The New Art Dealers Alliance (NADA) has announced the exhibitor list for its 12th New York edition, featuring over 110 galleries from around the globe. Scheduled for May 13–17, 2026, the fair returns to the Starrett-Lehigh Building in West Chelsea, showcasing a mix of 45 NADA members and 51 first-time participants. Highlights include the TD Bank Curated Spotlight, which will be organized by Anthony Elms, the artistic director of the Mattress Factory.
Art Basel will launch a new fair, Art Basel Qatar, in Doha in February 2025, featuring around 50 exhibitors. The expansion into West Asia follows the fair's earlier move into Hong Kong in 2013 and reflects the region's growing wealth and cultural development. Vincenzo de Bellis, Art Basel's director of fairs, stated the company aims to attract collectors from the entire Middle East and North Africa (MENA) region as well as South Asia. The announcement has drawn interest from collectors and curators across Asia, including those from the United Arab Emirates, Malaysia, and India, who see the fair as a potential turning point for Doha's art scene.
Untitled Art has announced the 84 exhibitors for its inaugural Houston edition, taking place September 19–21, 2025, at the George R. Brown Convention Center, with a preview day on September 18. The fair, which has run in Miami Beach for 12 years, expands to Houston citing the city's $1.3 billion arts-related spending in 2022, making it the largest art market in Texas. The exhibitor list includes 17 Texas-based galleries (about 20% of participants), leading US galleries from San Francisco, Los Angeles, Detroit, and New York, and international dealers from Canada, Spain, the UK, Peru, the Bahamas, and Latvia. A Nest section offers reduced booth prices for 20 galleries, and the fair will collaborate with Houston institutions including the Museum of Fine Arts Houston, the Contemporary Arts Museum Houston, and the Menil Collection for special projects.
Cecilia Vicuña, the 77-year-old Chilean artist known for her ecologically and politically engaged practice, is profiled in her Tribeca home. The article describes her daily rituals of corpse pose and walks, her decades-long exile since the Pinochet coup, and her recent international acclaim including the Golden Lion at the 2022 Venice Biennale and the inaugural Icon Artist Gold Medal at Art Basel Miami Beach. A major solo show is on view at the Irish Museum of Modern Art, and MOCA Los Angeles will unveil a new commission, “Quipu of Encounters: The Dream of Water,” following her selection as the first recipient of the Eric and Wendy Schmidt Environment and Art Prize. The interview covers her studio practice, her focus on ecological collapse, and her work with Indigenous knotting traditions, poetry, and performance.
The 2026 IFPDA Foundation Benefit Gala took place on the Upper East Side, honoring Christophe Cherix, Director of The Museum of Modern Art. Held in the historic Veterans Room at the Park Avenue Armory, the event gathered notable figures including artists Hank Willis Thomas and Yashua Klos, collectors Sharon Coplan, Stewart Gross, and Jordan Schnitzer, dealers Carolina Nitsch, Jill Newhouse, and Joni Moisant Weyl, and curators Nadine Orenstein, Freyda Spira, and Andrew Weislogel. A new print edition by Stanley Whitney, produced with Universal Limited Art Editions, was released to support the IFPDA Foundation’s grantmaking initiatives.
Art dealer Gordon VeneKlasen, former longtime partner of Michael Werner, launched his own gallery at the start of 2025. The new VeneKlasen Gallery made its art fair debut at the inaugural Art Basel Qatar in Doha and will open twin shows of the late German artist Sigmar Polke at its New York and London spaces on March 3 and 12, respectively. In an interview, VeneKlasen discusses his career trajectory, from studying art history and working at the Ashmolean Museum to a stint with the U.S. Census Bureau, before joining Michael Werner and eventually striking out on his own. Several artists, including Florian Krewer, Issy Wood, and Sanya Kantarovsky, are following him to his new venture.
Cultured magazine highlights three emerging artists to watch during Frieze Los Angeles: Katelyn Eichwald, Nevine Mahmoud, and Casey Bolding. The article features interviews with each artist, discussing their upcoming presentations in LA, their creative processes, and how their life experiences inform their work. Casey Bolding, for example, discusses his exhibition "Bloodstream" at Karma Los Angeles and how his background in graffiti and faux finishing influences his paintings.
