Five UK museums have been shortlisted for the 2026 Art Fund Museum of the Year prize. Norwich Castle Museum & Art Gallery, recently restored through a £27.5 million redevelopment, is nominated alongside the National Gallery in London, The Fitzwilliam Museum in Cambridge, The Box in Plymouth, and the V&A East Storehouse in London. The winner, to be announced on 25 June, will receive £120,000.
The Art Fund has announced the five finalists for the 2025 Museum of the Year award, the UK's most prestigious museum prize. The shortlist features major institutions that have recently completed significant expansions or refurbishments, including the V&A East Storehouse in Stratford, the National Gallery in London, The Box in Plymouth, the Fitzwilliam Museum in Cambridge, and Norwich Castle Museum & Art Gallery. The winner, to be announced on June 25, will receive £120,000, while the other finalists will each receive £20,000.
The Los Angeles County Museum of Art (LACMA) is debuting a radical curatorial overhaul within its new David Geffen Galleries, moving away from traditional 19th-century departmental silos. Led by Director Michael Govan and a team of 45 curators, the museum is implementing a cross-disciplinary approach that organizes the collection around "oceanic nodes"—the Mediterranean, Atlantic, Indian, and Pacific. This strategy allows for the juxtaposition of disparate media and cultures, such as contemporary photography alongside ancient textiles, to highlight the historical circulation of ideas and people across bodies of water.
The 2024 edition of TEFAF Maastricht has opened with a significant focus on rediscovered female Old Masters, highlighted by the third annual 'Map of Women Artists' which now features over 670 works. Major dealers like Lullo Pampoulides and Koetser Gallery are showcasing high-value pieces by Artemisia Gentileschi, Virginia da Vezzo, and Michaelina Wautier, drawing immediate attention from institutional leaders including Metropolitan Museum of Art director Max Hollein.
Billionaire collector William I. Koch is set to auction his extensive collection of Western American art at Christie’s New York in January. Titled "Visions of the West," the sale features 76 lots with a combined low estimate of $50 million, potentially doubling the current auction record for the genre. Highlighting the event is Frederic Remington’s 'Coming to the Call', which carries an estimate of $6 million to $8 million and could set a new individual record for the artist.
Jeffrey Epstein commissioned a large-scale reproduction of Cornelis Cornelisz van Haarlem's 1591 painting 'The Massacre of the Innocents' for the entrance of his New Mexico ranch. The $1,999 copy, depicting Roman soldiers killing infants, was ordered in 2010 from the reproduction company Ocean's Bridge Group and was requested to be shipped by his assistant in 2011.
NYU Abu Dhabi Art Gallery has launched its first Gulf Quinquennial, titled "Between the Tides," featuring around 30 artists from the Gulf Cooperation Council countries. The exhibition presents a coherent selection of videos, installations, paintings, and traditional record-keeping practices, aiming to deepen and complicate the cultural narrative of the Arabian Peninsula by highlighting its diversity, linguistic interactions, and migrant labor.
Theater director Łukasz Twarkowski's new multimedia production, "ROHTKO," is set to open at London's Barbican Centre on October 2. The four-hour performance, which premiered in Riga in 2022, uses onstage action, video screens, and a techno soundtrack to explore the nature of authenticity in art, taking the Knoedler & Co. forgery scandal—which involved fake Rothko, Pollock, and Motherwell paintings—as a central narrative thread.
A major retrospective of Chilean artist Lotty Rosenfeld's work is on view at Columbia University's Wallach Art Gallery through March 15. The exhibition, curated by Julia Bryan-Wilson and Natalia Brizuela, focuses on Rosenfeld's clandestine, antifascist art created during the Pinochet dictatorship, highlighting her use of coded public gestures—like altering street lane dividers into crosses and Xes—to build solidarity and protest political and economic oppression.
