The Whitney Biennial has announced the 56 artists selected for its 82nd edition, opening March 8, 2026. Curated by Marcela Guerrero and Drew Sawyer, the exhibition explores themes of relationality, kinship, infrastructure, and the US role in global affairs. The curators visited over 300 studios worldwide, and the list includes many emerging and lesser-known artists, with most participants under 45 and a significant number identifying as queer.
Maria Balshaw, director of Tate in London, will step down in spring 2026 after nearly a decade leading the institution. During her tenure, she oversaw major exhibitions including "Van Gogh and Britain," "Yoko Ono," and "Sargent and Fashion," and her final project will be a Tracey Emin survey at Tate Modern. Separately, the Smithsonian Institution's National Museum of Asian Art announced it will return three Khmer Empire sculptures—Head of Harihara, The Goddess Uma, and Prajnaparamita—to Cambodia, citing evidence they were looted during the country's civil conflict. The US Senate also unanimously approved the HEAR Act of 2025 to help heirs reclaim art looted during the Holocaust.
David Zwirner gallery in New York hosted a four-day benefit exhibition titled “Toward the Light: Artists for the Ali Forney Center,” which raised $950,000 for the Ali Forney Center, a nonprofit supporting queer youth with housing, education, job training, and medical care. Curated by art adviser Stephen Truax, the show featured 37 artists, including Ross Bleckner, Marlene Dumas, Jenna Gribbon, Julie Mehretu, and Wolfgang Tillmans, and generated $1.2 million in sales, with artists receiving $250,000 and the gallery waiving its commission. Truax, who previously co-organized smaller editions with Sotheby’s, shifted to a gallery partnership to gain more control over sales and pricing, more than doubling his initial $350,000 fundraising goal.
The article reflects on the responsibility of critical art writing in the Southeast, sparked by the announcement that Art Papers, an international art magazine based in Atlanta, will sunset in 2026 after 50 years. The author recounts a debate among local art workers about reviewing the forthcoming Minnie Evans retrospective organized by the High Museum of Art and traveling to the Whitney Museum, which he initially declined due to a conflict of interest with curator Katherine Jentleson. He ultimately agrees to write, emphasizing the need for Black scholars to engage with self-taught Black artists. The piece examines how Evans's narrative has been mediated through the lens of white photographer and art historian Nina Howell Starr, questioning the power dynamics and what remains unknown about Evans's own agency.
Maria Balshaw, director of London’s Tate, has announced she will step down in spring 2026 after nearly a decade leading the museum network. She joined in 2017, succeeding Nicholas Serota, and previously directed the Manchester Art Gallery and the Whitworth Art Gallery. During her tenure, she oversaw major exhibitions including “The EY Exhibition: Van Gogh and Britain” (2019), a Yoko Ono retrospective, and “Sargent and Fashion.” Her final project will be co-curating the largest-ever survey of Tracey Emin at Tate Modern, running from February 27 to August 31, 2026.
A new documentary titled "Pretty Dirty: The Life and Times of Marilyn Minter" premiered at the DOC NYC film festival at IFC Center, chronicling the artist's four-decade career and personal struggles. Directed by Jennifer Ash Rudick and Amanda Benchley, the film follows Minter's journey from a dysfunctional upbringing in the South—with an emotionally abusive mother and her own battles with addiction—to her eventual rise as a major figure in contemporary art. It highlights her gritty, provocative enamel-on-metal paintings, her commercial work for Tom Ford and Zara, and her cultural impact through projects like Madonna's 2009 tour and the TV show Gossip Girl. The documentary features interviews with celebrities such as Lizzo, Jane Fonda, and Miley Cyrus, as well as art-world peers like Laurie Simmons and Jeff Koons.
A Swedish court acquitted six climate activists from the group Återställ Våtmarker (Restore Wetlands) who smeared red paint on the protective glass of Claude Monet's painting *The Artist’s Garden at Giverny* (1900) at the National Museum of Sweden in June 2023. The painting, on loan from the Musée d'Orsay in Paris, was unharmed; the court ruled the activists had no intent to damage the work, noting they used water-soluble paint and targeted a glass-covered piece, though some paint reached the frame.
