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Canadian Museum of Human Rights Threatened With Legal Action Over Palestinian Nakba Show

The Canadian Museum for Human Rights in Winnipeg has been threatened with legal action by Shurat HaDin – Israel Law Center over an upcoming exhibition titled "Palestine Uprooted: Nakba Past and Present," scheduled to open June 27. The exhibition focuses on the 1948 expulsion of approximately 750,000 Palestinians, known as the Nakba, and features video testimonies, photography, visual art, and text exploring human rights violations and forced displacement. Shurat HaDin's letter, sent to the museum's board and senior leadership, argues the exhibition omits Jewish historical ties to the region, politicizes history, and could fuel hostility against the Jewish community. The organization demands the museum halt work on the show, commission an independent review, and retract statements about Israeli human rights violations, threatening litigation if the museum does not respond within 14 days. The museum has confirmed the letter is under review but stated the exhibition is still expected to open as scheduled.

More Than 100 Seattle Art Museum Workers Plan to Unionize

More than 100 Seattle Art Museum employees announced plans to unionize under the banner Seattle Art Museum Workers United (SAMWU), representing workers across over 20 front- and back-end departments including curatorial, education, and visitor experience. The union informed SAM director and CEO Scott Stulen of its formation in a letter citing unsustainable wages, subpar health benefits, and top-down decision-making. Organizers say they have a supermajority support among eligible workers. SAMWU has filed for an election with the National Labor Relations Board but is willing to withdraw if leadership voluntarily recognizes the union before May 27. The union has affiliated with the Washington Federation of State Employees/AFSCME Council 28. Security staff, who previously unionized as SAM VSO in 2022 and secured a contract after a 12-day strike in late 2024, will remain separate.

Suspect Is Taken into Custody in Decade-Long Louvre Ticketing Scam

A Louvre employee has been indicted and detained on charges including organized gang fraud in connection with a decade-long ticketing scam that defrauded the Paris museum of an estimated €10 million ($11.7 million). The scheme involved counterfeit tickets and overbooking of guided tours, primarily targeting Chinese tour groups. Nine people were arrested, including two museum employees, several tour guides, and the alleged mastermind. Authorities seized over €957,000 in cash, €67,000 in foreign currency, €486,000 in bank accounts, three vehicles, and multiple safe deposit boxes, with some proceeds invested in real estate in France and Dubai.

An Installation at the British Museum Recreates the Bayeux Tapestry’s Landscape

The British Museum will present "Tapestry of Trees," an outdoor installation by garden designer Andy Sturgeon, ahead of its historic exhibition of the Bayeux Tapestry. The installation, on view from May 16 to June 2, 2026, recreates a medieval woodland using plants native to East Sussex, including silver birch, hazel, hawthorn, and field maples, evoking the landscape of the Battle of Hastings depicted in the tapestry. Dyed hessian wrapping on planters and root balls echoes the colors and textures of the embroidery.

Go big or go home: how The Lost Giants revived the ancient art of goliath-making

The Lost Giants (TLG), an art collective based in Lostwithiel, Cornwall, is reviving the British tradition of making processional giants—large, community-built figures made from wood, cloth, and papier-mâché. Founded three years ago by theatre designer Ruth Webb and her sister-in-law Amy Webb, the group has created giants for events ranging from local lantern parades to a harvest procession at Hauser & Wirth’s Somerset gallery. This New Year’s Eve, environmentalist Lisa Schneidau joined a massive procession of these giants in Lostwithiel, describing it as an extraordinary experience. The collective recently issued a public callout for an environmental group to collaborate on making a new beastie.

Cigarette Taxes Have Funneled $270 M. Toward Arts and Culture in Cleveland Since 2007

Cuyahoga County, Ohio, has funneled $270 million into arts and culture since 2007 through a cigarette tax, distributed by the nonprofit Cuyahoga Arts and Culture. Beneficiaries include the Cleveland Museum of Art, the Museum of Contemporary Art Cleveland, the Cleveland Institute of Art, ICA-Art Conservation, Sculpture Center, and the Cleveland Arts Prize. The tax has funded roughly 4,000 grants to 485 organizations, far exceeding the $48 million the entire state received from the National Endowment for the Arts in the same period.

