London Gallery Cancels Antisemitic Art Exhibit After Pro-Israel Lawyers Intervene

A London gallery, Delta House Gallery in Wandsworth, canceled a traveling exhibition titled "Drawings Against Genocide" by British artist Matthew Collings after UK Lawyers for Israel (UKLFI) intervened, citing antisemitic content. The show, scheduled for May 16-24, featured drawings with swastikas, comparisons of Israel to Nazi Germany, and depictions of Jewish figures with horns, among other imagery. Gallery owner Pineapple Corporation Chairman Tom Berglund confirmed the cancellation, stating the exhibition was arranged without owner consultation.

Palma: The Conference of the Palm Trees. Artist Mehdi-Georges Lahlou and curator Virginie Puertolas-Syn.

French-Moroccan artist Mehdi-Georges Lahlou opened his first solo exhibition in Singapore and Asia, curated by Virginie Puertolas-Syn. The exhibition, conceptually linked to the 12th-century Sufi poem 'The Conference of the Birds,' uses the palm tree as a central motif to explore themes of displacement, colonial history, and constructed landscapes.

Can we practice for crises in art?

"Können wir in der Kunst für die Krisen üben?"

Belgian theater director Miet Warlop is presenting her work "It never SSST" at the Belgian Pavilion during the Venice Biennale. The installation combines performance, sculpture, a radio show, and objects, featuring six performers, musicians, dancers, and a sculptor who periodically calls "Freeze" to capture movements in plaster reliefs. Warlop, known for her physically exhausting ritualistic performances like "One Song," discusses the piece's themes of ceaseless activity and the body as a resource, as well as the challenge of engaging visitors who often rush through the pavilion.

Venice Biennale chief under pressure

Venedig-Biennale-Chef unter Druck

Just before the opening of the Venice Art Biennale, its president Pietrangelo Buttafuoco is facing mounting criticism after the entire jury resigned. Italian Culture Minister Alessandro Giuli accused Buttafuoco of pursuing a form of "parallel foreign policy" by readmitting Russia to the six-month exhibition, calling him a "victim of a pacifist fantasy." The opening ceremony and the traditional Golden Lion awards have been canceled; prizes will now be decided by visitor vote at the end of the Biennale in November.

Jury of the Venice Biennale Resigns

Jury der Venedig-Biennale tritt zurück

The entire jury of the Venice Biennale, appointed by artistic director Koyo Kouoh, has resigned with immediate effect. In a statement released on Thursday, the jury members—including chair Solange Oliveira Farkas, Zoe Butt, Elvira Dyangani Ose, Marta Kuzma, and Giovanna Zapperi—cited a prior declaration from April 22 in which they announced they would not award Golden or Silver Lions to artists from countries whose political leadership is currently indicted by the International Criminal Court (ICC) for crimes against humanity. Although no specific countries were named, the move implicitly targets Russia (President Vladimir Putin) and Israel (Prime Minister Benjamin Netanyahu), both subject to ICC arrest warrants. The resignation comes amid escalating tensions over Russia's participation in the Biennale despite EU sanctions, which had already led to a freeze of EU funding and widespread protests.

How the GDR apron became Italian luxury

Wie die DDR-Schürze zum Italo-Luxus wurde

Italian luxury label Miu Miu has released dresses for summer 2026 that resemble 1980s East German kitchen aprons, with prices reaching up to €12,000 for crystal-embroidered versions. The collection debuted on the Paris runway in October, where actress Sandra Hüller opened the show in robust workwear, evoking factory workers from the former GDR. Designer Miuccia Prada, a former member of the Italian Communist Party, drew inspiration from Helga Paris's 1984 photo series "Frauen bei der Arbeit" (Women at Work), which documented female laborers in East Berlin's VEB Treffmodelle textile factory.

GDR Women Without Filter

DDR-Frauen ohne Filter

The Kunsthaus Apolda in Thuringia is presenting a posthumous retrospective of Günter Rössler, the East German photographer who defined nude and fashion photography in the GDR, on what would have been his 100th birthday. The exhibition features 130 works spanning six decades, including fashion assignments, reportage from his travels abroad, and large-format black-and-white nudes. It is curated by his widow and estate manager Kirsten Schlegel, and complemented by an audio guide in which Rössler's models reflect on their collaboration with him.

