New York Art Week Will Test the Market’s Momentum

New York Art Week is set to test the art market's momentum with half a dozen fairs and major auctions. Frieze New York opens at the Shed on May 13 with 68 galleries, while Sotheby's leads auction sales starting May 14, featuring a Mark Rothko painting estimated at $70–$100 million from Robert Mnuchin's collection. The total low estimate for Sotheby's week is $690.4 million, roughly 70% higher than last year's hammer total. Alternative fair Esther, co-founded by Margot Samel and Olga Temnikova, kicks off May 12 at the Estonian House for its third and final edition, emphasizing intentionality and community over scale.

Remembering Georg Baselitz, Nicole Hollander, and Doris Fisher

Hyperallergic's weekly 'In Memoriam' column honors seven figures from the art world who recently passed away, including German Neo-Expressionist painter Georg Baselitz, feminist cartoonist Nicole Hollander, and arts patron Doris F. Fisher, co-founder of The Gap. Other notable figures remembered are photographer Stephanie Chernikowski, West Coast assemblage artist George Herms, Spanish artist and designer José María Cruz Novillo, and Bay Area muralist Dan Fontes. The article provides brief biographies and highlights of their contributions to visual art, photography, comics, and public art.

The Carnegie International Looks Back at Itself

The 58th Carnegie International at the Carnegie Museum of Art in Pittsburgh looks back at its own 130-year history, featuring a gallery dedicated to past iterations. The exhibition includes Chris Ofili's "The Adoration of Captain Shit and the Legend of the Black Stars" (1998), which was originally shown in the 53rd International in 1999, the same year Ofili's more notorious "The Holy Virgin Mary" sparked controversy at the Brooklyn Museum. The article reviews how the current iteration captures the excitement of earlier exhibitions while providing commentary on authoritarianism and militarism.

Artists, Read the Fine Print

Artist Damien Davis writes a critical piece on how so-called 'standard' contracts in the art world systematically undermine artists' power, citing long consignment periods, moral rights waivers, and opaque terms that favor institutions. Separately, the Venice Biennale has scrapped its traditional Golden Lion awards after the awards jury resigned; instead, ticket holders will vote on 'Visitor Lions,' with results announced in November, and notably Israel and Russia remain eligible despite the jury's earlier ban. Other news includes damage to a 1,000-year-old Native American archaeological site by construction crews building President Trump's border wall.

Venice, Here We Come

Hyperallergic's newsletter previews the upcoming 61st Venice Biennale, noting the charged political climate that may overshadow the art. It highlights the main exhibition "In Minor Keys" conceived by the late Koyo Kouoh, and includes a guide to national pavilions, collateral events, and notable exhibitions in Venice. The edition also features a studio visit with 93-year-old artist Joan Semmel, an interview with Lebanese artist Tania El Khoury about her "revenge art," and news about Barbara Chase-Riboud declining to represent the US at the Biennale, a $116M gift to the National Gallery of Art, and the death of Argentine painter Ides Kihlen at 108.

Roses and Thorns of Greater New York

The article is a digest of recent art news, with a primary focus on critical reviews of the 2026 "Greater New York" exhibition at MoMA PS1. Hyperallergic's editorial team provides mixed assessments of the works in the massive quinquennial survey of local artists. The piece also covers American-French sculptor Barbara Chase-Riboud's decision to decline an invitation to represent the United States at the 61st Venice Biennale, citing the problematic nature of the pavilion's commissioning entity.

40 Years Later, Houston's FotoFest Keeps Its Edge

Houston’s FotoFest is celebrating its 40th anniversary with a massive retrospective titled "Global Visions: FotoFest at 40," featuring over 450 artists from 58 countries. Founded by Wendy Watriss and Frederick Baldwin after a transformative trip to the Rencontres d'Arles, the biennial was established to combat American parochialism by introducing international photography to the U.S. The current iteration spans multiple venues, including the Sawyer Yards Galleries and Project Row Houses, showcasing the festival's history of thematic curation ranging from Russian Pictorialism to contemporary Arab media.

