The Mandeville Art Gallery at UC San Diego is presenting the exhibition "Faith Ringgold: Full Circle – The Teachings and Her Legacy," curated by Mashonda Tifrere. The show, which opens on February 28, 2026, features 19 works spanning from 1976 to 2023, tracing the artist's evolution as a multidisciplinary storyteller and her influential tenure as a professor at the university.
The Wisconsin Artists Biennial exhibition opens at the Museum of Wisconsin Art (MOWA) in West Bend from February 7 to April 19, featuring 52 works by 50 Wisconsin artists. Selected from nearly 500 artists who submitted over 1,200 entries, the show was juried by Nicole Jacquard, Taylor Jasper, and Melissa Oresky. The biennial awards $10,000 in cash prizes, including the MOWA Prize of $5,000 and a solo museum exhibition. An opening party on February 7 includes a reception, juror talk, and award presentation.
The Ackland Art Museum in Chapel Hill will open two new exhibitions on January 30, 2026. "Bill Bamberger: Boys Will Be Men" presents introspective portraits of male students from Durham School of the Arts, exploring masculinity through photography and audio interviews. "Color Concentrated: A Salon-Style Show from the Robertson Collection" reimagines modernist works from the museum's collection in a dense, single-wall installation inspired by 19th-century Parisian Salons.
The Denver Museum of Nature and Science has opened "Brick Planet: A Magical Journey Made With LEGO® Bricks," a temporary exhibition by award-winning Lego artist Sean Kenney. Featuring 1.5 million bricks, the show includes life-size animal sculptures like a polar bear, a ruby-throated hummingbird, and a Galapagos tortoise, along with interactive elements such as a "Mystery Mosaic." Kenney, a former Lego Masters guest judge, has toured his Lego exhibitions globally since 2012, with this installation emphasizing nature and environmental responsibility.
The Heritage of London Trust has acquired David Bowie's childhood home at 4 Plaistow Grove in Bromley, southeast London, and plans to restore it to its early 1960s appearance. The railway workers' cottage, where Bowie lived from ages 8 to 20 and is believed to have written "Space Oddity," will open to the public in late 2027, offering an immersive experience centered on his bedroom. Geoffrey Marsh, co-curator of the V&A's "David Bowie Is" exhibition, will oversee the restoration, funded by a £500,000 grant from the Jones Day Foundation and a public fundraising campaign.
The Helsinki Art Museum (HAM) in Finland is opening a new permanent gallery dedicated to Tove Jansson, the illustrator of the Moomins. The Tove Jansson Gallery will open on 13 February, spanning three exhibition halls, with the inaugural exhibition inspired by Jansson’s book *Comet in Moominland* and running through 24 January 2027. The gallery aims to showcase Jansson's art diversely and introduce new perspectives on her as both a Helsinki-based and international artist.
USC Pacific Asia Museum (USC PAM) has announced "Mythical Creatures: The Stories We Carry," a major exhibition conceived by Los Angeles–based Korean American artist Dave Young Kim. Opening February 14, 2026, the 12-room immersive installation blends approximately 100 objects from the museum's collection—spanning 5,000 years of Asian and Pacific art—with new media technology and contemporary works by over 20 artists, including Dinh Q. Lê, Lily Honglei, Wendy Park, Momoko Schafer, Kyungmi Shin, Sanjay Vora, and Lauren YS. The exhibition uses mythology as a visual language to explore the immigrant experience, featuring environments like a shadowy night crossing, a recreated first apartment, and a gilded room with a gold Jin Chan frog. A limited public preview runs December 20, 2025–January 4, 2026.
The Arlington Museum of Art (AMA) presents the Annual Juried UTA Student Exhibition from October 30, 2025, through February 22, 2026, featuring 27 graduate and undergraduate students from the University of Texas at Arlington (UTA). The exhibition was juried and curated by Clare Milliken, Assistant Curator at the Modern Art Museum of Fort Worth, who selected works across bronze, blown glass, painting, photography, sculpture, and video art. UTA painting faculty Benjamin Terry coordinated the show for the second year, noting a shift toward introspective, material-focused works compared to last year's politically charged selections.
