Venice Biennale opening marked by protests

The 2026 Venice Biennale opened for professionals on Tuesday amid a series of protests, with more planned throughout the week. Around 60 artists from the exhibition "In Minor Keys" gathered at the Giardini for a collective action called "Solidarity Drone Chorus," inspired by Gazan composer Ahmed Muin's "Drone Song," to draw attention to genocide and war in Palestine. The Art Not Genocide Alliance (ANGA) organized a 24-hour strike for Friday 8 May, protesting Israel's participation. Pussy Riot staged a protest outside the Russian pavilion, and the Latvian pavilion launched a campaign against Russia's involvement. The protests follow a highly politicized lead-up, including calls for boycotts of the Russian, Israeli, and US pavilions, EU funding cuts over Russia's participation, and the resignation of the Biennale jury.

Jenna Sutela on Representing Finland at the 61st Venice Biennale

Jenna Sutela, representing Finland at the 61st Venice Biennale, will present an exhibition titled *Aeolian Suite* in the Giardini pavilion. The work features sound sculptures that engage with wind as both a physical and political force, using meteorological data, wind machines, recorders, a children's woodwind orchestra, and recordings of winds from Venice, Helsinki, and beyond. Sutela explores noise as a creative medium, drawing on the concept of deep listening inspired by artist Pauline Oliveros, and connects her project to the Biennale's theme, *In Minor Keys*, curated by Koyo Kouoh.

Do you remember the last negative review you read?

« Vous souvenez-vous de la dernière critique négative que vous avez lue ? »

The traditional art of negative criticism is vanishing from mainstream media, replaced by a culture of polite consensus or violent but unprincipled social media attacks. Historically, critics like Baudelaire, Zola, and Huysmans used sharp, subjective arguments to defend avant-garde movements and challenge academicism, viewing the attack on certain artists as a necessary byproduct of championing others. Today, limited editorial space and a desire to support the arts have led French journalists to focus almost exclusively on praise, resulting in a loss of discernment and comparative analysis.

Dialing Up the Dollars: Giorno Poetry Systems Names Inaugural Recipients of New Need-Based Grant

Giorno Poetry Systems (GPS), the New York-based nonprofit founded in 1965 by artist John Giorno, has announced the twelve inaugural recipients of its new need-based grant, the Treat a Stranger grants. Each recipient receives an unrestricted grant of $4,545 to cover daily expenses like food, housing, health care, and emergencies. The grants are a relaunch of GPS's AIDS Treatment Project grants from 1984–1994, and are named after Giorno's mantra, “Treat a complete stranger with the same compassion you would treat a lover or a good friend.” Winners are selected by a rotating anonymous jury of LGBTQIA+ artists, poets, and musicians through a multi-meeting nomination and voting process.

Embattled US Venice Biennale Pavilion is Seeking Donations

The American Arts Conservancy (AAC), an organization founded last year by the Trump administration, has launched a crowdfunding campaign to support the United States Pavilion at the Venice Biennale. This comes amid widespread controversy and calls to exclude the US, Russia, and Israel from the event. The AAC website solicits donations starting at $100, claiming a "once-in-a-generation opportunity" to restore America's artistic presence abroad. The US government has already contributed $375,000, but the State Department says the total exhibition cost far exceeds that amount. This year's pavilion will feature sculptor Alma Allen, after Barbara Chase-Riboud and William Eggleston declined to participate.

Marcello Dantas Named Curator of 2027–29 Vancouver Biennale

The Vancouver Biennale has appointed Brazilian artist and documentary filmmaker Marcello Dantas as senior curator for its 2027–29 edition. Dantas, currently art director at the immersive museum Ster Ik in Tulum, Mexico, recently cocurated the 2024 iteration of Saudi Arabia's Desert X AlUla with Maya El Khalil. He has previously organized exhibitions for artists including Ai Weiwei, Anish Kapoor, Shirin Neshat, and Bill Viola, and curated a project by Vik Muniz for the 2013–15 Vancouver Biennale. Dantas plans to shape the event by addressing the city's corporate real estate development alongside its First Nations and colonial history, exploring themes of displacement and belonging.

Telfair Museums presents Impressionism and Modernity: French and American Painting opening May 15

Telfair Museums will present "Impressionism and Modernity: French and American Painting" at the Jepson Center for the Arts from May 15 through August 16, 2026. Organized for the museum's 140th anniversary, the exhibition brings together Telfair's collection of American Impressionist works with key French Impressionist paintings from the National Gallery of Art, Washington, D.C., featuring artists such as Edgar Degas, Alfred Sisley, and Vincent van Gogh. The show explores Impressionism's origins in France, its transatlantic influence, and its impact on American art and identity, with works addressing themes of modern life, leisure, the city, and nostalgia for nature.

