The US Pavilion Is Taking Online Donations

The American Arts Conservancy (AAC), the nonprofit tasked with executing Alma Allen's 2026 US Pavilion at the Venice Biennale, is soliciting online donations from the public after receiving no corporate or foundation funding. Unlike previous pavilions backed by major foundations like Ford and Mellon, AAC's fundraising relies on private citizens, with a minimum $100 donation requested via its website. The State Department provided $375,000 but requires additional funding, and AAC's Executive Director Jenni Parido, a former pet food store owner, declined to name specific donors, though Instagram posts suggest wealthy Trump allies attended benefit events. Perrotin Gallery, which represents Allen, is providing operational support but not funding.

Miniature Model and Giant Buddha

This Hyperallergic newsletter covers multiple New York art stories: Joe Macken's 50-foot hand-built wood replica of New York City now on long-term view at the Museum of the City of New York, Tuan Andrew Nguyen's towering Buddha sculpture on the High Line referencing the destroyed Bamiyan Buddhas, and the MoMA PS1 survey "Greater New York." It also reports on CONDUCTOR, New York's first art fair committed to the global majority, a new experimental artist-run space called The Gallery in Brooklyn, and reviews of Mark Milroy at JJ Murphy and Kim Gordon at Amant.

Remembering Desmond Morris, James Hayward, and Flo Oy Wong

This week's obituaries mark the passing of several significant figures in the visual arts. They include British surrealist painter and zoologist Desmond Morris, known for his 'biomorph' paintings and experiments with chimpanzee art; West Coast monochrome abstractionist James Hayward, who developed a cult following for his thickly painted canvases; and Chinese American artist Flo Oy Wong, a foundational storyteller of Oakland's Chinatown and the Asian American experience. Also remembered are assemblage artist Aldwyth, Ethiopian painter and educator Behailu Bezabih, Anglo-Irish conservator and designer Alec Cobbe, Bangladeshi art director Tarun Ghosh, and New Mexico painter Michael Hurd.

Joan Semmel Kicks Ass at 93

A profile of 93-year-old artist Joan Semmel reveals her continued artistic vigor and rising market demand. The article details her recent studio visit, her philosophy of persistence, and her significant body of work focused on the female form.

Joan Semmel Is Doing Her Best Work at 93

Nonagenarian painter Joan Semmel is experiencing a significant career renaissance, marked by a major survey exhibition at the Jewish Museum and a concurrent solo show at Alexander Gray Associates. At 93, Semmel continues to work from her Soho studio, where she has lived for over fifty years, producing unflinching figurative paintings that explore the female body, aging, and the gaze. The article traces her trajectory from her early education at Cooper Union and a formative period in Madrid to her pivotal role in feminist art history.

Art Movements: Dozens Laid Off at Artnet and Artsy

Digital art giants Artnet and Artsy have implemented significant layoffs following their recent merger under the investment firm Beowolff Capital. The cuts, which occurred on April 16, impacted dozens of employees across both organizations, including senior editorial staff such as Sarah Cascone and Eileen Kinsella. The restructuring follows a reported 12% revenue decline for Artnet in early 2025 and involves the shutdown of Artnet's German entity as the two companies consolidate into a single team led by CEO Jeffrey Yin.

The Nearly Sixty-Year Career of Legendary Gallerist Enzo Cannaviello: A Wide-Ranging Interview

I quasi sessant’anni di carriera del leggendario gallerista Enzo Cannaviello. Intervista a tutto campo

Legendary Italian gallerist Enzo Cannaviello reflects on a career spanning nearly sixty years, marked by the opening of his ninth gallery space in Milan. The interview traces his journey from founding his first space in Caserta in 1968 to his influential years in Rome and his ultimate establishment in Milan, which he considers the only true art market in Italy. Cannaviello discusses his unwavering commitment to painting, his pivotal role in promoting the German Neo-Expressionists (Neue Wilde), and the current exhibition dedicated to Mimmo Rotella.

Celeste Dupuy-Spencer, Artist Who Confronted Injustice, Dies at 46

Acclaimed painter Celeste Dupuy-Spencer has passed away at the age of 46 in Los Angeles, just days before a scheduled solo exhibition at Jeffrey Deitch’s gallery. Known for her visceral and politically charged figurative works, Dupuy-Spencer gained national recognition for her contributions to the 2017 Whitney Biennial and the 2018 Made in LA biennial. Her practice often deconstructed American mythologies, the rise of domestic fascism, and global human rights issues, including a high-profile stance against the conflict in Gaza.

