LACMA Unveils Ambitious David Geffen Galleries Redesign

The Los Angeles County Museum of Art (LACMA) has announced the official opening date of April 19, 2026, for its new David Geffen Galleries. Designed by Pritzker Prize-winning architect Peter Zumthor, the 274-meter-long concrete structure will house between 2,500 and 3,000 objects from the museum's permanent collection. The inaugural display will feature a mix of historical masterpieces by artists such as Matisse and Van Gogh alongside new contemporary commissions by Todd Gray, Lauren Halsey, and Do Ho Suh.

Exhibitions Coming to Houston Institutions in Summer 2026

Art museums and institutions across the Greater Houston area are opening a series of new exhibitions for summer 2026. Highlights include the Czech Center Museum Houston's solo show of travel photography by Clarice Marik Snokhous; Art League Houston presenting Marisol Valencia's installation "No Longer, Not Yet" and Juvana Soliven's "Subject to Surviving"; Houston Center for Photography featuring Simon Silva's "Madre Patria"; the Contemporary Arts Museum Houston launching the first survey of Mary Ellen Carroll's work; and the Moody Center for the Arts at Rice University hosting Masako Miki's first Texas exhibition.

Studio Visit: Ding Yi on his major Venice exhibition ‘Cosmotechnics’

Artist Ding Yi, known for his decades-long dedication to the cross motif in abstraction, is preparing for his major Venice exhibition 'Cosmotechnics' at the Fondazione Querini Stampalia. The show, running from 9 May to 22 November 2026, features key archival works alongside a new series of twelve black-and-white basswood relief paintings and two stone steles carved with his signature cross pattern. Ding Yi reflects on his artistic journey, which began in 1988 at the Shanghai Academy of Fine Arts, and his shift from strict geometric grids to more intuitive, cosmic-inspired compositions.

Museum diplomacy in action at ICOM UK 2026: museums in a changing world

ICOM UK hosted its 2026 annual conference in Oxford, bringing together delegates from over 20 countries to explore the theme of 'Museum Diplomacy.' Keynote speaker Dr. Sascha Priewe of the Aga Khan Museum and ICOM Canada framed the current geopolitical moment as a 'GZERO World,' where no country is willing or able to lead globally, and discussed how sanctions, export controls, and shifting alliances are straining international museum collaborations. Sessions featured case studies from the Science Museum Group and International Arts & Artists, emphasizing that trust and networks, not grand gestures, are essential for enduring partnerships.

5 Artists to See at Converge 45

New York curator Lumi Tan has organized the 2026 Converge 45 triennial in Portland, Oregon, titled "Here, To You, Now." Running from August 27 across more than 15 venues, the triennial prioritizes performances and time-based artworks over traditional gallery exhibitions, featuring both local and visiting artists. Tan, whose background includes stints at the Kitchen, Luna Luna, and Frieze New York, selected five standout artists: Lex Brown (presenting an operatic video and installation), Trisha Baga (a 3D video installation about AI and parenting), Rose Salane (archival works involving Princess Diana’s shoes), and Linda K. Johnson (a choreographer mapping Portland’s dance network).

Bones in the Canal and Other Photographs

David Kordansky Gallery in New York is presenting 'Bones in the Canal and Other Photographs,' a solo exhibition of new work by Norwegian artist Torbjørn Rødland. This marks his first New York gallery show in nearly a decade. The exhibition features two distinct series, including a significant new body of smaller-format 35mm photographs that represent a major shift in his 30-year practice. The show runs from March 12 to April 25, 2026, at the gallery's West 20th Street location.

Titanic, a deep emotion

Artist Claudia Bitrán is debuting her long-awaited solo exhibition, "Titanic, a deep emotion," at Cristin Tierney Gallery in New York City. The show features a scene-by-scene remake of James Cameron’s 1997 blockbuster, meticulously reconstructed over a decade using lo-fi materials, DIY production methods, and a cast of over 1,400 volunteers. The exhibition is presented as a three-channel film installation complemented by paintings, sculptural props, and storyboards that highlight the labor-intensive, communal process of its creation.

Mexico City's art scene gravitates to Santa María la Ribera neighbourhood

The artistic center of gravity in Mexico City is shifting from established gallery districts like Condesa and Roma to the Santa María la Ribera neighborhood. Over the past five years, a wave of artists has moved there, drawn by affordable rents, large studio spaces, and a central location, transforming the area into a vibrant, organic hub for artistic production and new, non-traditional exhibition spaces.

