Cultured's art critic reflects on the best and worst of 2025, highlighting standout moments including Salman Toor's 2007 portrait of Zohran Mamdani (now mayor-elect of New York), the posthumous Jack Whitten survey "The Messenger" at MoMA, and Anne Imhof's epic production "DOOM: House of Hope" at the Park Avenue Armory. The article also notes Mamdani's arts-friendly transition committee and the broader resilience of artists amid political turmoil.
A group of cultural leaders including Kristina Newman-Scott, Heather Hubbs, Franklin Sirmans, Maribel Pérez-Wadsworth, and Sarah Harrelson hosted a launch party at Tropezón Miami for ECOLOGIES, a four-day series of public programming presented by NADA, the Knight Foundation, Pérez Art Museum, and CULTURED. The event featured tapas and tequilas, with guests including philanthropists Jorge and Darlene Pérez, artist Anastasia Samoylova, and NADA Director Heather Hubbs, among many others. Attendees received a copy of 'The Deep State: Art, Culture & Florida' as a parting gift.
Gallerists Christine Berry and Martha Campbell, founders of Berry Campbell gallery, have spent 13 years rediscovering and championing overlooked 20th-century female artists such as Ethel Schwabacher, Judith Godwin, Bernice Bing, and Lynne Drexler. They will present works by these artists at Art Basel Miami Beach for the second consecutive year, following a record-breaking $2 million sale of Drexler's painting at Christie's in 2025. The duo, who previously worked under Ira Spanierman, launched their gallery in 2013 and have since built a market for artists whose careers were marginalized by gender bias.
Arne Glimcher, the 87-year-old founder of Pace Gallery, opened a satellite gallery called 125 Newbury in Tribeca in 2021 after his son Marc, Pace's CEO, told him he would have to wait three years for a show slot. The gallery, named after Pace's original Boston address, operates under Pace's umbrella but focuses on experimental, scholarly exhibitions that often feature artists not represented by Pace. Glimcher recently mounted a Kiki Smith show pairing her 1990s paper mannequins with bronze birds, and he continues to take risks, such as funding a pond for Max Hooper Schneider's exhibition. Despite the gallery not being self-sustaining, Glimcher remains committed to supporting original art and connoisseurship.
Mary Boone, the renowned gallerist who closed her eponymous gallery in 2019 after being sentenced to prison for tax evasion, has returned to the New York art scene. She is collaborating on the exhibition "Uptown/Downtown" at Lévy Gorvy Dayan, on view through December 13. The show features works by Jean-Michel Basquiat, Andy Warhol, Richard Prince, and Cindy Sherman, among others, and explores the 1980s New York art world. In an interview, Boone discusses her comeback, the optimism of the 1980s that allowed her to succeed as a woman without family connections, and the current re-examination of that era.
This article from Cultured magazine presents a roundup of five distinct stories spanning art, culture, and technology. It features a new column by psychoanalyst Jamieson Webster in conversation with artist Mindy Seu about digital libidinal history; an analysis of the declining photography auction market by collector Ralph DeLuca; a review of the Los Angeles art scene by Juliana Halpert; a guide to Paris Art Week following a heist at the Louvre and the opening of Art Basel Paris; and a report on the Fondation Louis Vuitton's retrospective of Gerhard Richter curated by Nicholas Serota and Dieter Schwarz.
Artist Amalia Ulman shares a personal inventory of 44 objects from her home, ranging from a pigeon-shaped oven mitt and a 1920s Austrian bronze cat figurine to a telephone-shaped lamp bought from a subway vendor and a graphite portrait of her late dog Holga. The list includes quirky functional items like a cane that turns into a stool, a wooden chair that transforms into a ladder, and sentimental keepsakes such as a red pompom from Holga's casket and a bag of gravel from the dog park. The objects reflect her daily life, travels, and memories, blending humor with melancholy.
Art advisor Ralph DeLuca, in his column "Street Smarts" for Cultured, analyzes the struggling photography market. He notes that photography auction sales have plummeted from a peak of $230.5 million in 2014 to just $116.9 million in 2024, attributing the decline partly to smartphones making photography seem effortless. DeLuca, who owns over 20,000 photographs, argues this downturn presents a rare buying opportunity for collectors to build museum-quality collections at lower prices.