Cayetano Ferrer, a 44-year-old artist born in Honolulu and raised in Las Vegas, is featured in a studio visit ahead of his solo exhibition "Object Prosthetics" at Commonwealth and Council in Los Angeles, running from January 31 to March 14. Ferrer's work often begins in archives, exploring how time is annotated and reinterpreted; his early piece made from casino carpeting was shown at the first "Made in L.A." biennial in 2012. He has salvaged fragments from the original William Pereira-designed LACMA buildings for recent projects, and is currently pursuing a PhD in Historic Preservation at Columbia University. The interview covers his creative process, influences like Caetano Veloso's concept of antropofagia, and his use of a hot iron seaming machine called the Kool Glide Pro.
Art Basel Miami Beach 2025 generated viral moments with Beeple's 'Regular Animals' installation featuring robot dogs with billionaire faces, while Leandro Erlich's underwater sculpture garden 'Reefline' debuted concrete cars in Biscayne Bay. The fair's priciest work was Andy Warhol's $18 million 'Muhammad Ali' (1977), sold by Lévy Gorvy Dayan. Other highlights included Katie Stout's public commission 'Gargantua's Thumb' in the Miami Design District, Refik Anadol's AI screen, and the return of Sukeban, a Japanese women's wrestling league, as a crowd favorite.
The article is a first-person diary by artist Elle Pérez, chronicling their experience at Paris Photo 2024. Pérez describes the fair as the art world's best-kept secret, noting its uniquely fun and intergenerational atmosphere where artists and curators genuinely enjoy gathering. The diary covers a week of events including book meetings with Aperture, dinners with photographers, and the main fair at the Grand Palais, highlighting the camaraderie and joy of being together despite the anxieties facing photographers today.
A new generation of young gallerists is revitalizing the art market by specializing in historical art forms—from ancient jewelry and Old Master drawings to Art Deco and overlooked women Impressionists. The article profiles seven dealers who launched their businesses between ages 22 and 41, with half based in London. Notable figures include Pauline Pavec and Quentin Derouet (co-founders of Pavec, focusing on 19th- and 20th-century women artists), Baron Lorne Thyssen-Bornemisza (Kallos Fine Jewellery, ancient jewelry), and Maxime Flatry (20th-century art and design). Two of the dealers will exhibit at Frieze Masters this October, directed by Emanuela Tarizzo, who emphasizes that collectors and institutions increasingly seek cross-century narratives.
Cultured magazine has partnered with Samsung to launch a "CULTURED Collection" on the Samsung Art Store, available exclusively to owners of Samsung's The Frame and QLED TVs. Starting in October, 60 artworks by contemporary artists including Adam Pendleton, Dominique Fung, Oscar yi Hou, Chris Martin, and Emma Webster will be displayed in the TV's art mode. A temporary pop-up gallery, the Samsung Art Store Gallery, will open to the public on Oct. 9–10 at 545 W 23rd St in New York, offering a preview of the collection.
Alex Katz presents a new body of work titled "White Lotus" at Gray Chicago, on view through September 20. The exhibition features large-scale portraits and cool, cinematic scenes inspired by a beach in Maine and Antonioni's *L'Avventura*, with only a superficial connection to the TV series *The White Lotus*. Katz, now in his late 90s, continues his seven-decade practice of prioritizing style over narrative, focusing on surfaces, garments, and glances. Concurrently, his work is also on view at SCAI Piramide in Tokyo, San Diego's Museum of Contemporary Art, and Gladstone Gallery will host a fall exhibition of his orange abstractions. The article includes an interview where Katz discusses his studio habits, influences (Fra Angelico, Veronese, Goya), and his resilience in the face of early career criticism.
Amy Sillman, a 69-year-old abstract painter based in New York, is preparing for a new solo exhibition titled "Alternate Side (Permutations #1–32)" at Dia Bridgehampton, opening June 28. The show will feature a series of recently completed silkscreen and painted works, which Sillman describes as being like Sol LeWitt's line forms but less structured. She plans to paint the gallery walls herself, creating an improvised backdrop for the works. The article also discusses her recent institutional survey "Oh, Clock!" at the Kunstmuseum Bern and Ludwig Forum Aachen, where she curated selections from their collections and painted the walls on a whim.
Rodrigo Padilla, a hairstylist who built his career at Sally Hershberger and now serves on the Whitney Museum’s Drawing and Print Acquisitions Committee, discusses his art collection with his husband Elliott Trice. The couple’s Midtown flat features works by Latin American and diaspora artists including Wura-Natasha Ogunji, Amy Bravo, Verónica Vázquez, Angel Otero, Paul Mpagi Sepuya, Dagoberto Rodríguez, and others. Padilla credits Whitney trustee Brooke Garber Neidich with inspiring his collecting journey by advising him to “see everything.”
