Alexander Morrison, a prominent figure in the art world, has passed away. The article, published by The Art Newspaper, reports on his death and likely includes tributes to his contributions, though the provided text is limited to subscription prompts and footer information, lacking full details on his life and career.
Dublin Gallery Weekend will take place from November 6th to November 9th, 2025, transforming the city into a "city-wide canvas" with over 40 galleries, cultural centres, and artist studios participating. Organized by the Contemporary Art Gallery Association (CAGA), the event features more than 60 free activities including gallery brunches, curated art trails, and late-night socials. Highlights include the National Gallery's Picasso: From the Studio exhibition, the Irish Museum of Modern Art's Reverse Migration, a Poetic Journey by Cecilia Vicuña, the Douglas Hyde Gallery's installation by Atsushi Kaga, and Kerlin Gallery's exhibition of Isabel Nolan's paintings.
The article highlights nine must-see art exhibitions in the Bay Area for October, despite recent gallery closures like KADIST and Gallery 16. Key shows include the Museum of the African Diaspora's twin exhibitions 'Continuum' and 'Unbound' for its 20th anniversary, Drew Villanueva's first solo exhibition at Good Mother Studio inside Ikea, Jim Melchert's retrospective at di Rosa Center for Contemporary Art, and Mills College Art Museum's '100 Years of Creative Visions'. The programming is anchored by the second edition of Nexus, a Bay Area art week spotlighting Black voices and bridging regional divides.
The Théâtre des Champs-Elysées opened its fall season with *Josephine*, a ballet by Germaine Acogny based on the life of Josephine Baker, tracing her 1925 Paris debut, activism in the French Resistance, and civil rights advocacy. Costumes by Chanel's specialty atelier Paloma feature in the solo performance, which is paired with Pina Bausch's *The Rite of Spring*. In other news, London's National Gallery announced a new wing under its Project Domani initiative, funded by $502 million in private donations including record pledges from the families of Michael Moritz and Julia Rausing, set to open in the early 2030s. Phillips will auction a juvenile triceratops skeleton nicknamed "Cera" in its November modern and contemporary art sale, with a presale estimate of $2.5–3.5 million. Kelly Reichardt's art heist film *The Mastermind* will screen at the New York Film Festival, and Thomas Heatherwick discussed his role as general director of the Seoul Architecture Biennale.
Artnet News spotlights five trailblazing performance artists defining 2025, including Geumhyung Jeong, whose work "Toys, Selected" (2025) at Canal Projects in New York explores the uncanny relationship between humans and robots through intimate, choreographed interactions with machine parts she built herself. Jeong, who studied acting, dance, and film animation in South Korea, has performed at Kunsthalle Basel, the 2022 Venice Biennale, and London's ICA, and is currently unrepresented by a gallery. The article also profiles Maja Malou Lyse, who was tapped to represent her country at the Venice Biennale.
Artists Jennifer Packer and Marie Watt have been named winners of this year's Heinz Awards for the Arts, receiving an unrestricted cash prize of $250,000 each. The awards, now in their 30th edition, are bestowed by the Pittsburgh-based Heinz Family Foundation and honor individuals in the arts, economy, and environment. Packer, a painter known for boldly colorful figurative works, and Watt, whose practice spans steel sculpture and textiles rooted in Indigenous traditions, will be honored at a ceremony in Pittsburgh next month.
The Portland Press Herald highlights 11 art exhibitions across Maine for fall, including shows at Bates College Museum of Art, Bowdoin College Museum of Art, Center for Maine Contemporary Art, and Colby Museum of Art. Featured exhibitions include "Shelburne Thurber: Full Circle" and "Precision and Expression: American Studio Ceramics from the E. John Bullard Collection" at Bates; "Gordon Parks: Herklas Brown and Maine, 1944" and "Medieval Art from the Wyvern Collection" at Bowdoin; the CMCA 2025 Biennial with 29 selected artists; and "Gertrude Abercombie: The Whole World Is a Mystery" and "Is anything the matter? Drawings by Laylah Ali" at Colby.
Danielle McKinney's first solo museum exhibition in the United States, 'Danielle McKinney: Tell Me More,' has opened at the Rose Art Museum at Brandeis University in Waltham, Massachusetts. The show features 13 intimately scaled paintings created between 2021 and 2025, depicting Black women in dimly lit domestic interiors—lounging, reading, or smoking—often nude or in robes, with saturated colors and cinematic compositions. McKinney, born in Montgomery, Alabama, and based in Jersey City, began her career as a photographer and earned an MFA from Parsons School of Design before turning to painting in 2020 during the pandemic. The exhibition is curated by Gannit Ankori, the museum's director and chief curator, and runs from August 20, 2025, to January 4, 2026.
