selling for $35,000.