Pace Prints, the storied New York-based print publisher and gallery, has announced it will open its first West Coast location in Hollywood this autumn. The new facility will feature a fully equipped printmaking workshop alongside a gallery space, allowing Los Angeles-based artists to produce technically ambitious works—including etching, woodcut, and large-format printing—without traveling to New York.
Artist Ryan Preciado has launched a new exhibition titled "Diary of a Fly" at Frank Lloyd Wright’s historic Hollyhock House in Los Angeles. The show features a mix of high-gloss steel sculptures, woven tapestries, and furniture that Preciado calls "insecure sculptures"—objects that blur the line between functional craft and fine art. By placing these contemporary works within the UNESCO World Heritage Site, Preciado creates a dialogue between his own carpentry-based practice and Wright’s iconic Modernist architecture.
British-Montserratian sculptor Veronica Ryan discusses her extensive career and creative process in a new podcast interview, ahead of her major upcoming exhibition at the Whitechapel Gallery in 2026. Ryan explores how she utilizes diverse materials—ranging from bronze and marble to textiles and found objects—to investigate themes of personal memory, historical legacy, and the unconscious.
A massive pop-up art exhibition titled '99CENT' has taken over a former 99 Cents Only store at the intersection of Wilshire Boulevard and Fairfax Avenue in Los Angeles. The immersive installation repurposes the defunct retail space, utilizing original shelving, freezers, and checkout counters to display a wide array of West Coast art styles, graffiti, and sculptures. Highlights include shopping carts transformed into suspended installations and video art integrated into the store's infrastructure.
Los Angeles is hosting a series of high-profile gallery openings and experimental activations in the lead-up to Frieze Los Angeles 2026. Highlights include David Salle’s first solo exhibition in the city since 1997 at Sprüth Magers, a massive artist-run flea market organized by The Hole in a shuttered 99-cent store, and Rob Pruitt’s charitable flea market with James Fuentes. The week also features a performance by Ryan Trecartin and a solo show of decorative arts by Ingrid Donat at Carpenters Workshop Gallery.
The United States is experiencing significant cultural and political disputes as it approaches the 250th anniversary of the Declaration of Independence in July 2026. A recent flashpoint involved the Trump administration removing the rainbow Pride flag from the Stonewall Monument in New York, highlighting deep societal divisions over history and representation. Concurrently, various cultural initiatives are being planned to mark the semiquincentennial.
The Benton Museum of Art at Pomona College is presenting "Interference Patterns," the first survey exhibition of artist John Sparagana's work. The show, running from February 21 to June 28, 2026, features nearly 100 works that trace his unique collage practice, which involves meticulously manipulating magazine pages, comic books, and other mass media sources to reveal the vulnerability of images.
Lisson Gallery is promoting the participation of its roster of artists in the 61st Venice Biennale and other concurrent exhibitions in Venice. The gallery's announcement highlights major presentations by artists like Anish Kapoor, Otobong Nkanga, and Ding Yi at various venues throughout the city.
Francis Irv, a young New York gallery known for showcasing an eclectic mix of established and emerging artists from the US and Europe, has closed after just over three years in business. Founded by Shane Rossi and Sam Marion Wilken, who met as studio assistants, the gallery launched in 2022 under the name Kinder in a Chinatown mall beneath the Manhattan Bridge before relocating to a TriBeCa space. Its inaugural exhibition was a group show in Los Angeles co-curated by artist and writer Aria Dean, featuring artists such as Hannah Black, Jordan Wolfson, and Benjamin Echeverria. The gallery never formally announced a roster but showed artists including Sophie Gogl, Karla Kaplun, Megan Marrin, Win McCarthy, Ahgharad Williams, and German sculptor Reinhard Mucha. In December, it helped mount an experimental play by Georgica Pettus. The founders posted a farewell on their website, reflecting on their run.
Montclair State University Galleries will present “Carpe Diem: Select Alumni in the Visual Arts” from February 3 to May 3, 2026, at the George Segal Gallery. The cross-generational group exhibition features 12 accomplished alumni artists whose careers span from 1943 to 2024, including internationally recognized figures such as Bisa Butler, Pope.L, and Allen Ginsberg. Curated by Art and Design Professor Sally Morgan Lehman, the show highlights a range of media—photography, poetry, quilted portraits, mixed media, and video installations—and includes both established and emerging voices.
