Tanya Bonakdar Gallery is closing its Los Angeles location after seven years, with the final exhibition being a solo show for Ben Hyunjin that ends on August 29. The gallery, which opened on Highland Avenue in 2018, decided not to renew its lease, citing a natural pause to assess its accomplishments in the city. The closure follows recent shutdowns of other LA galleries, including Blum and Clearing.
The Art Dealers Association of America (ADAA) has canceled the 2025 edition of its annual New York art fair, The Art Show, which was scheduled to open at the Park Avenue Armory on October 28. The decision was communicated to members via email and confirmed by ADAA president Susan Sheehan, with the board citing a strategic pause to reimagine the fair for long-term sustainability. The fair has been a staple of the New York social calendar, with its VIP opening night serving as a fundraiser for the Henry Street Settlement, raising over $38 million for the nonprofit over three decades.
Beaux Arts Magazine highlights five must-visit art venues in Rennes, France, a city known for its youthful energy and cultural heritage. The featured locations include the Musée des Beaux-Arts de Rennes, which houses masterpieces like Georges de La Tour's *Le Nouveau-né* (c. 1645) and recently opened a free satellite space in the Maurepas neighborhood in 2025; Les Champs Libres, a multi-purpose cultural center with a library, museum of Brittany, and science space; and La Criée, a contemporary art center located in a covered market. Other notable spots include the Oniris gallery and the Couvent des Jacobins, which hosts exhibitions from the Pinault Collection.
À la Tate Modern, la bouleversante renaissance de Tracey Emin
Tracey Emin has returned to the Tate Modern for a major retrospective titled "A Second Life," marking a poignant milestone in her career. The exhibition features over a hundred works, including the iconic and once-scandalous "My Bed," which first catapulted her to international fame during the 1999 Turner Prize. This survey explores her evolution from the "enfant terrible" of the Young British Artists to a Dame of the British Empire, showcasing her multidisciplinary practice across painting, sculpture, and installation.
The Saatchi Gallery in London is hosting 'Textile Art Redefined,' a group exhibition featuring 15 artists who push the boundaries of fiber and fabric. Curated by Helen Adams, the show includes diverse works ranging from Ian Berry’s immersive installations made of recycled denim to Kenny Nguyen’s undulating silk wall pieces and Anne von Freyburg’s textile reinterpretations of Rococo paintings. The exhibition coincides with the release of Adams' new book, 'Textile Fine Art,' which explores the medium's evolution from functional craft to a celebrated pillar of contemporary art.
Twenty-two European ministers, led by Latvia's Minister of Culture Agnese Līce, have signed a joint letter calling for Russia to be barred from the 61st Venice Biennale. The ministers argue that Russia's planned participation, following its voluntary absence since the 2022 invasion of Ukraine, would misuse a major cultural platform to legitimize military aggression and undermine international sanctions.
Art Dubai returns to Madinat Jumeirah from 15–17 May 2026 for a special 20th-edition programme that reflects on the fair's evolution and reaffirms Dubai's role as a global cultural hub. Presented in partnership with A.R.M. Holding and Dubai Culture, the fair features approximately 75 presentations from commercial galleries, institutional partners, and cultural initiatives, with around 60% of participating galleries drawn from the region. Highlights include the Made Forward presentation from Dubai Collection, the 20th edition of the Global Art Forum titled 'Before and After Everything', and an exhibition of modern Arab art from the Barjeel Art Foundation. The fair also introduces an innovative risk-sharing model where booth costs are payable based on sales performance, and entry is free for all visitors.
Untitled Art Houston, returning for its second edition from October 2 to 4 at the George R. Brown Convention Center, has announced four new prizes for exhibitors and artists, bringing the total potential prize value to $113,200. New sponsors include the University of Texas MD Anderson Cancer Center ($20,000 acquisition prize), Public Art of the University of Houston System ($25,000 acquisition prize), Hotel Daphne ($30,000–$50,000 for up to three works), and the Houston Grand Opera ($7,500–$10,000 plus a commission and residency). Two residency prizes from the fair’s debut—PAC Art Residency and Casa Santa Ana Residency—will continue.
