louvre installs bars on heist window

The Louvre Museum has installed security bars on the French window of the Apollo Gallery, the entry point used by thieves in a $102 million jewel heist on October 19. The museum announced the measure on X, showing workers installing the bars before dawn. Additional security upgrades include a mobile police base, distancing devices on the Quai François Mitterrand, and plans for 100 new perimeter cameras by 2026. These steps are part of a $92 million security master plan. Ticket prices for non-E.U. visitors will rise 45% to $37 starting January 14, 2026, to help fund the improvements. The museum also revealed that a 2018 audit sponsored by Van Cleef and Arpels had flagged the balcony's vulnerability, but then-director Jean-Luc Martinez did not act. Louvre president Laurence des Cars offered to resign after the security failures came to light but was asked to stay.

louvre security report

A 2018 security audit commissioned by the Louvre from Van Cleef and Arpels identified critical vulnerabilities in the museum's Apollo Gallery, including a balcony accessible via a lift platform—the exact entry point used by thieves in a daring October 19, 2025 heist. The audit, which included diagrams highlighting a window facing Quai François-Mitterrand as a major weakness, was not passed on to current Louvre president Laurence des Cars when she took over in 2021. The museum only discovered the document after the theft, prompting an internal review and referral to France's General Inspectorate of Cultural Affairs. French authorities have since arrested four more suspects, bringing the total to eight, as the investigation continues into the theft of eight valuable pieces including Napoleon Bonaparte's emerald-and-diamond necklace.

suspected fourth gang member behind louvre heist arrested

On Tuesday, four more suspects were arrested in connection with the theft of the French crown jewels from the Louvre in Paris last month. One of the men, arrested in Laval, is suspected of being the fourth gang member involved in the heist, which occurred on October 19 when robbers used a cherry picker and angle grinder to steal nine pieces of jewelry worth an estimated $102 million from the Apollo Gallery. The other three previously charged suspects were identified as Ayed G, Slimane K, and Abdoulaye N. Three relatives of the new suspect were also taken for questioning. One of the stolen pieces, a crown belonging to Empress Eugénie, was recovered outside the museum.

louvre heist suspect is former museum guard social media influencer

Four suspects have been arrested for allegedly stealing the French crown jewels from the Louvre Museum last month. One suspect, identified as 39-year-old Abdoulaye N., is a former security guard at the Centre Pompidou and a social media influencer known for motocross stunts under the name Doudou Cross Bitume. His DNA was found at the crime scene, and he is suspected of breaking into the museum's Apollo gallery through an unsecured window before escaping on a motorbike. He has a prior criminal record including a 2014 jewelry store robbery conviction, and was due in court for a separate case. The stolen jewels have not yet been recovered.

art juliana halpert frieze los angeles 2026

Juliana Halpert, writing for Cultured's Critics' Table, offers a local perspective on Los Angeles's busy February art scene, contrasting the global art-fair circuit with four distinctive local exhibitions. She visits Tanya Brodsky's "Stories of the City" at Campbell Hall school in Studio City, where Brodsky's sculptures engage with Italo Calvino's *Invisible Cities*; the Julia Stoschek Foundation; Amanda Ross-Ho's show; and Rita McBride's exhibition. Halpert uses Calvino's metaphor of Eutropia—a city whose inhabitants cycle through identical suburbs—to critique the repetitive nature of art fairs like Art Basel and Frieze, which travel from city to city with little variation.

art maren hassinger sculptures metal

Maren Hassinger, the 78-year-old artist known for her sculptural work with steel and wire rope, discusses her upcoming retrospective at the Berkeley Art Museum and Pacific Film Archive, opening in June. In an interview, she reflects on her early rejection from a dance major at Bennington College, which led her to sculpture under the mentorship of Isaac Witkin, and her long collaboration with fellow artist Senga Nengudi since the 1970s. She also talks about her current studio practice, creating large-scale vessels, and her move from Los Angeles to New York to sell her work.

art nicola lees aspen art museum

Nicola Lees, director of the Aspen Art Museum since 2020, discusses her tenure and the launch of AIR, a new initiative that blends festival, think tank, and public artwork to cultivate artists as leaders. The weeklong kickoff event begins with a closed-door session for artists, scientists, and technologists, followed by citywide programming from July 29 to 31. Lees reflects on how the museum's remote Colorado location has become an asset, enabling durational projects like Precious Okoyomon's rooftop garden, and emphasizes artist-centered programming and long-term collaborations.

patricia udell onna house hamptons show

Patricia Udell, an artist known for modernist works in clay, plaster, wood, and canvas, is unveiling her first tapestry at Onna House in East Hampton in a show titled “My Life Has Been a Tapestry,” opening tomorrow and running through Sept. 1. The exhibition takes its name from the 1971 Carole King song. Udell, who has exhibited at Meislin Projects, Quogue Gallery, and amArtHouse, discusses her move into textiles, her inspirations from Calder and Matisse, and the solitary, intuitive nature of her practice. Onna House, founded by designer Lisa Perry, focuses on women artists, making it a fitting venue for Udell’s work.