The House of Electronic Arts (HEK) in Basel and the Tezos Foundation have announced a year-long partnership to integrate blockchain technology into museum experiences. The collaboration includes virtual and physical exhibitions, workshops, and preservation initiatives, featuring six international digital artists. Exhibitions will be hosted on HEK's online platform virtual.hek and outdoors during Art Basel, with artworks released via the Tezos-based marketplace Objkt. The partnership also involves on-site kiosks and educational workshops on NFTs and digital ownership, as well as HEK's participation in the EU COST Action EMBARK training school on NFT preservation at ZKM in Karlsruhe.
An open letter demanding curatorial independence at the Art Gallery of Ontario (AGO) has gathered over 500 signatures after trustee Judy Schulich reportedly blocked the acquisition of Nan Goldin's moving-image work *Stendhal Syndrome* (2024), calling the Jewish American photographer “antisemitic.” The AGO had planned to acquire the work jointly with the Vancouver Art Gallery and the Walker Art Center, but the vote was 11–9 against acquisition. In response, curator John Zeppetelli resigned, two volunteer committee members stepped down, and Goldin herself criticized the decision as censorship driven by donor influence. The AGO has since announced a restructuring of its modern and contemporary curatorial committee, splitting it into two groups for 20th- and 21st-century art, effective in 2026.
A trustee at the Art Gallery of Ontario (AGO), Judy Schulich, advised the museum's acquisitions committee not to acquire a Nan Goldin video installation, *Stendhal Syndrome* (2024), due to Goldin's pro-Palestine statements and criticism of Israel's war in Gaza. The AGO had planned to purchase the work jointly with the Vancouver Art Gallery and the Walker Art Center, but the AGO withdrew after internal concerns were raised. The controversy led to the resignation of two committee members and one curator, and the museum promised a review of its acquisition process.
A cyberattack targeted the Dresden State Art Collections (SKD), a network of 15 museums in eastern Germany, on Wednesday. The attack disrupted large parts of the digital infrastructure, including the online shop and visitor services, but the museums remain open and physical security is intact. IT specialists and forensic experts are working to clean up and rebuild systems, with no timeline yet for full restoration. The SKD is cooperating with the Dresden Police and State Criminal Police Office, as confirmed by the Saxon State Minister for Culture and Tourism.
The Art Gallery of Ontario (AGO) chose not to acquire Nan Goldin's 2024 video "Stendhal Syndrome" due to the artist's comments on Israel's war in Gaza, according to a report by the Globe and Mail. The work, which shows blurred images of semi-nude figures and sculptures, was instead purchased by the Vancouver Art Gallery and the Walker Art Center in Minneapolis. An AGO acquisitions committee voted against the acquisition, with internal memos citing Goldin's past statements—including her description of the war as a "genocide" and her criticism of weaponized antisemitism—as the reason. The decision led to the resignation of curator John Zeppetelli and two unnamed committee members, and prompted director Stephan Jost to call for a review of the committee's processes.
New York's Metropolitan Opera is considering selling two monumental Marc Chagall murals, 'The Sources of Music' and 'The Triumphs of Music' (1966), valued at $55 million by Sotheby's, to address a severe financial crisis. The Met has already drawn $120 million from its endowment, reduced performances, and struck a controversial $100 million deal to perform in Saudi Arabia, which has drawn scrutiny over human rights abuses. The murals, which hang in the Grand Tier, would remain in place even if sold, and the Met is also exploring naming rights and theater leasing.
Artnet News has published a preview of major museum exhibitions scheduled across the United States in 2026, highlighting five standout shows. These include "Renaissance to Runway: The Enduring Italian Houses" at the Cleveland Museum of Art, which examines the intersection of fashion and art from the Renaissance to today; "The One-Two Punch: 100 Years of Robert Colescott" at the Tacoma Art Museum, celebrating the centenary of the artist known for his provocative figurative paintings; "Containing Multitudes" at the Minneapolis Institute of Art, a photography exhibition marking America's 250th year; and "Frida: The Making of an Icon" at the Museum of Fine Arts, Houston, focusing on Frida Kahlo's enduring legacy.