Chicago's New Design Hub | MoCP's Tonika Lewis Johnson Show | Inside Bar Tutto

Volume Gallery is relocating to a larger space at 1700 West Hubbard Street in Chicago, opening in February with a group exhibition titled 'The Heresy of Legacy.' The Museum of Contemporary Photography announced a solo exhibition by MacArthur Fellow Tonika Lewis Johnson for fall 2027. Elise Seigenthaler Gallery will open in West Town on January 9, while Christina Vassallo is leaving Cincinnati's Contemporary Arts Center to join the Pew Center for Arts & Heritage. Additionally, Novak Construction is set to buy the southern portion of Lincoln Yards, and a River North office building will be converted into apartments.

During Guadalajara Art Week, exhibitions and fairs raise city’s profile

During the fourth annual Guadalajara Art Week, held in late September 2025, Mexico's art world converged on the city for five days of fairs, exhibitions, public programs, and studio tours. Key events included Estación Material, a boutique fair launched by Material Fair director Brett Schultz, where galleries presented single-artist installations; a performance art showcase by Salón Acme's Estudio Acme program; and a new edgy fair called Temporal, held in a dilapidated downtown building. Standout artists included Sebastián Hidalgo (showing with Saenger Galería) and Othiana Roffiel (with Galería Karen Huber). The week also featured exhibitions in distinctive venues such as a 1940s garment factory, a 19th-century cemetery, and Casa Cristo, an early work by architect Luis Barragán.

Autumn Arts: Visual Art

Seattle's galleries and museums are launching a fall season of exhibitions addressing politics, identity, and the environment, alongside works celebrating beauty. Highlights include Karey Kessler's map-inspired show 'the Where' at Shift Gallery, Ethan Murrow and Mary Finlayson exhibitions at Winston Wächter Fine Art, Anila Quayyum Agha's immersive light installation 'Geometry of Light' at the Seattle Asian Art Museum, and a politically charged neon show 'Call It What It Is' at The Factory. The city-wide Art + Culture Week returns for its second edition, featuring free events across 12 neighborhoods.

Un grand dessin de Beckmann pour Stuttgart

The Staatsgalerie Stuttgart has acquired a monumental drawing by Max Beckmann titled *Resurrection*, measuring nearly five meters long and three and a half meters high. Executed between 1916 and 1918, it is the largest painting by the artist and a key work in his oeuvre, created after his traumatic experience as a volunteer medical orderly in World War I. Beckmann described the piece as expressing 'the terrifying cry of pain of deceived poor humanity,' marking a shift toward a new formal vocabulary influenced by the war.

The non-renewal of Sébastien Allard confirms the Louvre's metamorphosis

Le non renouvellement de Sébastien Allard confirme la métamorphose du Louvre

Christophe Leribault, the new president of the Louvre, has decided not to renew the contract of Sébastien Allard as director of the painting department, a position Allard held since 2014. This move is part of a broader shift in leadership style and institutional direction under Leribault, who is described as fostering genuine social dialogue and actively participating in meetings, in contrast to his predecessor.

‘We refuse_d’: rehearsing refusal as method, memory, and possibility.

Marking the fifteenth anniversary of Mathaf: Arab Museum of Modern Art, the traveling exhibition ‘we refuse_d’ has opened at M HKA in Antwerp. Curated by Nadia Radwan and Vasif Kortun, the project draws on the intellectual lineage of Hannah Arendt’s reflections on displacement and the historical precedent of the Salon des Refusés. The exhibition features a constellation of works by artists including Khalil Rabah, Barış Doğrusöz, and Nour Shantout, exploring refusal not as a simple negation, but as a complex strategy for survival, dignity, and the preservation of memory.

London exhibition explores untold history of how homelessness was criminalised

A new exhibition titled "Criminal: The Untold History of Homelessness" opens at the Museum of Homelessness in London, exploring the origins of homelessness in the UK and how it has been criminalized. The exhibition challenges the typical focus on the 19th-century Vagrancy Act, instead tracing the "Homelessness Big Bang" to the early 1600s, when land enclosures, economic shifts, and colonial expansion began penalizing unhoused people. Staged in a meadow at Finsbury Park, the show features artists and activists including the anonymous graffiti artist 10 Foot, designer Matt Bonner, and poet Gemma Lees, with works such as 10 Foot's first sculpture "Fairie Newbuild"—a skip-shaped object made from palisade fencing containing a hawthorn tree.