The Whelm of Massive Group Shows, and My Tender Eyes

The article reflects on the overwhelming experience of massive group exhibitions, using examples like Lawndale's "The Big Show" (77 artists in 2025), "Hecho en Dallas" (66 artists), and the School of the Art Institute of Chicago's 1999 MFA thesis show (around 150 artists). The author, a gallerist, recounts visiting two recent San Antonio shows—"A Postmodernist Says ¿Que?" at Centro de Artes and "Fan of a Fan 3" at C7 Space—which feature dozens of works hung salon-style, forcing viewers to make choices about where to focus attention.

Artist’s Perspective: Anila Quayyum Agha

Artist Anila Quayyum Agha will give a talk at the Frist Art Museum in Nashville on May 22, 2026, discussing her exhibition "Anila Quayyum Agha: Interwoven." The survey spans two decades of her practice, including immersive installations, works on paper, paintings, and sculptures that draw on themes of migration, identity, and inequality, as well as influences from Indo-Islamic architecture, poetry, and the California Light and Space movement.

Opening Conversation: International Surrealism from Tate

The Frist Art Museum in Nashville will host "Opening Conversation: International Surrealism from Tate" on May 21, 2026, from 6:30 to 7:30 PM. The event features a discussion with Dr. Matthew Gale, exhibition curator; Michael J. Ewing, Frist Art Museum associate curator; and Caroline Yates, Susan H. Edwards Curatorial Fellow, focusing on the exhibition "International Surrealism from Tate: Fifty Years of Dreams." The exhibition, drawn from the Tate's collection in the United Kingdom, presents a broad selection of paintings, photographs, sculptures, publications, and archival material that traces the long trajectory and global reach of surrealism. A live musical performance in the Grand Lobby precedes the conversation from 5:15 to 6:15 PM, and the museum remains open until 9:00 PM for gallery visits.

Controversial art show canceled at NY archdiocese venue finds home at Jesuit parish

Jesuit artist Nicholas Leeper's solo exhibition "Twilight of the Idols," which blends Byzantine iconography with pop art and advertising imagery, was abruptly canceled by the Sheen Center for Thought and Culture in New York about two weeks before its scheduled opening in May 2026. The center, founded by the New York Archdiocese, cited phone calls and emails expressing concern about the work, which includes pieces like "Madonna and Child (Tomatokos)" depicting Mary as a Campbell's soup housewife and "The Visitation" reimagining Mary and Elizabeth in a cigarette ad. Within a day, the exhibition found a new venue at the Mary Chapel of St. Francis Xavier Church, organized in partnership with Xavier High School, where Leeper teaches.

Oxford Festival Of The Arts brings world famous artists, free exhibitions and silent films to the city centre

The Oxford Festival of the Arts is bringing a major visual art component to its 2025 program, featuring free exhibitions by world-renowned artists across multiple venues in Oxford city centre. Highlights include James Gemmill's cinematic paintings at St John's College, a collaborative installation by Chinese artist Qu Lei Lei and Caroline Deane at OVADA examining humanity and geopolitics, a retrospective of Ukrainian artist Oleksandr Dubovyk's 'White Bouquet' series, and a charitable project supporting Ukrainian children through art. All exhibitions are free and require no booking.

A Singaporean Gallery Lands In The Heart Of Paris

Cuturi Gallery, founded by Spanish gallerist Kevin Troyano Cuturi, has opened its first European space in Paris's Domaine National du Palais-Royal, following its original establishment in Singapore in 2019. The gallery occupies the former boutique of legendary couture dealer Didier Ludot and launched in March with a group show. Its forthcoming exhibition, "Arbres de la Forêt, Vous Connaissez Notre Âme" (May 28 to September 26, 2026), is a solo presentation for French artist-designer Hubert Le Gall, curated by Bruno Gaudichon. The project extends to Villa Noël in Provence, which will serve as a second exhibition space for large-scale outdoor sculptures.

