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Amy Sherald's canceled Smithsonian art show comes to Baltimore

Artist Amy Sherald has canceled her scheduled exhibition at the Smithsonian's National Portrait Gallery in Washington, D.C., due to censorship concerns over her painting "Trans Forming Liberty," which depicts the Statue of Liberty as a Black trans woman. The exhibition, titled "Amy Sherald: American Sublime," will instead travel to the Baltimore Museum of Art (BMA), where it will run from November 2, 2025, to April 5, 2026. Sherald will also receive one of the museum's "Artist Who Inspires" awards at its 2025 BMA Ball on November 22. The show is a mid-career survey of Sherald's work, previously shown at the San Francisco Museum of Modern Art and the Whitney Museum of American Art.

Sylvain Amic, ‘open spirited’ head of Musée d'Orsay, has died aged 58

Sylvain Amic, the director of the Musée d'Orsay in Paris, has died suddenly at age 58. His death was announced by French Culture Minister Rachida Dati, with President Emmanuel Macron expressing shock. Amic died of natural causes while on holiday in southern France. He had been appointed to lead the museum in 2024, fulfilling a long-held dream, but had not yet completed his main mission of rehanging the collection after renovations.

Hunterdon Art Museum presents Annual Members Show

The Hunterdon Art Museum in Clinton, New Jersey, will host its Annual Members Show from September 21, 2025, to January 11, 2026, featuring 35 artists working in ceramics, sculpture, glass, wood, fiber, printmaking, painting, photography, and collage. The exhibition was juried by Donna Gustafson, a freelance curator and critic with a PhD in Art History, who selected works from 84 artists and nearly 400 slides, noting themes of nature, identity, community, and politics. An opening reception is scheduled for September 21.

America’s Largest-Ever Exhibition on Raphael Will Open at the Met Next Year

The Metropolitan Museum of Art in New York will host "Raphael: Sublime Poetry," the largest-ever U.S. exhibition dedicated to the Renaissance master, opening March 29, 2026. Featuring over 200 works, the show includes loans from major institutions such as the Uffizi, Prado, Galleria Borghese, British Museum, Louvre, and National Gallery of Art. Curated by Carmen Bambach, who previously organized the Met's blockbuster 2017 Michelangelo exhibition, the show spans Raphael's three career periods—Urbino, Florence, and Rome—and highlights recent scientific discoveries and his portrayal of women. A centerpiece is the reunion of Raphael's preparatory sketches with his painting *The Alba Madonna*.

Want to be a museum influencer? London’s National Gallery launches open call for content creators

London's National Gallery has launched an open call for its next cohort of content creators as part of its 200 Creators programme. Following the success of the inaugural 2024 initiative—which generated 42 million views and 2.2 million engagements—the museum is now seeking 50 new social media influencers (applications due by 31 August). Selected creators will receive access to exhibition previews, workshops, out-of-hours gallery access, and four paid opportunities of £4,000 each. Applicants are suggested to have at least 50,000 followers on YouTube, 100,000 on Instagram, or 50,000 followers with a million likes on TikTok, though the museum encourages those with followings on other platforms to apply.

The Biggest-Ever Raphael Exhibition in the U.S. Is Opening at the Met

The Metropolitan Museum of Art in New York will host the largest-ever U.S. exhibition dedicated to Raphael, opening March 29, 2026. Titled "Raphael: Sublime Poetry," the show will bring together over 200 works from more than 30 international lenders, including the Louvre, Uffizi, Vatican Museums, and the Prado. Curated by Carmen Bambach, the exhibition spans Raphael's career from Urbino to Rome, featuring paintings, preparatory sketches, tapestries, and decorative objects, with highlights such as the Alba Madonna and works rarely loaned before.

Walker Art Center hosts the work of Jessi Reaves in her first major museum show

The Walker Art Center in Minneapolis has opened "Jessi Reaves: process invented the mirror," the New York-based artist's first major solo museum exhibition. Curated by Walker director Mary Ceruti, the show features a single body of new work that blends readymade furniture, found objects, and recycled materials, exploring the tension between functionality and absurdity. Ceruti, who previously worked with Reaves at the SculptureCenter in 2016, describes the work as playful yet rigorous, pushing viewers to reconsider how objects function in daily life.

Rediscovered David Wojnarowicz mural could disappear from view again

A large mural by David Wojnarowicz (1954-92), rediscovered in a Louisville, Kentucky building in 2022, is at risk of being concealed again behind drywall as the building is redeveloped into high-end residences. The site-specific work was created in 1985 for the group exhibition *The Missing Children Show: Six Artists from the East Village on Main Street*, organized by dealer Potter Coe to benefit the Kentucky Child Victims’ Trust Fund. The building's current developers plan to turn the mural's floor into a waiting room for a boxing gym, covering it with sheetrock, though they have guaranteed no damage. The artist's foundation and gallery, PPOW, have proposed covering it with transparent plexiglass instead, but the mural's removal is unlikely due to its size and brick surface.