Artist Ming Wong has created a new video installation titled "Dance of the Sun on the Water / Saltatio Solis in Aqua," currently on view at the National Gallery in London. The work reimagines the figure of Saint Sebastian, drawing inspiration from the museum's collection of classical paintings, including a 1475 altarpiece by Antonio and Piero del Pollaiuolo, as well as Derek Jarman's 1976 queer film "Sebastiane." Wong, the fifth artist selected for the National Gallery's Modern and Contemporary program, completed the piece during a one-year residency, exploring how the martyr's image has evolved across centuries and what it means in contemporary times.
Arts Council England announced the results of the 2024-25 Cultural Gifts Scheme and Acceptance in Lieu initiatives, through which 32 artworks valued at nearly $80 million entered public collections. Highlights include Edgar Degas's pastel *Danseuses roses* (ca. 1897–1901) donated to the National Gallery, paintings by Max Liebermann and Max Pechstein given to the Ashmolean Museum, a historic desk used by Prime Ministers Benjamin Disraeli and Winston Churchill acquired by the National Trust, and 77 photographs by Bill Brandt donated to Tate. The report covers transfers from April 2024 to March 2025.
The Museum of Fine Arts Boston has opened "Van Gogh: The Roulin Family Portraits," the first exhibition dedicated to Vincent van Gogh's portraits of the Roulin family—the local postman Joseph Roulin, his wife Augustine, and their children. The show brings together 14 of Van Gogh's 26 depictions of the family, including loans from the Van Gogh Museum in Amsterdam, the Museum of Modern Art, the Metropolitan Museum of Art, the Philadelphia Museum of Art, the National Gallery of Art, and the Museum Boijmans Van Beuningen. The exhibition was inspired by a 2018 conversation between curators Nienke Bakker and Katie Hanson, who realized no show had ever focused on this working-class family that was so central to Van Gogh's portraiture.
Todd von Ammon, a young gallerist, critiques the contemporary art market's over-reliance on art fairs and the homogenization of gallery spaces into a sterile, grid-like system. He contrasts this with the lost charm of discovering hidden, architecturally unique galleries in labyrinthine neighborhoods, which he argues fosters a sense of urban belonging and agency for collectors and art workers. The article traces the shift from the rabbit warrens of SoHo to the dense Chelsea gallery district and the rise of the modern art fair, epitomized by Art Basel's expansion to Miami Beach in 2002, which he likens to a pyramid scheme that burdens young galleries with high costs for minimal returns.
Nnena Kalu, a 59-year-old Scottish artist with a learning disability, has won the 2025 Turner Prize, one of the world's most prestigious art awards. Her winning works include vast, swirling abstract drawings and sculptures made from wound VHS tape and found fabric, described as direct, honest, and compelling. The article argues that Kalu won not because of or despite her disability, but on the merit of her art, which stands out for its aesthetic simplicity and emotional power.
The Barbican Centre in London will close for one year starting in June 2028 as part of a five-year "Barbican Renewal Programme" to renovate its three gallery spaces and other infrastructure. The City of London Corporation has committed £191 million (about $255.8 million) toward the £240 million ($321.3 million) project, with the remainder to be raised through a fundraising campaign. During the closure, the Barbican plans to collaborate with partners and present programming beyond its walls.
TONO, the time-based art festival, has announced its 2026 lineup, running March 6–22 across Mexico City and Puebla. The program includes video installations, performance commissions, music events, and screenings at venues such as Laboratorio Arte Alameda, Casa del Lago UNAM, Museo Jumex, Museo de Arte Moderno, and Museo Amparo. Featured artists include Tino Sehgal, Space Afrika, Franziska Aigner, Kelman Duran, Ho Tzu Nyen, Avantgardo, Rafael Lozano-Hemmer, and Melanie Smith. International collaborations bring dance works via 99 Canal and Dance Reflections by Van Cleef & Arpels, and a joint evening with Berlin’s Neue Nationalgalerie. The festival is also co-producing Camille Henrot’s exhibition Água Viva at São Paulo’s Instituto Bardi.