The Las Vegas Museum of Art (LVMA) has revealed renderings for its new 60,000-square-foot building, designed by Pritzker Prize-winning architect Francis Kéré. Set to open in 2029 at Symphony Park in downtown Las Vegas, the four-floor museum features a stone mosaic façade sourced from the Red Rock Mountains, a shaded front porch, a canyon-like grand staircase, and galleries inspired by Modernist architect Paul R. Williams. Baobab trees, symbolizing community, inform the design. The $200 million capital campaign, supported by the late Elaine Wynn and other trustees, has passed the halfway mark. The museum is a partnership with the Los Angeles County Museum of Art (Lacma) and will showcase works from its collection, with Lacma director Michael Govan serving as a founding trustee. A satellite exhibition, Family Album, is currently on view, and a 15,000-square-foot gallery and media lab will open next year.
Jim Stevens, a Vietnam War veteran who was shot in the head and later became legally blind after a stroke in 1993, has created a new painting technique using monofilament as a canvas. His artwork, "Blues Man," now hangs in the Denver Art Museum as part of the exhibition "Beyond the Military: From Combat to Canvas," which Stevens helped organize. Stevens serves as president and director of Denver's Veterans Arts Council and has earned Veterans Affairs’ National Gold Medals for Fine Art.
The Denver Art Museum will host the international touring exhibition "DIVAs" from October 2026 to January 2027, making it the only U.S. venue for the show. Organized by the Victoria and Albert Museum in London, the exhibit features over 200 objects including costumes and accessories worn by icons such as Lady Gaga, Rihanna, RuPaul, Prince, Tina Turner, and Marilyn Monroe. Highlights include Rihanna's 2018 Met Gala gown by John Galliano for Maison Margiela and Tina Turner's Bob Mackie "Flame Dress" from 1978. The ticketed event will take place in the Hamilton Building.
Christopher Knight, the Pulitzer Prize-winning art critic for the Los Angeles Times, is retiring after more than 40 years in the field, with his final day set for November 28. Knight spent 36 of those years at the Los Angeles Times, becoming one of the last full-time art critics at a major U.S. daily newspaper. He won the Pulitzer Prize for criticism in 2020 for his incisive coverage of the Los Angeles County Museum of Art's proposed overhaul, and received a $50,000 Lifetime Achievement Award for Art Journalism from the Dorothea and Leo Rabkin Foundation the same year. Knight also authored two books and appeared on programs like 60 Minutes and PBS NewsHour.
The Bowdoin College Museum of Art (BCMA) will present two exhibitions this winter: "Josefina Auslender: Drawing Myself Free" (December 11, 2025–May 31, 2026), the first museum retrospective of Argentine-born, Maine-based artist Josefina Auslender, featuring over 90 drawings from the 1970s to the present; and "Hung Liu: Happy and Gay" (January 22–May 31, 2026), which examines how Hung Liu reinterpreted Chinese propaganda from her childhood during the Cultural Revolution through ten paintings, prints, archival materials, and a video. Both shows explore themes of immigration, history, memory, and personal experience.
The Royal Academy of Arts in London presents "A Story of South Asian Art: Mrinalini Mukherjee and Her Circle," a visually thrilling exhibition running from 31 October 2025 to 24 February 2026. Curated by Tarini Malik, the show pivots around the work of Mrinalini Mukherjee (1949-2015), placing her in dialogue with key figures of the Indian cultural scene, including her parents Benode Behari Mukherjee and Leela Mukherjee, as well as artists Gulammohammed Sheikh and Nilima Sheikh. The exhibition highlights Mukherjee's hemp sculptures like 'Adi Pushp II' (1998-99) and bronze works such as 'Forest Flame IV' (2009), and emphasizes the importance of art schools and places—Santiniketan, Baroda (Vadodara), and New Delhi—in shaping her practice.
Kansas City's fall art season features five notable exhibitions, including DeAnna Skedel's retrospective 'The Edge of Your Field' at the Bunker Center for the Arts, 'Animate Ground' at Gallery Bogart showcasing clay and pigment works by artists like Mónica Figueroa and Jo Archuleta, and 'The Mother And… Project' at Leedy-Voulkos Art Center, which explores mothering ethics through diverse artistic practices. Other highlights include exhibitions focusing on earth, land, motherhood, and the elements, offering a season of reconnection and self-reflection.
