Orlebar Brown and CULTURED magazine hosted a launch event in the Hamptons for the British brand's summer collection, held at Il Buco's Amagansett outpost. Guests included photographers, gallerists, a collector, an investor, a designer, and an artist, who mingled over drinks despite rainy weather.
Tiffany & Co. celebrated its Hardwear Collection with an event at its Landmark flagship on Fifth Avenue, featuring painter Anna Weyant as the new face of the campaign alongside actors Greta Lee and Mikey Madison. The gathering included guests such as Phoebe Gates, Laura Harrier, Chase Sui Wonders, artists Chase Hall and Sasha Gordon, and chef Daniel Boulud, with music by Ruby Aldridge and Ruinart champagne.
The Stonewall National Monument in Manhattan has been named one of the most endangered places in the US by the National Trust for Historic Preservation, marking the first time the site has appeared on the annual list. The designation comes amid the Trump administration's efforts to control LGBTQ+ history, including the National Park Service's removal of references to transgender individuals from the monument's official website and the removal of the rainbow pride flag from the site. Activists and the Gilbert Baker Foundation fought back, with the foundation filing a lawsuit that led to a settlement allowing the pride flag to be flown again, though the NPS has not restored the original website text.
Artist Liss Fenwick has created a photobook titled 'The Colony' by feeding a collection of historical Australian novels, described as 'settler fan fiction,' to a colony of termites. The insects consumed the books over several years, leaving behind hollowed, sculptural remains that Fenwick photographed. The resulting work documents this process of organic transformation, where the physical texts are digested and reshaped.
Devyani Saltzman has abruptly left her position as Director of Arts and Participation at the Barbican Centre in London. Her departure, which comes just weeks after the arrival of a new CEO and shortly after she unveiled a five-year creative vision for the institution, marks another sudden leadership change at the major UK arts center.
The Museum of Fine Arts, Boston laid off 33 staff members, including several curators of color, prompting accusations that the cuts disproportionately targeted minority employees. Director Pierre Terjanian issued a statement denying the claim, asserting that the percentage of staff identifying as people of color remained unchanged at one-third. Among those let go were Marina Tyquiengco, associate curator of Native American art; Nadirah Mansour, assistant curator of Islamic art; and theo tyson, a curator in fashion arts who was reportedly the only Black curator at the museum. A union representative said workers were notified only five minutes before the public announcement, and no leadership took pay cuts despite the elimination of the COO position.
Christie's has promoted Kimberly Miller to the role of Global Managing Director of its luxury division. This move follows a period of strong performance for the auction house's luxury categories, which saw sales reach $795 million in 2025, a 17% increase, significantly outpacing its overall growth. Miller previously served as regional managing director for luxury in the Americas, where she oversaw jewelry, watches, wine, and handbags, and integrated the automotive auction house Gooding & Company.
Sotheby's Institute of Art, the academic arm of the Sotheby's auction house, is expanding its focus on luxury business education with three M.A. programs in Luxury Business. These programs, offered in New York and London as well as online, train students in sectors such as fashion, jewelry, watches, and wines and spirits, leveraging the institute's connections to the art market and luxury brands like Chanel, Cartier, LVMH, and Tiffany & Co. Program director Natasha Degen and Dr. Federica Carlotto emphasize the blurring boundaries between art and luxury, and the need for cross-disciplinary expertise.
President Donald Trump has withdrawn the United States from 66 international organizations, including several that safeguard creative rights and freedoms, via a January 7 memo. The New York-based Artists at Risk Connection (ARC) expressed deep concern, particularly over the impact on its partner, the International Federation of Arts Councils and Culture Agencies (IFACCA). ARC listed affected organizations such as the International Centre for the Study of the Preservation and Restoration of Cultural Property, the Freedom Online Coalition, the UN Democracy Fund, UN Women, the UN Alliance of Civilizations, and the International Development Law Organization, all of which support artistic freedom, cultural heritage, and protections for artists under threat.
Jonathon Sturgeon has been appointed deputy editor of Artnet News. Sturgeon brings nearly a decade of experience editing arts and culture coverage, having written for publications including Flavorwire, American Reader, n+1 Magazine, e-flux, the Guardian, the Paris Review, Frieze, and the Baffler. He will work closely with editor-in-chief Rozalia Jovanovic to guide the editorial process, handling both news stories and long-form features.
Half of non-bank art lenders experienced loan defaults in 2024, up from 17 percent in 2022, according to the Art and Finance Report 2025 by Deloitte Private and ArtTactic. The report notes that while the wider art market has shrunk since 2022—sales fell 12 percent to $57.5 billion in 2024—the market for art-backed loans has grown to an estimated $33.9–$40 billion. Non-bank lenders are increasingly taking on riskier clients, with some charging over 15 percent interest, while private banks reported zero defaults in 2024.
David Oyelowo and Ava DuVernay are reuniting for a new thriller film titled "Heist of Benin," more than a decade after their Oscar-winning collaboration on "Selma." The film is set in modern-day London and described as a thriller that intertwines art, love, and restitution. DuVernay will direct from a screenplay by Jesse Quiñones, based on an original idea. Oyelowo will star and produce under his Yoruba Saxon banner, with Studiocanal financing and distributing. The project was announced during Canal+’s ORIGINAL+ presentation in Paris.
