A solo exhibition titled "Beyond Imagination" by Canadian artist Jack Lockhart is on view at the Alex Dufresne Art Gallery in Callander. The show features roughly 35 paintings spanning 60 years of Lockhart's career, highlighting his evolution from traditional watercolour, acrylic, and oil painting to innovative 3D works created using ChromaDepth glasses.
The University of Michigan Sustainable Food Program has launched “SARA,” a new art exhibition at the Rooting for Change Cafe in Palmer Commons. The gallery features over 10 works by local photographer Erick Díaz Veliz and student artist-curator Antonella Sara, ranging from agricultural photography to mixed-media pieces inspired by the “arte huanca” style of Peruvian painter Josué Sánchez. The opening event integrated culinary traditions with visual art, serving tamales and chicha morada to highlight the sacred role of corn in Andean heritage.
Three emerging artists—Anisa Mosaiebiniya, Maya Davis-Stokes, and Crow Dillon-Parkin—have secured solo exhibitions at the artist-led space Stryx JQ following their completion of the 'Get Gallery Ready' Bootcamp. The program, delivered by Solihull College & University Centre and funded by the West Midlands Combined Authority (WMCA), was designed by art historian Ruth Millington to provide creatives with professional portfolio-building skills and storytelling techniques necessary for career advancement.
A new museum institution called GAMB (Galleria dell’Accademia di Firenze e Musei del Bargello) has been established in Florence, unifying seven cultural sites under a single autonomous museum system. The sites include the Galleria dell’Accademia, Museo Nazionale del Bargello, Orsanmichele, Casa Martelli, Palazzo Davanzati, Cappelle Medicee, and the former Church of San Procolo. A new visual identity designed by Milanese studio Migliore+Servetto features a pictogram that maps the geographic distribution of the venues, along with a custom typeface and color palette unique to each location. The launch also coincides with the start of a public restoration project for the base of Benvenuto Cellini’s *Perseo* at the Bargello, open to visitors from May 12 to September 5, 2026.
The Mennello Museum in Loch Haven, Orlando, has launched the fourth edition of its 'Our Orlando' group exhibition, featuring three local artists: Tasanee Durrett, Mado Smith, and Martha Jo Mahoney. The show, curated by museum director Shannon Fitzgerald and co-curator Flynn Dobbs, includes four works each by Durrett and Mahoney and two by Smith, drawn from studio visits. The exhibition runs through late August with an opening reception on Friday.
On the First Friday of May 2026, ten local galleries and studios in Chattanooga, Tennessee, will participate in the monthly First Friday Art Crawl, with extended evening hours from 5-8 PM. Participating venues include River Gallery, HART Gallery, In-Town Gallery, ICA @ UTC, BFA Open Studios @ UTC, Wavelength Space, Society of Work Northshore at The Velvet Lounge, ClearStory Arts, Stove Works, and AVA – Association for Visual Arts. Several galleries are hosting opening receptions and artist meet-and-greets, featuring artists such as David Boyd, Jim Felder, Steve Loucks, Rick Sanders, Angie To, and Kathleen Thum.
Artist Vio Choe has opened a solo exhibition titled 'Time Interface' at The Page Gallery in Seoul, South Korea. The exhibition features paintings that Choe describes as an attempt to express energy perceived through unconsciousness, aiming to communicate with viewers on a sensory, non-verbal level.
US President Donald Trump's proposed tariff regime for around 60 countries has created uncertainty in the art and antiques markets. Dealers and collectors are grappling with questions about whether art, antiques, and decorative objects are exempt, and how import duties might affect pricing and attendance at US art fairs. Margo Thoma of Tai Modern in Santa Fe reports that a 24% tariff on Japanese goods would likely have prevented two out of four recent sales. Steven J. Chait of Ralph M. Chait Galleries notes that while top-tier collectors may accept higher prices for extraordinary objects, the middle market may balk. Art adviser Todd Levin warns that newer, younger collectors could be most affected, and dealer Eric Zetterquist has canceled his spring buying trip to Asia due to economic uncertainty.