Hong Kong Artists Bring Quiet Reflection to Venice

The 61st Venice Biennale, themed “In Minor Keys” by late curator Koyo Kouoh, emphasizes quiet reflection over spectacle. A collateral exhibition titled “Fermata: Hong Kong in Venice,” curated by the Hong Kong Museum of Art (HKMoA), runs through November 22, 2026, and features two Hong Kong-born artists: Kingsley Ng and Angel Hui. Ng’s installation *Laundry Nocturne* (2026) uses projections and sound to connect the shared laundry-drying traditions of Venice and Hong Kong, while Hui’s *I Would Like to Open a Window for You* (2026) incorporates wrought-iron window frames crafted with local metalsmiths. Both artists explore everyday experiences, memory, and quiet emotions, aligning with the Biennale’s call for a slower, more reflective engagement with art.

The Best Booths at NADA New York, From Quietly Ominous Ceramics to Ecstatic Jazz Paintings

The New Art Dealers Alliance opened the 12th edition of NADA New York on May 14, 2026, at Chelsea’s Starrett-Lehigh building, coinciding with Frieze and 1-54 fairs nearby. The fair featured 110 exhibitors, including 51 first-time galleries from New York to Shanghai, with standout presentations by Andrae Green and Cyle Warner at Forgotten Lands, Ruth Owens at Voltz Clarke, and Keiko Narahashi at Tappeto Volante Gallery. This year’s edition emphasized ceramics and fiber art, marking a shift from recent years’ focus on figurative painting.

US National Gallery of Art receives $116m gift to continue nationwide lending programme

The National Gallery of Art (NGA) in Washington, DC, has received a landmark $116 million donation from the Mitchell P. Rales Family Foundation to permanently endow its Across the Nation lending programme. Launched in spring 2025, the initiative has already reached around 900,000 visitors at ten partner institutions, including the Anchorage Museum and the Mint Museum, by loaning works from the NGA's collection at no cost—covering transport, installation, insurance, and marketing. The next cycle will run from autumn 2027 to 2029, with new partners to be announced.

Venice Biennale Jury Resigns in the Wake of Controversial Prize Ban

The jury for the 2026 Venice Biennale has resigned just days before the public opening on May 9, after announcing on April 22 that it would not consider artists from countries accused of crimes against humanity for the Golden and Silver Lion prizes. The jury, consisting of Solange Oliveira Farks (president), Zoe Butt, Elvira Dyangani Ose, Marta Kuzma, and Giovanna Zapperi, cited its earlier statement of intention in its resignation, which directly impacted the participation of Russia and Israel—both subject to International Criminal Court warrants. In response, the Biennale postponed the awards ceremony from May 9 to November 22 and replaced the traditional jury with a public vote for best participant and best national participation, framing the move as upholding openness and rejecting censorship.

Venice Biennale Jury Resigns En Masse, Organizers to Award “Visitors’ Lions” in November

The jury for the 2026 Venice Biennale has resigned en masse, announcing the decision via e-flux's Instagram account on April 30 without providing a reason. The five-member jury, including president Solange Oliveira Farks, Zoe Butt, Elvira Dyangani Ose, Marta Kuzma, and Giovanna Zapperi, had previously stated they would not consider national pavilions from countries charged with crimes against humanity by the International Criminal Court, directly affecting Israel and Russia. In response, the Biennale postponed the awards ceremony from May to November 22 and replaced the Golden Lions with two "Visitors' Lions" voted on by the public.

Turkey Notches Another Successful Restitution After Denver Art Museum Returns 1500-Year-Old Marble Head

The Denver Art Museum has repatriated a 1,500-year-old marble head of a bearded man to Turkey, following a successful restitution claim. The sculpture, which dates back to the fifth century BCE, was originally unearthed in the agora of the ancient city of Smyrna (modern-day Izmir) and was likely trafficked illicitly before entering the museum's collection. The artifact is now on public display at the İzmir Archaeology Museum.

