The Barnes Foundation in Philadelphia has opened a major exhibition, 'Henri Rousseau: A Painter's Secrets,' featuring around sixty works, including the institution's own iconic Rousseau paintings. The survey, co-curated by Nancy Ireson and Christopher Green, aims to present a cohesive look at the self-taught artist's career.
Artist Ryan McGinness has published a new art book titled 'Trip Advisor: Notes From over 25 Years of Psychedelic Voyages.' The book combines images of his paintings, studio photos, and personal diaries chronicling his experiences with psilocybin mushrooms since 1999, alongside essays reflecting on their significance.
Bonhams has opened its new U.S. headquarters at 111 West 57th Street in New York, moving from its longtime Madison Avenue location into a 42,000-square-foot space within the restored Steinway Hall. The design features an 80-foot glass atrium, a grand staircase, and restored historic elements, aiming to create a transparent, cultural-center-like atmosphere rather than a traditional salesroom.
A new video game titled 'Relooted' has been released, casting players as vigilantes in an Afrofuturistic future who must reclaim looted African artifacts from Western museums before they are hidden away. Developed by South African studio Nyamakop, the game tasks players with repatriating up to 70 specific, real-world contested treasures, including the Bangwa Queen and the Maqdala Crown, through heist-style gameplay.
MoMA PS1 has announced the 53 artists selected for the 2026 edition of its quinquennial exhibition, Greater New York. The show, opening April 16, is organized by the museum's in-house curatorial staff and focuses on artists living and working in New York City, with a strong emphasis on early and mid-career practitioners. It notably features only one deceased artist, painter Jay Carrier.
Lauren Haynes has been appointed as the new executive director of Atlanta Contemporary, effective March 16. She succeeds interim director Everett Long, who assumed the role last summer after Floyd Hall's resignation. Haynes joins from the Trust for Governors Island, where she served as vice president of arts & culture and head curator, and brings extensive experience from institutions including the Queens Museum, the Nasher Museum, Crystal Bridges, and the Studio Museum in Harlem.
John Phelan, a prominent art collector and the current U.S. Secretary of the Navy, flew on Jeffrey Epstein's private plane in 2006, according to newly released flight logs. The trip from London to New York occurred four months before Epstein's first indictment, and a friend of Phelan's confirmed the flight but stated it was his only interaction with the convicted sex offender.
A major painting by the 18th-century Venetian master Canaletto, titled 'Venice, the Bucintoro at the Molo on Ascension Day' (c. 1754), sold for $30.5 million at Christie's New York during its Old Master week. The work, which had been backed by a guarantee, hammered at $26 million, meeting its pre-sale estimate and marking its fourth appearance at auction.
The inaugural edition of Art Basel Qatar concluded in Doha, marking a significant new chapter for the Gulf art market. The fair adopted a smaller, curated format and was notably overseen by Egyptian artist Wael Shawky, who served as its artistic director, bringing a curatorial perspective to the commercial event.
Olympic officials blocked Haiti's plan to feature a painting of revolutionary leader Toussaint Louverture on its team uniforms for the 2026 Winter Olympics in Milan, citing a rule against political propaganda. Designer Stella Jean, with a team of artisans in Rome, hand-painted a redesigned version that removed Louverture and the snake but kept the horse and landscape, delivering the uniforms just two days before the opening ceremony.
A new exhibition at Philadelphia's Institute of Contemporary Art, titled “The Shakers: A World in the Making,” brings historic Shaker objects into dialogue with contemporary art, including newly commissioned works. The show, a collaboration with the Vitra Design Museum, Milwaukee Art Museum, and Shaker Museum, coincides with the release of the film *The Testament of Ann Lee* and focuses on Shaker values such as craft, patience, and care rather than their more controversial principles like celibacy and gender segregation. Featured artists include Amie Cunat, who created a contemplative cardboard meetinghouse, and Christien Meindertsma, who uses Shaker basket-making techniques for willow burial vessels.
The Los Angeles County Museum of Art (LACMA) has announced that its new building, the David Geffen Galleries, will open to members on April 19 and to the public on May 4. Designed by Swiss architect Peter Zumthor, the 900-foot-long structure spans Wilshire Boulevard and offers 110,000 square feet of exhibition space, displaying 2,500 to 3,000 objects from the permanent collection on a single level. The museum also revealed that Willow Bay has been elected co-chair of its board of trustees, succeeding the late Elaine Wynn.
