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protestors visit the whitney after cancelation of pro palestine performance

On Friday, May 23, arts and culture workers protested at the Whitney Museum in New York following the museum's cancellation of a pro-Palestine performance titled "No Aesthetics Outside My Freedom: Mourning, Militancy, and Performance" by artists Fadl Fakhouri, Noel Maghathe, and Fargo Tbakhi. The protest, organized by Writers Against the War on Gaza, took place during the museum's Free Friday Night event, with demonstrators unfurling a Palestinian flag and a banner reading "Creativity Does Not Have to Rely on Death," distributing brochures demanding the removal of board members with ties to Israel, and calling out museum leadership for censorship. The performance, originally scheduled for May 14 as part of the Whitney's Independent Study Program, was canceled after museum leadership viewed a recording of its initial presentation at the Poetry Project, citing concerns that it "valorized specific acts of violence" and singled out community members based on belief systems.

thomas kinkade foundation responds dhs morning pledge post

The Thomas Kinkade Family Foundation has publicly condemned the Department of Homeland Security (DHS) for using Kinkade's painting *Morning Pledge* in a July 1 social media post on X that included the phrase “Protect the Homeland.” The foundation stated it did not authorize the use of the artwork and that the post promotes division and xenophobia, which is antithetical to its mission. It has requested the post's removal and is consulting legal counsel. This follows similar complaints from artist Morgan Weistling, whose painting *New Life in A New Land* was used by DHS without permission, and criticism over DHS's use of John Gast's *American Progress* (1872), owned by the Autry Museum of the American West.

trump big beautiful bill space shuttle discovery museum houston

President Donald Trump signed the "One Big Beautiful Bill Act" on July 4, which includes a provision requiring the Smithsonian Institution to transfer a space vehicle—widely understood to be the space shuttle Discovery—to NASA. The shuttle has been displayed at the Steven F. Udvar-Hazy Center in Chantilly, Virginia, since 2012. The move must be completed by January 4, 2027, and $85 million has been allocated for planning, transportation, and a new exhibition facility in Houston. The provision originated from the "Bring the Space Shuttle Home Act" introduced by Texas senators John Cornyn and Ted Cruz, after their state lost the original competition to host Discovery.

ucca centre for contemporary art allegedly withheld wages

The UCCA Center for Contemporary Art in Beijing allegedly withheld staff wages for six months from January to June, according to the South China Morning Post. The institution, founded by the late Belgian collectors Guy and Myriam Ullens in 2007, has faced financial challenges including lower ticket sales, higher international freight costs, stricter rental demands from its landlord in Beijing's 798 Art District, and difficulty collecting payments from international partners. Its Shanghai branch, UCCA Edge, has seen no activity since June after an exhibition co-presented with the Saudi Ministry of Culture. Director Philip Tinari acknowledged a difficult year for museums in China, citing a slower consumer economy, and said the UCCA is working on long-term funding solutions.

wesley lepatner met museum trustee dead

Wesley M. LePatner, a newly elected trustee of the Metropolitan Museum of Art in New York, was among four people killed by a gunman in a Midtown office building on Monday. LePatner was a senior managing director at Blackstone, where she served as global head of its Core+ Real Estate division and CEO of the Blackstone Real Estate Income Trust. She had just been elected to the Met’s board in February and was previously a member of the Met’s Friends of European Paintings group.

wet paint in the wild li hei di debut solo show

Artist Li Hei Di documents her first solo show with Pace Gallery, titled "Tongues of Flare," in Hong Kong through a disposable camera photo diary for Artnet News's "Wet Paint in the Wild" column. The 28-year-old London-based artist shares behind-the-scenes moments from her opening at Pace HK, including dinner with friends, visits to Tai Kwun Museum and M+, and an after party at an ice-cream shop where a custom flavor named Plum_Black_Field was created. The show is set to travel to the Pond Society during Shanghai Art Week in the fall.