This is the Press Photo of the Year

Das ist das Pressefoto des Jahres

The World Press Photo competition has named Carol Guzy's photograph "Separated by ICE" as the World Press Photo of the Year. The image, taken for the Miami Herald in August 2025, shows children clinging to their father's shirt during a court hearing in New York after he was unexpectedly detained by U.S. Immigration and Customs Enforcement (ICE). The jury praised the photo as a stark documentation of family separation resulting from U.S. immigration policy. Two other finalists were recognized: Saber Nuraldin's image of the humanitarian crisis in Gaza and Victor J. Blue's photo documenting the Achi women from Guatemala who sought justice for wartime abuses.

Press Photos of the Year Chosen

Pressefotos des Jahres gewählt

Carol Guzy won the World Press Photo competition for 2025 with her image "Separated by ICE," taken for the Miami Herald. The photograph depicts children clinging to their father's shirt during a court hearing in New York, after he was unexpectedly detained by U.S. Immigration and Customs Enforcement (ICE). The jury selected the image from nearly 57,000 entries by about 3,700 photographers. Two other finalists were recognized: Saber Nuraldin for documenting the humanitarian crisis in Gaza, and Victor J. Blue for covering the trial of perpetrators who kidnapped and abused women during Guatemala's civil war.

Museum Sculptures in Park Sanssouci Return Restored

Musen-Skulpturen im Park Sanssouci kehren restauriert zurück

Eight 18th-century marble sculptures depicting Greek muses have been reinstalled in the western pleasure garden of Park Sanssouci in Potsdam following a six-month restoration project. The works, created by Berlin sculptor Friedrich Christian Glume, represent figures like Melpomene (Tragedy), Klio (History), and Thalia (Comedy) and have been cleaned, repaired, and given a protective coating.

Les États-Unis restituent près de 300 biens culturels à l’Italie

Italy presented 337 cultural artifacts repatriated from the United States at the Caserma "La Marmora" in Rome, following operations between December 2025 and April 2026. The objects span from the 5th century BCE to the 3rd century CE, including Roman sculptures, bronze works, pottery, jewelry, coins, and architectural fragments. Among the notable pieces is a marble head attributed to Alexander the Great, stolen from a Roman museum in 1960, and a bronze sculpture looted from Herculaneum. The recovery involved the Manhattan District Attorney's office, the FBI, Homeland Security Investigations, and Christie's New York, with 221 items seized through the DA's collaboration and 116 returned in April.

Artnet et Artsy amorcent leur intégration

Artnet and Artsy, both acquired in 2025 by British fund Beowolff Capital, are beginning their integration under a shared management structure while maintaining separate brands and websites. The reorganization has already involved job cuts and aims to more closely align market data, online visibility, and transactions amid a fragile online art sales environment.

The Raphaels, the Italian Gang and the Olive Oil Maker: The Spectacular Theft of 7 Paintings in Budapest During the Cold War

Les Raphaël, le gang italien et le fabricant d’huile d’olive : le spectaculaire vol de 7 tableaux à Budapest en pleine guerre froide

On November 5, 1983, thieves stole seven Renaissance masterpieces from the Museum of Fine Arts in Budapest, including two works by Raphael, two by Tiepolo, two by Tintoretto, and one by Giorgione, valued at $28 million. The heist was carried out by a small Italian gang from Reggio Emilia, who entered through a window using a scaffolding left by construction workers, leaving behind a screwdriver from the Italian brand USAG that the mastermind mistakenly thought would implicate American thieves. The operation was led by Ivano Scianti, with accomplices including Giordano Incerti, Graziano Iori, Giacomo Morini, and Carmine Palmese.

La tour Perret, premier gratte-ciel en béton armé d’Europe, renaît à Grenoble après 60 ans de fermeture

The Tour Perret in Grenoble, Europe's first reinforced concrete skyscraper, will reopen to the public on July 11, 2026, after being closed since the 1960s. Designed by Auguste Perret in 1925 for the International Exhibition of White Coal and Tourism, the 95-meter tower has undergone a complex restoration led by heritage architect François Botton, addressing water infiltration and corrosion while preserving its original character.