Philip Mould & Company in London is hosting a new exhibition titled "Elizabeth I: Queen and Court," featuring four rare portraits of the Tudor monarch alongside depictions of her closest advisors and political rivals. The show traces Elizabeth's visual evolution from a pious young princess to a formidable, iconographic ruler, highlighting how she utilized fashion and symbolism to solidify her authority and manage public perception during a period of immense political and religious transition.
A coalition of Los Angeles’s leading art institutions, including the Getty, LACMA, MOCA, and the Hammer Museum, has officially pledged to adopt the Bizot Green Protocol. This collective commitment, which also includes the gallery Hauser & Wirth, establishes climate-minded guidelines for museum operations such as widening temperature and humidity parameters for galleries and reducing air travel for loans. The move was largely catalyzed by the devastating impact of recent wildfires on the region's cultural infrastructure.
Lucia Di Luciano, an Italian painter associated with the 1960s Arte Programmata movement, has died at age 93. Her death was announced by her Milan gallery, 10 A.M. Art, without specifying a cause. Di Luciano was known for her hand-painted, gridded black-and-white abstractions that mimicked computer-generated patterns, made with house paint and acrylic. Despite painting for nearly eight decades, she only gained wider international recognition in 2022 when her work was included in the main exhibition of the Venice Biennale, curated by Cecilia Alemani. Her career saw a late surge, with appearances at Tate Modern's "Electric Dreams" exhibition, art fairs like Frieze Masters and Independent 20th Century, and a solo show at Herald St. in London. The Maxxi museum in Rome is organizing a retrospective set to open in 2027.
French artist JR is presenting two solo exhibitions in China: “La Vie en Mouvement” at Perrotin Shanghai and “Kaleidoscope” at Galleria Continua in Beijing. The shows feature works from the past two decades, including photographs of ballerinas in unexpected urban settings and an installation that appears to crack open the gallery wall to reveal a Summer Palace pavilion. In an interview, JR discussed how architecture shapes his images, his resistance to being labeled an activist, and his reflections on past projects in Shanghai’s now-vanished shantytowns.
French authorities arrested five additional suspects in connection with the historic theft of Napoleonic jewelry from the Louvre Museum, Paris prosecutor Laure Beccuau announced on Thursday. The coordinated raids took place in Paris and its northern suburbs, with one suspect identified through DNA evidence. The investigation has advanced by studying encrypted communications from seized phones. The heist occurred on October 19, when four masked thieves broke into the Apollo Gallery during opening hours, stealing nine artifacts worth approximately $102 million, though one crown was dropped during the escape. Two suspects were previously arrested on October 25, one at Charles de Gaulle Airport. The stolen jewels remain unrecovered, and authorities are searching the black market for them.
Artnet News profiles five ultra-contemporary artists working in China today, highlighting their practices amid shifting cultural narratives, economic pressures, and technological change. Featured artists include Xia Yu, known for tempera paintings of everyday life, and Ye Linghan, who creates monumental "data portraits" from smartphone screenshots. The article details their backgrounds, notable exhibitions, market prices, and upcoming projects, emphasizing their growing appeal to collectors and curators.
Rhea Dillon, a 29-year-old artist and writer, is preparing for three exhibitions opening over the summer: a group show at the Whitney Independent Study Program (ISP), a solo exhibition at Heidelberger Kunstverein, and a booth in the Statements section of Art Basel Switzerland. Her work, which draws on Black and Caribbean intellectual traditions, uses everyday objects and symbols to critique postcolonial diasporic identity, as seen in sculptures like *Caribbean Ossuary* (2022) and *Swollen, Whole, Broken...* (2023). Dillon also discusses her linguistic approach, explored in drawings at Paul Soto Gallery, where she repeats and redefines the shape of a spade to transform a racial slur into new forms.