100 massive elephant sculptures beverly hills

The Great Elephant Migration, a public art project featuring 100 life-size elephant sculptures, has concluded its cross-country journey in Beverly Hills, California. The sculptures, crafted by Indigenous artisans of the Coexistence Collective in India from the invasive lantana camara weed, represent real elephants from the Nilgiri Biosphere Reserve and the Sheldrick Wildlife Trust. The herd traveled 5,000 miles via electric trucks, making stops in Newport, New York, Miami, Houston, Jackson Hole, and Montana, before arriving at Beverly Gardens Park. The artworks are for sale, with prices ranging from $8,000 to $22,000, and sales have exceeded $3 million, with proceeds supporting 22 conservation NGOs.

diana de rosa

A rediscovered Baroque painting by 17th-century Neapolitan artist Diana de Rosa, titled *Salome with the Head of Saint John the Baptist*, sold for £317,500 ($436,086) at Sotheby’s Old Masters and 19th Century Paintings sale in London on July 2, more than quadrupling its high estimate. The work, previously unknown to scholars, set a new auction record for the artist and was described by Sotheby’s specialist Elisabeth Lobkowicz as a powerful image comparable to Caravaggio’s treatment of the same subject.

work of the week emily kam kngwarray

Artnet News's "Work of the Week" highlights Emily Kam Kngwarray's painting *Desert Storm* (1992), currently on view at Pace London as part of the exhibition "My Country." Painted midway through her career, the work marks a stylistic shift from intricate dotting to broader strokes and expansive color fields. The piece is priced between $1 million and $1.5 million, aligning with the artist's auction record of $1.3 million (AUD $2.1 million) for *Earth's Creation I* (1994), sold at Cooee Art Gallery in 2017. The exhibition is organized with D'Lan Contemporary, which has branches in New York, Melbourne, and Sydney, and 10 percent of proceeds will support the Utopia community, in addition to the Artist Resale Right returned to Kngwarray's estate.

uk museums defend corporate funding

A group of officials overseeing major UK cultural institutions, including the British Museum, the Victoria and Albert Museum, and the National Gallery, have signed a public letter defending corporate sponsorship. Published in the Financial Times, the letter calls for an end to "relentless negativity" around private sector partnerships and is backed by ten organizations, including the Science Museum Group. It follows protests over Baillie Gifford's sponsorship of literary festivals due to its ties to fossil fuels and Israel, which led nine festivals to end partnerships in 2023.

asian artists under 35 are doing at auction

A new analysis by The Asia Pivot reveals that total global auction sales for Asian artists born between 1990 and 1999 dropped to $9.7 million in 2024, the lowest level in three years. The market for these young artists shows clear signs of cooling, with 696 lots sold out of 1,128 offered, a 62% sell-through rate, and an average price per lot falling 26.5% year-over-year to $13,905. Top-ranked artists like Raghav Babbar and Anna Park saw steep price declines, while a few consistent performers like Yukimasa Ida, Sun Yitian, and Chris Huen Sin-Kan maintained strong market recognition.

prado museum clara peeters exhibition

The Museo del Prado in Madrid has opened its first-ever exhibition dedicated to a female artist, "The Art of Clara Peeters," 197 years after the museum's founding. The show features 15 major works by the Flemish still-life painter, active in early 17th-century Antwerp, and is curated by Alejandro Vergara, the museum's Chief Curator of Flemish and Northern School Painting. The exhibition runs from October 25, 2026, to February 19, 2017, and is co-organized with the Koninklijk Museum voor Schone Kunsten in Antwerp.

op ed museums gender and pay

The article examines how gender pay disparities and the fear of a "pink-collar" profession persist in the art museum world, triggered by comments from Meta CEO Mark Zuckerberg about "masculine energy" in the workplace. It recounts a 2020 forum where National Gallery of Art director Kaywin Feldman expressed concern that art museums becoming predominantly female could lower salaries, a remark initially seen as sexist but later contextualized by the author's investigation into the origins of such fears. The author traces the concept to a 2016 New York Times article citing research on how female-dominated fields see pay drops, and explores how even progressive leaders like Feldman can inadvertently perpetuate gender bias.

protesters crash koch plaza opening at the met

The Metropolitan Museum of Art unveiled its new $65 million David H. Koch Plaza on Tuesday, featuring two 48-jet granite fountains, 106 newly planted trees, and shaded seating areas. The dedication ceremony included remarks from Met director Thomas Campbell, outgoing president Emily Rafferty, and trustee David Koch, who funded the project. However, the opening was disrupted by protesters criticizing Koch's climate change denial, leading to police clearing the plaza.

marsha p johnson biography art tourmaline tiny reparations

This excerpt from Tourmaline's forthcoming book "Marsha: the Joy and Defiance of Marsha P. Johnson" (Tiny Reparations, May 20) focuses on Marsha P. Johnson's use of hand-sewn banners and textile art as tools of activism and joy within the gay liberation movement. It describes her creation of banners reading "GAY POOOR PEOPLE" and "Gay Love," the latter borrowed by the Hot Peaches theater troupe, and her broader artistic practice spanning acting, performance, fashion, and songwriting. The text also notes artist Tuesday Smilie's 2018 recreation of Johnson's STAR banner for an exhibit at the Rose Art Museum.