lawyer danielle falls art collection young collectors

Danielle Falls, a 32-year-old lawyer and fine art insurance broker, is profiled as a young collector building a contemporary art collection from a non-traditional background. She serves on the Bronx Museum of the Arts board of trustees, chairs its acquisitions committee, and is a patron of Project for Empty Space. Falls discusses her early collecting mistakes, her frustration with exclusivity in the art world, and her commitment to supporting underrepresented artists, particularly women sculptors and those working with unconventional materials and family archives. She has founded the Falls Foundation, a nonprofit private lending collection focused on emerging voices across the Americas.

A Journey Through the Work of Lucía Pizzani on the Occasion of Her First Institutional Exhibition in London

UN RECORRIDO POR LA OBRA DE LUCÍA PIZZANI A PROPÓSITO DE SU PRIMERA MUESTRA INSTITUCIONAL EN LONDRES

Venezuelan artist Lucía Pizzani presents her first institutional exhibition in the United Kingdom, titled "Faunal Succession," at Focal Point Gallery in London, running through May 30. The show features new works created in collaboration with artists Cecilia Bonilla, Jaime Gili, and Javier Weyler, as well as community groups and local schools, reimagining the Essex coastline through the concept of deep time. The exhibition links geological transformation with contemporary issues such as climate change, migration, and social change, as explored in an interview with curator Inês Costa.

CISCO MEREL: LA CHANTIN

CISCO MEREL: LA CHANTIN

Kunsthalle Lissabon in Lisbon, Portugal, is presenting 'La Chantin,' the first solo exhibition in the country by Panamanian artist Cisco Merel. The exhibition features a site-specific installation exploring the house as an open, collective, and evolving system, inspired by the mobile, wooden 'shanty' structures built by the Afro-Caribbean diaspora during the construction of the Panama Canal.

25th Biennale of Sydney – Rememory

The 25th Biennale of Sydney, titled 'Rememory,' opened on March 14, 2026, across multiple venues including the Art Gallery of New South Wales, White Bay Power Station, and the Sydney Opera House. Artistic director Hoor Al Qasimi curated the event around the concept of 'rememory,' inspired by Toni Morrison's novel *Beloved*, featuring over 143 works by 83 artists and collectives from 37 countries. The biennale centers First Nations voices and diasporic communities, with standout pieces like the Ngurrara Artists' *Ngurrara Canvas II* (1997) and works by Yaritji Young. However, the event has faced controversy due to Al Qasimi's opposition to the war in Gaza, leading to criticism from donors and board members, as well as logistical disruptions from the Iran war affecting the curator and artists.

In Her First Solo Museum Show, Jordan Casteel’s Humanizing Portraits Get Even Closer An interview with the artist

Jordan Casteel is preparing for her first solo museum exhibition, "Jordan Casteel: Returning the Gaze," a 29-painting survey opening at the Denver Art Museum. The article traces her journey from a Yale School of Art graduate, where she painted nude black men with a focus on individuality and humanity, to a rising star in contemporary portraiture. Her career was launched by a 2014 solo show at Sargent's Daughters gallery, leading to a residency at the Studio Museum in Harlem and representation by gallerist Casey Kaplan.

Sad Cowboy

What Pipeline gallery presents "Sad Cowboy," a group show organized for Miguel Bendaña at The Falstaff Project in El Paso, running from May 28 to July 4, 2026. The exhibition features three Detroit artists—Israel Aten, Cay Bahnmiller, and Dylan Spaysky—whose works explore American mythology, masculinity, and identity through collage, drawing, and sculpture. The title references a collage by Bahnmiller incorporating Amiri Baraka's poem "Sad Cowboy," critiquing the lone cowboy myth. Aten's colossal figures blend medieval iconography with video games, Bahnmiller's text-based works deconstruct language, and Spaysky's carbon paper drawings capture disposable media moments.

Photo London Returns with a Global Perspective at Olympia

Photo London has opened its latest edition at Olympia London, marking a significant move from its previous home at Somerset House. The fair brings together international galleries from cities including New Delhi, Cologne, New York, Glasgow, Buenos Aires, Johannesburg, Zurich, Paris, Tokyo, Taipei, Munich, and London, creating a global conversation around photography. Highlights include Alfredo Jaar's installation 'Searching for Africa in LIFE,' which interrogates the absence of African voices in Western media, and presentations by Autograph, Leica Gallery London, and others that explore themes of migration, memory, identity, and representation.