A trio of Bob Ross paintings sold for over $1 million at Bonhams' “Americana” auction on January 27, 2026, with proceeds benefiting American Public Television (APT). The top lot, *Change of Seasons* (1990), fetched $787,900—more than 13 times its high estimate—followed by *Babbling Brook* (1993) at $279,900 and *Valley View* (1990) at $203,700. The sale follows APT's record-breaking November auction and is part of a series of 24 Ross paintings to be offered throughout the year.
Emails released by the U.S. Department of Justice in January 2026 reveal that convicted sex offender Jeffrey Epstein boasted to associates about securing a private after-hours visit to the Musée d'Orsay in Paris with filmmaker Woody Allen on March 18, 2012. In the correspondence, Epstein wrote to a recipient identified only as 'junkermann' that the French government would open the museum for him and Allen, and later messaged others including former girlfriend Eva Dubin, who responded with a 'King of the castle' quip. Epstein also made crude sexual references in connection with the visit, mentioning Edgar Degas's depictions of nude women.
Martin Puryear's 1978 sculpture *Self* opens a survey of his work at the Museum of Fine Arts, Boston, titled “Martin Puryear: Nexus,” which runs through Sunday before traveling to the Cleveland Museum of Art in April. Curated by Emily Liebert, Reto Thüring, and Ian Alteveer, the exhibition argues that Puryear's abstract, craft-intensive sculptures—like *A Column for Sally Hemings* (2021)—are not merely formalist exercises but carry political and historical meanings that are deliberately withheld, challenging viewers to read beyond elegant surfaces.
Thaddaeus Ropac is opening a new project space in New York and has hired Emilio Steinberger as a senior director. Hauser & Wirth now represents artist Conny Maier in collaboration with Société in Berlin. Zippora Elders Tahalele has been appointed director of the Nederlands Fotomuseum. The Tulsa Artist Fellowship announced its 2026–28 cohort of ten artists and arts workers. The ADAA appointed four new board members: Elizabeth Feld, Bridget Moore, Yancey Richardson, and Melissa Timarchi. Sotheby's second sale in Saudi Arabia, 'Origins II,' totaled $19.6 million, with a record $2.1 million for Safeya Binzagr's work. The article also covers Art Basel Qatar's first edition, with comments from Sheikha Al-Mayassa bint Hamad bin Khalifa Al-Thani and artistic director Wael Shawky.
Ronald Lauder, the billionaire art collector and heir to the Estée Lauder fortune, is named over 900 times in the recently released Jeffrey Epstein court documents. The emails reveal his assistants frequently scheduling meetings and calls with Epstein in 2017, though the substance of their discussions remains largely unclear. One email suggests Epstein sought to review Lauder's tax returns and will, while another indicates Epstein attempted to arrange a dinner involving filmmaker Woody Allen.
The Metropolitan Opera is considering selling its two iconic Marc Chagall murals, 'The Sources of Music' and 'The Triumph of Music,' which have been appraised at $55 million. The institution's general manager, Peter Gelb, has proposed a sale with the condition that the buyer agrees to leave the works in place at Lincoln Center, with a donation plaque.
Performance artist Pat Oleszko, known for her satirical costumes and public interventions, is receiving significant institutional recognition in New York. At 78, she is featured in the 2026 Whitney Biennial and is the subject of a solo exhibition, "Fool Disclosure," at SculptureCenter, her first institutional solo show in the city in over 35 years.
m hka remains museum smak
The government of Belgium's Flanders region has reversed its controversial plan to close the M HKA contemporary art museum in Antwerp and transfer its collection to the SMAK museum in Ghent. Under a new plan called "M HKA 2.0," the museum will retain its collection, its museum status, and continue its programming, while SMAK will be operated by the regional government.
Jeffrey Deitch's gallery has apologized for hosting a performance by rapper Lexa Gates that was deemed an unauthorized derivative of performance artist Miles Greenberg's work. Gates's 10-hour piece, 'The Wheel,' involved walking inside a spinning wheel at the gallery to promote her new album, closely echoing Greenberg's 24-hour 2020 work 'Oysterknife,' which was previously screened at the same location. The gallery stated it had rented the space to Gates's record company and was unaware of the event's content.
