EL SALVADOR MAKES ITS DEBUT AT THE VENICE BIENNALE WITH ITS OWN PAVILION

El Salvador will debut its own national pavilion at the 61st Venice Biennale, running from May 9 to November 22, 2025. The exhibition, titled "Cartographies of Displacement," features the sculptural series "Children of the World" by Salvadoran-American artist J. Oscar Molina, curated by Alejandra Cabezas and commissioned by Dr. Astrid Bahamond. The pavilion is located at Palazzo Mora, showcasing Molina's elongated, faceless monumental figures that explore the migrant experience and global diaspora.

Street artist Ozmo acquitted in court: 'His work is not vandalism and has cultural value' (but in the meantime it has been erased)

Lo street artist Ozmo assolto in tribunale: “La sua opera non è imbrattamento e ha valore culturale” (ma nel frattempo è stata cancellata)

In summer 2022, street artist Ozmo (Gionata Gesi) created an unauthorized site-specific work on the Fonte di San Cerbone in Baratti, Italy, depicting two Etruscan coins with Medusa's face. The work sparked debate: the Piombino municipality and museum director Carolina Megale welcomed it, but the Soprintendenza (cultural heritage authority) reported it to prosecutors as illegal defacement. The artwork was vandalized and later removed in April 2023. On April 29, the Livorno court acquitted Ozmo, ruling that his intervention was not a crime but an artwork with cultural value, setting a legal precedent.

Milan Depaves: A New Garden Arrives to Combine Sustainability and Culture

Milano si depavimenta: sta per arrivare un nuovo giardino per tenere insieme sostenibilità e cultura

Construction will begin in the coming weeks on Giardino Manifesto, an urban regeneration project at the historic Milanese cultural space Santeria Toscana 31. Presented on May 19, 2026, with Mayor Giuseppe Sala, Gruppo CAP President Yuri Santagostino, and architect Cristiana Cutrona of ReValue, the initiative transforms a fully paved external area into a green infrastructure applying sponge city (SUDS) principles. The design includes rain gardens, drainage surfaces, a rain-collecting amphitheater, and a sensory garden, aiming to reduce flood risk and lower perceived temperatures by up to 4-5°C through de-paving and resilient vegetation.

IDF Soldiers Hide From Our Gaze

An opinion article on Hyperallergic analyzes official portraits of Israeli Defense Forces (IDF) soldiers released in May 2025, in which the soldiers are depicted with their backs to the camera. The author argues that this pose is a deliberate tactic to avoid identification and potential prosecution for war crimes in the occupied Palestinian territories, weaponizing surveillance technologies against the very people they surveil. The piece frames these images as "counter-portraits" that transform individual soldiers into a faceless, intimidating mass, contrasting them with traditional portraiture that invites intimate moral scrutiny.

How do art auctions change if everything online seems like a video game?

Come cambiano le aste d’arte se online tutto sembra un video game?

The article examines how digital infrastructure has transformed art auctions from exclusive in-person rituals into real-time competitive interfaces. Online sales, which peaked during the pandemic, now account for about 16% of the global art market in 2025 (down from 18% in 2024), according to the Art Market Report by Art Basel and UBS. Digital tools enable instant bidding, global streaming, and discreet participation, allowing collectors to compete without physical presence. The piece highlights the gamification of auctions, noting that ArtTactic has launched Art Forecaster, a platform where users predict auction prices in tournament-style competitions, blending market engagement with ludic elements.

The Forgotten Eligibles. Protest over the Ministry of Culture's ranking of 200 art historians

Gli idonei dimenticati. Protesta per la graduatoria dei 200 storici dell’arte del Ministero della Cultura

The CISDA (Committee of Qualified Art Historians) has issued a strong protest against the Italian Ministry of Culture's intention to let the ranking list from a 2018 public competition for Art Historian Officials expire on May 30, 2026, without extension. This would invalidate the eligibility of 204 qualified candidates who passed rigorous selections. The protest has escalated into a parliamentary inquiry directed at Culture Minister Alessandro Giuli, and a public demonstration is scheduled for April 28 in front of the Ministry's headquarters in Rome.