Crit Club, a roving debate series founded by artist and curator Cem A., reimagines the traditional art-world panel discussion by staging face-to-face debates between two figures in a sporting-style arena, complete with absurdist interludes by athletes. Last month, the series invited journalist and art critic to Dubai in collaboration with Alserkal Avenue to debate the motion "Are art fairs relevant?" against artist-turned-dealer Umer Butt, founder of Grey Noise gallery. The debate forced participants to switch sides mid-way, emphasizing that the goal is not to reach a definitive answer but to explore false binaries.
An Oxford primary school is hosting an art exhibition on 16-17 and 23-25 May as part of Oxford Art Weeks, featuring works by celebrity artists to raise funds for improving the school's deteriorating adventure playground and restoring a community green space. The exhibition, themed 'inspired by birds,' is accompanied by talks from historian Mark Davies on how Jericho and Oxford inspired figures like Lewis Carroll and the Pre-Raphaelite Brotherhood.
A conceptual art installation featuring a display of sausages was reportedly consumed by visitors at an art gallery. The incident occurred during an exhibition where the edible components of the artwork were mistaken for refreshments or intentionally consumed as an act of defiance or misunderstanding of the work's boundaries.
A new analysis of damaged statues from ancient Egypt is reshaping the historical narrative of Queen Hatshepsut. Researchers have re-examined 3,500-year-old statuary, finding evidence that the deliberate defacement of her images occurred decades after her death, challenging the long-held belief that her successor, Thutmose III, orchestrated an immediate campaign of destruction against her legacy out of personal animosity.
Iran has denied withdrawing from the 2026 Venice Biennale, despite the Biennale's announcement that the country would not participate. Aydin Mahdizadeh Tehrani, director-general of visual arts at Iran's ministry of culture and Islamic guidance and the country's pavilion commissioner, stated that Iran requested more time rather than submitting a withdrawal. He cited the US-Israel war with Iran, political and economic challenges, and a sharp currency devaluation that tripled projected costs as reasons for the delay. Iran proposed a shorter two-to-three-month participation, which was rejected, but has since sent a letter insisting on opening its pavilion even after the opening. The foreign ministry has intervened to support Iran's participation, and a final response from the Biennale is expected soon.
Simon White, now 68, returned three fragments of medieval clay tiles he took as a nine-year-old from Wenlock Priory in Shropshire during a family outing in the late 1960s. The tiles, dating from the late 13th to early 14th century, were discovered in an old toffee tin during a house move. White contacted English Heritage, which confirmed the provenance using family diaries and historical analysis. One fragment features a previously unknown dragon motif, exciting medievalists.
The Navajo Nation is currently navigating a complex struggle to preserve its cultural heritage against the lingering effects of colonial-era boarding schools and the modern pressures of social media and urbanization. While elders like Virginia Brown recount the trauma of forced assimilation and language suppression, a new generation is grappling with a decline in Navajo fluency, which UNESCO now classifies as a vulnerable language. Despite these hurdles, community members are utilizing local schools and traditional practices to reclaim their identity.
A team of Swiss archaeologists and the nonprofit Octopus Foundation have recovered a 2,000-year-old Roman cargo from Lake Neuchâtel. The haul consists of approximately 600 remarkably preserved artifacts, including stacks of brand-new ceramic plates, bowls, goblets, weapons, tools, chariot wheels, and a wicker basket, dating from between 50 B.C.E. and 50 C.E. The ship itself was not found.
Photographer Eddie Otchere recounts capturing his iconic 1994 black-and-white portrait of Wu-Tang Clan's Method Man in London. Otchere, then a 19-year-old fan, boldly asked to join the group's coach after spotting them, leading to a spontaneous shoot where Method Man performed his "new trick" of contorting his eye.
Antonio Somera discovered 26 steamer trunks belonging to early 20th-century Filipino migrants in a Stockton, California basement in 2005. The trunks' contents, including a pillowcase embroidered with the phrase "HOW CAN YOU FORGET ME," form the core of the exhibition "How Can You Forget Me: Filipino American Stories" at the Smithsonian's National Museum of American History in Washington DC, offering an intimate look at the lives of the Manong Generation of laborers.
Plans to extend the US-Mexico border wall through Val Verde County, Texas, threaten to damage or destroy hundreds of prehistoric rock art murals in the Lower Pecos region. Archaeologists and local landowners warn that construction vibrations could destabilize the rock surfaces housing these ancient paintings, some of which are over 5,700 years old and span up to 100 feet in length.