Maria Balshaw, director of London’s Tate, has announced she will step down in spring 2026 after nearly a decade leading the museum network. She joined in 2017, succeeding Nicholas Serota, and previously directed the Manchester Art Gallery and the Whitworth Art Gallery. During her tenure, she oversaw major exhibitions including “The EY Exhibition: Van Gogh and Britain” (2019), a Yoko Ono retrospective, and “Sargent and Fashion.” Her final project will be co-curating the largest-ever survey of Tracey Emin at Tate Modern, running from February 27 to August 31, 2026.
Claes Oldenburg's 1969 sculpture *Lipstick (Ascending) on Caterpillar Tracks* was vandalized in October when the letters "ATB" were etched into its metal base. Yale University is relocating the 24-foot-tall work from the Morse College courtyard to the Yale University Art Gallery for conservation and care, following the discovery of the defacement. The sculpture, a beloved campus landmark originally installed in Beinecke Plaza, has a history of being removed and restored due to weather damage and graffiti.
A Frida Kahlo painting, *El Sueño (La Cama)* (1954), sold at Sotheby’s New York for $54.7 million, setting a new auction record for the most expensive artwork by a female artist. The article, using data from the Artnet Price Database, lists the ten most expensive women artists at auction, including Lee Krasner ($11.6 million for *The Eye is the First Circle*), Jenny Saville ($12.4 million for *Propped*), Marlene Dumas ($13.6 million for *Miss January*), and Agnes Martin ($18.7 million for *Grey Stone II*).
The 24th edition of the Biennale de Arte Paiz, titled "El Arból del Mundo" ("The Tree of Life"), has opened in Guatemala City and Antigua Guatemala. Under Italian curator Eugenio Viola, the biennial has expanded from 30 to 46 artists and doubled its venues from 5 to 10, including the Museo Nacional de Arte de Guatemala (MUNAG) and La Nueva Fabrica. The dates have shifted to December to attract visitors from Miami Art Week and Zona Maco in Mexico City. The show features textile works, research-based art, and ecological themes, with highlights including a street installation by Erick Boror.
The Whitney Museum of American Art is preparing to move into a new Renzo Piano-designed building in New York's Meatpacking District, set to open to the public about a year from now. The new downtown location is vastly larger than its current Marcel Breuer building on Madison Avenue, with 50,000 square feet of indoor exhibition space—a 33 percent increase—and a total of 220,000 square feet, nearly triple the size of the old space. The museum's best attendance year was 372,000 visitors in 2009-10, far below MoMA's 3.22 million that same year, but the new building's proximity to the High Line and tourist-heavy neighborhood is expected to dramatically boost visitor numbers.
New York's major art museums, including MoMA, the Guggenheim, the Metropolitan Museum of Art, and the Whitney, are experiencing attendance figures that have not surpassed their peaks from several years ago. MoMA projects reaching 3.24 million visitors for the 2012–13 fiscal year, just shy of its 2009–10 record of 3.22 million, driven by blockbuster exhibitions like "Magritte: The Mystery of the Ordinary" and a Sigmar Polke retrospective. Meanwhile, the Guggenheim's attendance peaked in 2009, the Met saw its busiest season in 2011–12 with 6.28 million visitors and is now on track for a second consecutive decline, and the Whitney's high was 372,000 in 2009–10. Factors cited include a harsh winter, ongoing construction at the Met, and a shift toward more scholarly exhibitions, though tourism growth in New York continues, especially among international visitors.
Tania Willard, a mixed Secwépemc and settler artist from Neskonlith, British Columbia, has won the 2025 Sobey Art Award, receiving CAD$100,000 ($71,000). The announcement was made at the National Gallery of Canada in Ottawa. The award, established in 2002 by the Sobey Art Foundation, supports contemporary Canadian artists. The five other shortlisted artists—Tarralik Duffy, Chukwudubem Ukaigwe, Sandra Brewster, Swapnaa Tamhane, and Hangama Amiri—each receive CAD$25,000. Willard's land-based, community-focused practice centers Indigenous resurgence, and her site-specific installation *Declaration of the Understory* is on view at Bentway Staging Grounds in Toronto through spring 2026.