bennett prize after deliberation first all women jury winner announced

Amy Werntz, a Dallas-based figurative painter, has won the fifth Bennett Prize, the largest art award for women working in figurative painting. The announcement was made at the Muskegon Museum of Art in Michigan, where an exhibition of finalists opened. Werntz, a previous finalist in 2021, received $50,000 and a solo show for her lifelike depictions of elderly people in everyday scenes. For the first time, the winner was chosen by an all-female jury, which included painter Margaret Bowland, artist Angela Fraleigh, and curator Gloria Groom. The runner-up, Nicole Santiago, won $10,000. The traveling exhibition will visit several museums across the United States through 2027.

takahashi mizuki textile art

In a recent edition of Artnet Pro's newsletter 'The Asia Pivot', the director of CHAT (Centre for Heritage, Arts and Textile) in Hong Kong reflects on highlights from Art Basel Hong Kong, including textile-based works by Movana Chen, Huan Po-Chi, and Ade Darmawan. The article discusses the growing engagement of contemporary artists with traditional craft practices like weaving, embroidery, and dyeing, particularly during the pandemic, and notes the distinct lineage of fiber art in Asia compared to the West, where it emerged as a subgenre of Modernism in the 1960s.

metropolitan museum of art trump dei programs

Metropolitan Museum of Art director Max Hollein stated in an interview with French publication Le Quotidien de l'Art that the Trump administration's push to eliminate federal DEI programs will not affect the Met, as it is a private organization not subject to those executive orders. The interview, conducted during the Centre Pompidou's 'TransFORMS' exhibition dedicated to Hollein's father, architect Hans Hollein, also covered deaccessioning, repatriation, and the upcoming opening of the renovated Michael C. Rockefeller Wing.

“Iter Subterraneum” / Bergen Kunsthall, Bergen by Adele Seip

Bergen Kunsthall has launched "Iter Subterraneum," a group exhibition inspired by Ludvig Holberg’s 1741 satirical novel about a man who falls through a cave in Bergen into a subterranean world. The show features ten international artists, including Robert Gabris, Anicka Yi, and Cecilia Fiona, whose works span video, sculpture, and performance. By pairing historical editions of Holberg’s book with contemporary installations, the exhibition explores themes of displacement, collective existence, and the blurring of lines between human and non-human life.

literature hans ulrich obrist curator book

Hans Ulrich Obrist, the prolific Swiss curator and artistic director of Serpentine Galleries, discusses his lifelong passion for books in a new interview timed to the U.S. release of his memoir "Life in Progress." Obrist reveals his daily ritual of buying a book, which has amassed an archive of over 40,000 volumes housed at LUMA Arles, and shares current reading recommendations including Kenneth O. Stanley's "Why Greatness Cannot Be Planned." He also reflects on the serendipitous origins of his Instagram Post-it note project, inspired by philosopher Umberto Eco and artist-poet Etel Adnan.

art dead artists museum exhibitions politics

CULTURED reports that in 2025, nearly 50 percent of solo exhibitions at New York museums featuring modern and contemporary art focused on deceased artists, more than double the 18 percent share in 2019. Major institutions like MoMA, the Broad, ICA Miami, and the Whitney have programmed posthumous shows for figures such as Wifredo Lam, Helen Frankenthaler, Ruth Asawa, Robert Therrien, Joyce Pensato, Richard Hunt, and Roy Lichtenstein. The article traces this trend to a confluence of factors: ongoing scholarly revisionism, a cultural swing toward equity during the Biden administration, and the long lead times for museum exhibitions that have landed in a more polarized political climate under Trump II.

art film tina kukielski art21 documentary

Art21, the nonprofit documentary platform behind the PBS series *Art in the Twenty-First Century*, is celebrating its 25th anniversary and the 12th season of its Peabody Award-winning series. In an interview with *CULTURED*, Executive Director and Chief Curator Tina Kukielski discusses how the organization has evolved from its early days in 2001 to embrace digital platforms like YouTube and TikTok, producing over 575 films featuring more than 300 artists. The organization also offers educational programming through Art21 Educators and makes its archive freely available to a global audience of five million.