This article is a guide to 20 fall art excursions outside New York City, highlighting exhibitions in Upstate New York, Connecticut, Massachusetts, and Rhode Island. Featured shows include the 'Trees Never End and Houses Never End Biennial Exhibition' at Sky High Farm in Germantown, Nancy Friedemann-Sánchez's 'Dream Map and Cornucopia' at the Everson Museum of Art in Syracuse, and 'All Manner of Experiments: Legacies of the Baghdad Modern Art Group' at the Hessel Museum of Art at Bard College. Other notable stops include Jeffrey Gibson's exhibition at MASS MoCA, Kiyan Williams's installations at Art Omi, and 'Human Marks: Tattooing in Contemporary Art' at the Joseloff Gallery in Connecticut.
The Courtauld Gallery in London has announced its 2026 programme, headlined by Pakistani-born, New York-based painter Salman Toor's first solo exhibition in Europe. Titled "Someone Like You," the show will feature around 20 of Toor's emblematic canvases, including "The Bar on East 13th" (2019), which directly references Édouard Manet's "A Bar at the Folies-Bergère" (1882) from the Courtauld's collection. The exhibition will also include a selection of Toor's works on paper, such as "Fag Puddle in Vitrine" (2021), recently acquired by the museum. Toor's profile has risen sharply over the past five years as his intimate paintings of queer, South Asian men have resonated with institutions and the art market.
Dame Tracey Emin will present a major retrospective titled 'Tracey Emin: A Second Life' at Tate Modern in London, running from February to August 2026. The exhibition spans 40 years of her career, featuring iconic works like the Turner Prize-nominated 'My Bed' alongside never-before-exhibited pieces across painting, video, textiles, neons, writing, sculpture, and installation. Emin, who rose to prominence in the 1990s, has recently been appointed Dame Commander of the British Empire and continues to invest in artist spaces in Margate.
The article highlights Yoko Ono's major retrospective "Yoko Ono: Music of the Mind" at the Museum of Contemporary Art Chicago, running from Oct. 18 to Feb. 22, 2026, as the centerpiece of Chicago's fall art calendar. It also lists ten other notable exhibitions, including Aaron Curry's debut solo show at Corbett vs. Dempsey and "Tengo Lincoln Park en mi corazón: Young Lords in Chicago" at DePaul Art Museum, alongside a preview of "Tiffany Lamps: Beyond the Shade" at the Driehaus Museum.
The Studio Museum in Harlem announced it will reopen on November 15, 2025, after being closed since 2018 for construction of its new building on 125th Street. The museum shared details about opening celebrations, community day, suggested admission prices, and hours. In other August 2025 news, Brazilian artist Ana Cláudia Almeida joined Stephen Friedman Gallery (London/New York) alongside Quadra and Fortes D’Aloia & Gabriel; Ekow Eshun was named curator of British Art Show 10, opening in September 2026 across five UK cities; and Vanity Fair previewed the new Studio Museum building in its September issue, featuring interviews with Director Thelma Golden and artists Karon Davis and Tshabalala Self.
David Kordansky Gallery presents "Weather Report," an exhibition of new paintings by Shara Hughes, opening September 4 through October 18, 2025, at its 520 W. 20th St. location in New York. This marks the artist's first solo show in New York in six years, featuring works such as "Rift" (2025), "Bigger Person" (2024), "Find My Way" (2025), "Niagara" (2024), "Only Slightly Rare" (2025), "The Good Light" (2025), "Pearly Gates" (2025), "Gossip" (2025), and "MaMa" (2025), all created in oil, acrylic, and dye on canvas or linen.
Kiaf SEOUL's 2025 edition will feature over 125 Korean galleries alongside participants from more than 20 countries, reaffirming its role as a leading platform for global engagement with Korea's art scene. The fair highlights works by celebrated Korean modernists such as Seo-Bo Park and Whanki Kim, while also spotlighting emerging Korean artists. Major galleries like Kukje Gallery present internationally acclaimed artists including Anish Kapoor, Ugo Rondinone, and Ha Chong-Hyun, while the Kiaf PLUS section focuses on material experimentation and cross-cultural exchange from emerging voices. The fair also includes the third edition of the Kiaf HIGHLIGHTS Award, themed "Resonance," and a special exhibition "Reverse Cabinet" commemorating the 60th anniversary of diplomatic relations between Korea and Japan.