Michaelina Wautier Finally Known by Her Name

The Royal Academy of Arts in London has launched a monographic exhibition dedicated to Michaelina Wautier, a 17th-century Brussels-based painter whose work was misattributed to male contemporaries for centuries. Despite her mastery across diverse genres—including portraiture, floral still lifes, and large-scale history paintings typically reserved for men—her identity was obscured by patriarchal societal norms and a lack of biographical documentation. The show highlights her technical brilliance, notably in works like "The Triumph of Bacchus," which was long credited to male artists due to the era's restrictions on women studying nude models.

€1m Picasso painting to be won for €100 in charity raffle

A charity raffle in France is offering participants the chance to win a 1941 Pablo Picasso portrait, 'Tête de Femme', for the price of a €100 ticket. The initiative aims to sell up to 120,000 tickets to raise funds for the Alzheimer’s Research Foundation in Paris, with the painting's current owner, Opera Gallery, receiving €1m from the proceeds. The artwork will be displayed at Christie’s in Paris ahead of the drawing.

Remembering Nathan Farb, Thomas Zipp, and Christine Ruiz-Picasso

The art world mourns the loss of several influential figures, including photographer Nathan Farb, known for his large-format captures of the Adirondacks and 1960s Manhattan, and Christine Ruiz-Picasso, who was instrumental in establishing the Museo Picasso Málaga. Other notable passing include German interdisciplinary artist Thomas Zipp, prolific art forger William "Billy The Brush" Mumford, and Hassen Soufy, the last living member of the L'École de Tunis movement.

Nine Lessons on My Path From Engagement to Leadership

The article is an excerpt from the forthcoming field resource 'Curating Engagement,' featuring a first-person reflection by an arts professional. The author outlines nine lessons learned over two decades of practice, moving from engagement-focused roles to institutional leadership. Key lessons emphasize curiosity as a foundational practice, engagement as a form of service to communities rather than extraction, and the importance of site and history as collaborators in curatorial work.

The Best April Fools’ Jokes in the Art World This Year

Hyperallergic compiled a list of notable April Fools' Day pranks executed by major arts and cultural institutions in 2025. The jokes included the Morgan Library and Museum pretending to give its ornate interior a cheap "Landlord Special" makeover, the New York Public Library announcing it would replace its iconic lion statues with beaver sculptures, and the Brooklyn Museum and Brooklyn Botanic Garden proposing a whimsical, amusement park-style tunnel connecting their campuses.

Fastest Art Heist in History?

Thieves stole three valuable paintings by Cézanne, Matisse, and Renoir from a small museum in northern Italy in a heist that reportedly took less than three minutes. The combined value of the artworks is estimated at around $10 million.

Juan Uslé’s Childhood Shipwrecks

The Museo Reina Sofía in Madrid has opened a major retrospective of Spanish painter Juan Uslé, titled "That Ship on the Mountain." The exhibition features approximately 100 works spanning four decades, tracing the artist's journey from his childhood in Cantabria to his established career in New York City. It notably uses the traumatic shipwreck of the Elorrio, which Uslé witnessed as a boy, as its conceptual starting point.

Taking a Seat at Robert Therrien’s Table

The Broad museum in Los Angeles has opened a major retrospective, "Robert Therrien: This is a Story," dedicated to the late artist Robert Therrien. The exhibition, featuring over 120 works from five decades, aims to move beyond Therrien's most famous piece—the monumental "Under the Table" sculpture—to present the full scope of his obsessively iterative practice, which transformed personal memories into universal forms.

The Sartorial Is Political in “The New York Sari”

An exhibition titled "The New York Sari" is on view at the New York Historical Society, exploring the sari as a living art form, heirloom, document, and political statement for the South Asian diaspora in New York City. The show features contemporary artworks, historical materials, and personal garments, framing the sari not as a static cultural artifact but as a dynamic site of identity, labor, and community history.

carolina herrera fall 2026 wes gordon artists

Wes Gordon, creative director of Carolina Herrera, presented the brand's Fall 2026 collection in New York. The runway show featured a cast of prominent artists and art-world figures, including photographer Ming Smith, painter Amy Sherald, gallerist Hannah Traore, and artists Anh Duong, Eliza Douglas, and Rachel Feinstein, who modeled the collection. The presentation venue was adorned with murals by artist Sarah Oliphant, creating a cohesive, studio-like environment.