Amy Sherald exhibit sets 21st century visitor record at BMA

The Baltimore Museum of Art (BMA) has achieved a historic milestone with its exhibition 'Amy Sherald: American Sublime,' which drew 84,000 visitors between October 2025 and March 2026. This figure more than doubled the museum's initial projections and set a new record for the highest attendance of any exhibition at the institution in the 21st century. The show featured 45 large-scale portraits by the Baltimore-born artist, focusing on themes of identity and representation.

Somali Artists Take Issue With Nation's First-Ever Venice Biennale Pavilion

Somalia's first-ever national pavilion at the 61st Venice Biennale has sparked controversy, with local cultural organizations accusing organizers of excluding Somalia-based artists. The pavilion, titled SADDEXLEEY, features only diaspora artists—Somali-Swedish painter Ayan Farfah, Somali-Danish poet Asmaa Jama, and Somali-British poet Warsan Shire—while the Somalia Arts Foundation (SAF) and queer collective Warbixinta Cidda have denounced the appointment of Italian co-curator Fabio Scrivanti, citing colonial tensions. SAF founder Sagal Ali and others allege that artists in Somalia were not meaningfully consulted, and that organizers used intimidation tactics against critics. The pavilion's organizers claim it includes Mogadishu-based painter 4C and will host accompanying events, but details remain unconfirmed.

In London, you can discover an unpublished Luigi Ghirri in an exhibition made of photographs and words. Review

A Londra si può scoprire un Luigi Ghirri inedito in una mostra fatta di fotografie e parole. Recensione

A new exhibition titled "Felicità" at Thomas Dane Gallery in London presents previously unseen works by Italian photographer Luigi Ghirri (1943–1992). Curated by Alessio Bolzoni and filmmaker Luca Guadagnino, the show features unpublished photographs, fragments of atlases, postcards, posters, and mirrors, exploring Ghirri’s unique vision of everyday life as visual discovery. The exhibition spans two gallery spaces on Duke Street, juxtaposing interior and exterior scenes, and includes works by conceptual artists Félix González-Torres and Giorgio Morandi. A bilingual book, "Luigi Ghirri. Felicità" (MACK), accompanies the show, collecting the exhibited works and three essays by the artist.

Statement of Resignation

The international jury for the 61st edition of La Biennale di Venezia, titled “In Minor Keys” and curated by Koyo Kouoh, has resigned as of April 30, 2026. The jury members—Solange Oliveira Farkas, Zoe Butt, Elvira Dyangani Ose, Marta Kuzma, and Giovanna Zapperi—cite their earlier Statement of Intention issued on April 22, 2026, as the basis for their collective resignation.

Take a Look Inside This Year's 2026 Met Gala 'Costume Art' Exhibition

The Metropolitan Museum of Art has announced its spring 2026 Costume Institute exhibition titled "Costume Art," along with the accompanying Met Gala fundraiser scheduled for May 4, 2026, with a "Fashion is Art" dress code. The exhibition will debut in the newly designed 12,000-square-foot Condé M. Nast Galleries, featuring nearly 400 objects that juxtapose historical garments with fine art across thematic bodily categories such as the "Classical Body" and "Pregnant Body." Curated by Andrew Bolton, the show includes standout pairings like a Glenn Martens suit with an ancient marble statue and a Comme des Garçons ensemble with a Max Weber painting, with mannequins featuring polished steel heads by artist Samar Hejazi.

All England shortlist revealed for Art Fund Museum of the Year 2026

The Art Fund has announced the five finalists for its Museum of the Year 2026 award, all of which are located in England. The shortlist includes The National Gallery and V&A East Storehouse in London, Norwich Castle, Cambridge’s Fitzwilliam Museum, and The Box in Plymouth. The winner will be announced at a ceremony at London's Cutty Sark on June 25.

Crown's New Art Project

Crown Equipment has announced the construction of the Modern Aboriginal Art Museum in New Bremen, Ohio, a 23,700-square-foot facility scheduled to open in late 2026. The museum will house one of North America’s largest collections of contemporary Australian Aboriginal art, featuring over 100 paintings and sculptures. The project stems from the company’s 60-year business history in Australia and follows the philanthropic model of Crown’s previous local cultural investments.