This article from Cultured magazine covers multiple art-related stories, including a profile of restaurateur Keith McNally's memoir, a list of must-see museum exhibitions in New York for spring, a review of Mary Abbott's overlooked Abstract Expressionist work now on view at Schoelkopf Gallery, a feature on Salman Toor's major new exhibition "Wish Maker" at Luhring Augustine, and a discussion on designing more empathetic museums. It also includes a beauty and fashion trends piece with creative nominations.
The Rose Art Museum held its first-ever New York benefit gala, marking its return to the fundraising circuit after two decades. Co-chaired by advisor Abigail Ross Goodman and Christie’s Sara Friedlander, the event honored sculptor Hugh Hayden and philanthropist Lizbeth Krupp, the longtime chair of the museum’s board of advisors. The evening raised $900,000 toward a new $2 million Exhibition Endowment Fund, with Krupp making the first gift. Guests included artists Salman Toor, Leilah Babirye, Ali Banisadr, and Ilana Savdie, as well as gallerist Jeanne Greenberg Rohatyn and Public Art Fund’s Nicholas Baume.
Dozens of ancient Egyptian artifacts from the newly discovered lost city of Aten—built under King Amenhotep III in the 1300s B.C.E.—will debut in the United States this summer at the de Young Museum in San Francisco. The exhibition, titled “Treasures of the Pharaohs,” features 130 objects spanning over 2,000 years of Egyptian history, including 20 relics from the Aten site itself. The show premiered in Rome in November 2024 and is organized with loans from the Egyptian Museum in Cairo and the Luxor Museum, with a catalog by famed archaeologist Zahi Hawass.
M+ in Hong Kong and the Centre Pompidou in Paris have announced a new five-year partnership beginning next year. The agreement, announced at M+ on May 15, includes lending artworks for exhibitions, collaborative research and commissions, curator exchanges, and a four-year postdoctoral fellowship. A major exhibition focusing on visual culture in France and Greater China will debut at the Pompidou when it reopens in 2029 or 2030, then travel to M+.
Arthur Brand, a Dutch art detective, was contacted by a man who discovered that his family descended from Hendrik Seyffardt, a high-ranking Nazi collaborator, and that a painting looted from Jewish art dealer Jacques Goudstikker remained in their possession. The painting, Toon Kelder's *Portrait of a Young Girl*, had hung in a relative's home near Utrecht for years. The family, who changed their name after WWII, handed the painting to Brand after the story broke in Dutch media, expressing shame and outrage over the silence surrounding their history.
Joel Mesler, a former gallerist turned artist, is debuting a new series of figurative paintings titled “Interiors” at the Independent art fair under the deliberately strange name “Joel Mesler Presented by The Estate of Joel Mesler.” The project includes only 12 paintings, which will not be sold through a gallery sales team; only Mesler himself and his former dealer David Kordansky can sell the work. Mesler describes the presentation as part art exhibit, part controlled market experiment, reflecting his frustration with the contemporary art market's loss of intimacy and unpredictability.
Gratin Gallery, founded by Talal Abillama, is opening a new outpost in Tribeca at 15 White Street, leased for ten years. The space will debut on May 15 with “Blinds and Shutters,” the first U.S. solo exhibition of Spanish sculptor Mónica Mays. The gallery, which started on Avenue B in 2022 and later moved to Grand Street, is expanding despite a challenging art market. Abillama cites the need to be closer to collectors who avoid the 15-minute walk from Tribeca to Chinatown. The new location sits near Luhring Augustine and Ortuzar Projects, and will officially open in November after renovations.
This week's art industry moves include Coco Fusco and Jeffrey Gibson being named speakers for Johns Hopkins University's Sam Gilliam Lecture Series, with free talks scheduled in Washington, D.C. Other notable developments: MCA Denver received a $1 million gift from the Precourt Foundation for free youth admission through 2031; Xavier Hufkens now represents painter Richard Aldrich; Galatea will represent the estate of Brazilian self-taught painter Grauben do Monte Lima; Green Art Gallery added Sharjah-based artist Fatma Al Ali; Chris Sharp Gallery now represents sculptor Richard Rezac; and the Oakland Museum of California received a ceramics gift and $1 million endowment from the Brian and Edith Heath Foundation. Additionally, a Banksy painting from the "Crude Oils" series is estimated at $18 million for an upcoming Fair Warning auction at Tiffany & Co.