MoMA PS1’s “Greater New York” Is Gritty, Stunning, and Gutting

MoMA PS1 has launched the sixth edition of "Greater New York," a quinquennial survey featuring over 50 artists living and working in the city. Coinciding with the museum’s 50th anniversary, the 2026 iteration focuses on artists in the formative stages of their careers, emphasizing a gritty, raw aesthetic over the polished, market-driven surfaces often found in major biennials. The exhibition highlights photography and installation work that reflects the city's complex immigrant narratives and evolving urban identity.

New York Mayor Zohran Mamdani to Skip Met Gala, Sources Say

New York City Mayor Zohran Mamdani and his wife Rama Duwaji will reportedly skip the 2025 Met Gala, breaking a long-standing tradition of mayoral attendance at the Metropolitan Museum of Art’s premier fundraiser. Sources suggest the decision stems from a conflict between Mamdani’s socialist political platform and the event's association with billionaire sponsors, specifically Jeff Bezos and Lauren Sánchez-Bezos.

Activist Super-Glues Herself to Display Cabinet at Berlin’s Bode Museum

An activist from the group New Generation staged a protest at Berlin’s Bode Museum by super-gluing herself to a display cabinet containing coins. Dressed as Germany’s Economic Affairs Minister, Katherina Reiche, the protester aimed to criticize the minister's perceived lack of independence from corporate interests. Police successfully removed the activist, and the Prussian Cultural Heritage Foundation confirmed that no museum exhibits were damaged during the incident.

In the Studio With Rama Duwaji

Syrian-American artist Rama Duwaji discusses her evolving art practice and her new role as the First Lady of New York City following her husband Zohran Mamdani’s mayoral victory. Known for her distinct illustrations and animations for major institutions like the Tate Modern and the New Yorker, Duwaji is now transitioning into a more public-facing life while maintaining a studio practice at Gracie Mansion. Her work, which spans hand-drawn animation, ceramics, and paintings on found materials like cardboard, continues to blur the lines between commercial illustration and fine art.

France’s new restitution law passes final vote

The French parliament has officially passed framework legislation establishing a legal pathway for the restitution of cultural artifacts looted from former colonies. This landmark law, inspired by a report from former Louvre director Jean-Luc Martinez, allows for the deaccession of items taken by force or under duress between 1815 and 1972. While the law fulfills a 2017 pledge by President Emmanuel Macron, it remains strictly supervised, requiring bilateral scientific committees to verify claims and excluding military archives and archaeological shares.

How I Shop with Michelle Ogundehin: ‘We grownups have enough stuff already’

Michelle Ogundehin, the former editor-in-chief of Elle Decoration and current head judge on BBC’s Interior Design Masters, shares her personal shopping philosophy and favorite sources for design and art supplies. The interview highlights her preference for tactile, high-quality essentials over mass consumerism, citing her love for artist-grade watercolor paper from L. Cornelissen & Son, vintage tapestries from Larusi, and curated items from Japan House London.

Comment | The market grew in 2025 but ‘interest in art is waning’

The global art market saw a 4% growth in 2025 according to the latest Art Basel and UBS Art Market Report, yet the industry remains on edge. Despite the headline increase, the report reveals a sharp decline in the average number of buyers per gallery—reaching its lowest level since 2021—and rising operational costs for shipping and logistics. Protectionist trade policies and geopolitical instability, particularly escalating conflicts in the Middle East affecting oil prices, continue to strain the contemporary sector.

Trustees of Renowned West Coast Artist Residency Visited Epstein’s Island

Two trustees of the prestigious Djerassi Resident Artists Program, Alexander Maxwell Djerassi and Michael Molesky, were identified in recently released Department of Justice files as visitors to Jeffrey Epstein’s private island in 2011. The pair attended the "Mindshift Conference," a gathering of academics and professionals held two years after Epstein’s first conviction. The residency program, located in California's Santa Cruz Mountains, clarified that the visit occurred years before either individual joined the board and emphasized that neither Epstein nor Ghislaine Maxwell ever had any formal ties or donor history with the institution.

Carnival celebrations at a Hungarian retirement home: János Bődey’s best photograph

Hungarian photojournalist János Bődey captures a poignant moment of joy at a retirement home in Páty, near Budapest, featuring two elderly women dressed as a bride and groom for a carnival celebration. The photograph is part of his series "Carnival at the Retirement Home," which documents the resilience and vitality of Hungarian pensioners who maintain a zest for life despite economic hardships and a strained healthcare system.