The Christo and Jeanne-Claude Foundation has donated 14 artworks to two Parisian museums, the Musée Carnavalet and the Musée d'Art Moderne de Paris. The donation includes preparatory collages, silkscreens, lithographs, and a scale model related to both realized and unrealized projects by the artist duo, such as the wrapped Arc de Triomphe and Pont-Neuf, as well as early sculptures.
The Winter Show at New York's Park Avenue Armory features a standout booth by the gallery French and Company, presenting a darkly themed collection. The eclectic offerings include Old Master still lifes by Willem Kalf and Willem Claesz Heda, a Victorian ceramic peacock, a 1979 painting by Susan Rothenberg, and a "horror wall" with works like Pasko Vucetic's *Hatred and Madness* and Wilhelm Trübner's *A Gorgon's Head*, all curated by the gallery's Henry Zimet.
Hong Kong's M+ museum has selected Pakistani American artist Shahzia Sikander's hand-painted animated film *3 to 12 Nautical Miles* (2026) for its latest M+ Facade commission, a massive LED media screen. Co-commissioned by M+ and Art Basel, the work will screen from March 23 through June 21. The animation explores entangled histories of empire and commerce, linking Imperial Britain, the Indian subcontinent, and Qing China, and chronicles the Mughal Empire's decline, the East India Company's rise, and the First Opium War.
Ai Weiwei has accused Lego of refusing to supply a bulk order of bricks for a politically charged artwork destined for the National Gallery of Victoria. The artist announced the refusal via Instagram, claiming Lego cited an inability to approve the use of its products for political works. Ai linked the decision to Lego's business interests in China, noting the announcement of a Legoland in Shanghai during President Xi Jinping's UK state visit. Lego denied political motivation, stating it sold its Legoland division years ago and that it declines bulk orders when political context is involved. Supporters have launched a Facebook page to donate bricks, and Ai has accepted the offers.
Sesse Elangwe's 2025 painting *True Friends?* sold for $22,000 at San Francisco dealer Jonathan Carver Moore's booth during the opening of FOG Art + Design on January 21. The work, created during a residency run by Moore, was purchased by a local collector. Elangwe, a self-taught Cameroonian artist known for emotionally charged portraits of Black subjects, was the fourth participant in Moore's residency program, which aims to connect artists with Bay Area collectors. Another portrait, *And My Better Half* (2025), was pre-sold for $9,000 to another Bay Area collector.
A surge of gallery exhibitions in New York this January focuses on deceased artists and estates, including shows for Marcia Marcus at Olney Gleason, Hung Liu at Ryan Lee, and Lynn Geesaman at Yancey Richardson. This trend reflects a broader shift toward historical reappraisals, with young dealers increasingly taking on artist estates and museums doubling their share of solo shows for dead artists from 18% in 2019 to nearly 50% in 2025.
The Studio Museum in Harlem was forced to evacuate visitors and close for the weekend after a sprinkler emergency caused water to leak from a ceiling near the gift shop. The incident occurred on Friday, January 24, 2025, during preparations for a winter storm that brought heavy snow and freezing temperatures to Manhattan. A museum spokesperson confirmed that no artworks or galleries were affected, and the museum planned to reopen on Wednesday, January 28. The museum had recently reopened in November 2024 in a new building designed by David Adjaye's firm.
Francis Irv, an unconventional art space in New York known for its unpredictable programming, is closing after over three years. Founded by Sam Marion Wilken and Shane Rossi, the gallery operated first in a Chinatown mall beneath the Manhattan Bridge and later in a nondescript third-floor room nearby. It showcased a multigenerational mix of artists from the US and Europe, including Megan Marrin, Win McCarthy, and Reinhard Mucha, and participated in alternative art fairs like Basel Social Club and Paris Internationale rather than the mainstream circuit.
A growing number of art fairs and galleries are publicly announcing a 'strategic pause'—a hiatus from their regular exhibition schedules to reassess their models. This week, Vienna's Spark Art Fair invoked the phrase to take a year off, following Berlin dealer Mehdi Chouakri's decision to suspend his gallery's exhibition program after 30 years. Last July, ADAA's Art Show coined the term when it announced a year-long break to reimagine the New York fair, and Taipei Dangdai in Taiwan followed suit days later. In December, an unprecedented number of galleries skipped Art Basel Miami Beach. The trend reflects a broader shift in the art world's willingness to openly acknowledge the need for rest and reinvention.