The APEX Museum in Atlanta, a Black history institution founded in 1978, reported discovering a "noose-like rope" in a tree on its premises. The museum's president and CEO, Dan Moore Jr., shared the news in an Instagram post, noting that Homeland Security determined the object was not a noose but that it was removed for evidence. Atlanta police are investigating the incident, which occurred on Wednesday.
A court in Argentina has placed Patricia Kadgien and her husband Juan Carlos Cortegoso under house arrest as police search for a Nazi-looted painting by Giuseppe Ghislandi. The work, which once belonged to Jewish dealer Jacques Goudstikker, was spotted in a real estate listing for their house in Mar del Plata by the Dutch newspaper Algemeen Dagblad. The listing has been deleted, and police failed to find the painting during a raid, but prosecutors are also investigating two other works held by another of Kadgien's daughters.
The Mütter Museum in Philadelphia, a medical history institution that has faced controversy over its handling of human remains, announced a new policy on August 19 for exhibiting its collection. The policy shifts focus toward the lives of patients and changes in medical history, developed through the two-year Postmortem Project involving focus groups and public meetings. The announcement follows backlash after former executive director Kate Quinn removed online exhibits in June 2023 as part of an ethical review, and subsequent staff departures.
Archaeologists at the Villa Romana del Casale in Sicily have uncovered a mosaic in the frigidarium (cold bath) of the southern baths featuring a pair of flip-flops and the inscription "Treptona bibas," likely referencing a woman involved in managing the complex. The discovery was made during the University of Bologna's Summer School ArchLABS program, which trains students from 11 countries in modern excavation techniques. The flip-flop motif, known from other Late Roman bath decorations across Spain, Cyprus, Jordan, and Asia Minor, signals the aristocratic and cosmopolitan character of the baths.
A new report from First Thursday, a London-based sales intelligence company, reveals widespread frustration among gallerists over the rising costs and high risks of participating in art fairs. Surveying 56 commercial galleries across Europe, Asia, Africa, and North America, the inaugural Art Fair Report found that nearly half of galleries spent over £30,000 ($40,000) per fair, with 24% spending between £50,000 and £100,000. High participation costs were cited by 83% of respondents as the biggest challenge, followed by sales uncertainty (77%). As a result, 31% plan to attend fewer fairs, shifting investment to digital platforms and marketing.
Art appraiser Winston Art Group and art-tech firm Artory have merged to form the Winston Artory Group (WAG), a new company offering art appraisal, advisory, and digital collection management services. The merger is backed by a strategic investment led by Strobe Ventures, with support from CMT Digital, Galaxy Digital, and the family office of Eijk van Otterloo. WAG combines Winston's valuation expertise with Artory's blockchain-backed technology and a database of over 50 million art market transactions, aiming to provide secure, data-rich valuations to insurers, banks, family offices, and collectors. The firm expects to handle $15 billion in valuations this year.
Agents from the Department of Homeland Security (DHS) arrived at the National Museum of Puerto Rican Arts & Culture in Chicago on Tuesday, with at least 15 DHS vehicles occupying the museum's parking lot for nearly two hours. Museum staff reported that an agent entered the building under the pretense of using the bathroom but instead looked around and refused to leave when asked. Museum president Billy Ocasio described the incident as intimidating, comparing it to "Gestapo-style" tactics, and staff expressed fear. DHS later denied targeting the museum, stating the vehicles were staging for a narcotics investigation, but museum officials and local Representative Delia Ramirez criticized the lack of identification and the intimidating show of force.
Silke Thomas, co-manager of Munich-based Galerie Thomas, has been in custody since mid-December as part of a criminal investigation into the gallery's bankruptcy filing last summer. Munich prosecutors are investigating her and her father, founder Raimund Thomas, on suspicion of delaying insolvency, fraud, and breach of trust, with outstanding debts estimated at over $10 million. Raimund Thomas's whereabouts are unknown, and the gallery's absence from Art Basel in June 2024 hinted at financial trouble before the bankruptcy filing.
French archaeologists have discovered the wreck of a 16th-century merchant vessel, named Camarat 4, 1.6 miles below the Mediterranean Sea—the deepest shipwreck ever found in French waters. The French Navy first detected the site via sonar during a routine mission off the coast near Saint Tropez, then deployed an underwater drone that captured images of hundreds of ceramic pots. The Department of Underwater and Submarine Archaeological Research (DRASSM) confirmed the 98-foot-long ship sank nearly 500 years ago, carrying cargo including polychrome earthenware pitchers and plates traced to Liguria, Italy, along with cannons and iron bars.
A 30-year-old Chinese tourist damaged two ancient terracotta warriors at the Mausoleum of Qin Shi Huang in Xi’an, China, on Friday. According to local officials, the man climbed over guardrails and a protective net, jumped more than 15 feet into Pit No. 3, and pushed and pulled the clay figures, causing varying degrees of damage before being restrained by security. Authorities suspect the man suffers from mental illness, and the case remains under investigation. The site reopened the following day.