Guggenheim Museum Gets a New Director

The Solomon R. Guggenheim Museum has appointed Melissa Chiu as its next director, succeeding Richard Armstrong. Chiu joins the New York flagship institution after a twelve-year tenure at the Smithsonian’s Hirshhorn Museum and Sculpture Garden in Washington, D.C., and is expected to assume her new role this coming September.

Kamrooz Aram Breaks Down the Grid

Kamrooz Aram is the subject of multiple major exhibitions in early 2026, including a solo show at Alexander Gray Associates in New York, a presentation at Nature Morte in Mumbai for Mumbai Art Week, and a significant inclusion in the 2026 Whitney Biennial. The artist, known for his work with the grid, uses painting to explore the connections between Western modernist abstraction and non-Western decorative traditions, particularly from Western Asia.

What Makes a Good Protest Sign?

The article's main feature is a guide on creating effective protest signs for the upcoming No Kings protest, compiled by comic artist Steven Weinberg with input from artists, writers, and curators including Hyperallergic's Editor-at-Large Hrag Vartanian. It offers practical advice for crafting visually and rhetorically powerful signs that challenge authority.

Despite Uncertainty, Gulf Art World Projects Normalcy

Galleries and museums in Gulf states like the UAE, Qatar, and Saudi Arabia are reopening and projecting normalcy despite the ongoing US-Israel war on Iran, which has entered its fourth week. Major events like Art Dubai have been postponed, and institutions like the Sharjah Art Foundation have delayed gatherings, but many cultural venues are operating with adjusted formats or by appointment.

10 Exhibitions to See in Chicago This Spring

A guide highlights ten notable art exhibitions opening in Chicago this spring, focusing on shows at smaller, community-focused, and artist-run spaces like Good Weather, Hyde Park Art Center, and the Ukrainian Institute of Modern Art. Featured exhibitions include Hunter Foster's "Involition," which repurposes a Cold War siren to comment on infrastructure and threat, and Alison Ruttan's ceramic installation "The Paradox of Inaction," which visualizes climate disaster.

Zarina Brought the World to New York

The article reviews the exhibition "Beyond the Stars" at Luhring Augustine Gallery, showcasing the work of artist Zarina Hashmi (known as Zarina). It highlights her spare, post-minimalist prints and sculptures that explore themes of mapping, home, and migration, rooted in her peripatetic life from pre-Partition India to New York. The show features 32 works that demonstrate her unique visual language, embedded in Urdu, South Asian histories, and mysticisms.

The Palaces of Memory

The Palaces of Memory

The article reports that Israeli and US airstrikes on Isfahan, Iran, damaged several centuries-old palaces and cultural buildings. It draws a parallel to the destruction of cultural heritage in Gaza, suggesting this may be a targeted strategy to erase cultural identity and history, which are seen as threats to occupying forces.

Embracing Friction in the Art World

A small non-commercial gallery in Brooklyn, Subtitled NYC, is hosting an exhibition by artists Pap Souleye Fall and Char Jeré that intentionally embraces "friction"—the slow, bumpy, and human experience—as a rejection of optimization culture in the art world. In other news, the Pentagon has reportedly banned press photographers after Defense Secretary Pete Hegseth complained about unflattering images, and over 200 artists, including Brian Eno, have petitioned the British Museum to stop altering texts related to Palestine.

The New New Museum

The New Museum in Manhattan reopens to the public after a two-year closure, marked by a major expansion and a new building. Its inaugural exhibition explores themes of humanity amid technological change, though the architectural redesign has drawn some criticism from New Yorkers for its perceived corporate and hostile aesthetic.

10 Ausstellungen, die Sie zum Gallery Weekend nicht verpassen sollten

The article highlights ten must-see exhibitions during Berlin's Gallery Weekend, curated by the editorial team of Monopol magazine. Featured shows include Jiyoon Chung's installation "Dead End" at Anton Janizewski, which explores perception and anxiety through subtle triggers; Giorgio Griffa's retrospective at Walter Storms Galerie, showcasing his poetic abstract paintings on un-stretched linen; Walid Raad's "Like a Rubber Rung on a Ladder" at Galerie Thomas Schulte, referencing the Lebanese Civil War with a crashed VW Beetle and graffiti; and Thomas Demand's exhibition at Sprüth Magers, where his photographs printed on copper plates reflect on current events like the Gaza war and climate change.

