20 business types + a $1m super investment = an unusual art collective

An Australian-based art investment collective, comprising 20 members including top-tier business and legal professionals, has consigned eight artworks to Leonard Joel's Centum auction of contemporary art. Among the lots is Indonesian artist Yudi Sulistyo's *Rumah (Home)*, 2013, described as a 'ramshackle rocketship with a payload of decrepit dwellings.' The collective operates with a $1 million super investment model, blending high-net-worth individuals with art market speculation.

CAB EXPLORES LANDSCAPE AS LIVING MEMORY IN MATIAS ERCOLE S WORK

The CAB / Centro de Arte Caja de Burgos in Spain has opened "Me olvidé de mis ojos" (I Forgot My Eyes), an exhibition by Argentine artist Matías Ercole. The show explores landscape as a living memory, blending Latin American and European visual traditions through the artist's signature sgraffito technique, which reveals hidden layers of light and color. The works are arranged as architectural elements, guiding viewers through a reflective journey on identity, memory, and cultural construction.

NEREIDA APAZA MAMANI A HISTORY OF MIGRATION AND VIOLENCE AT THE ICPNA CULTURAL IN MIRAFLORES

Nereida Apaza Mamani presents a solo exhibition at ICPNA Cultural in Miraflores, Lima, featuring 150 works across watercolor, painting, printmaking, photography, sculpture, embroidery, and installation. The show traces stories of migration and displacement through cartographies, maps, and family trees, drawing on embroidery techniques inherited from her mother and grandmother. Curated by Miguel López, the exhibition explores belonging in a country marked by discrimination and centralism, incorporating the artist's notebooks begun in 2009 and works that address political violence and memory.

SHIZUOKA World Theatre Festival 2026

SHIZUOKAせかい演劇祭2026

The Shizuoka Performing Arts Center (SPAC) has announced the lineup for the SHIZUOKA World Theatre Festival 2026, scheduled to take place from April 25 to May 6, 2026. Under the artistic direction of Natsuki Ishigami, the festival will transform Shizuoka City into a sprawling stage, featuring international collaborations such as the Japanese premiere of 'The Tiger of Malaya' by Singapore’s Teater Ekamatra and the site-specific 'Eel Migration' involving local residents with Brazilian roots. The program also includes Satoshi Miyagi’s acclaimed production of 'Medea' and contemporary works addressing gender, labor, and social justice.