The Denver Art Museum will present "Andrea Carlson: A Constant Sky," the first museum survey of mixed-media visual artist Andrea Carlson, from October 5, 2025, to February 16, 2026. The exhibition features over 30 works on paper, three large-scale paintings shown together for the first time, and a monumental sculptural work titled "Columns for a Horizon." Carlson, who descends from Grand Portage Ojibwe and European settlers, creates intricate, colorful works that challenge colonial narratives in American landscape painting and museum collections.
A book produced by Bowdoin College faculty, highlighting artistic portrayals of ecological change on Maine's Monhegan Island, has won the 2025 Historic New England Book Prize as one of two Honor Books. The interdisciplinary project was co-created by Frank Goodyear, codirector of the Bowdoin College Museum of Art, plant scientist Barry Logan, and Jennifer Pye, director of the Monhegan Museum of Art & History, where the accompanying exhibition ran through September 30, 2025. The book and exhibition merge art, science, and history to explore ecological events on the island—such as pastureland formation and abandonment, forest recovery, and land conservation—through visual art and historical artifacts.
Krannert Art Museum at the University of Illinois Urbana-Champaign will present "Imagination, Faith, and Desire: Art and Agency in European Prints, 1475-1800," an exhibition of over 100 early modern European prints drawn from private collections. The show, curated by Maureen Warren, runs from September 25 through February 28 and includes works by masters such as Rembrandt, Parmigianino, and Goya, exploring how prints functioned as Europe's first visual mass media.
The Newport Art Museum will open "THE COURT: Art in Play" on September 24, an exhibition featuring works by seven artists who also compete in court tennis, the historic precursor to modern tennis. Organized by artist and court tennis champion Frederika Adam, the show runs through April 2026 at the Historic Griswold House and includes animation, book art, painting, photography, and memorabilia. Items from the International Tennis Hall of Fame’s permanent collection are displayed alongside the artists’ works.
A two-person exhibition titled “MAJOR” opened on September 12 at Wabash College’s Eric Dean Gallery, featuring paintings by alumni Mark Brosmer and Ryan Lane, both among the first art majors to graduate from Wabash in 1985. The show explores everyday complexity, the unseen, and the sublime through Brosmer’s surrealist realism and Lane’s painterly and furniture-making practice. Concurrently, the gallery opened “20th Century Indiana Art: A Private Collection of Midwestern Regional Paintings,” showcasing works from the collection of alumnus Dan Kraft, highlighting the Hoosier Group and Brown County Art Colony.
The Hyde Park Art Center in Chicago presents “Mark Me, Too: Five Artists,” a group exhibition curated by Dr. Rikki Byrd, the center’s inaugural Radicle Curatorial Resident. The show features works by Lisa DeAbreu, Lex Marie, Natasha Moustache, Lola Ayisha Ogbara, and Ciarra K. Walters, each exploring mark-making as a conceptual and material practice. Highlights include Walters’ video “Eileen’s Daughters,” which uses fragile eggshell-covered suits to evoke familial intimacy and vulnerability; DeAbreu’s textile works that transform household items into visual heirlooms; Ogbara’s sculptural piece “Hopscotch (A Safe Space to Land),” combining bronze and soil to address Black beauty and West African heritage; and Marie’s reimagined American flags made from hospital blankets and beads, critiquing the nation’s relationship with Black maternity and childhood.
Giorgio Armani, the Italian fashion designer who bridged fashion and contemporary art, has died aged 91. Born in Piacenza in 1934, he founded his eponymous label in 1975 and became a global brand. In 2000, he became the first fashion designer to have a solo exhibition at the Solomon R. Guggenheim Museum in New York, curated by Germano Celant, which marked a turning point in how museums engage with fashion. In 2015, he opened Armani/Silos in Milan, a converted warehouse serving as an archive and cultural venue, hosting retrospectives of photographers Aldo Fallai and Peter Lindbergh. He also collected photography, sponsored exhibitions like Magnum on Set at the Museo della Permanente, and lent his archive to institutions including the Victoria and Albert Museum.
The Metropolitan Museum of Art in New York has reopened its renovated Arts of Africa galleries in the Michael C. Rockefeller Wing. The exhibition tour was led by curator Alisa LaGamma, assistant curator Jenny Peruski, director Max Hollein, and special guests Manthia Diawara and Angélique Kidjo. The reinstallation foregrounds the creativity of artists across the African subcontinent, shifting the narrative to focus on artworks within their original contexts and as masterpieces. It celebrates recognized masters from sculptor Ọlọ́wẹ̀ of Ìsẹ̀ to contemporary photographer Seydou Keïta, and places works such as Afro-Portuguese ivories and Kente cloth in visual dialogue with adjacent European galleries and contemporary pieces.
