Carla Acevedo-Yates has curated "Dancing the Revolution: From Dancehall to Reggaetón," a major exhibition at the Museum of Contemporary Art Chicago, which will be her final show before departing for a role on the Documenta 16 team in Germany. The exhibition, which occupies the museum's entire fourth floor through September 20, features over 40 artists and explores the social and political histories of Caribbean music genres.
The Guggenheim Museums and Foundation has announced an exhibition titled "Gabriele Münter: Contours of a World," focusing on the German Expressionist painter Gabriele Münter. The show will explore her distinctive approach to landscape and portraiture, highlighting her role within the Blue Rider movement and her contributions to modern art.
The Taubman Museum of Art in Roanoke, Virginia, has unveiled a new large-scale mural titled "Intersecting Terrain" by artist Mokha Laget. Commissioned to celebrate the 75th anniversary of the museum’s permanent collection, the geometric work draws inspiration from the local Blue Ridge Mountains and the architectural vision of the museum's designer, Randall Stout. The mural is situated in a public-facing space and is scheduled to remain on view for the next two years.
Creative director Daniel Roseberry led an intimate tour of the Victoria and Albert Museum’s landmark exhibition, "Schiaparelli: Fashion Becomes Art," which opened in London on March 28, 2026. The retrospective features over 400 objects, ranging from Elsa Schiaparelli’s 1927 trompe l’oeil sweaters and the 1938 Skeleton Dress to Roseberry’s contemporary surrealist designs. During the walkthrough with British Vogue, Roseberry highlighted the historical continuity between the house’s archival disruption and his modern innovations like the hand-painted puzzle dress.
Japanese sculptor Kohei Nawa has launched his first solo exhibition in Los Angeles at Pace Gallery, titled "Photon Camp." The show features 20 new works from his renowned "PixCell" and "Prism" series, which utilize glass beads and light refraction to transform everyday objects—ranging from taxidermied animals to consumer electronics—into pixelated, magnified sculptures. The artist operates out of Sandwich, a sprawling Kyoto-based creative hub housed in a former sandwich factory that employs a team of 50 across art, design, and architecture.
The Hyde Park Art Center (HPAC) stands as a vital pillar of Chicago’s grassroots creative identity, serving for eighty-six years as an unpretentious alternative to the city's major encyclopedic museums. From its early days under curator Don Baum, the center became a catalyst for the avant-garde, famously launching the careers of the Chicago Imagists and the Hairy Who. Today, it continues to function as a multifaceted ecosystem that blends community education, artist residencies, and experimental exhibitions within a residential neighborhood setting.
The exhibition "The Things We Carry" at Un Grito Gallery serves as the centerpiece for the 2026 Contemporary Art Month (CAM) Perennial in San Antonio. Curated by Casie Lomeli and Leslie Moody Castro, the show features eight artists including Matt Rebholz, whose vibrant, alien-like landscapes subvert traditional Western imagery, and Tina Linville, who presents tactile sculptures composed of salvaged materials and concrete. The exhibition is part of a larger city-wide initiative spread across five artist-run spaces.
Detroit-based artist Elonte Davis and Hungarian curator Kriszti Sarusi are among several creatives reflecting on the personal and social impact of their recent projects. Davis highlighted his 2026 community-centered initiatives, including his solo exhibition 'Homeroom: Detroit Taught Me First' and workshops at the Detroit Institute of Arts, while Sarusi discussed 'Floating Reality,' an exhibition series designed to provide space for underrepresented artists through a collaborative collective.
The Dallas Museum of Art (DMA) has launched "Constellations: Contemporary Jewelry," its first exhibition dedicated exclusively to its contemporary jewelry collection. The show features hundreds of pieces organized into four thematic sections—Zones of the Body, Archetypes, Signals, and Play—alongside a historical retrospective titled "Connecting the Dots." The exhibition highlights experimental and often impractical works that blur the lines between wearable objects and sculpture, featuring artists such as Brian Fleetwood, Joyce J. Scott, and Peter Chang.
The National Museum of Women in the Arts is hosting "Making Their Mark: Works From the Shah Garg Collection," a comprehensive exhibition featuring eight decades of abstract art created by women. The show includes approximately 80 pieces by nearly 70 artists, spanning a diverse range of media including painting, sculpture, ceramics, and textiles. By showcasing works that often blur the lines between figuration and abstraction, the exhibition highlights how female artists have consistently acted as trailblazers in a genre historically associated with men.
San Antonio’s art scene is characterized by a rapid-fire schedule of artist-run exhibitions and pop-up events that often center around the Blue Star Arts Complex. A recent survey of the city's offerings highlighted diverse installations, including Scott Martin’s immersive automotive video work at Slab Cinema Arthouse and Lauren Raye Snow’s mystical portraiture at FL!GHT gallery. The local landscape is defined by a DIY spirit where openings are frequent, fleeting, and deeply communal.