This article from Cultured serves as a guide to notable gallery exhibitions in London during the Frieze art fair season. It highlights shows by artists such as Dana Schutz at Thomas Dane, Eva Helene Pade at Thaddaeus Ropac, Ghislaine Leung at Cabinet Gallery, Arthur Jafa at Sadie Coles, and a group exhibition curated by Hilton Als at Michael Werner, each with descriptions of the works and themes explored.
The Fondation Louis Vuitton in Paris will host a major retrospective of Gerhard Richter's work, opening on October 17 and occupying all 34 of its galleries. Curated by Nicholas Serota and Dieter Schwarz, the exhibition assembles 270 works spanning over six decades, from early photo-paintings like 'Tante Marianne' (1965) to the final abstractions he made before stopping painting in 2017. The show traces Richter's evolution from his upbringing under Nazism and Socialist Realism in East Germany to his defection to the West and his ongoing daily pencil drawings. A companion show at David Zwirner's Paris gallery will feature Richter's later painted works and recent drawings.
Cultured magazine profiles Houston collectors Leigh and Reggie Smith as the city's Untitled Art Fair opens. The couple, who have collected contemporary art for over 30 years, discuss their diverse collection spanning international and local artists, including works by Yinka Shonibare, Francis Picabia, and overlooked mid-century women artists. They highlight Houston's collaborative art ecosystem, public art funding, and the distinct character of its scattered venues.
Ambera Wellmann is preparing for two concurrent New York exhibitions opening on September 5, one at Company gallery and her debut at Hauser & Wirth's Wooster Street space. The shows mark a new joint representation model where the artist works with both a smaller, queer-focused gallery and a mega-gallery simultaneously. Wellmann's hallucinatory, collage-like paintings feature bodies, sex vignettes, and semi-mythic imagery, though she recently considered moving away from figuration due to frustrations with the "queer figuration" trend and its market co-optation.
The article, published by Cultured, serves as a curated guide to September's art exhibitions in New York, highlighting both ongoing and closing shows. It recommends balancing the frenzy of fair week with slower, more meaningful experiences, pointing to specific exhibitions like EJ Hill's silent kneeling performance at 52 Walker, Lisa Yuskavage's drawing show at the Morgan Library, the Stettheimer Dollhouse at the Museum of the City of New York, and MoMA's presentation of Hilma af Klint's nature notebooks. It also notes upcoming must-see shows, including a Cady Noland exhibition at Gagosian, and mentions the Gaza Biennial, Nancy Holt, Raúl de Nieves, and Kahlil Robert Irving, along with future features on Ambera Wellmann and Sophie Calle.
Photographer Sally Mann discusses her new book "Art Work," a follow-up to her National Book Award finalist memoir "Hold Still." In the interview with Cultured, Mann reflects on her career, her black-and-white imagery of family and the Southern landscape, and her shift to digital photography. She shares insights on the changing photography landscape, the melding of art and commerce, and her hopes for the next generation of artists.
This article from Cultured magazine is a gallery exhibition guide for New York, highlighting four major shows in the Hudson Valley, Meatpacking District, and Tribeca. It features Stan Douglas's retrospective at the Hessel Museum of Art, Cameron Rowland's "Properties" at Dia Beacon, Christine Sun Kim's mid-career survey "All Day All Night" at the Whitney Museum, and EJ Hill's endurance performance at 52 Walker. Each entry includes a brief critical description of the artist's work and themes, with details on dates and locations.
Cultured magazine's Hamptons issue features an interview between designer Robin Standefer and Charlie Marder, the East End horticulturalist known as the 'tree whisperer.' Marder, who co-founded an eponymous Bridgehampton nursery with his wife Kathleen—dubbed 'a horticultural MoMA' by the New York Times—has assembled a sprawling field of massive geological specimens across from the nursery. The rocks, some weighing 10 tons, are salvaged from development sites and quarries. Standefer, who purchased one of Marder's boulders for her birthday, discusses with Marder the ethics of placement, the personalities of stones, and the human urge to give new life to ancient matter.