NEXTpittsburgh's monthly art roundup highlights a packed schedule of openings and events in Pittsburgh from late January through May. Key shows include the Pittsburgh Cultural Trust Downtown Gallery Crawl on Jan. 30, featuring artists like Ben Schonberger and Stamatina Gregory; "Stuck in Saṃsāra" (Feb. 6–March 22), a group exhibition of 10 Asian American & Pacific Island artists curated by Brent Nakamoto; and "Lewis Hine Pictures America" (Feb. 21–May 17) at the Frick Museum & Gardens, showcasing the documentary photographer's iconic images of American workers. Additional exhibitions span ceramics, hand-colored photographs, and community shows at venues such as Concept Art Gallery, Bottom Feeder Books, and the John A. Hermann Memorial Art Museum.
Singapore is solidifying its position as a central hub for Southeast Asian art, supported by government initiatives, established institutions like the National Gallery Singapore and Singapore Art Museum, and major events such as Art SG, the Singapore Biennale, and Singapore Art Week. While other regional hubs like Jakarta, Bangkok, and Manila are growing, Singapore uniquely fosters a pan-Southeast Asian focus, attracting collectors and artists from across the region. However, recent closures of smaller independent spaces like Sàn Art in Saigon and Your Mother Gallery in Singapore, along with the absorption of S.E.A. Focus into Art SG, have impacted the independent scene, though new venues such as Bangkok Kunst-halle and Vũ Dân Tân Museum offer fresh opportunities.
Art museums and institutions across West Texas and the Panhandle have announced their spring 2026 exhibition seasons. Highlights include the LHUCA Review (formerly the LHUCA Members' Show) and Laura Veles Drey's installation "Passerby: Americana" at the Louise Hopkins Underwood Center for the Arts in Lubbock; "A Texas Legacy: Gifts from the Bill and Mary Cheek Collection" and the San Angelo North American Ceramic Competition featuring Marc Leuthold at the San Angelo Museum of Fine Arts; and three exhibitions at the Stanlee and Gerald Rubin Center for the Visual Arts at UTEP in El Paso, including "The Edge is a Center" showcasing graphic design from the U.S.-Mexico borderlands, "Les Sembrantes" by artists from La Semilla Food Center's fellowship, and Cynthia Gutierrez-Krapp's solo show "Strangers In Our Own Land."
The Center for Curatorial Studies at Bard College (CCS Bard)’s Hessel Museum of Art will present "Betty Parsons: An Expanded World" from June 27 to October 18, 2026. It is the first major retrospective to examine Betty Parsons (1900-1982) as both a pioneering abstract artist and a trailblazing gallerist who launched the careers of Barnett Newman, Mark Rothko, and Jackson Pollock. Organized by curator Kelly Taxter with artist Amy Sillman, the exhibition features approximately 80 works spanning painting, sculpture, and works on paper, alongside a new film by G. Anthony Svatek and Kaija Siirala about the Betty Parsons Gallery.
This article provides a comprehensive guide to current and upcoming exhibitions at San Francisco museums in December 2025. Highlights include "Printing Color: Chiaroscuro to Screenprint" closing January 4, "Rave into the Future: Art in Motion" closing January 12 at the Asian Art Museum, and the upcoming San Francisco Art Week from January 17 to 25. The Legion of Honor features "Manet and Morisot" through March 1, offering a deep dive into the artistic dialogue between Édouard Manet and Berthe Morisot, alongside "Drawn to Venice" opening January 24. The de Young Museum presents "Boom and Bust: Photographing Northern California," while the Museum of the African Diaspora showcases "Unbound: Art, Blackness and the Universe" and "Continuum: MoAD Over Time." A tribute to Lawrence Ferlinghetti, including his exhibition at the Legion of Honor, is also featured.