Ching Ho Cheng (1946–89), a Chinese-American artist who described himself as working "with paper, instead of on it," is the subject of a revival of interest, including a current solo show at Bank gallery's New York outpost featuring his airbrushed gouache works from the mid-to-late 1970s. Cheng, who lived and worked in Suite 903 of New York's Chelsea Hotel, created spiritual, experimental works ranging from psychedelic paintings to torn-paper pieces and monumental oxidized sculptures, before his career was cut short by AIDS-related complications. His papers at the Smithsonian Archives of American Art were digitized in 2024, and his work will be included in a group show at the Whitney Museum of American Art and a major institutional retrospective at the Addison Gallery of American Art in 2027.
Emma Fineman, a visual artist based in London, is presenting her first solo show at Alexander Berggruen gallery in New York, on view through June 24. The exhibition features 18 paintings that explore her queer identity and self-acceptance, drawing from Christian mythology and the Book of Genesis to celebrate female desire. In a conversation with her sister Chloe Fineman, a cast member on SNL, the two discuss their creative processes, the overlap between comedy and painting, and how they support each other through artistic blocks.
On a warm spring Saturday, the Dia Art Foundation hosted its annual Spring Benefit at Dia Beacon, drawing a cross-disciplinary crowd of artists, curators, museum leaders, and fashion figures. The event celebrated the opening of seven major exhibitions across the Beacon campus, featuring works by John Chamberlain, Lee Ufan, Kishio Suga, and Jack Whitten, and marked the rollout of a new partnership with Chanel. Guests explored over 20 galleries, enjoyed a seasonal lunch amid Chamberlain's sculptures, and participated in a special children's program, all set within the former Nabisco box-printing factory along the Hudson River.
Cultured magazine has published a guide to art exhibitions during the Venice Biennale, highlighting several major shows across the city. Featured exhibitions include "If All Time Is Eternally Present" at Palazzo Nervi-Scattolin with works by Tai Shani, Meriem Bennani & Orian Barki, and Kandis Williams; "Michael Armitage: The Promise of Change" at Palazzo Grassi; "Amoako Boafo: It doesn’t have to always make sense" at Palazzo Grimani; "Transforming Energy" by Marina Abramović at Gallerie dell’Accademia; and "Helter Skelter" by Arthur Jafa and Richard Prince at Fondazione Prada. The guide provides details on dates, locations, and curatorial themes for each show.
Congolese choreographer Faustin Linyekula is staging "The Galeazze Project," a performance commissioned by the Venice-based nonprofit Scuola Piccola Zattere (SPZ) in the 16th-century Galeazze shipyard complex, which has been inaccessible since World War II and never open to the public. The performance, a collateral event of the 2026 Venice Biennale, brings up to 500 people into the 32,291-square-foot open-air ruin for two nights, featuring local students, musicians from the Venetian label Cosmogram, and trumpeter Heru Shabaka-Ra, with a soundtrack composed collaboratively.
Printed Matter, the nonprofit artists' bookstore and publisher, celebrated its 50th anniversary with a gala at the High Line Hotel in New York. The event featured speeches honoring co-founder Pat Steir and artist Ed Ruscha, performances from the opera *Einstein on the Beach*, and a crowd of notable artists, museum directors, and gallerists including Joan Jonas, Glenn Ligon, MoMA Director Christophe Cherix, and Larry Gagosian. Founded in 1976 by Sol LeWitt, Pat Steir, and Lucy Lippard, Printed Matter has become a vital platform for artist books, operating a bookstore, exhibition space, and one of the world's largest book fairs.
Cultured's spring gallery guide for New York highlights a curated selection of exhibitions across the city, with standout shows including Carol Bove's sculptural installation at the Solomon R. Guggenheim Museum, Joan Semmel's retrospective at the Jewish Museum, Jessi Reaves's furniture-based works at the American Academy of Arts and Letters, and the group show "Afterlives: Contemporary Art in the Byzantine Crypt" at the Metropolitan Museum. The guide also notes exhibitions by Paul Chan, Nicola Tyson, Doron Langberg, and Yuval Pudik that are closing soon, and extends coverage to shows in Philadelphia and Warsaw.