The National Choreographic Center is doing everything to involve young people in ballet

Il Centro Coreografico Nazionale sta facendo di tutto per coinvolgere i giovani nel balletto

The Centro Coreografico Nazionale Aterballetto in Reggio Emilia has launched "Alla ricerca della meraviglia" (In Search of Wonder), a year-long research and production project aimed at engaging younger audiences through contemporary dance. The initiative involves three choreographers—Fernando Melo, Jacopo Jenna, and Francesco Marilungo—who are developing works that adopt a child’s perspective rather than simply creating content for children. These studies will be presented at the Internazionale Kids Festival in May 2026, with one selected for full production later that summer.

François Ozon’s 'The Stranger': A Film Between Surface Aesthetics and Political Reinterpretation

“Lo straniero” di François Ozon. Un film tra estetica delle superfici e rilettura politica

Director François Ozon has adapted Albert Camus’s existentialist masterpiece 'The Stranger' into a new feature film, premiering at the 82nd Venice Film Festival. Shot in stark black and white by cinematographer Manuel Dacosse, the film departs from the 1967 Luchino Visconti adaptation by leaning into a cold, clinical aesthetic inspired by Michelangelo Antonioni. The narrative follows Meursault, an emotionally detached clerk in colonial Algiers, whose impassive reaction to his mother's death and the subsequent senseless murder of an Arab man leads to his legal and moral condemnation.

The concept of 'Italian Capital of Culture' needs a rethink

Il concetto di “Capitale Italiana della cultura” avrebbe bisogno di un ripensamento

Ancona has been named the Italian Capital of Culture for 2028, a decision that was widely anticipated but has sparked debate regarding the selection process. While Ancona’s proposal was praised for its depth and quality, critics point out that nine out of the ten shortlisted cities are led by center-right mayors, raising concerns about political influence and the independence of the evaluation commission.

At Mcube, the movement and memory of jatras come alive

Pradip Kumar Bajracharya's solo exhibition 'Festive Spirit' at Gallery Mcube in Kathmandu marks his return to solo shows after over a decade. The exhibition captures the movement and memory of Nepal's jatras (festivals), focusing on the cultural celebrations of the Newa people. Bajracharya uses abstraction and fluid acrylic techniques to depict events like Bhaktapur's Sindure Jatra and Indra Jatra, often decentering faces to emphasize atmosphere and emotion. The works also reflect on the pandemic's halt of festivities, with paintings referencing locked chariots and temple guardians.

No Regrets: Artists Decide To Sell Buffalo’s Legendary Hitching Post Gallery

Father-and-son artists William and Hugh Jennings have closed the Hitching Post Gallery in Buffalo, Wyoming, after 30 years of operation. The gallery, which opened in November 1993 on Main Street, was a longstanding fixture in the community, showcasing works from many area artists alongside gifts, books, and tobacco products. William stepped away about seven years ago, and Hugh recently decided to retire, locking the doors for the last time at the beginning of May. Hugh expressed no regrets, saying he wanted to focus more on his own art.

Mirror Silk Art Exhibitions

Shaniqwa Jarvis's solo exhibition 'Only Love Can Break Your Heart' opens at Public Gallery in London on 30 April 2026, featuring twelve works across silk, mirrored surfaces, aluminum, and collage. The show includes suspended silk panels in front of mirrors, floral imagery, portraiture, abstract compositions, a moving image work combining archival footage and recorded audio, and a second book titled 'GUTS' published by Super Labo with an introduction by curator Essence Harden.

Life with ALS fuels the newest art exhibit in Covington

Photographer Rusty Costanza opened an exhibition of his black-and-white photographs at the Art House in Covington, documenting his life and perspective since being diagnosed with ALS (Lou Gehrig's Disease). The show was the featured exhibit of the annual Spring for Art celebration, with a special preview for friends, family, and patrons.

New Currents: Zhang Mingxuan’s Politics of Skin

Chinese artist Zhang Mingxuan, 27, debuted her first mature body of work in a 2023 solo exhibition at Hive Center for Contemporary Art in Shanghai, featuring paintings and prints of distorted human forms wrapped in torn nylon hosiery. Her process involves stretching, tearing, and pressing nylon-clad boards onto canvas to create uncanny impressions of compressed, fetal-like bodies. The works, created after she completed her MA in printmaking at the Royal College of Art in London, explore themes of violence, embodiment, and the limits of the body through a labor-intensive method blending painting and printmaking.

This Long Beach Art Gallery Survived a Drunk Driver. But The Next Threat Could Mean Its End.