The British Museum has reached an agreement with the state government of Assam to loan the Vrindavani Vastra, a 350-year-old sacred tapestry depicting the life of Krishna, for a six-month period starting in 2027. The loan is contingent upon the construction of a specialized new extension at the Assam State Museum in Guwahati to accommodate the textile's extreme fragility. This marks the first time the artifact, which features the earliest known Assamese inscriptions, will return to its place of origin since it was acquired by the British Museum following the 1904 Younghusband expedition to Tibet.
The Blaffer Art Museum at the University of Houston has launched two new exhibitions, 'The Uncanny In-Between' and 'Mud + Corn + Stone + Blue,' both running through March 14. The first features ceramic works by five Korean artists exploring bicultural identity, while the second presents works by artists from the U.S. Corn Belt and Central America, weaving together themes of agriculture, history, and political intervention.
Yoonshin Park's solo exhibition "Prompt and Prompted" is on view at the Hyde Park Art Center in Chicago, featuring artists' books, video, and paper-based works that explore reading, memory, and materiality. The show includes pieces from Park's "How (Not) to Read" series, such as the unfurled scroll "I can no longer see. Whose story remains?" (2022), alongside works like "Partial Reading," "Night," and "Neither Flat Nor Fixed," accompanied by a video of the artist manipulating materials that generates a white-noise soundtrack.
Florida State University's Museum of Fine Arts (MoFA) will present the exhibition "Like everything alive that we try to hold forever" from January 29 to June 27, 2025. Curated by Elizabeth Diggon, Naomi Potter, and Shauna Thompson of Esker Foundation and produced by Independent Curators International (ICI), the show features seven international artists—including Larry Achiampong & David Blandy, Diane Borsato, Stephanie Dinkins, Bridget Moser, Sondra Perry, and Miya Turnbull—whose work in photography, sculpture, and video examines the complex relationship between humans and non-human objects, touching on themes of identity, colonialism, artificial intelligence, and digital technologies.
The Nelson-Atkins Museum of Art has opened 'Painted Worlds: Color and Culture in Mesoamerican Art', a major exhibition featuring over 250 works spanning nearly 3,000 years, from pre-Hispanic times to the present day. Curated by Kimberly Masteller, the show is the first presentation of Mesoamerican art at the museum in nearly 40 years and includes textiles, ceramics, paintings, murals, and codices organized by color categories—white, blue/green/yellow, and red/black—to explore the cultural and spiritual significance of color in Mesoamerican traditions.
Dilys Blum, the longtime curator of fashion and textiles at the Philadelphia Museum of Art, has died at age 77. She retired last summer after 38 years at the museum, where she served as head of the costumes and textiles department, overseeing the care and interpretation of historic clothing and fabric-based art. Blum began her career at the Museum of London, later working at the Brooklyn Museum and the Chicago Conservation Center before joining the Philadelphia Museum in 1987. She curated notable exhibitions including "Off the Wall" (2019) and "BOOM: Art and Design of the 1940s" (2025), and authored several books on fashion history, including works on Elsa Schiaparelli, Roberto Capucci, and Patrick Kelly.
A one-night, invitation-only exhibition titled "The Open House" took place within a private midcentury home in Oregon, designed by modernism pioneer Robert Rummer. Curated by Lena Vasilenko and Emma Strgar of the experiential agency Ethereal Reflections, and presented by Marisa Swenson of Modern Homes Collective, the group show featured works by contemporary artists including Stephanie Ketty, Christopher Belluschi, Ben Latham, Aremy Stewart, and Carvers Collective. The installation was designed to integrate the artworks with the architecture, encouraging reflection on how art enhances domestic space.
The Boise Art Museum is exhibiting Julie Green's "The Last Supper," a collection of nearly 1,000 hand-painted blue-and-white ceramic plates depicting the final meal requests of death row inmates. The project, which Green began in 2000 after reading a newspaper clipping about an execution, spans more than two decades and is on display for the first time in its entirety in the U.S. The plates show comfort foods like fried chicken, tater tots, and honey buns, painted in cobalt blue reminiscent of 18th-century Danish porcelain.
Jim Stevens, a Vietnam War veteran who was shot in the head and later became legally blind after a stroke in 1993, has created a new painting technique using monofilament as a canvas. His artwork, "Blues Man," now hangs in the Denver Art Museum as part of the exhibition "Beyond the Military: From Combat to Canvas," which Stevens helped organize. Stevens serves as president and director of Denver's Veterans Arts Council and has earned Veterans Affairs’ National Gold Medals for Fine Art.
The Savina Museum of Contemporary Art in Seoul is presenting a solo exhibition of artist Kim Eull titled "Twilight Zone Studio," running from August 23 to October 26, 2025. The show recreates Kim Eull's actual working studio in miniature within the exhibition space, presenting it as an independent artwork, alongside six of his works including "Controversial Painting" (2025), "Beyond the Painting" (2018), "A Weeping Bird" (2025), "Studio" (2025), "Brush, Tear & 망치" (2008), and "Twilight Zone Studio 2" (2025).