Elizabeth Peyton's New York solo debut with David Zwirner, titled "Elizabeth Peyton: mountains in my heart (the death of Sarpedon)," opened at the gallery's West 19th Street space. The exhibition features Peyton's small-scale figurative paintings, including a new work inspired by the death of Sarpedon from the Iliad, rendered after a 19th-century painting by Henri-Léopold Lévy. Peyton, who has been an artist-in-residence at the Louvre since 2023, continues her practice of drawing from pop culture, historical figures, and personal acquaintances, with subjects ranging from musician Cameron Winter to philosopher Simone Weil.
Cultured magazine asked several seasoned art collectors—Will Bennett, Laurent Asscher, Geoff Snack, Amélie du Chalard, Allison Sarofim, and Pamela Joyner with Fred Giuffrida—to share their most important advice for novice collectors. Their responses range from building relationships with dealers and scouring unexpected sources like eBay and street-side book boxes (Snack) to focusing on an artist's conceptual approach, technical mastery, and aesthetic result (du Chalard). Others emphasize training the eye through constant exposure, buying what you love rather than what is trendy, and developing a focused area of interest to guide acquisitions.
Fashion designer Dries Van Noten is opening the Fondazione Dries Van Noten in Venice's 15th-century Palazzo Pisani Moretta, which he and his partner Patrick Vangheluwe acquired last year. The foundation's inaugural exhibition, "The Only True Protest Is Beauty," curated with Geert Bruloot, will open on April 25, featuring over 200 works across 20 rooms. Van Noten, who handed over his brand's creative direction to Julian Klausner in 2024, remains involved in the beauty arm and store design while launching this new cultural venture.
Paris Fashion Week is drawing crowds to the city, but a parallel art scene offers respite through a diverse array of gallery and museum shows this March. Highlights include a solo exhibition of recent paintings by French post-war legend Martial Raysse at Templon, featuring his monumental canvases "La Peur" and "La Paix" from 2023, and Bettina Samson's ceramic sculptures at Sultana, inspired by philosophers and poets. Other notable shows include Dove Allouche's photo series exploring the elements of life at Peter Freeman, Inc., and Giangiacomo Rossetti's "Résurrectine" at Mendes Wood DM, which reanimates art historical figures.
Cultured magazine has published a guide to the best off-site gallery shows during Frieze Los Angeles 2026, organized by neighborhood. The article highlights six exhibitions: Rodney McMillian's "Some lives in the sunshine" at Vielmetter, Emma McIntyre's "Aragonite and conchiolin" at Château Shatto, Cayetano Ferrer's "Object Prosthetics" at Commonwealth and Council, Vicky Colombet's "Eutierria" at Fernberger, Kye Christensen-Knowles's "ALL & ALL" at Gaylord Fine Arts, and Christina Quarles's "The Ground Glows Back" at Hauser & Wirth. Each entry includes details on dates, key artworks, and curatorial context.
This week's What's On column highlights must-see gallery shows in New York City, including Simone Fattal's bronze and ceramic works at Greene Naftali and kaufmann repetto, Sol Lewitt's early works at Paula Cooper, Charles Atlas's portraits at Luhring Augustine, John Akomfrah's eight-channel installation at Lisson, and Brenda Goodman's new exhibition at Sikkema Malloy Jenkins. On the Upper East Side, the Metropolitan Museum of Art presents Helene Schjerfbeck's self-portraits in "Seeing Silence," the Jewish Museum features Joan Semmel's radical nudes, and White Cube hosts Marguerite Humeau's cave-inspired show "scintille."
Pat Oleszko, a 78-year-old artist known for her inflatables, costumes, and performances blending burlesque, commedia dell'arte, and protest, is the subject of her first New York solo show in 35 years at SculptureCenter, on view through April. The article features an interview where Oleszko discusses her creative process, the challenges of aging, and her desire to make work about fascism and climate change, while also noting her inclusion in the Whitney Biennial and a presentation at Art Basel Miami Beach.