The Los Angeles County Museum of Art (LACMA) has booked American singer and rapper Doja Cat as the musical guest for its annual Art+Film Gala on November 1. The event will also honor visual artist Mary Corse, a key figure in the Light and Space movement, and filmmaker Ryan Coogler, known for 'Black Panther' and 'Sinner'. The gala is co-chaired by LACMA trustee Eva Chow and actor Leonardo DiCaprio.
French artist Invader, whose real name is Franck Slama, sued the parent company of Julien Auctions for copyright infringement, theft, and violations of the Visual Artists Rights Act. The lawsuit claims 15 of his original mosaic artworks were stolen from their installation sites worldwide—including Tokyo, Paris, and other French locations—damaged or distorted, and then offered in the auction house's "Street Art: Paint & Pavement" sale on September 25. Invader demanded the works be removed, and a U.S. District Court in California granted a restraining order halting the auction of those pieces. The auction house's co-founder Martin Nolan defended the sale, arguing that street art created in public spaces transfers ownership to those who lawfully acquire it.
Chinese artist Cai Guo-Qiang staged a fireworks performance titled 'The Rising Dragon' at the base of the Himalayas in Shigatse, Tibet, sponsored by outdoor apparel brand Arc'teryx. The event, which involved colored smoke emitted at 18,000 feet elevation, sparked widespread online criticism over environmental concerns. Chinese authorities launched an investigation, and both Arc'teryx and Cai issued public apologies.
The New Yorker has commissioned six contemporary photographers—Marilyn Minter, Awol Erizku, Ryan McGinley, Collier Schorr, Camila Falquez, and Alex Prager—to reimagine historical illustrated covers for the magazine’s centennial. Each photographer created a celebrity portrait inspired by a past cover, such as Erizku’s photo of Spike Lee as Eustace Tilley and Minter’s recreation of a 1925 cover featuring actress Sadie Sink. The project marks only the third time in the magazine’s history that photography has been used for its cover.
Nayland Blake, a conceptual artist known for blending cerebral ideas with visceral, queer sensibilities, is the subject of a major solo exhibition at Mathew Marks Gallery in New York, running through October 2025. Concurrently, a new book titled *My Studio Is a Dungeon Is the Studio: Writings and Interviews 1983–2024* is set for release next month, compiling decades of the artist's writings and interviews. The article explores Blake's unique approach to art, which combines psychoanalytic theory, queer aesthetics, and a critical stance toward institutional power, as seen in their analysis of figures like Judge Daniel Paul Schreber and artist Jack Smith.
George Lucas made his long-awaited debut at Comic-Con's Hall H to present a sneak peek of the Lucas Museum of Narrative Art, set to open in Los Angeles next year. The panel, moderated by Queen Latifah, included filmmaker Guillermo del Toro and production designer Doug Chiang, and revealed details about the 300,000-square-foot building designed by Ma Yansong of MAD, with 33 galleries, two theaters, and 11 acres of green space. Lucas discussed his personal collection of over 40,000 works, emphasizing narrative art's role in shaping community and shared beliefs, and highlighted pieces by Norman Rockwell, Kadir Nelson, Beatrix Potter, and Frida Kahlo.
Phillips auction house announced a new fee structure for fall 2025 called "priority bidding," which offers lower buyer's premium rates to bidders who place written bids at least 48 hours before a live sale. The move aims to encourage early engagement and generate more spirited bidding, while also providing certainty for sellers. The house is simultaneously raising its standard buyer's premium to as high as 29 percent on works up to $1 million, making it the highest among major auction houses. CEO Martin Wilson, who took over in January, hopes the program will mitigate risk and shore up sales of mid-priced works.
American artist Alan Sonfist, a pioneer of the Land Art movement known for his 1978 work "Time Landscape" in New York City, has opened a solo exhibition titled "Seeds of Time" at Parco Arte Vivente (PAV) in Turin, Italy. Curated by Marco Scotini, the show features a new installation, "Growth Between the Cracks" (2025), for which Sonfist collaborated with local residents to collect soil samples from overlooked urban spaces across Turin. The exhibition revisits Sonfist's early ecological works and includes a conversation between the artist and curator about the evolution of environmental art.