An art gallery

Students from Becket Washington School and their families gathered at the Becket Arts Center for the opening of a dedicated exhibition featuring student artwork. The show, hosted in the center's upstairs gallery, highlights the creative output of local youth and remains open to the public through April 26.

✨ illumine. Noguchi. Atlanta.

The High Museum of Art in Atlanta is hosting a major retrospective titled “Isamu Noguchi: ‘I am not a designer,’” featuring nearly 200 works by the Japanese-American artist. The exhibition highlights Noguchi’s philosophy that art should exist in everyday spaces, showcasing everything from his iconic midcentury furniture and floor lamps to his functional playground designs. Simultaneously, the city is preparing for 'illumine 2026,' an outdoor light-based art exhibition at the Historic Oakland Cemetery that further explores the integration of art into public life.

Why this Minneapolis feminist art collective still matters 50 years later

The Women’s Art Registry of Minnesota (WARM), one of the oldest feminist art collectives in the United States, is celebrating its 50th anniversary. Founded in 1973 in Minneapolis, the collective emerged as a grassroots response to the systemic exclusion of women from mainstream galleries and museums, eventually establishing its own gallery space and a robust mentorship program that continues to support female-identifying artists today.

Best Exhibitions Starting in April 2026

The Japanese art scene is preparing for a robust spring season in April 2026, featuring a diverse array of exhibitions across Tokyo's major institutions. Highlights include Martin Margiela’s first large-scale Japanese exhibition at the historic Kudan House, a centenary celebration of fashion icon Hanae Mori at the National Art Center, and a deep dive into the studio practice of Georges Rouault at the Panasonic Shiodome Museum of Art. Traditional art also takes center stage with a focused look at Utagawa Hiroshige’s "One Hundred Famous Views of Edo" at the Ota Memorial Museum of Art.

Review: June Leaf retrospective at Oberlin College is a revelation

The Allen Memorial Art Museum at Oberlin College is hosting a major retrospective of the late American artist June Leaf, featuring over 100 works spanning 75 years. The exhibition, which originated at the Addison Gallery of American Art, showcases Leaf’s unique figurative style and her roots in Chicago’s "Monster Roster" group. The show aims to provide art historical justice to an artist who often worked in the shadow of her husband, the legendary photographer Robert Frank.

Harlow Artists celebrated in Harlow Open 2026 exhibition

The Harlow Open 2026 has launched at the Gibberd Gallery, showcasing 205 selected works from nearly 500 submissions by regional artists. Curated by Laura Noble, the exhibition features a diverse range of media including acrylic painting, sculpture, and experimental photography. Top honors were awarded to Martin Barrall for his painting of Epping Forest, with other major prizes going to Joe Fordham and Jim Brown, alongside special category awards for painting and sculpture.

Vancouver Art Gallery gifted more than 800 photographs by Stephen Shore

The Vancouver Art Gallery has received a major gift of over 800 photographs by the acclaimed American photographer Stephen Shore. Donated by the Chan family, the collection primarily features Shore’s seminal series "Uncommon Places" (1973–81), which documented North American landscapes and interiors in vivid color. This acquisition establishes the gallery as one of the world's leading repositories of Shore’s work, with a dedicated exhibition of the series scheduled to open on March 27.

Mandeville Art Gallery Presents Faith Ringgold: Full Circle – The Teachings and Her Legacy

The Mandeville Art Gallery at UC San Diego is presenting the exhibition "Faith Ringgold: Full Circle – The Teachings and Her Legacy," curated by Mashonda Tifrere. The show, which opens on February 28, 2026, features 19 works spanning from 1976 to 2023, tracing the artist's evolution as a multidisciplinary storyteller and her influential tenure as a professor at the university.

Open letter calls for ousting of Art Gallery of Ontario trustee who led vote against Nan Goldin acquisition

A major controversy has erupted at the Art Gallery of Ontario (AGO) following the revelation that trustee Judy Schulich led a successful effort to block the acquisition of a new work by photographer Nan Goldin. The museum's Modern and contemporary curatorial working committee voted 11-9 against jointly purchasing Goldin's video piece *Stendhal Syndrome* (2024) with two other institutions, after Goldin was reportedly labeled antisemitic and compared to Nazi propagandist Leni Riefenstahl for her criticism of Israel's actions in Gaza. The decision prompted the resignation of the AGO's curator of modern and contemporary art and two volunteer committee members.