Tenants at Glasgow's Trongate 103 cultural hub are protesting what they call "unsustainable" rent and service charge increases imposed by City Property, an arm's-length organization managing buildings for Glasgow City Council. Organizations like Transmission Gallery, Street Level Photography, and Glasgow Print Studio face potential displacement after receiving notices to quit or demands for significant cost hikes, with one group citing a £700,000 annual increase.
Photographer Mark Linel Padecio captured his 10-year-old daughter, Xianthee, and her five-year-old cousin, Zack, playing joyfully in the mud of a riverbed on the family farm in Dapdap, Philippines. The moment occurred after a brief rainfall ended a severe drought, transforming a landscape of hardship into one of relief. Padecio, initially surprised by his usually serious city-dwelling daughter's abandon, was moved by the children's authentic happiness to document the scene with his phone instead of stopping them.
The Merchant's House Museum in New York discovered a hidden passageway within a set of drawers, used to conceal people escaping slavery via the Underground Railroad. The find, linked to the home's original abolitionist owner Joseph Brewster, has significantly increased public interest in the historic site.
Greek authorities have arrested Athens-based art dealer and television personality Giorgos Tsagarakis following an investigation into a suspected criminal network involved in the theft, forgery, and illegal trade of antiquities. The arrest, executed by the Organized Crime Division, led to the seizure of hundreds of paintings, ancient ceramics, Byzantine artifacts, and a rare 1745 gold-plated Gospel manuscript. Investigators were reportedly alerted to the illicit items after Tsagarakis posted a video of the artifacts on social media.
Hong Kong artist Chan Wai Lap is presenting several projects tied to Art Basel Hong Kong, including a commissioned jacuzzi-like seating installation called 'Mimimomo Pool' for UBS and an exhibition titled 'Jeremy’s Bathhouse' at the Oi! arts complex. His work explores the visual order and social rules of regulated aquatic spaces like public swimming pools and bathhouses, translating observations of tiled surfaces, lane markings, and behavioral codes into drawings and installations.
Archaeologists from Poland's Relicta Foundation have located the lost medieval village of Stolzenberg in a dense forest near Sławoborze in northwestern Pomerania. The 15-acre site, identified through a combination of historical research, metal detecting, and advanced geophysical surveys, has yielded 1,500 surface anomalies and 400 artifacts, including coins and belt buckles from the 13th-14th centuries, confirming its medieval origins. Radiocarbon dating places the height of its activity in the 14th century.
A new research paper reveals that Sydney's suburban front gardens are shrinking dramatically due to residential redevelopment, with the average front garden declining by 46% in areas where older homes have been replaced by larger modern houses. The study, analyzing 370 properties, found that driveway footprints and artificial surfaces increased by 57%, while tree canopy coverage was reduced by 62%.
Can Tefaf Maastricht keep up with the experience economy?
The 39th Tefaf Maastricht fair opened, showcasing high-quality pre-20th century art and antiques, from Monet paintings to a 1st-century Egyptian vase. However, the fair faces an existential question about the relevance of older art in a market where Old Masters specialists are declining and contemporary art sales are volatile.
Portugal has repatriated three pre-Columbian artifacts to Mexico, marking the first time the country has returned unlawfully acquired antiquities to the Mexican government. The returned items include a Shaft Tomb Culture female figure, a Maya painted vessel, and a Zapotec funerary urn representing the deity Cocijo. The objects were recovered through the cooperation of Portuguese judicial authorities and the Mexican embassy after being flagged at auctions and in various cities including Lisbon, Guimarães, and Évora.
Masterworks, an art investment platform, has filed a lawsuit in New York State Supreme Court against its former chief product officer, Hai Min Tran. The company alleges Tran threatened to sue for wrongful termination after his paternity leave, while Masterworks contends he voluntarily resigned before taking leave and that no part-time contract work was available for him upon his return.
A team of historians, architects, and programmers is digitally reconstructing the Lighthouse of Alexandria, one of the Seven Wonders of the Ancient World. The Pharos Project, led by archaeologist Isabelle Hairy, is scanning thousands of submerged granite blocks and artifacts from the seabed to create a comprehensive 3D model of the structure, which was destroyed by an earthquake in 1303.