Newly released documents from the House Oversight Committee reveal Jeffrey Epstein's involvement in the art world, including emails from February 2017 in which Epstein and associates Etienne Binant and Darren Indyke discussed buying art directly from emerging artists, bypassing galleries and fairs. Binant proposed a strategy to "have an impact on the ecosystem" by supporting artists early, and Indyke confirmed $1 million was available for purchases. Separate emails show Epstein commenting on the disputed painting *Salvator Mundi*, claiming it was worth only $1.5 million and linking its sale to Saudi Crown Prince Mohammed bin Salman via Dmitry Rybolovlev.
The article, presented as an advice column by consultants Chen & Lampert in ARTnews, addresses two anonymous letters from art-world professionals. The first letter is from a curator at a major museum who feels underpaid, invisible, and constrained by an ethics policy that prevents freelance work, while colleagues at smaller institutions enjoy more freedom. The second letter is from a veteran graphic designer and illustrator, active since the 1960s, who laments losing commercial clients to younger, cheaper talent using AI and smartphones. The consultants respond with sharp, critical advice: they tell the curator to consider collective action with colleagues to push for institutional reform, and advise the designer to leverage their legacy and experience rather than accept obsolescence.
The Art Basel & UBS Survey of Global Collecting 2025, authored by Clare McAndrew, surveyed 3,100 high-net-worth collectors across ten markets. It reveals that nearly three-quarters of respondents are Gen Z or Millennials, with Gen Z collectors allocating an average of 26% of their wealth to art—the highest of any age group. Female collectors outspent men by 46% in 2024 and the first half of 2025, and 51% of collectors purchased digital artworks. Direct purchases from artists surged to 63%, up from 27% two years earlier, with 35% buying via Instagram links.
Saratoga, the bottled water brand known for its blue glass bottles and ubiquity at art world events, has launched a new collection of flavored sparkling waters with art-themed names. The three flavors are Abstraction of Lime, Anatomy of a Peach, and Untitled Berry No. 3, each packaged in cans with colorful geometric abstract designs. The brand's marketing leans into art world language, describing the flavors as a "curated blend" and using ornate picture frames in promotional imagery.
Zoe Dubno's novel *Happiness & Love* is a satire of the art world, heavily borrowing from Thomas Bernhard's 1984 novel *Woodcutters*. The book follows an unnamed narrator who relentlessly criticizes the vapid, social-climbing denizens of the downtown New York scene, using the word "stupid" over twenty times. The narrator laments the art world's obsession with wealth and clout over meaning and beauty, but her own hypocrisy and lack of self-awareness are evident. The novel has received superficial coverage from outlets like *New York Magazine*, focusing on the author's lifestyle rather than the book's content.
A Rhode Island federal court ruled on Friday that National Endowment for the Arts (NEA) grants do not have to comply with President Trump’s executive order banning “gender ideology.” The order, introduced in February, prohibited federal funds from being used to promote the idea that males can identify as women and vice versa, and was applied to the NEA grant application process. The ACLU’s Rhode Island branch filed a lawsuit in March on behalf of several theaters, arguing the policy violated First Amendment rights by restricting the types of works that could receive funding. Judge William E. Smith, appointed by former President George W. Bush, found the policy unconstitutional, noting that the 1965 law establishing the NEA requires grants to be awarded solely on merit. A subsequent “final notice” allowing the NEA chair to review applications on a case-by-case basis was also struck down as a viewpoint-based restriction on artists’ speech.
The Federal Reserve cut its benchmark interest rate by 0.25 percentage points, the first reduction since December, bringing rates to their lowest level since late 2022. Art finance experts Anita Heriot of the Fine Art Group and Joshua Greenberg of Bank of America Private Bank told ARTnews that while the cut is unlikely to create new art buyers, it could stimulate art lending and borrowing against collections, as lower rates reduce the cost of carrying debt. The move signals a potential trend of further rate declines, which may encourage collectors to reengage with the market, especially amid softening art prices.
Nathan Myhrvold, the former Microsoft CTO, chef, author, and photographer, has released his first series of safari photographs taken in Africa. The collection, titled 'Resting Leopard' (2025) and 'The Young King' (2025), marks a shift from his meticulously staged food and beverage photography to wildlife portraiture. In an interview, Myhrvold discusses how the project reconnects with humanity's place in the natural world, contrasting the controlled environment of studio work with the unpredictability of photographing wild animals.
A group of high-profile art market veterans—Ed Dolman, Alex Dolman, Brett Gorvy, Philip Hoffman, and Patti Wong—have launched a new collaborative consultancy called New Perspectives Art Partners (NPAP). Unlike traditional advisory firms, NPAP operates on a flexible, project-based model where partners retain their existing roles and assemble only for high-level, specialized challenges. The consultancy aims to advise collectors, fiduciaries, and family offices on managing, growing, or dispersing significant collections, leveraging the partners' deep experience across auction houses, galleries, institutions, and advisory, with a global footprint spanning Hong Kong to Doha.