The delirious teaser by the creators of 'Panique au village' for the reopening of the Musée de la Figurine in Compiègne

Le teaser délirant des créateurs de « Panique au village » pour la réouverture du musée de la Figurine à Compiègne

The Musée de la Figurine in Compiègne, France, is set to reopen on May 23, 2026, after a major renovation. To promote the reopening, the museum commissioned Stéphane Aubier and Vincent Patar, the creators of the cult stop-motion series "Panique au village" (known for its absurd plastic figurines), to produce a teaser video. The museum, which holds a rare collection of nearly 155,000 figurines spanning from prehistory to the present, has been redesigned with a 1,000-square-meter space, six thematic areas, interactive displays, and a monumental diorama of the Battle of Waterloo featuring 12,000 figurines, now enhanced with augmented reality. Admission will be free for all from May 23 to August 16, 2026.

Ella Maillart, intrepid photographer of the 1930s, highlighted in an exhibition in Lausanne

Ella Maillart, photographe baroudeuse des années 30 mise en lumière dans une exposition à Lausanne

Ella Maillart, a Swiss photographer and adventurer from the 1930s, is the subject of a new exhibition in Lausanne. Born in Geneva in 1903, Maillart was an Olympic sailor and champion skier before turning to travel and photography. She journeyed across the Soviet Union, Central Asia, and China, often by train, ski, or camel, documenting remote cultures and political landscapes. Her travels included a 6,000-kilometer trek from Beijing to Kashmir with British writer Peter Fleming, and a road trip from Geneva to Kabul with friend Annemarie Schwarzenbach. The exhibition highlights her photographs and writings, which blend geographical exploration, political chronicle, and personal meditation.

337 œuvres et objets volés récupérés : la vaste opération italienne de lutte contre le trafic de biens culturels aux États-Unis

On April 29, Italy's carabinieri dedicated to cultural heritage protection announced the recovery of 337 looted or stolen artworks and objects repatriated from the United States between December 2025 and April 2026. The haul includes archaeological artifacts, archival documents, and other artworks, such as a marble head of Alexander the Great from the 1st century AD, a bronze sculpture stolen from Herculaneum, and two Egyptian basalt sculptures. The objects were dispersed through international markets using forged provenance documents, and their return involved U.S. agencies including the FBI.

Writer Thomas Clerc casts a tender fictional gaze on Montmartre's 'daubs'

L’écrivain Thomas Clerc pose, à travers une fiction, un regard tendre sur les « croûtes » de Montmartre

French writer and essayist Thomas Clerc has published a new fiction titled "Croûtes" as the fifteenth volume in the "Fléchette" collection by éditions sun/sun. The book draws inspiration from a single autochrome image taken from the Musée Albert-Kahn's "Archives de la planète" (1909–1931), specifically a one-minute film shot in March 1927 at the Foire aux croûtes in Montmartre, Paris. Clerc's narrative tenderly and humorously explores the life of an amateur painter and the infinite possibilities of so-called "croûtes"—a French slang term for amateurish or kitsch paintings that exist outside institutional recognition.

Victoria Smith at Roland Ross

Victoria Smith presents "Apples and Oranges," a solo exhibition at Roland Ross in Kent, running from April 11 to May 23, 2026. The show features a series of new works by the artist, documented through eight images on the gallery's page, with photography by Ollie Harrop.

Irina Werning Chronicles 18 Years of Photographing ‘Las Pelilargas’ in a New Book

Photographer Irina Werning has spent 18 years traveling across Latin America to document Indigenous women with exceptionally long hair for her series "Las Pelilargas." Her new book, published by GOST Books, features nearly 90 portraits taken between 2006 and 2024, starting with the Kolla community in Argentina. Werning sought subjects by posting signs in remote mountain towns and organizing hair competitions, capturing a tradition rooted in ancestral beliefs that hair connects to life, thoughts, and the land.

Cassandra Dias Takes an Impressionistic Approach to Painting with Thread

Cassandra Dias, a Southern California-based artist, creates lush embroideries of natural landscapes using thread painting, a technique that mimics the gestural strokes of a paintbrush. Since taking up needle and thread in 2020, she has developed an impressionistic style that captures cliffsides, vineyards, and mountains in richly textured scenes. Her forthcoming book, "Richly Stitched Landscape Embroidery: Mastering Thread Painted Scenes," is set for release in May and is available for pre-order through the Colossal Shop.