The Metropolitan Museum of Art to Present Largest-Ever Exhibition of Works by American Artist John Wilson

The Metropolitan Museum of Art will present "Witnessing Humanity: The Art of John Wilson" this fall, the largest-ever exhibition of works by American artist John Wilson (1922–2015) and his first solo museum show in New York. Featuring over 100 artworks—including paintings, prints, drawings, sculpture, and archival material—the exhibition draws from The Met, the Museum of Fine Arts, Boston, and a dozen other lenders, with many works never before shown. Co-curated by Jennifer Farrell and Leslie King Hammond, the show spans Wilson's six-decade career, addressing themes of racial violence, labor, the Civil Rights Movement, and family life.

The Six Female Artists With Major Solo Shows This Fall

Six female artists—Karen Barbour, María Berrío, Ana Cláudia Almeida, Adebunmi Gbadebo, Sasha Gordon, and Olivia van Kuiken—are each opening major solo exhibitions in September. The article profiles their distinct practices, from Barbour's abstract dot-filled dreamscapes and Berrío's collaged visions to Gbadebo's sculptures using human hair and indigo dye. It includes first-person accounts from the artists about their creative processes, with exhibitions at venues such as Harkawik and Matthew Brown.

Australian Aboriginal artist Emily Kame Kngwarreye exhibition at Tate Modern

The Tate Modern in London is hosting a landmark retrospective of Australian Aboriginal artist Emily Kame Kngwarreye (c. 1914–1996), running from July 10 to January 11, 2026. The exhibition features 70 works spanning her career, from early batik designs to her final acrylic paintings, and is organized in collaboration with the National Gallery of Australia, the Utopia Art Centre, and Kngwarreye's descendants. It is the first major solo exhibition of her work in Europe, highlighting her deep connection to her ancestral country and culture.

‘Everyone's suffering right now’: New York and Los Angeles gallery Clearing will close

Clearing, the influential New York and Los Angeles gallery that launched the careers of many prominent artists, will close both locations. Founder Oliver Babin announced the closure on August 7, citing crushing overhead costs—rent, shipping, and art fair expenses—that outpaced declining revenue. The gallery opened in 2011 in Bushwick, later moved to the Bowery in Manhattan in 2023, and expanded to Brussels and Los Angeles. Babin described the decision as inevitable, noting that the gallery had been kept alive by hope but now faces no viable path forward. The closure follows a wave of US gallery shutdowns this summer, including Kasmin, Venus Over Manhattan, and Tim Blum’s spaces.

‘It was absolutely terrifying’: Thom Yorke on his long journey back to becoming a visual artist

Thom Yorke, the Radiohead frontman, reflects on his journey back to visual art in an exclusive interview with The Art Newspaper. Having left art school in the late 1980s, Yorke felt resistant to calling himself a visual artist, a discomfort compounded by his music career. He and his bandmate Stanley Donwood, whom he met at Exeter University, are now opening their first institutional exhibition, "This is What You Get," at the Ashmolean Museum in Oxford. The show spans 30 years of record covers, sketchbooks, and recent paintings, marking a significant return to Yorke's artistic roots.

Influencer, politician, museum director: what Eike Schmidt did next

Eike Schmidt, the German-born museum director who led Florence's Uffizi Galleries from 2015, has taken on a series of high-profile and controversial roles. After restructuring the Uffizi and nearly leaving for Vienna's Kunsthistorisches Museum in 2019, he stayed on, then moved to Naples' Museo di Capodimonte in 2024. Months later, he ran for mayor of Florence as a centre-right independent backed by far-right parties, losing in a run-off. Now settled at Capodimonte, he reflects on his unpredictable career with no regrets.

Lord of the Flies: How This Artist Enlists an Army of Tiny Collaborators

Los Angeles artist John Knuth uses flies as collaborators to create paintings, with over one million insects contributing to his current exhibition 'The Hot Garden' at Hollis Taggart Downtown in New York. Inspired by flyspecks he noticed on a windowsill in 2005, Knuth orders fly larvae by the thousands, letting them hatch on canvases where their regurgitation deposits pigment. The show features works priced between $700 and $20,000, and a custom enclosure at the gallery allowed visitors to see the flies working live during the opening. Knuth's fly paintings gained viral attention in 2013 after a video by the Los Angeles Museum of Contemporary Art received over 100,000 views, helping launch his career.