The Eames House, designed by Charles and Ray Eames in the late 1940s in Los Angeles's Pacific Palisades, has reopened after a six-month closure due to smoke damage from the January 2025 wildfires. The property was saved from destruction partly because hundreds of surrounding trees were removed in 2024. The restoration has expanded visitor access, opening the studio for the first time, which will host exhibitions on the house's evolution and contemporary design influences. The first exhibition may focus on community rebuilding after the fires.
The article examines Hieronymus Bosch's masterpiece "The Garden of Earthly Delights" (c. 1490–1510), explaining that while modern viewers often call it surreal, the term is an anachronism; the painting reflects a medieval worldview where damnation and divine order were accepted realities. It describes the triptych's structure, its likely commission by Engelbert II, Count of Nassau, and its narrative flow from grisaille exterior to vivid interior panels depicting Eden and hell. The piece also notes how 20th-century Surrealists like André Breton and Salvador Dalí claimed Bosch as a precursor, with Dalí directly borrowing motifs from the painting.
Kenny Schachter critiques the art market's doomsaying media narrative, coining the acronym Salsa (Scribes Always Love Sensational Apocalypse) to describe clickbait-driven hype. He contrasts current market anxieties with past downturns, notably the 1991-1996 recession when the market evaporated, citing a 1991 Roberta Smith article. Schachter observes that the Nahmads and Mugrabis, once feuding families, now invest together, and he recounts his experience at Phillips during his "Hoarder 6" exhibition, where young collectors showed genuine interest. He argues that the market, though wounded, remains healthy and calls for a less transactional, more patient approach to selling art.
Taipei Dangdai Art and Ideas, the annual art fair in Taiwan's capital, will not hold its 2026 edition as organizers pause to conduct a strategic evaluation of the fair's model, timing, scale, and format. The decision follows a prolonged contraction in the art market and comes days after the Art Dealers Association of America canceled its long-running Art Show in New York. The fair, which first launched in 2019 and held its sixth edition in May, had seen its exhibitor numbers decline from over 90 to around 50 this year. Co-director Robin Peckham left after the 2025 edition, and the fair's parent organization, the Art Assembly, has removed material about previous editions from its website, with its Instagram account apparently disabled.
Racquel Chevremont, a curator and collector who recently appeared on the Real Housewives of New York, was brought in by the producers of the Sex and the City reboot And Just Like That… to build the art collection for the character Lisa Todd Wexley. Chevremont selected works by Black artists including Carrie Mae Weems, Deborah Roberts, Barkley Hendricks, Gordon Parks, Mickalene Thomas, Derrick Adams, and Alma Thomas to adorn the Wexley family home, carefully choosing each piece to reflect the character's identity as a successful Black documentarian and mother. In an interview with ARTnews, Chevremont explains how she researched the character's background to curate a collection that feels authentic, and describes the process of licensing images for reproduction on set rather than borrowing original works.
Nadya Tolokonnikova, cofounder of Pussy Riot, has created a performance installation titled "Police State" (2025) at the Museum of Contemporary Art in Los Angeles (LA MOCA). The work recreates a Russian jail cell where Tolokonnikova performs daily activities—making music, creating art, and resting—observed by visitors via security camera footage and peepholes. The installation also features artworks by current and former political prisoners from Russia, Belarus, and the United States, curated through Tolokonnikova's Art Action Foundation and the Artistic Freedom Initiative. Originally scheduled for June 5–14, the show was extended due to the museum's closure amid anti-ICE protests and National Guard deployment.
A London-based dentist, Dr. Rory Mac Sweeney, has published a new analysis of Leonardo da Vinci's "Vitruvian Man" (c. 1490) in the Journal of Mathematics and Arts. Using his professional training, Sweeney identifies an equilateral triangle hidden between the figure's legs, which he links to "Bonwill's triangle," a 19th-century dental principle describing optimal jaw function. He argues that Leonardo intuitively encoded geometric relationships—including a tetrahedral ratio of approximately 1.64—that anticipate modern understanding of biological architecture.