Switzerland’s flagship fair brings the art world to town

The article recounts a journalist's trip to Switzerland for Art Basel 2025 and the surrounding satellite events, including Zurich Art Weekend and visits to galleries and museums in Zurich and Bern. It highlights the participation of Canadian galleries like Catriona Jeffries and Eli Kerr, as well as encounters with artists such as Jeffrey Gibson, Monster Chetwynd, and Pipilotti Rist. The tour covers institutional highlights like the Kunsthalle Zürich, Kunsthaus Zürich, Zentrum Paul Klee, and the Kunstmuseum Bern, with exhibitions featuring Carol Rama, Kurt Schwitters, and Tai Shani.

MFA's Nude Exhibition Challenges Art History's Gender Norms

The Museum of Fine Arts, Boston, has opened a new exhibition that challenges traditional gender norms in art history, featuring a dozen artists who disrupt the conventional nude. The show includes Xandra Ibarra's performance "Nude Laughing," where she paraded naked through the museum's European galleries, and works by Betty Tompkins, whose "Fuck Paintings" and "Women Words Painting" series confront misogyny and the male gaze. The exhibition juxtaposes these contemporary pieces with historical works like Jean-Léon Gérôme's "Moorish Bath" to highlight entrenched racial and gender hierarchies in art.

Mario Schifano, the artist who anticipated Arte Povera and beyond. What the exhibition in Rome looks like

The Palazzo delle Esposizioni in Rome has opened a major retrospective of Mario Schifano, curated by Daniela Lancioni and titled simply "Mario Schifano," running until July 12. The exhibition reconstructs the career of the Italian artist (1934–1998), who worked across painting, film, and music, and highlights his role as a precursor to Arte Povera. A centerpiece is the reconstructed dining room Schifano created for the Rome home of Marella and Gianni Agnelli in 1968, featuring 14 canvases and a planned but unrealized sand-filled room with a pyramid, a detail revealed by film producer Ettore Rosboch in a conversation with the curator.

The Parrish Art Museum Presents ‘Sanford Biggers: Drift,’ The Artist’s First Major East End Solo Show

The Parrish Art Museum in Water Mill, New York, will present 'Sanford Biggers: Drift,' the artist's first major solo exhibition on the East End of Long Island, opening in summer 2026. The show features new works, site-responsive installations, and signature sculptures and textiles, including the monumental cloud installation 'Unsui (Cloud Forest)' (2025). The exhibition is part of the museum's 'PARRISH USA250: Life, Liberty, and the Pursuit of Happiness' series, which marks America's semi-quincentennial by exploring the ideals of the Declaration of Independence through the lens of Long Island's artistic heritage.

Festival of Art and Music ‘tent event’ to connect local artists

Local independent band Elephant's Eye is organizing a free festival of art and live music at CitySpace's Blueroom in Easthampton's Old Town Hall on Saturday, May 16, from 6-9 p.m. The event features art exhibits, live music from local bands, spoken word performances, and a multimedia experience, with a suggested $5 donation. Performers include Dr. James Hartley, Jonny Allen, Kentucky Dave Chandler, and Elephant's Eye Band, who will close the show with paintings circling the stage.

Exhibition | Paula Rego, 'Drawing from Life' at Galerie Lelong, 38 Avenue Matignon, Paris, France

Galerie Lelong in Paris is presenting 'Paula Rego, Drawing from Life,' an exhibition focused on the artist's intense three-year period from 2005 to 2007, during which she devoted herself almost exclusively to drawing and lithography in her London studio. The show features works inspired by literary sources such as 'Jane Eyre,' 'Peter Pan,' and the sixteenth-century tale 'The King of Pigs,' as well as her connection with playwright Martin McDonagh. Key pieces include 'Shakespeare’s Room,' 'Scarecrow,' and 'Turtle Hands.' The exhibition is made possible with the support of Nick Willing, the artist’s son, and Cristea Roberts Gallery in London.

The 10 Best Museum and Gallery Shows to See in the Bay Area This Summer

The article highlights ten notable museum and gallery exhibitions opening in the Bay Area during summer 2026, including Ranu Mukherjee's solo show 'The Long Middle' at Gallery Wendi Norris, a group survey 'Slice of the Pie' at Fraenkel Gallery featuring 14 Bay Area galleries, and 'Giant Steps' at Personal Space in Vallejo focusing on innovative ceramic works. Other featured shows include Will Yackulic's 'A Certain Slant of Light' at pt.2 in Oakland and several other exhibitions across San Francisco and Oakland.

Peterson Rich Office Designed The Met’s New Condé M. Nast Galleries and its Inaugural Costume Institute Exhibition

The Metropolitan Museum of Art has opened its new Condé M. Nast Galleries, a 12,000-square-foot exhibition space designed by Brooklyn-based architecture firm Peterson Rich Office (PRO). The galleries, which debuted with the Costume Institute's exhibition "Costume Art," transform a former interior courtyard and gift shop into five sequential rooms, including named spaces for Thom Browne, Michael Kors, and Lance LePere. PRO also designed the exhibition itself, which pairs 200 garments and accessories with 200 artworks from the Met's collection, creating a dialogue between fashion and fine art.