A drunk driver crashed into Open Gallery in Long Beach on February 24, 2024, destroying the space and forcing a year of renovations, financial strain, and displacement. Owners Liz Garibaldi and Artos Saucedo, who founded the gallery in 2019 as a live-work space for screen printers, have since reopened their gift shop and resumed programming, including the current photography exhibition "Physical Memory" curated by Matthew “NORDY” Nordman. However, the building owner now wants to sell, threatening the gallery's survival.

In Paris, Emmanuel Grégoire Abolishes the Position of Deputy for Heritage

À Paris, Emmanuel Grégoire supprime le poste d'adjoint au patrimoine

The newly elected Mayor of Paris, Emmanuel Grégoire, has unveiled a leadership team consisting of 36 deputy mayors covering a vast array of specific portfolios, ranging from nightlife and overseas territories to animal welfare and free media. Notably absent from this extensive list is a dedicated deputy for heritage (patrimoine), a move that marks a significant shift in the city's administrative priorities.

Artists In Erbil Turn Canvas Around in Bold Exhibition with No Visible Art

Fourteen Kurdish artists staged a provocative "Non-Art Exhibition" at Media Gallery in Erbil to commemorate World Art Day. In a radical departure from traditional gallery formats, the participants displayed only the reverse sides of their canvases, completely concealing the painted surfaces from the audience. Organized by artist Ahmed Nabaz, the one-day event kept its conceptual twist a secret from the participating artists until the moment of the opening.

Friend of X. A Conversation with Raque Ford by Qingyuan Deng

Artist Raque Ford discusses her recent exhibitions, "The Barkeeper’s Friend" at Greene Naftali and "Cry Baby" at Kunstverein Gartenhaus, highlighting her unique approach to language and materiality. Ford utilizes industrial materials like reflective acrylic, Mylar, and thermal printers to transform pop lyrics, overheard speech, and diaristic fragments into physical installations. Her work explores the tension between public performance and private interiority, often using scale to manipulate the viewer's emotional response to text.

How Immersive Digital Exhibitions Reshape Art Viewing

The article examines how immersive digital exhibitions have transformed art viewing by the late 2020s, focusing on the Smithsonian Hirshhorn Museum's late-2025 survey "Big Things for Big Rooms" and the touring show "Picasso: Art in Motion" at the Museum of Art and Light. It notes that immersive exhibitions now encompass 360-degree projection mapping, AR overlays, and generative AI installations, and that they consistently outperform traditional exhibitions in attendance, especially among visitors under 35.

Face-to-Face: Nalini Sharma Talks MFA Boston’s “Divine Color” Exhibition and the Power of Indian Art

Nalini Sharma, an art patron and honorary member of the Museum of Fine Arts, Boston's Board of Advisors, discusses the museum's exhibition "Divine Color: Hindu Prints from Modern Bengal" in an exclusive video interview. The show, supported by Nalini and Raj Sharma, features nearly 40 vibrant lithographs and over 100 objects including prints, paintings, sculptures, and textiles, exploring Hindu devotional prints from 19th-century Calcutta (now Kolkata). It is the first U.S. exhibition devoted to these works, which were mass-produced using lithographic technology and deeply embedded in daily life across India and the diaspora.

Cecilia Beaven Explores Mythology and Folklore in "Inflorescence"

Mexican-born artist Cecilia Beaven presents "Inflorescence" at Zolla/Lieberman Gallery, an exhibition featuring large-scale paintings, lithographs, and ceramics. The show transforms the gallery into a lush environment populated by hybrid creatures and vibrant flora, drawing heavily from Aztec mythology and Meso-American creation stories. Key works like "Inflorescence I" and "Inflorescence II" depict human figures as the literal source of blooming botanical life, blending traditional folklore with contemporary aesthetics.

Louvre to raise ticket prices by 45% for most non-EU visitors

The Louvre museum in Paris will increase ticket prices by 45% for visitors from outside the European Union, effective January 14, 2026. The cost for non-EU visitors from countries such as the UK, US, and China will rise from €22 to €32, generating an estimated €17.5 million in additional annual revenue. The decision comes as the museum faces significant budget cuts, including a 7% reduction in public subsidies, and seeks funding for a €1.1 billion renovation project. Staff unions have criticized the move as undermining the museum's universal mission since its founding in 1793.