Allison Rose, a restaurateur and investor, and her husband Dan Rose, a tech venture capitalist, have purchased a working cattle ranch on Rose Spur Road in Snowmass, Colorado, near Aspen. The couple, who were drawn to the area after multiple visits following their 25th wedding anniversary in 2021, are restoring the property with a menagerie of miniature Highland cows, donkeys, and a mini horse named Pop Tart, while planning a greenhouse and future cattle raising. Allison Rose, who also owns a ranch in Hawaii and serves on the boards of the Asian Art Museum in San Francisco and the Aspen Art Museum, shares her vision for the ranch and her thoughts on Aspen's culinary scene in an interview with Cultured.
The article is a July 2025 New York exhibition guide from Cultured, highlighting last-chance viewing opportunities for shows across the city. Featured exhibitions include Willem de Kooning at Gagosian, Salman Toor and Jack Whitten at MoMA, Jane and Louise Wilson at 303 Gallery, Chloe Dzubilo at Participant Inc., N.H. Pritchard at Peter Freeman Inc., and Steve McQueen at Dia Chelsea, among others. The guide organizes shows by neighborhood and includes critical commentary on each artist's work.
Cultured's "Art Basel Best of Art Guide" highlights key exhibitions and events in and around Basel, Switzerland, during the summer art season. Featured shows include Jordan Wolfson's VR installation "Little Room" at Fondation Beyeler, a Medardo Rosso retrospective at Kunstmuseum Basel, a Meret Oppenheim showcase at Hauser & Wirth, the second annual "Air Service Basel 2025" group show at Lo Brutto Stahl, Suzanne Lacy's video installation "By Your Own Hand" at Museum Tinguely, and works by Ser Serpas. The guide provides practical details such as dates, locations, and insider tips for each exhibition.
Cultured magazine's critics roundup highlights several notable New York art exhibitions. Cameron Rowland's "Properties" at Dia Beacon is examined as a landmark Land art installation that uses contractual relations to address racial capitalism, with works available only for rent or loan. Other shows include Feliciano Centurión's "Sol naciente" at Ortuzar, Joshua Caleb Weibley's "Game Transfer Phenomena" at Chart, Ian Miyamura's debut at Bureau, and Laura Owens's new show at Matthew Marks Gallery, each reviewed for their conceptual and aesthetic innovations.
Cultured magazine has published its first Young Dealers List, highlighting 23 galleries under five years old that are revitalizing the art world. The list was compiled from over 100 recommendations gathered from more than 40 collectors, advisors, and curators. The article profiles one of the selected gallerists, Adora Mba, founder of ADA Contemporary Art Gallery in Accra, Ghana, who opened her space in 2020 after working as a cultural news producer. Mba emphasizes supporting emerging African artists and has dedicated her 2025 program to women artists and curators.
The article surveys several New York gallery exhibitions during the transition from spring to summer 2025, focusing on how the human body is depicted in contemporary art. Key shows include David Zwirner's "Circa 1995: New Figuration in New York," featuring works by John Currin, Lisa Yuskavage, Marlene Dumas, Luc Tuymans, Laura Owens, and Peter Doig; Skarstedt's "Andy Warhol: Oxidation Paintings," presenting Warhol's urine-reactive abstract works; and Rachel Harrison's "The Friedmann Equations" at Greene Naftali, which explores spectatorship and the somatic through photographs, drawings, and sculptures.
London Gallery Weekend returns for its fifth edition from June 6–8, 2025, featuring 126 participating galleries—11 of them newly established—across three regions: Central, South, and East. The program includes extended hours, curated tours, openings, talks, and evening social events. Highlights include Bruce McLean's conceptual sculpture show at Luxembourg + Co, Gregor Hildebrandt's mini-retrospective at Almine Rech, Jennifer Bartlett's first UK presentation since the 1980s at Pippy Houldsworth Gallery, and Norbert Schwontkowski's London debut at Champ Lacombe. Major museum shows include Do Ho Suh's fabric sculpture exhibition at Tate Modern.