The National Gallery of Art’s Dear America Needs a Postscript

The National Gallery of Art in Washington, D.C. has opened "Dear America," an exhibition organized around the themes of "Land," "Community," and "Freedom" that attempts to survey the entire history of the United States through its collection. The show features works by artists including Mitch Epstein, Victoria Sambunaris, Sedrick E. Huckaby, and Nancy Andrews, with sections on the American landscape, industrialization, and diverse communities. However, the review notes that the exhibition feels overly literal, with American flags prominently featured and a sense of ticking off boxes rather than offering a challenging or intellectually rigorous presentation.

Sophie Calle’s ‘Overshare’ Exhibition Takes Visitors on a Journey Through the Intimate

Sophie Calle's retrospective exhibition 'Overshare' has opened at the UC Irvine Langson Orange County Museum of Art (OCMA) in January 2026, running through May 24. The show, which first debuted at the Walker Art Center in Minneapolis in October 2024, spans five decades of Calle's work, including photographs, text pieces, physical installations, and video works. It explores themes of intimacy, surveillance, and personal disclosure, featuring iconic pieces such as following strangers, inviting people to sleep in her bed, and documenting her mother's final moments.

Sheila Hicks’s Cosmic Art Jewelry Comes To The Venice Biennale

Artist Sheila Hicks is presenting a new collection of jewelry, titled "Cosmic Jewelry," at the Venice Biennale, developed with Elisabetta Cipriani Gallery, London. The collection debuted on May 6 at the Monaco & Grand Canal Hotel during the opening of the 61st International Art Exhibition of La Biennale di Venezia, alongside works by other artists such as Giorgio Vigna and Michele Oka Doner. Known for her monumental textile-based works, Hicks has translated her signature use of thread and fiber into wearable art, creating brooches and necklaces that incorporate gemstones and minerals, produced with Atelier L & L. The pieces draw from her larger-scale "Boules" and "memory bundles," reflecting a two-year process of rethinking proportion and movement for bodily adornment.

What you want from your body? Antony Gormley, iron and crawling

British sculptor Antony Gormley discusses his solo exhibition "What Holds Us" at Galleria Continua in San Gimignano, on view from 9 May to 13 September 2026. The show transforms the gallery's former cinema-theatre into an interactive environment where visitors are invited to crawl through massive cardboard bodies, exploring interior spaces and shifting from passive spectatorship to bodily engagement. Gormley explains that the title connects "hold" and "whole," suggesting that being held—by the ground, the womb, or the body—is essential for growth and wholeness.

May Things to Do: Visual Art

This article from a Seattle arts publication rounds up May visual art events, including the Seattle Art Book Fair (May 9–10) at Washington Hall featuring over 85 artists and free admission; Timothy White Eagle's exhibition "Once Wild River" (May 9–June 21) at Mini Mart City Park, culminating his EPA artist-in-residency; "Monochrome: Calder and Tara Donovan" (May 13–Jan 17, 2027) at the Seattle Art Museum, where Donovan responds to Alexander Calder's black works; "Rebels + Icons: The Photography of Janette Beckman" opening May 15 at MoPOP, the largest collection of her iconic musician portraits; and Drie Chapek's "Then Is Now" (May 21–June 27).

After the Afterparty: Berlin Art Tests Its Pulse during Gallery Weekend

Gallery Weekend Berlin took place from late April into early May, drawing large crowds despite ongoing concerns about the city's declining art-market relevance. The weekend kicked off with early previews on Wednesday, including Alex Heide's solo exhibition "the darkroom beams horizons" at the new space Klix, and continued with events at Sprüth Magers, the Between Bridges Foundation, and the hidden venue CHB Fine Arts, which featured works by Nairy Baghramian, Jack O'Brien, Sofia Duchovny, Ilya Lipkin, and Mania Godarzani-Bakhtiari. Friday, coinciding with May Day, saw gallery visits at Molitor and KOW, where Ketuta Alexi-Meskhishvili and Candice Breitz presented solo shows.

Pao Houa Her Captivates Midway Contemporary Art with New Exhibition Through May 2026

Hmong-American artist Pao Houa Her is currently presenting a solo exhibition at Midway Contemporary Art in Chicago, running through May 2, 2026. The show explores themes of displacement, identity, and cultural memory through Her's photographs and installations, which blend personal narrative with broader social commentary on the Hmong diaspora experience post-Vietnam War. Born in Laos and raised in Minnesota, Her's work challenges viewers to confront the complexities of migration and belonging, using staged portraits and intimate compositions to subvert expectations of representation.