Fit for a king: the drapery bedchamber at Germany's ‘Versailles of Swabia’ presents conservators with a special challenge

Friedrich I of Baden-Württemberg upgraded his summer residence, Ludwigsburg Palace in Germany, after allying with Napoleon and becoming king. Four prized rooms, including the unusually complete drapery bedchamber, are set to reopen in 2026 after substantial restoration. The bedchamber features original turquoise silks, now faded blue-green, and over 6,000 tassels, presenting a major conservation challenge. Textile conservator Anu-Susanna Ventelä notes it is likely the only palace in Europe with such an intact drapery room. The project is part of a larger revamp of 35 rooms funded by the State of Baden-Württemberg, with conservators consulting historical inventories to restore furnishings to their original layout.

Mechanical engineer develops AI-generated digital masks to restore damaged paintings

Alex Kachkine, a mechanical engineer and PhD student at MIT, has developed AI-generated digital masks to restore damaged paintings. The system uses a removable, precision-printed polymer film with clear and painted areas, applied over the artwork like a custom graphic wrap. Kachkine tested the technique on a late-15th-century oil-on-panel painting attributed to the Master of the Prado Adoration of the Magi, using generative AI to reconstruct 5,612 areas of loss, including an obliterated infant Jesus. The masks are produced in hours and are physically separated from the paint surface by a conservation-grade varnish.

Mindy N. Besaw appointed new director for Eskenazi Museum of Art at IU Bloomington

Indiana University Bloomington has appointed Mindy N. Besaw as the next Wilma E. Kelley Director of the Sidney and Lois Eskenazi Museum of Art, effective August 15. Besaw, who brings over two decades of curatorial and museum leadership experience, currently serves as director of fellowships, research and university partnerships and curator of American art at Crystal Bridges Museum of American Art. She succeeds interim director Mariah Keller and will oversee all facets of the museum's strategy, operations, and engagement, including exhibitions, collections, teaching partnerships, and public programming.

‘The pain has become unbearable’: Tel Aviv Museum of Art workers stage daily protest outside the institution

Since early April, employees of the Tel Aviv Museum of Art have been staging a daily 30-minute protest outside the museum's two public entrances before opening hours. Initiated by senior curator of Israeli art Dalit Matatyahu, the protest brings together staff with diverse stances on the war, the hostage crisis, and the humanitarian situation in Gaza. The demonstration takes place at the intersection of the museum and Hostages Square, a site already central to hostage-family activism. Participants include chief curator Mira Lapidot and contemporary art curator Shahar Molcho, who describe the protest as a moral response to the unbearable transition from the charged square to museum work.

British Museum faces internal criticism over private Israel independence day event

The British Museum (BM) in London hosted a private event on 16 May marking the anniversary of the founding of Israel, organized by the Israeli embassy. Speakers included Israeli ambassador Tzipi Hotovely and UK minister Maria Eagle, with attendees such as comedian Jimmy Carr and politicians Kemi Badenoch and Nigel Farage. The event has sparked anger among museum staff and external critics, who argue it is insensitive given the ongoing conflict in Gaza, which has led to widespread famine and civilian deaths. Staff have organized a petition demanding the museum cease relations with Israeli cultural institutions, gathering 250 signatures.

Opening date announced for major Birmingham attraction

Birmingham Museum and Art Gallery will reopen its history galleries to the public on Friday, May 2, 2025, after a five-year closure that began during the pandemic. The 850-square-meter refurbished exhibition chronicles Birmingham's history from medieval times to the present day, featuring unique objects and installations. The phased reopening of the museum began in October 2024, and the history galleries were developed with support from The National Lottery Heritage Fund.

The Challenges of Opening Gleaming New Museums in a Fraught Art Landscape

The New York Times reports on the difficulties faced by new museums opening in the current art landscape, highlighting financial pressures, shifting audience expectations, and geopolitical tensions. The article examines several recently opened or planned institutions, including the Grand Palais in Paris, the Museum of Modern Art in Warsaw, and the National Museum of Qatar, detailing how each has navigated issues such as rising construction costs, sustainability concerns, and debates over cultural representation.

Provincia Cosmica. A Foggia per scoprire la fotografia sociologica di Maria Palmieri

Maria Palmieri (Foggia, 1986) is a photographer who uses her camera as a tool for observation, understanding, and social improvement. After studying law, she turned to visual arts, blending reportage with vernacular photography to uncover truth amid the 'noisy horror' of contemporary life. In an interview with Artribune, she discusses her sociological approach to photography, her return to her hometown of Foggia, and her ongoing documentation of the region's fragilities, including the largest migrant ghetto in Europe.