Lin Xiang Xiong Art Gallery Opens, Bolstering Penang’s Role As International Arts Hub

The Lin Xiang Xiong Art Gallery officially opened in George Town, Penang, on December 14, with a ceremony officiated by Penang Chief Minister Chow Kon Yeow and attended by former French Prime Minister Jean-Pierre Raffarin. Founded by 80-year-old artist and professor Lin Xiang Xiong, the eight-story, RM100 million gallery houses over 1,000 artworks and features a special inaugural exhibition titled "Picasso and Lin Xiang Xiong: A Dialogue Across Time." The gallery also hosted the Art for Peace International High-Level Art Forum, gathering leaders from UNESCO, France, Brazil, Japan, China, and Malaysia.

Maria Balshaw to step down as Tate director

Maria Balshaw, director of the Tate, will step down in spring 2026 after nearly a decade leading the institution. She joined in 2017, succeeding Nicholas Serota, and oversaw blockbuster exhibitions including Van Gogh and Britain, Yoko Ono: Music of the Mind, and Sargent and Fashion. Her final project will be a major survey of Tracey Emin. The Tate credited her with diversifying the collection, improving gender and geographic balance, and growing membership to 150,000, the largest arts membership globally.

6 gripping museum exhibitions to view this winter

Six major museum exhibitions opening across the U.S. this winter are profiled, including 'Austrian Expressionism and Otto Kallir' at LACMA, which features a newly acquired Gustav Klimt painting and works by Egon Schiele; 'Divine Color: Hindu Prints from Modern Bengal' at the Museum of Fine Arts, Boston, the first U.S. exhibition to explore how lithography transformed Hindu devotional art; 'Frida: The Making of an Icon' at the Museum of Fine Arts, Houston, examining Kahlo's rise from local painter to global brand; 'Conversation Pieces: Stories from the Fashion Archives' at the Denver Art Museum, showcasing garments from its permanent collection; and 'Grandma Moses: A Good Day’s Work' at the Smithsonian.

Frederic Church in Vermont

An exhibition titled "Frederic Church in Vermont" brings together over forty graphite drawings, oil sketches, and finished paintings by the American landscape painter Frederic Church, created during his visits to Vermont over thirty years. The works, drawn from public and private collections including Olana State Historic Site, the Yale University Art Gallery, and the Newark Museum of Art, trace Church's development from an aspiring student to a mature artist following the death of his mentor Thomas Cole in 1848.

Metropolitan Museum's new Condé M. Nast Galleries will put fashion at the forefront

The Metropolitan Museum of Art will open the Condé M. Nast Galleries, a nearly 12,000-square-foot space adjacent to the Grand Hall, next spring. The new galleries will become the permanent home for the annual Costume Institute exhibition, replacing the museum's largest retail space. The inaugural show, "Costume Art" (10 May 2026–10 January 2027), will pair paintings, sculptures, and other art objects with historical and contemporary garments, emphasizing the dressed body as a central theme across the museum's collections. The move follows the record-breaking success of 2018's "Heavenly Bodies: Fashion and the Catholic Imagination," which drew over 1.6 million visitors.

November Book Bag: from a tome of Japanese printmakers to the first Nina Chanel Abney monograph

The article reviews four new art books released in November. It covers 'Modern Japanese Printmakers: New Waves and Eruptions' by Malene Wagner (Prestel), a survey of 44 Japanese printmakers from the early 20th century to today; the debut monograph on Nina Chanel Abney (Monacelli) with contributions from Thelma Golden and Jazmine Hughes; 'Massimo Listri: Italian Palaces' (Taschen), a photographic tour of grand Italian palaces; and 'Strange Discoveries: The Art of Denton Welch' (John Swarbrooke Fine Art), a catalogue accompanying the first solo exhibition of Welch's work in over 40 years.

Comment | Monet might have seen Venice, but his paintings suggest he didn’t feel it

The article compares J.M.W. Turner's and Claude Monet's depictions of Venice, arguing that Turner's watercolors capture the city's innate melancholy and atmosphere, while Monet's paintings feel unfulfilling and lack emotional depth. The author reflects on Turner's sublime Venice watercolours, particularly 'San Giorgio Maggiore, Venice, at Sunset' (1840), and contrasts them with Monet's works, which are the subject of a major upcoming show at the Brooklyn Museum. The piece also touches on Francesco Guardi's visceral views versus Canaletto's more pleasing but superficial ones, and Howard Hodgkin's later, elegiac response to the city.