A team led by Washington State University has successfully recreated Egyptian Blue, the oldest manufactured pigment in history, which was first synthesized in ancient Egypt and used in funerary rituals and Roman art. The production process was lost during the Renaissance. Working with the Smithsonian’s Museum Conservation Institute and the Carnegie Museum of Natural History, the researchers developed 12 recipes using silicon dioxide, copper, calcium, and sodium carbonate, heating them at around 1,000 degrees Celsius for up to 11 hours to mimic ancient methods. They discovered that only half the expected amount of blue-producing compounds was needed to achieve the exact chemical match.
Art Basel is launching a new fair in Doha in February 2026, marking its fifth global edition and a strategic expansion into the Gulf region. The move is backed by Qatar Sports Investments and QC+, a commercial arm of Qatar Museums, reinforcing Qatar’s cultural ambitions while placing the country in direct market competition with Dubai and a rising Saudi Arabia. Additionally, Sotheby’s has sold the most valuable trove of Old Master works ever offered in a single auction, and there have been more high-profile shifts from auction houses to private dealerships.
Authorities in Peru are searching for a vandal who spray-painted a penis image on a wall of Chan Chan, a 600-year-old pre-Columbian archaeological city and UNESCO World Heritage Site located 300 miles north of Lima. The act was filmed and posted on Facebook on May 12, prompting the Ministry of Culture to launch an investigation and file a criminal complaint. The suspect could face up to six years in prison under Peru’s Penal Code. A restoration team has been sent to clean and repair the damaged mud plaster wall.
Authorities in Peru are searching for a suspect after a video posted on Facebook on May 12 showed a person spray-painting an obscene graffiti image—a penis—onto a mud plaster wall at Chan Chan, a pre-Columbian UNESCO World Heritage Site. The Ministry of Culture condemned the act as a serious disrespect to historical and cultural legacy, launched an investigation, filed a criminal complaint, and sent a restoration team to clean the 600-year-old wall. The suspect could face up to six years in prison under Peru's Penal Code.
Dutch authorities now believe that suspects in the January heist of Dacian gold artifacts from the Drents Museum in Assen hid the items after failing to sell them on the black market, raising hopes that the treasures—including the 5th-century Helmet of Coțofenești—may still be recovered intact. The gold, on loan from Romania’s National History Museum and insured for €30 million, was stolen in a nighttime raid. Three suspects are in custody, with two having their pre-trial detention extended by 90 days on charges of aggravated theft, property destruction, and causing an explosion. New searches in April led to two more detentions, and a full trial is expected in 2026.
A busy week of auctions is scheduled for May 21-27, 2026, spanning Milan, New York, and other global hubs. Italian auction houses including FarsettiArte, Wannenes, Gonnelli, Finarte, Capitolium AuctionHouse, Pananti, Aste Bolaffi, Il Ponte, Maison Bibelot, Babuino Fine Art Auctions, and Pandolfini will offer paintings, drawings, sculptures, antiques, design, jewelry, and vintage fashion. International houses Christie’s, Sotheby’s, Bonhams - Cornette de Saint-Cyr, and Dorotheum also hold sales in New York, Zurich, Paris, and Vienna, covering post-war and contemporary art, handbags, fine wine, and antiques.
The city of Oshawa has opened a call for artists to submit artworks for a temporary exhibition at the Convergence Music and Art Festival, taking place September 19–20 at Veterans Square. Up to five artists will be selected to have a reproduction of their work displayed, with submissions due by June 12. The exhibition celebrates the installation of Oshawa’s first independent sculpture commission, Kaleidoscope by Nicholas Crombach, under the theme “We Gather, We Remember, We Belong.”
81C in St. Thomas, Virgin Islands, is presenting "Krankie II: Middle of the Food Chain," an immersive contemporary art exhibition by collaborative duo Emily Braswell (strawberriemilk) and Jenna Rees (warmmilkwithsugar). Opening on May 15, 2026, the show features painting, video, sculpture, and installation that construct a cinematic, psychologically charged world centered on a fictional 1980s movie star, offering absurdist commentary on fame in the pre-internet era versus today. The exhibition is a dual-location activation, also including a component at the XIIID Research and Strategy Innovation Center at the University of the Virgin Islands, with a free opening reception featuring DJ Carbar.
The Sonoma Valley Museum of Art has opened two new exhibitions celebrating queer identity, memory, and community. "John Paul Morabito: Dancing in the Night" features large-scale woven works by transdisciplinary artist John Paul Morabito, using linen, cotton, gold-leaf threads, and beadwork inspired by queer history, resistance, and celebration. The second exhibition, "Norma I. Quintana: Paradise of Memory / Paraíso de la Memoria," presents a portrait series by photographer Norma I. Quintana that examines memory, identity, and cultural heritage, recreating hand-painted backdrops from her family's photographs to honor her community. Both exhibitions run through September 6.