Maia Nuku, Evelyn A. J. Hall and John A. Friede Curator for Oceanic Art, along with Max Hollein, Marina Kellen French Director and CEO of the Metropolitan Museum of Art, and special guests Michael Mel and Arapata Hakiwai, lead an exhibition tour celebrating the renovation and reopening of the Arts of Oceania galleries in the Michael C. Rockefeller Wing. The tour highlights exceptional works from Oceania, including carved bisj poles from the Asmat region, towering slit drums from Vanuatu, and contemporary pieces by Aboriginal artist Noŋgirrŋa Marawili, as well as insights from artists from Mariwai village, Papua New Guinea, on the reconfiguration of panels from the Kwoma ceremonial ceiling.
The Taoyuan Museum of Fine Arts and the National Gallery Singapore have jointly organized "When Art Meets Nature," a children's art exhibition running from July 2 to November 9, 2025, at the Taoyuan Children's Art Center. Featuring five artists from Taiwan and Singapore, the show presents interactive installations, audiovisual works, and immersive environments centered on ecology, sustainability, and the human-nature relationship. Artists include Zul Mahmod, Chen Po-I, Hsu Yenting, Tan Zi Xi, and Soh Ee Shaun, with works inspired by local waterways, forests, and indigenous ecological wisdom.
The Gallery Children’s Biennale returns for its 5th edition at National Gallery Singapore, launching on 31 May 2025. Themed “Tomorrow We’ll Be…”, the exhibition features eight interactive artworks by Singaporean and Asian artists, including Fern Wong, Wyn-Lyn Tan, Hiromi Tango, Souliya Phoumivong, and Vicente Delgado. For the first time, the Biennale is baby-friendly, with zones designed for infants and toddlers. The event runs in conjunction with the National Gallery’s 10th anniversary and SG60, celebrating Singapore’s 60th year of independence.
Greek Prime Minister Kyriakos Mitsotakis and Foreign Minister Giorgos Gerapetritis attended the opening of the art exhibition 'Thalatta' at the United Nations in New York on May 20, coinciding with Greece's Presidency of the UN Security Council. The exhibition features 11 contemporary paintings by Greek artists from the National Gallery in Athens, curated around the theme of the sea. Ambassador Evangelos Sekeris delivered welcoming remarks, and Syrago Tsiara, Director of the National Gallery – Alexandros Soutsos Museum, spoke about the sea's role in cultural diplomacy and international cooperation.
On April 26, 2025, the School of the Arts held its annual MFA Thesis Exhibition at the Miriam and Ira D. Wallach Art Gallery, featuring twenty-nine emerging and established artists. Curated by Amal Issa, the show spans a wide range of mediums including installations, videos, paintings, drawings, and sculptures, with many works exploring themes of memory, ancestry, and identity. Notable pieces include Maya Dixon's immersive installation using gourds and found objects, Daniel Castro's surreal cityscapes, and Ridwana Rahman's interactive carpet piece that invites reflection on direction and prayer.
Daniel Johnston: I Think, I Draw, I Am is the largest New York solo exhibition of work by musician and artist Daniel Johnston (1961-2019). Curated by Lee Foster, co-owner of Electric Lady Studios and Curatorial Advisor for the Daniel Johnston Trust, the show features over 300 drawings that reveal the psychological depth and formal inventiveness of Johnston's comic-inspired art. Johnston first gained fame as a lo-fi musician in Austin, Texas, in the 1980s, and his graphic art reached a national audience when Kurt Cobain wore his Hi, How Are You? T-shirt at the 1992 MTV Music Awards.
Photographer Eddie Otchere has released a new photozine, "Wu-Tang 4 + 1 More," featuring a decade's worth of previously unseen portraits of the Wu-Tang Clan and other hip-hop artists. The images, captured between 1994 and 2004, document intimate and candid moments with members like RZA, Method Man, and Ghostface Killah, chronicling the group's early years and Otchere's determined mission to photograph each member.