10 exhibitions you can still see after Berlin's Gallery Weekend

10 Ausstellungen, die Sie auch nach dem Gallery Weekend in Berlin sehen können

The Monopol editorial team highlights ten standout exhibitions from Berlin's Gallery Weekend, including Jiyoon Chung's installation "Dead End" at Anton Janizewski, which uses subtle triggers to explore perception and anxiety; Giorgio Griffa's retrospective at Walter Storms Galerie, featuring his poetic abstract paintings on raw linen; Walid Raad's narrative-driven show at Galerie Thomas Schulte, referencing the Lebanese civil war with a crashed VW Beetle and bomb graffiti; and Thomas Demand's new works at Sprüth Magers, printed on copper plates to create a shimmering aura. The article provides a curated tour of these shows, many of which remain open after the weekend.

Eyecatchers and Discoveries

Eyecatcher und Entdeckungen

The 42nd edition of Art Brussels has scaled down to 138 exhibitors from 165 in 2025, responding to a sluggish contemporary art market and economic uncertainty. The fair introduces a new section called 'Horizonte,' curated by Devrim Bayar of Kanal Centre Pompidou, featuring six large-scale installations including Pao Hui Kao's delicate paper-and-lacquer refuge and Oswald Oberhuber's €380,000 panoramic painting 'Paradiesgarten.' Galleries are now consolidated into one hall, with fewer blue-chip participants but a continued focus on living artists (95% of the 500 shown). Notable presentations include Xavier Hufkens' solo show of Cassi Namoda, Krinziger's works by Marina Abramović and Monica Bonvicini, and Richard Saltoun's historical mix of Fernand Khnopff, Everlyn Nicodemus, and Suzanne Van Damme.

The North Can Do More Than Design

Der Norden kann mehr als Design

During Stockholm Art Week, the Swedish capital showcases itself as a leading Nordic art destination. Highlights include textile sculptures by Diana Orving at Millesgården Museum, two concurrent art fairs—the independent Supermarket and the 20th edition of Market Art Fair—and numerous gallery exhibitions, artist talks, and studio visits. The Market Art Fair features 54 booths and over 150 artists, with a focus on Nordic positions, including works by Ólafur Elíasson and the duo Inka & Niclas. The city's art scene is growing, with many new galleries opening and strong private institutions like Bonniers Konsthall and Fotografiska participating.

Art as Experimental Setup

Kunst als Versuchsanordnung

The influential Berlin-based artist and professor Thomas Zipp has passed away unexpectedly. Known for his immersive installations that blurred the lines between art, science, and madness, Zipp created complex "experimental setups" involving painting, sculpture, and performance. His work often explored dark parallel worlds, notably evidenced in his haunting 2013 Venice Biennale project that transformed a palazzo into a derelict psychiatric ward.

Heir of Goya and Abstract Expressionism, the painting of Roger-Edgar Gillet finally rediscovered in an unprecedented retrospective

Héritière de Goya et de l’expressionnisme abstrait, la peinture de Roger-Edgar Gillet enfin redécouverte dans une rétrospective inédite

A major retrospective at the Musée Estrine in Saint-Rémy-de-Provence finally brings long-overdue recognition to French painter Roger-Edgar Gillet (1924–2004), an artist who emerged from the post-war abstraction scene of the Nouvelle École de Paris but later forged a singular figurative style blending Goya, Delacroix, and Northern grotesque traditions. The exhibition follows two important donations—to the Centre Pompidou in 2017 and the Musée des Beaux-Arts de Rennes in 2022—that helped revive institutional interest in Gillet, whose work had been marginalized since the 1960s.

At the Centre Pompidou-Metz, 100 Works to Understand the Double Face of François Morellet

Au Centre Pompidou-Metz, 100 œuvres pour comprendre le double visage de François Morellet

The Centre Pompidou-Metz presents a centenary retrospective of French artist François Morellet (1926–2016), featuring 100 works that explore the dual nature of his practice. Curator Michel Gauthier has divided the exhibition into two mirrored halves—one dedicated to reason and geometric rigor ("the Mondrian side"), the other to disorder and irrationality ("the Picabia side")—reflecting Morellet's own description of himself as the "monstrous son of Mondrian and Picabia." The show traces his evolution from early figurative works and self-taught experiments to his embrace of concrete art, Islamic decorative systems, and systematic absurdity.