August 2025 Opportunities: Open Calls, Residencies, and Grants for Artists

The article compiles a list of open calls, residencies, and grants for artists with deadlines in August through October 2025. Opportunities include the Wave Hill Sunroom Project Space in New York City, Sculpture by the Sea in Cottesloe, Australia, the Hunt Museum Open Submission Exhibition in Ireland, New Voices 2026 at Print Center New York, and the Moons, Castles, Trees exhibition for The Wrong Biennale in Copenhagen. Grant opportunities include the Ellis-Beauregard Project Grants in Maine, the Seattle Art Museum Betty Bowen Award for Northwest artists, and the Hornsby Art Prize in Australia, among others.

Elizabeth Catlett: “A Black Revolutionary Artist and All That It Implies”

The Art Institute of Chicago announces a major retrospective of Elizabeth Catlett, titled “A Black Revolutionary Artist and All That It Implies,” on view from August 30, 2025, through January 4, 2026. The exhibition brings together over 100 works spanning Catlett’s career as a sculptor, printmaker, feminist, and social activist, highlighting her enduring influence and her commitment to addressing poverty, racism, and imperialism through art and activism.

‘I'm excited for the future because it's in great hands’: winners of Somerset House's Talent 25 on what the programme means to them

Somerset House in London has announced the first five winners of its Talent 25 programme, a scheme supporting artistic innovators within its creative community. The awardees—Shanti Bell, Tyreis Holder, enorê, Identity 2.0 (founded by Arda Awais & Savena Surana), and Piarvé Wetshi—each receive an £8,000 bursary and mentorship from artist-designer Yinka Ilori to develop new work. Their creations will be exhibited in September as part of the Step Inside 25 Weekend, celebrating 25 years of Somerset House's public opening.

Pablo Picasso: Private Creative Realms Revealed in Dublin Exhibition

The National Gallery of Ireland presents 'Picasso: From the Studio', an exhibition opening 11 October 2025 that explores Pablo Picasso's private creative spaces across his career. Featuring sixty works, including paintings, sculptures, and ceramics, the show reconstructs the artist's studios from Montmartre's Le Bateau-Lavoir to the Mougins farmhouse, using archival photographs as ghostly backdrops. Key pieces like 'Violin and Bottle on a Table' (1915) and 'Tête de femme' (1931-32) reveal how specific environments—a cramped Parisian garret, a sun-drenched villa in Avignon, a Normandy stable—shaped his stylistic reinventions from Analytic Cubism to postwar ceramics.

Exhibition at The Met Highlights Role of Photography in Cross-Dressing Community in 1960s New York

The Metropolitan Museum of Art's exhibition "Casa Susanna," on view from July 21, 2025 to January 25, 2026, brings together approximately 160 photographs and publications created by and for a community of cross-dressers who gathered in New York City and the Catskills Mountains during the 1960s. The works, discovered at a Manhattan flea market in 2004, document safe spaces provided by Susanna Valenti and Marie Tornell at two modest resorts, where guests used cameras—especially Polaroids—to affirm their femme identities and connect a nationwide community. The exhibition is organized by the Art Gallery of Ontario and Les Rencontres d’Arles in collaboration with The Met, and includes collections from the Art Gallery of Ontario, artist Cindy Sherman, and donor Betsy Wollheim.

‘Fearless exploration’: visionary Australian artist Janet Dawson gets her first retrospective aged 90

The Art Gallery of New South Wales (AGNSW) has opened 'Janet Dawson: Far Away, So Close,' the first-ever retrospective for Australian artist Janet Dawson, now aged 90. The exhibition spans over six decades of her career, from her teenage years at the National Gallery of Victoria Art School—where she was the only child student accepted by realist painter H. Septimus Power—through her abstract period in Europe, her defiant practice in conservative 1960s Melbourne, and her later retreat to rural NSW. The show includes major works, photos, and ephemera, arranged chronologically across four rooms, highlighting Dawson's evolution from tonal realism to abstraction and her 1973 Archibald Prize win for a portrait of her husband, theatre director Michael Boddy.

“She’s a Real 20th Century Figure”: Thelma Golden on the ICA’s Mavis Pusey Retrospective

The Institute of Contemporary Art Philadelphia, in collaboration with the Studio Museum in Harlem, has opened "Mavis Pusey: Mobile Images," a retrospective of the Jamaican-born abstract artist Mavis Pusey (1928–2019). The exhibition spans two floors of Pusey's paintings and archival materials, showcasing her geometric abstractions that translate urban construction and gentrification into fractured planes and rhythmic blocks of color. The show was sparked by Studio Museum director Thelma Golden's discovery of Pusey's work in an online auction catalog a decade ago, leading to a collaboration with curator Hallie Ringle.

NYU’s Grey Art Museum Presents ‘June Leaf: Shooting From the Heart’ Sept. 9–Dec. 13

NYU’s Grey Art Museum will present the exhibition ‘June Leaf: Shooting From the Heart’ from September 9 to December 13. The show focuses on the work of American artist June Leaf, known for her expressive drawings, paintings, and sculptures that explore the human figure and emotional states.