Inman Gallery in Houston is relocating to a new 8,500-square-foot space at 1502 Alabama Street in the Midtown neighborhood, after 20 years at its North Main Street location. Owner Kerry Inman will celebrate the move with a group exhibition titled *The Long View*, opening December 6, featuring 37 artists including JooYoung Choi, Erika Blumenfeld, and Angela Fraleigh. The building, originally an auto-body shop and later the Station Museum of Contemporary Art, was renovated by Dillon Kyle Architects to include three exhibition galleries, with a design concept likened to a geode—rough exterior, jewel-like interior.
CULTURED magazine has published a guide to 13 must-see gallery and museum shows in Miami this week, highlighting exhibitions across the city during Art Basel Miami Beach. Featured shows include Studio Lenca's first solo show in Miami at David Castillo Gallery, Jeffrey Deitch's pop-up exhibition in the Miami Design District, Aneta Grzeszykowska's "DISORDER" at Voloshyn Gallery, a posthumous survey of Richard Hunt at the Institute of Contemporary Art Miami, Woody De Othello's hometown museum solo at Pérez Art Museum Miami, Shayla Marshall's installation at a Walgreens storefront organized by the Bass and Bakehouse Art Complex, and Lawrence Lek's "NOX Pavilion" at the Bass, among others.
The US State Department has officially confirmed that sculptor Alma Allen will represent the United States at the 2026 Venice Biennale, following earlier delays caused by a 43-day government shutdown. Allen's exhibition, titled "Alma Allen: Call the Breeze," will run from May 9 to November 22, 2026, at the US Pavilion, organized by commissioner Jenni Parido of the American Arts Conservancy and independent curator Jeffrey Uslip. The show will feature around 30 sculptures, including new site-specific works, and the state department announcement explicitly aligns the presentation with President Donald Trump's "America first" ideology, framing the artworks as symbols of collective optimism and American excellence.
Art Basel Hong Kong (ABHK) has announced a new section called Echoes, debuting at its 2026 edition (March 25–29), which will showcase works made within the last five years. The inaugural Echoes presentation will feature 10 booths by 13 galleries, including Flowers Gallery (Hong Kong/London) and a joint booth by Capsule Shanghai and Klemm’s (Berlin). The fair also revealed its full list of curators—all Asia-based for the first time—including Mami Kataoka (director of Mori Art Museum) heading the Encounters section, and Hong Kong video artist Ellen Pau curating the film programme. Additionally, the fifth annual M+ façade commission will be by Pakistani-American artist Shahzia Sikander, presenting a hand-painted animation titled "3 to 12 Nautical Miles." ABHK 2026 is expected to host 240 galleries from 41 countries and territories.
Art Basel has announced the gallery lineup and first highlights for its 2026 Hong Kong edition, which will feature 240 leading galleries from 41 countries and territories. Over half of the participating galleries operate in the Asia-Pacific region, including 29 with spaces in Hong Kong. A new sector called Echoes debuts, spotlighting recent works by up to three artists per presentation. The Encounters sector will be curated for the first time by a collective of four Asia-based curators led by Mami Kataoka. The fair also introduces a Film Program curated by media artist Ellen Pau and a Conversations Program directed by Venus Lau. For the fifth year, Art Basel and M+ will co-commission a monumental public artwork for the M+ Facade, this time by Shahzia Sikander. The fair runs March 27–29, 2026, with preview days on March 25 and 26 at the Hong Kong Convention and Exhibition Centre.
Sculptor Alma Allen has reportedly been selected to represent the United States at the 2026 Venice Biennale, replacing Robert Lazzarini, who was dropped after political interference and delays linked to the Trump administration's cuts to the National Endowment for the Arts. The selection process has been fraught, with the State Department directly choosing Lazzarini without NEA involvement, and his proposal—featuring distorted renderings of US national symbols—collapsed amid claims of political meddling. Allen, a Mexico-based artist formerly represented by Kasmin and now in talks with Perrotin, is less established than recent US pavilion artists like Jeffrey Gibson or Simone Leigh, but has a strong practice in stone, wood, and bronze sculpture.
Pace University Art Gallery presents 'Nuclear Injustice,' a group exhibition featuring works by Kathy Jetñil-Kijiner, Alan Nakagawa, Michael Wang, and Will Wilson. The show explores the lasting consequences of nuclear testing and bombings through photography, sound installation, video poetry, and sculpture, opening November 15, 2025, and running through January 31, 2026. Curated by Sarah Cunningham and Joel Wilson in collaboration with Emily Welty, the exhibition examines radioactive landscapes, Indigenous resistance, and global movements for a nuclear-free future.