5 free exhibitions to enjoy without cost during the May long weekends

5 expositions gratuites pour profiter sans frais des ponts du mois de mai

Beaux Arts Magazine highlights five free exhibitions to enjoy during the long weekends of May 2026 in France. The selections include "Diseuses de silence" at Espace Monte-Cristo in Paris, featuring 21 female sculptors such as Prune Nourry and Niki de Saint Phalle; a retrospective of Ernest Pignon-Ernest at Musée Ziem in Martigues; and the first French retrospective of Peruvian photographer Javier Silva Meinel at Maison de l'Amérique latine in Paris. Other venues mentioned are the Musée Ziem and the Magasins Généraux in Pantin, offering diverse contemporary art experiences without admission fees.

From Agnès Varda to Giuseppe Penone, the strange passion of artists for potatoes deciphered in Aubenas

D’Agnès Varda à Giuseppe Penone, l’étrange passion des artistes pour les patates décryptée à Aubenas

The article explores the exhibition "Des patates" at Le Château – Centre d'Art Contemporain et du Patrimoine in Aubenas, France, which celebrates the humble potato as an artistic subject. It highlights how filmmaker and visual artist Agnès Varda turned potatoes into art with her 2003 Venice Biennale project "Patatutopia," dressing as a potato and scattering 700 kilos of tubers, inspired by her documentary *Les Glaneurs et la glaneuse*. The show also features works by Giuseppe Penone, Michel Blazy, Valérie Geissbühler Pacheco, and Lucas Chanoine, all using potatoes to explore themes of consumption, waste, colonialism, and the cycle of life.

Art Paris 2026: 10 Booths for Great Discoveries

Art Paris 2026 : 10 stands pour faire de belles découvertes

The 28th edition of Art Paris has opened at the Grand Palais, marked by a vibrant and optimistic atmosphere. The fair features a diverse array of works ranging from Fabrice Hyber’s monumental inflatable bears at the entrance to a curated selection of contemporary ceramics, textiles, and innovative paintings. A central highlight is the "Reparation" thematic itinerary curated by Alexia Fabre, which connects various artists through the concept of healing and transformation.

At the Grand Palais, the Art Paris 2026 Fair is Rich with Great Promise

Au Grand Palais, la foire Art Paris 2026 riche de belles promesses

The Art Paris 2026 fair is set to return to the Grand Palais, solidifying its reputation as a vibrant, French-focused alternative to the more elite Art Basel Paris. Under the long-term leadership of artistic director Guillaume Piens, the edition will feature 165 exhibitors, with a deliberate 60% representation of French galleries. The fair's structure includes the "Promesses" sector for emerging galleries curated by Marc Donnadieu, alongside two major thematic paths: "Babel – Art and Language in France" curated by Loïc Le Gall, and "Reparation" curated by Alexia Fabre.

With her monumental frescoes and trompe-l'œil, Lucy McKenzie offers a "critical archaeology" of modernity

Avec ses fresques monumentales et ses trompe-l’œil, Lucy McKenzie offre une “archéologie critique” de la modernité

Scottish artist Lucy McKenzie has opened a major solo exhibition titled "Plastic Newspaper" at the Crac Occitanie in Sète, France. This is her first large-scale personal exhibition in the country. The show features monumental frescoes, trompe-l'œil, and immersive installations, including a full-scale fake sports shop facade created with her fashion label Atelier E.B. It represents the third stage of a cycle exploring the origins of mass media, examining 19th-century entertainment devices like panoramas and dioramas.

Georg Baselitz (1938-2026)

Georg Baselitz, born Hans-Georg Kern in 1938, has died at age 88. The German painter and sculptor, who changed his name in 1961, built a career on aesthetic dissent. Expelled from art school in East Berlin, he first gained notoriety with a 1963 exhibition at Galerie Werner and Katz in Berlin, where two works were seized for obscenity. His signature gesture—inverting his images, beginning with "Der Wald auf dem Kopf" in 1969—became his most recognizable trademark, shifting focus from subject to the act of painting itself. Baselitz also produced significant sculptures, often carved with a chainsaw and axe, and his work was the subject of major retrospectives at the Centre Pompidou (2021-2022) and the Musée d'Art Moderne de Paris (2011-2012).