An Interactive Archive Celebrates the Wide Ranging Projects Inviting ‘Unruly Play’

Amsterdam-based studio Imagination of Things, co-founded by Vitor Freire and Monique Grimord, has launched "Unruly Play," an interactive digital archive featuring 169 artworks, designs, games, and participatory projects. The repository includes notable works such as Rael San Fratello's "Teeter-Totter Wall" and the Wind Phone project, alongside a 12-foot puppet that travels the world. The archive is searchable by theme or through a shuffle feature, aiming to showcase projects that invite surprise, camaraderie, and unexpected encounters with imagination and joy.

Tania Yakunova’s Expressive Figures Entwine with Plant Life in Digital and Graphite Illustrations

Kyiv-born illustrator Tania Yakunova creates lush digital and graphite illustrations characterized by grainy textures, gestural lines, bold shapes, and vibrant colors. Her work, which often features expressive human figures entwined with plant life, conveys brand narratives and personal emotions, such as homesickness following her 2023 move from Ukraine to London.

Sheung Yiu “(Inter)faces of Predictions” at C/O Berlin

Finland-based artist researcher Sheung Yiu presents his long-term project "(Inter)faces of Predictions" at C/O Berlin, exploring how faces have been used across cultures and the implications of facial reading technologies. The exhibition examines the shift from spiritual to economic imperatives in facial interpretation, highlighting the progressive deterioration of human agency.

Ndidi Dike “Rare Earth Rare Justice” at Secession, Vienna

Ndidi Dike, a British-Nigerian sculptor and multi-disciplinary artist, presents her first major solo exhibition at an Austrian institution, titled "Rare Earth Rare Justice," at Secession in Vienna. The show features works across mixed media, painting, sculpture, collage, photography, video, and installation, addressing social, political, and economic conditions of the modern world.

“Harit Srikhao: Cave Stories 0” at YDP, London

Harit Srikhao's exhibition "Cave Stories 0" at YDP in London presents a multimedia installation combining photography, moving images, drawings, and puppetry. The project draws inspiration from the 2018 Tham Luang cave rescue in Thailand, where twelve boys and their coach were trapped and later saved, weaving this event together with local folktales and psychological studies to create an immersive exploration of inner landscapes.

Alex Thake “I Know This Much is True” at Triangolo, Cremona

Alex Thake presents a solo exhibition titled "I Know This Much is True" at Triangolo gallery in Cremona. The show features new works by the artist, continuing his exploration of material and conceptual themes.

Hyeree Ro: What Bears

Hyeree Ro is preparing for the 2026 Venice Biennale, where she will present the work "Bearing (2026)" as part of the Korean Pavilion, titled "Liberation Space: Fortress/Nest." The article follows Ro in her temporary Brooklyn studio, where she works with salvaged objects and materials that migrate across multiple works over years—such as a sheet of organza purchased in 2023 that later appeared in "Niro (2024)" and "Carry (2025)" before being repurposed as the pavilion's fabric walls. Her practice is defined by a nomadic, accumulative material logic: objects enter without a fixed destination and gain meaning through repeated reuse.

Even More Drawings for Versailles

Encore d'autres dessins pour Versailles

The Palace of Versailles has acquired several drawings during the Paris Drawing Week sales in March 2026, including a rare study by Charles de La Fosse for the royal chapel's dome decoration. The drawing, depicting a reclining nude man for "The Resurrection of Christ," was purchased at the Rossini auction of Paul and Florence Vercier's collection for €3,800. This acquisition adds to Versailles' growing collection of La Fosse works, following earlier purchases of an angel study in 2016 and a ceiling project in 2023.

A Document in Motion: ArtWorld Passports head to the Venice Biennale.

Zimbabwean artist Richard Mudariki has created 'ArtWorld Passport,' a participatory artwork debuting at the Venice Biennale 2026. The piece functions as a social sculpture and performance, where passport holders collect stamps, signatures, and drawings from artists, exhibitions, and pavilions across the Biennale, transforming the bureaucratic tool of travel into a speculative exploration of access and authorship.