DPR Gallery, a new contemporary art space, opened in downtown Lake Charles, Louisiana, with an inaugural exhibition titled "Rebirth" featuring works by internationally renowned artist Peregrine Honig. The gallery is owned by Paul Picheloup, alongside friends Derrick Guidry and Ryan Jett, and is named after their shared initials. Honig's exhibition explores femininity, identity, and cultural memory through classic fairy tales and folklore.
Local artist Carmen McCullough, who also works under the name 'Strange Farm Girl,' is opening a new mixed media exhibition titled 'Wicked Plant Art' across three venues in Detroit Lakes, Minnesota: the Becker County Museum, Bluebird Books, and Ortenstone Gardens and Sculpture Park. The exhibition, which includes 22 original pieces, was previously shown at the Lauritzen Botanical Gardens in Omaha, Nebraska, and features nature-themed works inspired by 'wicked plants.' An opening reception will be held at the Becker County Museum on October 9, and the show runs through January 15, 2026.
A new mobile app called ArtWrld, founded by Josh Goldblum (CEO of Bluecadet), has launched to improve access to the Los Angeles and New York art scenes. The app provides up-to-date listings of gallery shows, museum exhibitions, talks, and events, allowing users to search by date, view editors' picks, and save shows on Google Maps. It aims to be "the AllTrails for art," making great shows more accessible and providing context for newcomers. Other projects filling the gap in local art coverage include Shana Nys Dambrot's newsletter "13 Things LA" on Substack and the anonymous Instagram account Diva Corp USA, which offers artist-on-artist criticism.
Documenta has announced the first all-woman curatorial team for its 16th edition, set to take place in Kassel, Germany, from June 12 to September 19, 2027. Artistic director Naomi Beckwith, deputy director and chief curator of the Solomon R. Guggenheim Museum, selected four curators—Carla Acevedo-Yates, Romi Crawford, Mayra A. Rodríguez Castro, and Xiaoyu Weng—to develop the exhibition, publications, and programming. Each curator brings distinct expertise: Acevedo-Yates focuses on diaspora and cultural production; Crawford on race and American visual culture; Rodríguez Castro on writing and editing; and Weng on globalization, feminism, and decolonization.
Sotheby's has announced that its new headquarters in the iconic Breuer Building at 945 Madison Avenue will open on November 8. Originally designed by Marcel Breuer for the Whitney Museum of American Art in 1966, the building later housed the Met Breuer and the Frick Collection during its renovation. Sotheby's purchased the Brutalist landmark from the Whitney two years ago and has renovated it with Pritzker Prize-winning architects Herzog & de Meuron and PBDW Architects, adding auction rooms and state-of-the-art gallery spaces while preserving original features like bluestone floors and concrete walls. The opening will coincide with a major modern and contemporary art exhibition, followed by fall marquee sales the week of November 17.
Simon Fraser University (SFU) near Vancouver will open the Marianne and Edward Gibson Art Museum on September 20, its first purpose-built art museum. The inaugural exhibition, "Edge Effects," features 15 artists including Sameer Farooq, Liz Magor, Cindy Mochizuki, and Debra Sparrow, and reflects the interdisciplinary ethos of the original SFU campus designed by Arthur Erickson and Geoffrey Massey. The 12,000-square-foot building by Hariri Pontarini Architects and Iredale Architecture includes a research laboratory, art studio, courtyard, and salon, and will be admission-free.
Artist Julie Green spent 22 years painting the last meals of 1,000 death row inmates on ceramic plates, resulting in the exhibition "The Last Supper" at the Boise Art Museum. The cobalt-blue images on second-hand white plates include specific requests like tacos, doughnuts, fried chicken, and lobster, drawn from newspaper accounts of executions. The exhibition features plates from across the U.S., including two from Idaho, and was inspired by Green's reading of a 1999 newspaper article about a condemned man's final meal.
The Design Museum in London will host "Wes Anderson: The Archives" from November 21, 2025 to July 26, 2026, featuring over 600 items from the filmmaker's career, including props, sketches, and notebooks. A highlight is the "priceless Renaissance portrait" Boy with Apple from the film The Grand Budapest Hotel, which was actually painted in 2012 by British artist Michael Taylor as a commission for Anderson.
London's National Gallery has acquired a mysterious altarpiece, "Virgin and Child with Saints Louis and Margaret and Two Angels" (1500-10), for just over $20 million in a private sale arranged through Sotheby's. The painting, funded by the American Friends of the National Gallery London, was sold by a descendant of the Blundell family and had been kept on the Lulworth Estate in Dorset. The artist remains unknown, with proposed names including Jan Gossaert, Jean Hey, and the Master of Saint Giles, and no other works by the same hand are known. The altarpiece was last publicly exhibited in 1960 and has only recently been shown privately to specialists, who remain divided on its attribution.