The Phillips Collection in Washington, DC, is launching a new strategic plan and an upcoming exhibition titled "Out of Many: Reframing an American Art Collection," timed to the US's 250th anniversary. The museum's director reflects on founder Duncan Phillips's original vision of the museum as a space for civic dialogue and shared inquiry, arguing that this model is urgently needed amid current political pressures, loss of federal funding, and debates over historical narrative.
The Italian parliament reduced VAT on art sales from 22% to 5%, the lowest rate in Europe, a move announced by Prime Minister Giorgia Meloni's government. The tax cut was celebrated at the 30th anniversary dinner of the Fondazione Sandretto Re Rebaudengo in Turin, where politician Federico Mollicone noted it had been over 30 years in the making. The contemporary art fair Artissima, holding its 32nd edition in Turin, became the first Italian fair to test the new tax policy. Italian dealers reported positive effects, including easier deal closures and increased sales to both Italian and European collectors, with some galleries experiencing their best opening day ever.
A major exhibition of rarely seen works by the late Chinese-Canadian artist Matthew Wong will open at the Palazzo Tiepolo Passi in Venice from 9 May to 1 November 2025, coinciding with the 61st Venice Biennale. The show features 35 works dating from 2015 to 2019, curated by John Cheim of Cheim & Read gallery, and is organized by the Matthew Wong Foundation, founded by the artist's parents Monita Wong and Raymond KP Wong after his death by suicide in 2019. The exhibition catalogue includes a text by Nancy Spector, former chief curator of the Guggenheim Museum.
During Frieze London, multiple acquisition prizes and awards were announced, including the Tate Frieze Fund (supported by a private patron) which purchased works by Lubna Chowdhary and Barbara Walker for £150,000. The inaugural Nicoletta Fiorucci Foundation Prize was awarded to Alex Margo Arden, while the Arts Council Frieze Acquisitions Fund grew to £90,000, acquiring works by Sarah Ball, Olu Ogunnnaike, Vanessa Raw, and Liorah Tchiprout. Other acquisitions included works by Michael Landy and Shaquelle Whyte for the Walker Art Gallery, and the Camden Art Centre Emerging Artist Prize went to Bogdan Ablozhnyy. Offsite, the Circa 2025 prize was won by Adham Faramawy for a film addressing the migration crisis.
Bogdan Ablozhnyy has been awarded the 2025 Camden Art Centre Emerging Artist Award. The prize recognizes emerging visual artists and provides them with a solo exhibition at Camden Art Centre in London, along with a residency and production support. Ablozhnyy was selected from a competitive pool of nominees by a jury of curators and art professionals.
Alexander Morrison, a prominent figure in the art world, has passed away. The article, published by The Art Newspaper, reports on his death and likely includes tributes to his contributions, though the provided text is limited to subscription prompts and footer information, lacking full details on his life and career.
Dublin Gallery Weekend will take place from November 6th to November 9th, 2025, transforming the city into a "city-wide canvas" with over 40 galleries, cultural centres, and artist studios participating. Organized by the Contemporary Art Gallery Association (CAGA), the event features more than 60 free activities including gallery brunches, curated art trails, and late-night socials. Highlights include the National Gallery's Picasso: From the Studio exhibition, the Irish Museum of Modern Art's Reverse Migration, a Poetic Journey by Cecilia Vicuña, the Douglas Hyde Gallery's installation by Atsushi Kaga, and Kerlin Gallery's exhibition of Isabel Nolan's paintings.
The article highlights nine must-see art exhibitions in the Bay Area for October, despite recent gallery closures like KADIST and Gallery 16. Key shows include the Museum of the African Diaspora's twin exhibitions 'Continuum' and 'Unbound' for its 20th anniversary, Drew Villanueva's first solo exhibition at Good Mother Studio inside Ikea, Jim Melchert's retrospective at di Rosa Center for Contemporary Art, and Mills College Art Museum's '100 Years of Creative Visions'. The programming is anchored by the second edition of Nexus, a Bay Area art week spotlighting Black voices and bridging regional divides.