2026 Sondheim Art Prize semifinalists to exhibit work at Reginald F. Lewis Museum

The Reginald F. Lewis Museum of Maryland African American History & Culture will host an exhibition of works by 16 semifinalists for the 2026 Janet & Walter Sondheim Art Prize, on view from May 21 through June 21. The show features a range of mediums including oil paintings, archival prints, video narratives, 3D sculptures, and multimedia installations. An opening reception on May 21 is free and open to the public. The five finalists—Thea Canlas, Leigh Davis, Brandon Donahue-Shipp, Curran Hatleberg, and Danni O’Brien—will exhibit separately at the Walters Art Museum from June 25 to September 13, with the $30,000 prize winner announced in August.

California Light and Space (The 21st Century Version) (OPENING RECEPTION)

David Zwirner gallery in Los Angeles is presenting "California Light and Space (The 21st Century Version)," a group exhibition organized by curator Helen Molesworth. Running through August 1 at the gallery's 606 N Western Avenue location, the show features contemporary artists from LA's diverse arts scene, exploring how the city's unique geography—its light, space, and basin topography—shapes their work. The exhibition draws a parallel to the Light and Space movement of the 1960s and 1970s, but focuses on a younger generation working across various media.

UMich art museum glorifies left-wing protests

A new exhibition at the University of Michigan Museum of Art (UMMA) titled “American Sampler: The Art, Language and Legacy of Protest” features posters, pamphlets, and video from 1960s and ‘70s left-wing protest movements, including the Black Panthers, Vietnam War protesters, and the anarchist Yippies. Guest curator Julie Ault organized the show using materials from U-M’s Labadie Collection, which holds radical literature. Conservative commentator Bobby Mars, writing for the Michigan Enjoyer, criticizes the exhibit for allegedly glorifying violence and anti-American sentiment, arguing that the museum’s framing encourages today’s students to protest against the government.

Museum exhibitions to coffeehouse chats: How to celebrate America 250 this summer

The article outlines various events and exhibitions in Washington, D.C., celebrating the 250th anniversary of the United States this summer. Highlights include the "In Pursuit of Life, Liberty, and Happiness" exhibit at the National Museum of American History, featuring 250 objects from 1776 to the present; a Gen-Z-focused coffeehouse chat at Tudor Place; exhibitions at the National Museum of Women in the Arts, including "Ms. Americana" and "Burnished: Pueblo Pottery"; and the Spirit of America Festival at the National Archives, showcasing rare documents.

The Metropolitan Museum of Art Unveils Its Fashion Galleries, Highlighting Fashion’s Place in Museums

The Metropolitan Museum of Art has unveiled the new Condé M. Nast Galleries, a nearly 12,000-square-foot suite of exhibition spaces designed by Brooklyn-based architecture firm Peterson Rich Office. Located adjacent to the museum's Great Hall, the galleries relocate fashion exhibitions from a previously tucked-away basement space to one of the museum's most visible and architecturally significant locations. The new spaces debuted with "Costume Art," an exhibition organized by The Costume Institute and curated by Andrew Bolton, which places roughly 200 garments and accessories in dialogue with 200 artworks from the museum's collection, exploring themes such as "The Classical Body," "The Aging Body," and "The Disabled Body." The design, by architects Miriam Peterson and Nathan Rich, uses a restrained material palette of grey marmorino plaster and oak doors framed by limestone arches to create permanent-feeling yet flexible spaces that harmonize with the museum's historic Beaux-Arts architecture.

Racine Art Museum announces sizzling slate of summer events

The Racine Art Museum (RAM) and its Charles A. Wustum Museum of Fine Arts campus have announced a packed schedule of summer events for 2026, including new programs like the Twilight Garden Series, which combines cocktails, creativity, and themed activities. Highlights include Free First Friday, a Master Workshop with artist Liandra Skenandore on black ash plaiting, Kids Day inspired by the Handcrafted exhibition, and City Movie Night featuring a screening of Lilo & Stitch (2025). Wustum also offers one of Wisconsin's largest museum-based studio arts programs with over 60 class options in ceramics, drawing, glass, fiber, jewelry, painting, and paper arts.