Frieze has announced the opening of Frieze House Seoul, a new permanent exhibition space in the Yaksu-dong neighborhood of the Korean capital. The venue, housed in a renovated 1988 building designed by Samuso Hyoja, spans over 2,260 square feet across four floors and includes a landscaped garden with a permanent site-specific installation by SANAA. Its inaugural exhibition, "UnHouse," curated by Jaeseok Kim, features queer and emerging artists such as Anne Imhof, Catherine Opie, and Joeun Kim Aatchim, exploring themes of home, identity, and power. The space will host year-round programming, including gallery residencies and special projects, building on the model of Frieze's No 9 Cork Street in London.
The University of Michigan Museum of Art presents 'Both Sides of the Line: Carmen Herrera & Leon Polk Smith' from 30 August 2025 to 4 January 2026. The exhibition features over 45 works—including paintings, works on paper, and three-dimensional objects—that explore the creative dialogue between the two geometric abstraction pioneers, who were neighbors and friends. It is the first time their work has been shown together at this scale, highlighting Herrera's crisp lines and bold colors alongside Smith's sweeping curves and expansive forms.
The Art Gallery at the University of Hawaiʻi at Mānoa presents "Interisland: New Paintings from New York & Hawaiʻi," a survey exhibition running from August 31 to December 7, 2025. Featuring approximately 40 painters from New York City and Hawaiʻi, the show explores commonalities and differences in contemporary painting across these geographically distant regions. Curated by Liam Davis, Jan Dickey, and Debra Drexler, the exhibition marks the ten-year anniversary of "New New York: Abstract Painting in the 21st Century" and includes a spectrum of representational and nonrepresentational works from artists such as Cody Anderson, Kiko Bordeos, and Clare Grill.
Washington and Lee University's Art Museum and Galleries announced its Fall 2025 programs under the theme "Materiality & Transformation," featuring two concurrent exhibitions: "Taking Place," a solo show of large-format aerial photographs by Canadian artist Edward Burtynsky, and "Recoded Memories," an immersive installation by Zimbabwean artist Moffat Takadiwa that repurposes discarded materials like computer keys and VHS tapes. Burtynsky's exhibition runs from September 3, 2025, to April 18, 2026, at the Reeves Museum of Ceramics, with a keynote lecture on September 11; Takadiwa's installation is on view from October 24, 2025, to May 31, 2026, at the Watson Galleries, with an artist talk on October 23.
Global auction sales for design, decorative arts, and furniture surged 20.4 percent to $172 million in the first half of 2025, according to ArtTactic, while other art market segments declined. Sotheby’s design sales in New York and Paris reached $75 million combined, among the highest totals ever for the category, with Christie’s and Phillips also posting strong results. Record prices were set for works by Tiffany Studios, including the Danner Memorial Window ($12.4 million) and a Frank Lloyd Wright lamp ($7.5 million), fueled by new and younger buyers and institutional acquisitions.
The Pérez Art Museum Miami (PAMM) is presenting "Language and Image: Conceptual and Performance-Based Photography from the Jorge M. Pérez Collection," an exhibition curated by Fabiana Sotillo that traces the evolution of photography as a fine art form. Featuring works by artists including Thomas Struth, Marina Abramović, Zanele Muholi, Wolfgang Tillmans, Isaac Julien, and María Teresa Hincapié, the show explores photography’s shift from documentary tool to conceptual medium, with a focus on performance art and the camera’s ability to preserve ephemeral moments. The exhibition also draws parallels between historic photographic innovation and contemporary developments like artificial intelligence.
Japanese-born artist Etsu Egami, known for large-scale abstract paintings exploring language and communication barriers, has been chosen to inaugurate Korea's new OAR Contemporary Museum in Gyeongju with a solo exhibition titled "Egami Etsu: Echoes of the Earth." The show, running until September 21, features site-specific works inspired by the city's ancient tombs and the museum's architecture. Egami, who was raised across Washington, DC, Paris, and Japan and studied in Germany, Beijing, and New York, has previously exhibited at the Guggenheim in New York, Grand Palais in Paris, and Mori Art Museum. She first showed in South Korea in 2022 at Tang Contemporary in Seoul, and her work has gained recognition among Korean curators and collectors.