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The article covers multiple art events and opportunities across the Gulf region and beyond. It highlights Saudi artists participating in the exhibition "What’s between, between?" at Doha's Media Majlis Museum, curated by Jack Thomas Taylor and Amal Zeyad Ali, which explores Gulf Futurism. Additionally, it announces a two-part group exhibition "Global Positioning System" opening at Hayy Jameel in Jeddah, featuring over 40 artists from more than 20 countries. The article also reports on an internship opportunity for Saudi architects and designers at Rome's MAXXI Museum, offered by Saudi Arabia’s Misk Art Institute.
Saudi Arabia has unveiled a large-scale installation by artist Dana Awartani at the 61st Venice Biennale, held at the Arsenale. Titled "May your tears never dry, you who weep over stones," the work covers the entire floor of the Saudi national pavilion and incorporates over 29,000 sunbaked clay bricks and mosaic patterns inspired by Islamic geometric art. The installation references 23 heritage sites across the Arab world that have been damaged or destroyed by conflict, and was produced over nearly 30,000 artisan hours with 32 craftspeople at a studio outside Riyadh. Curated by Antonia Carver with assistant curator Hafsa Alkhudairi, the piece emphasizes traditional craftsmanship and collective skill-sharing.
The Institute of Contemporary Art (ICA) has opened a new exhibition titled "Genuine Fake Premium Economy," featuring works by artists Jenna Bliss, Buck Ellison, and Jasmine Gregory. Curated by Nicole Leong, the show critiques the culture of capitalism within the art world, using appropriation and mimicry to highlight contradictions and hypocrisies. The artists, all born in the mid-1980s in the United States, came of age professionally after the 2008 financial crisis, and their works incorporate advertising imagery, reality television, luxury brand aesthetics, and private wealth management vocabulary. Bliss's video works include a scripted reality TV episode set in an art fair booth before the crash, while Ellison has invented a fictional private bank called Orlo & Co., and Gregory reproduces Patek Philippe advertisements with the watches erased.
Pelham Art Center will host 'Relics: Ancient to Modern,' a teen-curated exhibition organized by its Teen Artist Council, from May 7 through May 31. The show opens with a public artist talk on May 7 and a reception on May 9, featuring works by over 50 artists from the United States and abroad, including Pakistan. The council, composed of high school students, developed the theme, issued an open call, and curated the final selection under the guidance of Gallery and Teen Programming Coordinator Fiona Agababian.
Katara Cultural Village Foundation in Doha has opened a Contemporary Graphic Art Exhibition featuring 29 artists from Qatar and abroad, displaying over 170 works that explore modern printmaking techniques. The exhibition runs until May 18 at Hall 18 in Katara Cultural Village, bringing together artists from different generations to showcase diverse styles and schools within printmaking. Exhibition coordinator Abdulrahman Al Muttawa, along with artists Haifa Al Khuzai and Lina Al Ali, highlighted the exhibition's role in strengthening printmaking's presence in the art scene and celebrating Qatari cultural heritage.
Over 900 art enthusiasts attended 'The Coalition' art exhibition in Ibadan, Nigeria, held from April 24 to 26, 2026, at the International Institute of Tropical Agriculture (IITA). The three-day event featured more than 600 artworks by 60 Nigerian artists, showcasing abstract works, portraits, and contemporary pieces exploring identity and culture. Organizers, including Constance and Sons Art Gallery founder Dunmade Ayegbayo, reported strong visitor engagement and sales, highlighting the commercial potential of Nigerian art.
Over 600 artworks by 60 artists from across Nigeria were displayed at 'The Coalition' exhibition held at the International Institute of Tropical Agriculture in Ibadan from April 23 to 25, 2026. The show, organized by Dunmade Ayegbayo of Constance and Sons Art Gallery, featured a diverse range of styles including abstract works, portraits, and pieces exploring African identity, family, and everyday life. Notable participating artists included Ogo-Oluwa Christianah, Okunade Olamilekan, and Gobe Joseph.
The exhibition "état bruit" at Konschthal Esch explores the concept of noise as a form of interference, cultural signal, and political tool. Featuring works by seven contemporary artists, including Nik Nowak’s Indonesian-inspired sound truck and Open Group’s haunting video installation of refugees mimicking artillery, the show investigates how sound reflects both community identity and the trauma of conflict.
The Vantaa Art Museum Artsi has launched "Empathy," a multifaceted exhibition exploring the psychological, social, and technological dimensions of emotional connection. The show features diverse works that examine how facial expressions and gestures communicate feelings, while also addressing the power dynamics of who is allowed to tell their story. A central highlight is Ali Akbar Mehta’s immersive installation, which utilizes an archive of 30,000 video clips and XR technology to analyze how digital algorithms and visual overexposure to violence affect human compassion.