The Picasso of India: Amrita Sher-Gil exhibit opens in Drents Museum

The Drents Museum in Assen, Netherlands, has opened a major exhibition of works by Amrita Sher-Gil (1913-1941), the Hungarian-Indian painter often called the Picasso of India. Titled “Europe is Picasso’s, India is Mine,” the show features nearly 50 paintings and drawings on loan from the National Gallery of Modern Art in New Delhi, marking the first-ever Sher-Gil exhibition in the Netherlands and the first in Europe in nearly two decades. Originally scheduled for March, the opening was delayed due to geopolitical tensions linked to the war in Iran, which postponed the transport of the artworks. The museum worked for six years to secure the loan, and 23 Dutch museums stepped in to create an alternative exhibition during the delay.

The Collective Takeover

A coalition of seven Zurich-based artist-run collectives, led by Peter Baracchi and his nomadic platform 6½, has taken over the former Museum Haus Konstruktiv building in Zurich's Selnau district. The project, titled "Oceans Flow Upwards," occupies 1,200 square meters across five floors and expands into over 2,000 square meters by activating the cellar, offices, storage, shop, café, and rooftop. Participating collectives include Hotel Tiger, Die Diele, Papillarya, MATERIAL, volumes, and zwischentext. Baracchi, who previously worked at Haus Konstruktiv as a technician and photographer, initiated the takeover after the museum relocated to Areal Löwenbräukunst, securing temporary cultural use from the City of Zurich in March. Rather than dividing the space into separate zones, the exhibition presents a single, integrated show where artists were invited by the collectives, not selected by open call.

Taos Art Museum The pull of the landscape

The Taos Art Museum has opened a new exhibition titled “Land, Legacy, and Perspective: Landscapes of Northern New Mexico” on May 12, 2026, in the Janis and Roy Coffee Gallery. Featuring 30 works from the museum’s permanent collection and select loans from private collections, the show includes paintings and works on paper by artists such as Ernest L. Blumenschein, Leon Gaspard, Gene Kloss, Barbara Latham, Joseph Henry Sharp, Victor Higgins, and E. Martin Hennings. Spanning the early to mid-20th century, the exhibition captures scenes of Taos Pueblo, adobe villages, Black Mesa, snowy mountain passes, and aspen groves in various media.

Syracuse-born artist Peter McGough hand-painted Anne Hathaway’s Met Gala dress

Syracuse-born artist Peter McGough hand-painted a custom Michael Kors gown worn by Anne Hathaway to the 2026 Met Gala. The dress, a strapless black Mikado silk ball gown with a plunging neckline and high-leg slit, features intricate Grecian patterns inspired by the Met's urns and statues, including a goddess with a dove on the back. McGough, a former classmate of Michael Kors at the Fashion Institute of Technology, painted directly on the silk and wool gown over a week using three layers of fabric paint. The design aligns with the gala's 'Fashion Is Art' dress code and references John Keats' poem 'Ode on a Grecian Urn,' also tying into Hathaway's upcoming film 'The Odyssey.'

Brandywine Conservancy & Museum of Art announces $100m expansion

The Brandywine Conservancy & Museum of Art in Pennsylvania has announced a $100 million expansion project to transform its 15-acre campus. The plan includes a new 40,000-square-foot museum building designed by Kengo Kuma & Associates—the firm's first museum in the U.S.—along with renovations to the original mid-19th century grist mill building, and the creation of a 325-acre publicly accessible preserve and garden with 10 miles of trails. Construction is set to begin in spring 2027, with completion expected in autumn 2029.

Sex, desire and intimacy explored in Singapore art exhibition for over-18s

National Gallery Singapore (NGS) is presenting "Passion is Volcanic: Desire in Southeast Asian Art," an exhibition for over-18s that explores eroticism and desire through more than 70 works spanning 800 years. The show is structured into three chapters—"Asian Mythos and Rituals," "Conventions of the Erotic," and "Public Arenas/Private Interiors"—and includes pieces such as a 14th-15th century Tantric Buddhist sculpture and Araya Rasdjarmrearnsook's video work "I’m Living" (2002). Senior curator Adele Tan, a co-curator, says she wanted to use the lens of eroticism to uncover overlooked narratives in the museum's collection.