Pablo Picasso's former ceramics studio, the Madoura Pottery workshop in Vallauris, France, is set to reopen to the public in 2027 after a €7 million ($8.2 million) renovation. The studio, opened in 1938 by ceramicist Suzanne Ramié and her husband Georges, was a creative hub for Picasso, Matisse, and Marc Chagall before closing in 1997. Mayor Kevin Luciano has led the project, which includes structural repairs, asbestos removal, a new 3,000-square-foot extension for a museum entrance, and a 20,000-square-foot public garden. The first construction phase is complete, with the second starting this fall.
A 10.38-carat fancy purple-pink diamond known as the Marie-Thérèse diamond, linked to Marie Antoinette's only surviving child, sold for $14 million at Christie's New York on June 17, far exceeding its $3–5 million estimate. The jewel, reworked by Joel Arthur Rosenthal into a ring with a fleur-de-lis motif, was originally part of a tiara and passed through generations of European royalty before being sold at Sotheby's Geneva in 1996. The auction also featured the Blue Belle, a sapphire necklace estimated at $8–12 million.
Casa Batlló, Antoni Gaudí’s iconic Barcelona landmark, has completed a €3.5 million ($4 million) restoration of its long-neglected back façade and courtyard. The project involved stratigraphic paint analysis to uncover original colors—revealing that the now-cream stucco was once deep gray and the windows originally green—along with restoration of trencadís mosaics, ironwork, wooden elements, and an 85,000-piece Nolla mosaic. The courtyard’s custom planters and parabola-shaped pergola were also rebuilt, returning the rear of the house to Gaudí’s original vision for the first time in over a century.
A rare collection of seven unique Picasso ceramics, hand-painted between 1947 and 1964 at the Madoura Pottery Workshop in Vallauris, France, will be auctioned at Piguet in Geneva on Thursday. The pieces, including plates and platters featuring animals and motifs from Picasso's oeuvre, have been in private hands for nearly 40 years after being gifted from the Picasso estate to a friend in the 1980s. Estimates range from 20,000 to 50,000 Swiss francs, with a pigeon platter expected to fetch the highest price. Two additional works on paper by Picasso from the same owner are also included in the sale.
An exhibition titled "Past as Prologue: The Last Decade of Furniture Design by Ray and Charles Eames" opens June 7 at the Transamerica Pyramid Center during San Francisco Design Week. Curated by Llisa Demetrios, the couple's granddaughter and chief curator of the Eames Institute of Infinite Curiosity, the show highlights the Eameses' often-overlooked final decade of collaboration (1968–1978). It features iconic designs like the side chair, executive chair, chess stool, and chaise, alongside rarely seen models and materials that reveal their iterative design process.
Collectors and philanthropists Igor and Mojca Lah are opening a new contemporary art museum called Muzej Lah in Bled, Slovenia, set to debut next year. Designed by David Chipperfield Architects, the 55,000-square-foot museum will be built into a hillside beneath Bled Castle and will house the Fundacija Lah art collection of around 800 works, including pieces by Joseph Beuys, Anselm Kiefer, William Kentridge, Anne Imhof, and Theaster Gates, many never before publicly displayed.
An Alexander Calder mobile, *Big Horizontal Red* (1956), estimated at $5–7 million, is set for auction at Christie’s on May 12. The work’s provenance traces through Perls Galleries, the Texas Institute for Rehabilitation and Research, and a private New York collection, but a source reveals that its 1997 purchaser, Patricia Halterman, was the granddaughter of Magda Goebbels, wife of Nazi propaganda minister Joseph Goebbels. Christie’s declined to comment on the consignors but stated it conducted careful evaluation and diligence.
Artnet News spotlights Italian artist Armando Marrocco (b. 1939), whose early career was shaped by Lucio Fontana. After moving to Milan in 1962, Marrocco developed his "Intrecci" series—vibrant monochromatic enamel-on-cardboard works that layer and weave humble materials into substantial objects. The exhibition "Marrocco Twist" at Robilant and Voena in Paris showcases these earliest works, on view through July 22.