Michelle Millar Fisher, formerly curator of Contemporary Decorative Arts at the Museum of Fine Arts, Boston, has been appointed chief curator at the Cooper Hewitt, Smithsonian Design Museum in Manhattan. She succeeds Matilda McQuaid, who is retiring after 24 years. Separately, the Getty Foundation awarded $1.8 million in grants to eight institutions through its Black Visual Arts Archive initiative, supporting the processing of historical records related to Black art. Other notable appointments include Jamie Blosser as curator of the Loeb Fellowship at Harvard Graduate School of Design, Graham C. Boettcher as director and CEO of the Norman Rockwell Museum, and Susan Fisher Sterling's retirement from the National Museum of Women in Arts. Artist Nora Turato also unveiled a humorous billboard near the High Line reading 'GIVE US MOM!!!'.
The 2025 Outsider Art Fair in New York City, featuring 68 exhibitors at the Metropolitan Pavilion, showcased a vibrant range of work by self-taught and autodidactic artists. The event was marked by strong sales and enthusiastic attendance, serving as an egalitarian counterpoint to more traditional blue-chip art fairs.
Wohin am Wochenende?
Major international exhibitions and events are launching this week, headlined by a massive Marcel Duchamp retrospective at the Museum of Modern Art in New York, the first of its scale in the U.S. since the 1970s. In Milan, Cao Fei debuts a research-heavy project at Fondazione Prada exploring the intersection of high-tech agriculture and tradition, while Berlin’s Georg Kolbe Museum recovers the legacy of British constructivist Marlow Moss. Additionally, the inaugural Art Cologne Palma Mallorca art festival opens in Spain, attempting to stimulate the market during a challenging economic period.
Au MICAS, l'architecture concurrence l'exposition de Reggie Burrows Hodge
The Malta International Contemporary Art Space (MICAS) presents "Mela," the first European solo exhibition of American painter Reggie Burrows Hodges, featuring around thirty new works inspired by the artist's extended stay on the island in 2024-2025. The exhibition, curated by Edith Devaney, includes four thematic series—Labor, Seascapes, Buoy, and a sound installation—alongside the monumental canvas *Mamajamma* (2025), which reinterprets Caravaggio's *The Beheading of Saint John the Baptist* as a Maltese water-polo match.
Artist Kelly Akashi created "Field Set," an installation and performance on the site of her former home and studio in Altadena, California, which was destroyed by the Eaton wildfire last year. The project, supported by the nonprofit Los Angeles Nomadic Division (Land), featured salvaged materials, hand-blown glass orbs, wildflower plantings, and a soundscape by artist Phil Peters, drawing around 500 visitors over two days. Akashi integrated remnants from the fire into her recent Lisson Gallery show and has been awarded the Hyundai Terrace Commission for the 2026 Whitney Biennial, where she will present a glass replica of her chimney titled "Monument (Altadena)."
French artist JR has transformed Paris's Pont Neuf, the city's oldest bridge, into a massive inflatable grotto titled *La Caverne du Pont Neuf* (2026). The installation measures 120 meters long, 20 meters wide, and up to 18 meters tall, and will be open to the public from June 6 to June 28. It incorporates sound design by Thomas Bangalter of Daft Punk, augmented reality via Snap Inc., and a Bloomberg Connect guide. Over 800 people helped realize the project, which was fabricated from 18,900 square meters of fabric and 20,000 cubic meters of pressurized air by French firm Air Toiles Concept. The work concludes a five-year series of large-scale trompe l'oeil pieces by JR and pays homage to Christo and Jeanne-Claude's *The Pont Neuf Wrapped, Paris* (1975–85), with the blessing of their foundation.
Six years after Christo's death, Gagosian London will realize a monumental installation he designed in 1968 titled "Air Package on a Ceiling," originally conceived for the Institute of Contemporary Art in Philadelphia but never built due to technical constraints. The plans and a detailed scale model were discovered by studio manager Lorenza Giovanelli in 2018, hidden inside a hollow plinth in Christo's studio. The work, a vast internally illuminated suspended form resembling a cloud, will fill a 16-meter-long, 10-meter-wide space at Gagosian London, descending just above head height, in collaboration with the Christo and Jeanne-Claude Foundation.