picasso global raffle alzheimers research christies

A charity raffle organized by France's Fondation Recherche Alzheimer offers participants the chance to win a Pablo Picasso painting valued at €1 million ($1.2 million) for a €100 ticket. The work, a 1941 gouache on paper titled *Tête de femme*, will be drawn on April 14, 2026, at Christie’s Paris. The raffle is the third of its kind involving a Picasso to support charitable causes, following previous editions in 2013 and 2020 that each raised €5 million for different organizations. The initiative was spearheaded by French TV host Péri Cochin, with the support of the artist's late son Claude Picasso.

art toronto 2025 showcasing indigenous art

Art Toronto, Canada's oldest and largest international fair for modern and contemporary art, opens to the public on Friday with a strong focus on Indigenous artists. Over half of the fair's 100-plus booths feature works by Indigenous makers from Canada, Australia, New Zealand, and Latin America. The fair includes a mix of Canadian, European, Latin American, and US galleries, with a dedicated 'Arte Sur' section highlighting Mexican and Central and South American art. Notable exhibitors include Ceremonial Art, Fazakas, Feheley Fine Arts, and N. Smith Gallery, showcasing works by artists such as Ningiukulu Teevee, Shuvinai Ashoona, Gerardo Ramírez, and Manuel Mathieu.

athens emst why look at animals lin may saeed

The National Museum of Contemporary Art in Athens has opened "Why Look at Animals: A Case for the Rights of Non-Human Lives," a major exhibition curated by Katerina Gregos that spans seven floors and features over 60 artists. The show confronts animal exploitation through works such as Ang Siew Ching's video "High-Rise Pigs" (2025), depicting a 26-story factory farm in China, and Art Orienté Objet's charcoal map of endangered species slowly erased by a robotic arm. Other artists include Sue Coe, Igor Grubić, and Janis Rafa, with the exhibition taking its title from a John Berger essay.

ben schonzeit imaginary friends louis k meisel

American artist Ben Schonzeit, a pioneer of Photorealism, presents his current solo exhibition "Ben Schonzeit: Imaginary Friends" at Louis K. Meisel Gallery in New York, on view through May 3, 2025. The show marks a significant evolution in his practice, bringing sculpture to the forefront alongside his paintings, and features imaginary characters that depart from his earlier still-life Photorealism. In an interview, Schonzeit discusses how his process has shifted from predetermined goals to intuitive exploration, influenced by New York City's street life and fashion.

our fresh spring picks 5 artists to watch from the artnet gallery network

Artnet News has published a spring roundup of five artists to watch from its Gallery Network, featuring Julian Charrière, Xiangjie Rebecca Wu, Michael Abel, Nathan Myhrvold, and Lulu Varona. The article highlights each artist's recent work and unique approach, from Charrière's cross-media exploration of time and nature to Varona's hand-embroidered botanical pieces. The artists are represented by galleries including Sies + Höke Galerie, LATITUDE Gallery, YVEYANG Gallery, Modernist Cuisine Gallery, and TW Fine Art.

agustina ferreyra joins mexico city gallery omr

Agustina Ferreyra, a prominent Mexico City-based dealer known for championing young Latin American artists, has been appointed director of OMR, a leading gallery in Mexico City. Ferreyra founded her own gallery in San Juan, Puerto Rico in 2013 before relocating it to Mexico City, and will shutter that eponymous space on April 30. She previously collaborated with OMR during Mexico City Art Week in February through Bodega, a joint initiative that featured a solo exhibition by Argentine artist Ad Minoliti. In her new role, Ferreyra will continue to lead Bodega as artistic director.

"Es ist nur die Frage: Bist du reich genug oder nicht?"

A Christie's auction in New York saw Jackson Pollock's "Number 7A" sell for approximately $181 million, contributing to a total of $1.1 billion in sales for the evening. The auction, covered by Vanity Fair and the New York Times, featured intense bidding between figures like Iwan Wirth and Alex Rotter, while names such as Jeff Bezos and Ken Griffin were speculated to be involved. Combined with sales from Sotheby's and Phillips, the week generated around $2.5 billion. Meanwhile, a separate controversy erupted in France over artist Claire Tabouret's new stained-glass windows for Notre-Dame Cathedral, with critics arguing they violate heritage protection laws. Additionally, the Fondation Beyeler faces allegations that a Cézanne watercolor in its current exhibition may be Nazi-looted art from the collection of Jewish paper wholesaler Gustav Schweitzer.