Trace the making of Fermata: Hong Kong in Venice through complete artwork reveals and installation photography

The article details the making of 'Fermata: Hong Kong in Venice,' a collateral event at the 61st Venice Biennale curated by the Hong Kong Museum of Art (HKMoA). The exhibition features two Hong Kong-based artists—established media artist Ng and emerging artist Angel Hui—whose works explore the poetic rhythms of everyday life in Hong Kong, engaging with the Biennale's theme 'In Minor Keys' by Koyo Kouoh. The selection process involved nominations from local tertiary institutions and professional art organizations, with over 200 artists considered before Ng and Hui were chosen.

Unsung modernist artist's work back in Christchurch after 45 years

A major exhibition of works by pioneering New Zealand modernist painter Edith Collier has opened at Christchurch Art Gallery Te Puna o Waiwhetū, marking the first time in 45 years that Christchurch audiences can see a wide range of her work. The show, titled 'Edith Collier: Early New Zealand Modernist,' features over 60 pieces including studies, sketches, watercolours, prints, and archival material, drawn from the permanent collection of Te Whare o Rehua Sarjeant Gallery in Whanganui. Collier, born in 1885, developed a bold post-impressionist style during a nine-year stay in London alongside artist Frances Hodgkins, but faced harsh criticism upon returning to conservative New Zealand, leading her father to destroy some of her paintings.

New exhibition charts motherhood from the 15th century to today

The National Gallery of Victoria (NGV) has opened a new exhibition titled 'Mother,' curated almost entirely from its existing collection. The show traces the experience of motherhood from the 15th century to the present, beginning with a juxtaposition of Giovanni Toscani's Madonna and Child and a 1998 birth mat by Elizabeth Birritjama Ngalandjarri. Co-curators Sophie Gerhard and Katharina Prugger organized the exhibition around the 'life cycle' of a mother, covering themes from matrescence to loss. It features works by artists including Kate Just, Kyra Mancktelow, Destiny Deacon, and Hannah Brontë, with a strong emphasis on First Nations perspectives and fiber arts.

How super-skinny red carpet trend at Met Gala clashes with own its body-positive Costume Art show

The Met Gala, organized by Vogue and themed around "costume art," was accompanied by an exhibition of the same name at New York's Metropolitan Museum of Art opening May 10, focusing on the dressed body. While the exhibition has been praised for using inclusive mannequins representing diverse body types—including variously abled, fat, thin, and pregnant forms—the red carpet was criticized for its overwhelming thinness and the involvement of honorary chairs Jeff Bezos and Lauren Sánchez Bezos, who reportedly sponsored the event for $10 million, sparking boycott calls. Fashion commentators like Diet Prada noted the Gala was more poorly received than ever, with some celebrities absent.

Currents of the 61st Biennale: Inside Venice’s Flow of Art and Power

The 61st Venice Biennale jury, composed of five curators—Solange Oliveira Farkas, Zoe Butt, Elvira Dyangani Ose, Marta Kuzma, and Giovanna Zapperi—resigned on April 30th amid internal tensions over decisions that conflicted with the late Koyo Kouoh's curatorial vision. The jury had previously stated it would refrain from considering countries whose leaders are charged with crimes against humanity by the International Criminal Court. Meanwhile, Filipino artist Jon Cuyson prepares to present his installation at the Philippine Pavilion, featuring works shipped 60 days before geopolitical conflict escalated, navigating unstable maritime routes. His project includes the film series "Sea of Love (Dagat ng Pag-ibig)" and a new fourth film, "Sea of Echoes," exploring themes of migration, queer experience, and ecological resilience through mussels as non-human protagonists.

Met Inaugurates ‘Costume Art’ for the Spring 2026 Exhibition

The Metropolitan Museum of Art will open 'Costume Art' in spring 2026, a major exhibition that positions fashion as a lens for examining the human body across cultures and history. Housed in a new 12,000-square-foot gallery adjacent to the Great Hall, the show pairs garments from The Costume Institute with ancient statues, artworks, and paintings, organized around thematic body types such as idealized, distorted, exposed, and reclaimed. The exhibition design by Peterson Rich Office uses sheer scrims and varied ceiling heights to create an immersive, interconnected experience.