Adam Chinn, former chief operating officer at Sotheby's, has been quietly building International Art Finance (IAF), a boutique art lending firm backed by the billionaire Nahmad family. In a recent interview with ARTnews, Chinn revealed that IAF has disbursed nearly $400 million in loans and is on track to reach $500 million by the end of 2025. The firm offers short-term, non-recourse loans with an average size of $8 million, claiming an edge in speed and scale, with loans disbursed in as little as 10 days. The Nahmad family, prolific collectors and dealers, provides funding and conducts internal artwork valuations, a practice that has drawn scrutiny over potential conflicts of interest.
A new exhibition at the Pompeii Archaeological Park, titled “Being a Woman in Ancient Pompeii,” aims to correct centuries of historical neglect by highlighting the lives of real women from the ancient city. Through frescoes, artifacts, inscriptions, and an interactive app, the show presents the stories of entrepreneurs, priestesses, innkeepers, artisans, sex workers, and slaves—including Clodia Nigella, a public pig-keeper; Faustilla, a pawnbroker; Asellina, a tavern owner who employed bar workers and sex workers; Julia Felix, an independent property owner who rented out her bathhouse; and Eumachia, a businesswoman. Co-curated by archaeologist Francesca Ghedini, the exhibition uses archaeological evidence to reconstruct the personalities and daily activities of these women, whose roles have long been obscured by male-dominated historical narratives.
Investment group Beowolff Capital has announced a voluntary takeover offer for Artnet, valuing the company at approximately €65 million ($73.7 million). Beowolff Capital, a U.K.-registered firm led by CEO Andrew Wolff, has already secured 65% of Artnet's shares and plans to delist the company from the Frankfurt Stock Exchange. The deal includes the purchase of a 29.99% stake from Weng Fine Art AG, ending a long-running control struggle. Artnet's management supports the offer, which is expected to close on May 30, 2025.
A couple of volunteer archaeologists, Dilys and Jim Quinlan, discovered a Roman stone relief carving of the winged goddess Victory while excavating at the Vindolanda fort near Hadrian's Wall in Northumberland, England. The 18.5-inch carving was found in the infantry barracks and is believed to have been part of a larger ornamental arch and gate, dating to around 213 CE after the Severan wars. The discovery was identified by Newcastle University professor Rob Collins and announced by the Vindolanda Charitable Trust.
Artist and editor Tod Lippy, stunned by Donald Trump's 2024 presidential election win, embarked on an obsessive two-day search for voters who had publicly supported Trump. Finding 50 individuals through op-eds and news interviews, Lippy—who had never painted before—created a series of portraits titled *My Fellow Americans*. The works debut as a site-specific installation at Independent New York. Over several months, Lippy painted nearly one portrait a day using acrylic gouache, immersing himself in the process and studying each subject's face in detail.
Sotheby’s Hong Kong will auction a collection of several hundred ancient Indian gem relics linked to Buddha’s mortal remains, known as the Piprahwa Gems, on May 7. The gems, dating to the Mauryan Empire (circa 240–200 BC), were unearthed in 1898 by British engineer William Caxton Peppé in Piprahwa, India, and have been held in a private British collection for over a century. The sale is estimated at HK$100 million (about $12.9 million USD).
A farmer in southern Mexico discovered the first Olmec head in the late 1850s while clearing land for corn cultivation. Since then, 17 colossal stone heads have been unearthed, primarily at the San Lorenzo Tenochtitlan archaeological site in Veracruz. Carved by the Olmec civilization between 1200 and 400 B.C.E., these basalt monuments range from 3.5 to 11.5 feet tall and weigh up to 45 tons. Each head features unique facial expressions and is thought to depict individual Olmec rulers, possibly serving as funerary monuments. The heads are now held by institutions such as the National Museum of Anthropology in Mexico City and the Xalapa Museum of Anthropology.
Endeavor Group Holdings has sold Frieze, the company behind the influential art magazine and several international art fairs, to a new company formed by former Endeavor CEO Ari Emanuel. The deal, valued at nearly $200 million, is expected to close by the third quarter of this year. Frieze's current leadership, including CEO Simon Fox, will remain in place. The sale follows Endeavor's full privatization by Silver Lake and marks the end of a long-rumored ownership transition. Notably, two tennis tournaments initially bundled in the negotiations—Miami Open and Madrid Open—are not included in this deal.
Nasan Tur sammelt Beiträge für "Archiv der Gefühle" zur Manifesta 16
Berlin-based artist Nasan Tur is calling on people from the Ruhr region and beyond to submit contributions to his "Archive of Feelings" via an online portal. The project is part of his commissioned work for the 16th edition of the nomadic biennial Manifesta, which opens on June 21 across several cities in the Ruhr area. Tur's installation, titled "Elevation," will be housed in St. Gertrud Church in Essen, where excerpts from anonymous submissions—expressing hopes, fears, wounds, ideas, wishes, and everyday observations—will be carved into old church pews.