Blood, skeletons and syphilis: the story of Edvard Munch’s obsession with health

An exhibition at the Munch Museum in Oslo, titled "Lifeblood," explores Edvard Munch's lifelong obsession with health and medicine by juxtaposing his paintings, drawings, and prints with historical medical objects. The show opens with Munch's painting "On the Operating Table" (1902-3), inspired by a bullet removal surgery after a dispute with his fiancée Tulla Larsen, paired with an early x-ray of his injured hand. It features works like "The Sick Child" (1885-6) alongside tuberculosis-related artifacts such as stethoscopes, sputum bottles, and a jar of arsenic, drawing from Munch's personal experiences with illness and his family's medical background—his father and brother were doctors.

Brâncuși exhibition to open at H’ART Museum in Amsterdam this fall

An exhibition titled "Brâncuși - The Birth of Modern Sculpture" will open at the H’ART Museum in Amsterdam on September 20, 2025, running through January 18, 2026. Organized in collaboration with the Centre Pompidou, it is the first solo show of Constantin Brâncuși's work in the Dutch capital and the second in the Netherlands since 1970. The exhibition features over 30 sculptures, original pedestals, photographs, and films by the artist, with loans made possible by the Centre Pompidou's renovation and the institutions' partnership. The collection originates from Brâncuși's studio, bequeathed to the French state in 1957.

Joan Danziger Retrospective in Washington

The American University Museum at the Katzen Arts Center in Washington, D.C., will host the first career retrospective of artist Joan Danziger, titled "The Magical World of Joan Danziger," opening February 7, 2026. The exhibition spans six decades of her work, from abstract paintings to mixed-media sculptures, featuring over 100 pieces including 40 sculptures and 25 works on paper and canvas. A concurrent exhibition, "Ravens: Spirits of the Sky," showcases 24 large glass and metal raven sculptures, many never before exhibited. Danziger, who continues to work daily at age 91, traces her evolution from an abstract painter to a multimedia sculptor, with influences ranging from surrealists to Hieronymus Bosch.

UK mental health hospitals are about to get more art

More than 50 artists, including Lakwena Maciver, Veronica Ryan, Peter Liversidge, and Alberta Whittle, will create site-specific works for mental health hospitals across the UK as part of a new three-year initiative by the charity Hospital Rooms. The project, delivered in collaboration with NHS Trusts in Birmingham, Bristol, North East London, and South West Yorkshire, is backed by a £600,000 Arts Council England National Lottery grant and additional support from the Garfield Weston Foundation and the Hiscox Foundation. Hospital Rooms will also develop a National Framework for Equal Access to Arts in Mental Health Services, aiming to integrate trauma-informed, autism-friendly, and culturally competent arts programmes into mental healthcare settings.

Home of murdered Pakistani artist Ismail Gulgee becomes a museum

The home and studio of murdered Pakistani Modernist artist Ismail Gulgee has been transformed into a museum by his son, installation artist Amin Gulgee. Opened in February 2025 in central Karachi, the museum preserves the late artist's work, including his Expressionist calligraphic paintings and later abstract canvases, which had been locked away since Gulgee, his wife, and a maid were killed in 2007 by their driver and an accomplice. The building, designed by architect Nayyar Ali Dada, now houses a carefully curated collection that traces Gulgee's evolution from formal calligraphy to vibrant abstraction.

Uffizi director to ‘limit’ selfies after posing visitor damages 18th-century painting

The director of the Uffizi Galleries in Florence announced plans to restrict selfies after a tourist damaged an 18th-century portrait while posing for a photograph. The visitor was mimicking the pose of Ferdinando de' Medici in a 1712 painting by Anton Domenico Gabbiani when he stumbled backward, tore the canvas, and left a hole near the prince's boot. The painting has been removed for repair, and the tourist will be prosecuted. The incident follows a similar event at Palazzo Maffei in Verona, where a visitor damaged a crystal-studded sculpture by Nicola Bolla.

Special exhibit on artist Mary Cassatt opens at Honolulu Museum of Art

A special exhibition titled "Mary Cassatt at Work" has opened at the Honolulu Museum of Art (HoMA), running from June 21 through October 12. The show features 35 works, including 22 on loan from the Philadelphia Museum of Art, eight from HoMA's own collection, and five Japanese prints from the museum's holdings. Curator Alejandra Rojas Silva highlights Cassatt's deep connection to HoMA—founder Anna Rice Cooke owned a Cassatt print—and the artist's fascination with Japanese woodblocks, which influenced her printmaking. The exhibition traveled from the Legion of Honor in San Francisco, with artworks carefully shipped across the Pacific.