art young photographer chris cook

Cultured magazine profiles Chris Cook, a 33-year-old New York photographer nominated by Ming Smith. Cook describes himself as a "native tourist" of New York, chronicling urban life through photography. His book documenting the 2020 Black Lives Matter protests has been acquired by major institutions including the Metropolitan Museum of Art, Yale University, the British Library, and the National Gallery of Art in Washington, DC. Cook cites influences such as Jamel Shabazz, Roy DeCarava, Ming Smith, Kerry James Marshall, Gary Simmons, and Jean-Michel Basquiat.

tim blum gallery closure

Tim Blum, co-founder of the influential Los Angeles gallery Blum & Poe, announced the closure of the gallery last week. Blum, who took over after Jeff Poe left the business in 2023, cited personal burnout and a system-wide problem of over-expansion as reasons for the decision. In an interview with CULTURED editor-in-chief Sarah Harrelson, Blum reflected on his 35-year career, his role in building LA into an art-market capital, and his plans to stay involved in the art world in a new, alternative form.

about last week an orbit through the highs and sighs of new yorks art fair multiverse

Writer and critic Domenick Ammirati chronicles a whirlwind week in New York during Frieze Week, visiting art fairs, exhibitions, and social events. Highlights include Jeff Koons' Hulk sculptures at Gagosian's Frieze booth, discovering painter Karol Palczak at Emalin gallery, and attending the group painting show "R U Still Painting???" curated by the collective FALCON in a raw Midtown office space. Ammirati notes a subdued, less intoxicated atmosphere compared to previous years, reflecting a broader unease in the art world.

Open Letter on the Imminent Departure of the Gelman Collection from Mexico

An open letter signed by hundreds of Mexican artists and cultural figures warns that the core of the renowned Gelman Collection, including eleven Frida Kahlo paintings declared national monuments, is at risk of permanent export from Mexico. The letter alleges that Banco Santander's new Faro Santander museum, through an agreement with collector Marcelo Zambrano, is misinterpreting Mexico's strict heritage laws to justify a "dynamic" but effectively permanent display abroad, which would violate the legal prohibition on the permanent export of Kahlo's work.

A Senegalese Artist Who Crossed Boundaries Others Didn’t Dare

A major exhibition at the Metropolitan Museum of Art is dedicated to the work of Senegalese modernist painter Iba Ndiaye. The show, "Iba Ndiaye: The Studio of the World," presents a comprehensive look at his career, tracing his journey from Senegal to Paris and his unique synthesis of global artistic traditions.

Sue Webster: Fandoms and Icons

Sue Webster's solo exhibition 'Birth of an Icon' at Firstsite in Colchester traces her lifelong obsession with pop culture, from teenage fandom of Siouxsie Sioux to her evolution as an artist. The show features a sprawling installation 'The Crime Scene' (2017–) that maps her personal history through albums, newspaper clippings, and objects, alongside painted jackets and self-portraits. It marks a departure from her earlier work as half of the duo Tim Noble and Sue Webster, embracing a more personal, amateurish style that reflects her journey through adolescence, marriage dissolution, and motherhood.

Meet the 2026 Turner Prize shortlisted artists

The 2026 Turner Prize shortlist has been announced, featuring four artists: Simeon Barclay, Kira Freije, Marguerite Humeau, and Tanoa Sasraku. They will exhibit at Teesside University’s Middlesbrough Institute of Modern Art (MIMA) in September 2026, with the winner revealed on December 10. The jury, chaired by Tate Britain director Alex Farquharson, includes Sarah Allen, Joe Hill, Sook-Kyung Lee, and Alona Pardo. The shortlisted artists work across installation, performance, and sculpture, with themes ranging from human emotion and industrial heritage to ecological concerns and political history.

Selfie-Friendly Pedro Reyes Sculpture Sparks Controversy at LACMA

Nearly eighty Mexican cultural figures have signed an open letter condemning the installation of Pedro Reyes's sculpture 'Tlali' (2026) in the plaza of LACMA's new David Geffen Galleries. The work, described as a selfie-friendly monolithic face inspired by Olmec art, closely resembles a 2021 proposal for a Mexico City sculpture titled 'Tlalli' that was abandoned after protests from hundreds of cultural workers. Critics argue that Reyes, a male artist who does not identify as Indigenous, should not represent Indigenous womanhood, and that the new work perpetuates colonial stereotypes and nationalistic aesthetics. LACMA has defended the piece, claiming it is entirely different in purpose and meaning, while Reyes has not commented.