A miniature portrait of Friedrich III (Frederick the Wise) by Lucas Cranach the Elder, missing since World War II, has been returned to the State Art Collections of Dresden, Germany. The painting was last documented in May 1945 in a limestone quarry shelter near Pockau-Lengefeld before vanishing. It resurfaced in 2024 when consigned to Parisian auction house Artcurial, whose provenance investigation revealed a matching inventory number from 1722–1728. The Dreyfus family in France, the modern owners, returned the work after negotiations and a financial agreement. It is now on view at the Coin Cabinet of the Royal Palace in a special exhibition marking the 500th anniversary of Friedrich III's death, and will later be permanently displayed in the Semper Gallery.
British artist Anouska Samms has publicly claimed that the Metropolitan Museum of Art's Costume Institute exhibition "Costume Art" includes a dress, Corpus Nervina 0.0 (2023-24), that was based on her collaborative work with Israeli fashion designer Yoav Hadari. Samms alleges that she co-created the original "Hair Dress" with Hadari in 2023 while both were residents at the Sarabande Foundation, and that the Met initially sought to acquire that piece. After negotiations fell through, Hadari instead provided a similar garment attributed solely to him, prompting Samms to demand proper credit via Instagram posts and through her lawyer.
Danish painter Eva Helene Pade, born in 1997, has been working in a borrowed London studio while her Paris home undergoes renovations. Three of her new monumental paintings—Jagt (Hunt), Nærmere (Closer), and Opstand (Surge)—will debut with Thaddaeus Ropac at TEFAF New York this week. Known for tempestuous, large-scale nocturnal scenes filled with writhing naked female bodies, Pade draws on influences from Edvard Munch, James Ensor, and Gustav Klimt, though she now works more intuitively. She signed with Thaddaeus Ropac in 2024 as the gallery's youngest represented artist and was featured in Artnet's Intelligence Report 'Zero to Hero' list for a major spike in search interest.
A collection of unseen Keith Haring works, including a crib he painted for his best friend's unborn child, is going on display at Sotheby's New York before being auctioned in May 2025. The collection belongs to Kermit Oswald, Haring's childhood friend, and features 20 works, with a 1985 self-portrait estimated at $3m-$5m and the crib valued at $250,000-$350,000. Oswald shares intimate stories of their friendship, from childhood pranks in Kutztown, Pennsylvania, to their move to New York to study at the School of Visual Arts, and Haring's later collaboration with William Burroughs.
Syrian artist Sara Shamma has been selected to represent Syria at the 2026 Venice Biennale, marking the country's return to the event with a single-artist national pavilion for the first time. Her immersive installation, 'The Tower Tomb of Palmyra,' curated by Yuko Hasegawa and commissioned by Syria's ministry of culture, combines painting, architecture, light, sound, and scent. It draws on the ancient funerary towers of Palmyra destroyed by Islamic State in 2015, addressing cultural loss and the possibility of reconstruction. Shamma, who returned to Syria in September 2024 after eight years abroad, describes living through the fall of the Assad regime and the country's rebirth as a transformative personal and national moment.
The US pavilion at the Venice Biennale has selected Alma Allen, a Utah-born, Mexico-based sculptor, as its representative artist—a controversial and surprising choice given his relative obscurity compared to past pavilion artists. The selection process was unusually fraught: the first artist chosen was dropped before official announcement, and the announcement was delayed by the US government shutdown. The pavilion's curator, Jeffrey Uslip, discusses the exhibition titled "Call Me the Breeze," which will feature Allen's sculptures in stone, bronze, and wood that appear to defy their own weight, emphasizing artistic autonomy despite the State Department's framing of the choice as showcasing "American excellence."
Alma Allen's exhibition "Call Me the Breeze" has opened at the U.S. Pavilion for the 61st Venice Biennale. The Utah-born sculptor presents a pared-down, whimsical show that contrasts with the bombastic work of his predecessors, grouping new and old pieces to explore themes of conflict, mourning, and transcendence inspired by Hieronymus Bosch's *Visions of the Afterlife*. The exhibition was produced hurriedly over a few months, and Allen, who typically leaves his works untitled, felt compelled to explain his art for the first time in 30 years amid controversy surrounding his commission.