Mari-Claudia Jiménez, a prominent figure in the international art market and former chairman and president of the Americas at Sotheby's, has joined global law firm Withers to launch Withers Art and Advisory, a hybrid legal-art advisory practice based in New York. The new venture will provide collectors, estates, and institutions with integrated market advice and legal counsel on acquiring and holding art, combining real-time market insight with transactional legal expertise. Jiménez, a barred attorney, has overseen landmark deals including the restitution and sale of five Kazimir Malevich paintings, the $106.5 million sale of Picasso's *Nude, Green Leaves and Bust*, and the record-breaking $922 million Macklowe collection auction.
Christie's 21st-century evening sale in New York on Wednesday night totaled $96.5 million, surpassing last year's $80.3 million, though the auction was characterized by caution, few fireworks, and a reduced number of lots. The headline event was Marlene Dumas's painting *Miss January* (1997) selling for $13.6 million with premium, setting a new auction record for a living female artist. The work, estimated at $12–18 million, was guaranteed and sold to a client bidding through Christie's deputy chairman Sara Friedlander; Miami collectors Don and Mera Rubell were the consignors. Other notable results included new records for Simone Leigh, Emma McIntyre, and Louis Fratino, while the top lot was Jean-Michel Basquiat's *Baby Boom* (1982) at $23.4 million. Four of 43 lots were withdrawn, and several works failed to sell, including an Ellsworth Kelly canvas with a $2 million low estimate.
Rago/Wright's Postwar and Contemporary Art sale in New York will take place on May 21, 2025, featuring over 200 lots of 20th- and 21st-century works including painting, drawing, photography, and sculpture. Highlights include Nick Cave's *Soundsuit* (2010), Deborah Butterfield's *Red* (1992), Cindy Sherman's *Untitled #416* (2004), Tom Wesselmann's *From Nude Painting Print* (1988/1989), and Bernard Buffet's *Bouquet jaune fond orange* (1966), with estimates ranging from $70,000 to $150,000. Previews will be held in New York and Lambertville, New Jersey from May 13 to May 21.
Laure Prouvost's exhibition "We Felt a Star Dying" at Kraftwerk Berlin, commissioned by LAS Art Foundation and co-commissioned by OGR Torino, uses quantum computing to create an ever-changing installation featuring a cascading fabric, a film altered by quantum variations, and a breathing soundscape. The work, which includes a film fed into a quantum computer to introduce indeterminate edits, explores superposition and entanglement, challenging viewers to experience art that resists fixed interpretation.
Sara MacKillop's exhibition "The Cutaway View" at Good Weather in Chicago presents sculptures made from humble analog materials like blank wall calendars, empty shopping bags, and gift wrapping. The London-based artist alters these objects with minimal interventions—such as surgically cut holes in shopping bags to accommodate vinyl records—drawing attention to the ephemera and texture of retail culture. Her series "Calendar Houses" (2021–ongoing) uses archive boxes and wall calendars to create miniature modernist dwellings that critique systems of order and self-optimization.
Yoko Ono will install seven digital billboards across Los Angeles bearing peace messages like "THINK PEACE" and "IMAGINE PEACE," as part of her upcoming exhibition "Yoko Ono: Music of the Mind" at the Broad museum opening May 23. The billboards echo her 1969 "WAR IS OVER!" campaign with John Lennon. Ancillary programming includes re-creations of her performance works "Cut Piece" (1964) and "Sky Piece to Jesus Christ" (1965), plus a concert series "Yoko Only" guest-curated by Yuka Honda featuring Yo La Tengo, Nels Cline, Sleater-Kinney, and others.
L.A. Metro opened the first phase of its D Line extension on Friday, May 1, 2026, adding three new underground stations connecting downtown Los Angeles to Beverly Hills: Wilshire/La Brea, Wilshire/Fairfax, and Wilshire/La Cienega. The stations feature nine site-specific public artworks by artists including Mariana Castillo Deball, Eamon Ore-Giron, Ken Gonzales-Day, Todd Gray, Karl Haendel, Soo Kim, Fran Siegel, Susan Silton, and Mark Dean Veca. The competitive selection process began a decade ago, drawing over 1,200 applicants, with finalists judged by a panel of art professionals including curators from Miracle Mile museums. Metro deputy executive officer Zipporah Yamamoto leads the agency's public art program, which is funded by a 0.5% construction budget set-aside.