The Drawing Center in New York is presenting 'In the Medium of Life: The Drawings of Beauford Delaney,' a major survey of the artist's works on paper spanning four decades, from 1929 to 1971. Featuring approximately 90 drawings in charcoal, ink, pastel, watercolor, and gouache, alongside a few paintings and archival materials, the exhibition highlights Delaney's evolution from Harlem Renaissance portraiture to Parisian abstraction. It includes early works like 'Harlem Athlete' (1929) and portraits of figures such as James Baldwin, as well as self-portraits and untitled abstractions.
This article is a roundup of current and upcoming art exhibitions and events in the Boulder County area, featuring a wide range of venues from commercial galleries to nonprofit spaces and museums. Highlights include the Boulder Museum of Contemporary Art's immersive exhibition 'Divine Rest Nests,' the Dairy Arts Center's 'Matter Over Mind' exploring art-science intersections, and the CU Art Museum's new exhibit on time as a notion. The piece lists dozens of shows, including works by local artists like Lonny Granston, Liz Quan, and Melissa Stuart, as well as community-focused displays at libraries and cultural centers.
Nanette Carter, an abstract artist working since the 1970s, will present her solo exhibition *Nanette Carter: Afro Sentinels* at the Wexner Center for the Arts in Columbus, Ohio, opening August 22. The show includes a new three-dimensional metal commission, marking her first move off the wall, alongside collages, paintings, and sculptures that explore themes of balance, Black subjectivity, and political turmoil. Carter, born in Columbus in 1956, studied at Oberlin College and the Pratt Institute, where she taught for 20 years, and her work draws on jazz, Russian Constructivism, and her father's civil rights legacy.
August 2025 brings a vibrant lineup of art exhibitions across India, from Chennai to New Delhi and Mumbai. Highlights include Akhil Anand's solo debut "Morphogenesis" at ArtSpace by KalpaDruma in Chennai, blending mathematics, mythology, and nature; the group show "The Personal is Mythical" at LATITUDE 28 in New Delhi, curated by Bhavna Kakar and featuring Bhajju Shyam, Neha Sahai, and Viraj Khanna; the all-women showcase "Objects May Appear Softer" at Black Cube Gallery; antique map and print sales at Nilaya Anthology's Gallery 2; and the Mumbai debut of London's Evoke and Bangalore's Kaash, hosted by Srila Chatterjee.
The article, written by Chenoa Baker, critiques the art world's labeling system that categorizes artists as emerging, mid-career, or established. It argues that these labels are particularly harmful to Black artists, who are often kept in the "emerging" category for years despite significant achievements, collections, and decades of practice. The piece highlights the cases of Cheryl Miller, a self-taught analog photographer whose work is held by major institutions yet who had to "re-emerge" after relocating, and Ifé Franklin, a queer Black artist whose career was sidelined by systemic erasure and who is now being honored as an "elder" artist. The article connects these labels to ageism, lack of access to elite schools and galleries, and the undervaluing of self-taught artists and those working outside traditional art centers.
A regional guide profiles 35 art centers across New York's Hudson Valley, highlighting destinations such as the Albany Institute of History & Art, Dia Beacon, Olana State Historic Site, and Art Omi Sculpture & Architecture Park. The article provides practical visitor information for each venue, covering museums, galleries, and historic artist estates in Albany, Columbia, and Dutchess counties.
The June 2025 edition of Culture Type's 'The Month in Black Art' roundup reports multiple developments: the Detroit Institute of Arts acquired Tiff Massey's installation 'Baby Bling' (2023) for its reimagined Modern and Contemporary galleries opening in 2026; Aperture magazine released a summer issue guest-edited by Tanisha C. Ford focusing on Black style and fashion; Different Leaf, a cannabis culture journal, relaunched with guest editors Nick Cave and Bob Faust; and Sean Kelly Gallery announced representation of artist Lindsay Adams in collaboration with PATRON Gallery. The article also notes updates on the Studio Museum in Harlem, a shakeup at the Afro Brazil Museum, new Art Basel Awards, and Suzanne Jackson's exhibition at SFMOMA.
The article explores the trend of commercial art galleries expanding into rural locations, using Hauser & Wirth Somerset in Bruton, the New Art Centre at Roche Court, Messums West in Tisbury, and Thirsk Hall in North Yorkshire as key examples. These galleries have transformed former farms, historic barns, and country estates into exhibition spaces that combine contemporary art with pastoral settings, attracting significant visitor numbers and fostering local engagement.