Watching the Great Form Shatter

Der großen Form beim Zerbrechen zuschauen

Marc Brandenburg, a Berlin-based artist born in 1965, is the subject of a comprehensive survey exhibition titled "20th Century Debris" at the Berlinische Galerie. The show presents his meticulous pencil drawings on paper, which invert light and dark and are viewed under blacklight to create ghostly, dissolving images. Brandenburg's works fragment urban spaces, faces, and everyday objects into shimmering, unstable forms, drawing on photography and photocopying to produce a sense of eerie stillness and motion. The exhibition also includes his first films, tracing his stylistic evolution from early 1990s fragmented portraits to large-scale panoramic works with metallic surfaces.

Überraschende Begegnungen

The ninth edition of the "Various Others" festival in Munich brings together institutions, off-spaces, and galleries for a city-wide series of exhibitions in May. Highlights include Walter Storms Galerie presenting Anselm Reyle's first Munich solo show with Istanbul's Dirimart; Kraupa-Tuskany Zeidler collaborating with Rome's T293 to show Simon Denny's tech-critical works; Max Goelitz pairing Lukas Heerich and Rindon Johnson with Eva Hesse in dialogue with Hauser & Wirth; Lohaus Sominsky and Paris's Mennour featuring Ilit Azoulay and Alicja Kwade; and Rüdiger Schöttle hosting Milena Muzquiz and Elif Saydam. A new parcours exhibition, "Vectors," inspired by Jan Hoet's "Chambres d'Amis," places contemporary art in tech company offices across Munich.

10 Highlights You Shouldn't Miss in Venice

10 Highlights, die Sie in Venedig nicht verpassen sollten

The article presents ten must-see highlights of the 61st Venice Biennale, curated by the editors of Monopol magazine. It covers the main exhibition at the Arsenale, national pavilions, and collateral events, including Sandra Knecht's beehouse installation, Isabel Nolan's Irish Pavilion exploring dreams and late medieval humanism, Chiara Camoni's Italian Pavilion blending ceramics and found materials, and Asim Waqif's bamboo construction in the Indian Pavilion. Other featured works include a church filled with surveillance cameras and the new Fondazione Dries Van Noten.

How Tech Billionaires Turn Couture into Content

Wie Tech-Milliardäre Couture zu Content machen

The Met Gala, long considered the premier event for fashion and cultural influence, has become increasingly dominated by tech billionaires. This year, Jeff Bezos and Lauren Sánchez Bezos purchased their role as co-hosts, sparking protests in New York and raising questions about whether money alone now buys entry into the highest echelons of fashion. Individual tickets cost $10,000 and a table $350,000, with sponsors including OpenAI, Snapchat, and Meta. The event, organized by Anna Wintour to raise funds for the Costume Institute at the Metropolitan Museum of Art, raised $31 million last year but has transformed from a benefit into a spectacle optimized for viral moments and algorithmic appeal.

"Wir wollen Rücknahme von Kürzungen"

Berlin's cultural senator Sarah Wedl-Wilson resigned on Friday after the Berlin Court of Auditors ruled that millions in funding for antisemitism prevention projects were illegal. The resignation has sparked a political debate, with CDU general secretary Ottilie Klein defending governing mayor Kai Wegner against opposition criticism, while Franziska Stoff of the Berlin Culture Conference demands stability and a reversal of budget cuts. Thomas Fehrle, director of the Deutsche Oper Berlin, expressed personal regret over Wedl-Wilson's departure, praising her competence and engagement.

"Etwas zaghaft, etwas ängstlich, etwas sicher"

The article surveys recent art-world commentary, focusing on a critical review of the Turner Prize shortlist in The Guardian, where Eddy Frankel calls the selection "timid, anxious, safe" and laments a self-perpetuating, elitist system. It also covers a Hyperallergic essay by Lisa Siraganian questioning whether artworks can possess personhood, sparked by Pierre Huyghe's Venice exhibition. Additionally, it reports on controversy at the Venice Biennale, where the jury preemptively excluded countries whose leaders are sought by the International Criminal Court—namely Russia and Israel—drawing sharp criticism from Die Welt's Marcus Woeller. A podcast interview with US sculptor Alma Allen, selected for the US Pavilion, rounds out the coverage.