Artist Danny Cole, known for previous public stunts like covering the Hollywood sign's O with a giant cow, has launched 'Everybody's Album,' a project aiming to hack the Billboard 200 chart. The plan involves recruiting 100,000 people to each record one second of audio, paying them with a Shopify gift card that can only be used to pre-order the album, thereby exploiting chart metrics. With help from influencer Anthony Po, who has millions of followers, they have already secured 80,000 participants.
At Design Miami 2025, artist Nicole Cherubini presented monumental ceramic sculptures at Friedman Benda's booth, alongside Molly Hatch's installation of 288 ceramic plates at Todd Merrill's booth. The fair, curated under the theme "Make.Believe" by Glenn Adamson, saw 15 previous exhibitors drop out due to President Trump's tariffs—including a 50 percent tariff on steel and aluminum—while eight more booths appeared overall, dominated by younger, emerging talent and organic, pastel-hued designs. Established galleries like Donzello, Patrick Seguin, and Sarah Myerscough did not return, while first-time exhibitors included Arte y Ritual and Mass Modern Design.
Claes Oldenburg's 1969 sculpture *Lipstick (Ascending) on Caterpillar Tracks* was vandalized in October when the letters "ATB" were etched into its metal base. Yale University is relocating the 24-foot-tall work from the Morse College courtyard to the Yale University Art Gallery for conservation and care, following the discovery of the defacement. The sculpture, a beloved campus landmark originally installed in Beinecke Plaza, has a history of being removed and restored due to weather damage and graffiti.
The article recounts the author's personal rediscovery of Art Nouveau, sparked by encountering an iron doorknob shaped like a Belgian endive at the Bröhan Museum in Berlin. It explores the movement's history, its German variant Jugendstil, and the philosophical debate between Walter Benjamin and Theodor Adorno over its merits—Benjamin criticizing it as a superficial escape from industrial reality, Adorno defending its utopian desire to reconcile art, nature, and technology. The piece also notes a contemporary resurgence of interest in the style.
Christie’s London will auction the third and final part of Sam Josefowitz’s Rembrandt print collection on December 3, featuring 101 etchings by the Dutch master. The sale, titled “The Sam Josefowitz Collection: Graphic Masterpieces by Rembrandt van Rijn – Part III,” follows two previous installments that together brought £13.5 million. A highlight is the rare portrait *Arnout Tholinx, Inspector* (circa 1656), estimated at up to £2.5 million, described as the last impression in private hands. The collection was amassed by Josefowitz, a Lithuanian-born entrepreneur who built a mail-order business before his death in 2015.
The article recounts the author's experience at the 2025 Performa biennial in New York, beginning on November 4 with the death of Dick Cheney and the election of Zohran Mamdani as mayor. The author attended Diane Severin Nguyen's performance "War Songs," which restaged historical protest concerts from the Vietnam War era, blending anti-war anthems with pop music. The piece also highlights missing performances by Lina Lapelytė and Ayoung Kim, and expresses anticipation for Aria Dean's play "The Color Scheme."
Sotheby's Hong Kong achieved a white-glove sale of 125 works from Japan's Okada Museum of Art, totaling $88 million and setting auction records for Japanese artists Kitagawa Utamaro and Hokusai. The sale was driven by museum founder Kazuo Okada's need to settle a $50 million legal dispute with casino magnate Steve Wynn. Meanwhile, Canada's minority Liberal government passed a budget that includes a commitment to introduce artist resale rights, granting artists royalties when their work is resold through auction houses or galleries, a policy long advocated by arts nonprofits and cultural leaders.
Michael H. Smith, an artist, dealer, and curator who played a pivotal role in developing Southern California's art scene in the 1970s and '80s, died on October 31 in Santa Barbara at age 80. Smith opened his eponymous gallery in Los Angeles in 1971, later became a partner at the Jack Glenn Gallery, and served as director of the Baxter Art Gallery at Caltech from 1977 to 1982, where he staged exhibitions for artists including Hans Haacke, Richard Tuttle, and Berenice Abbott. He also founded a consultancy for artists, taught at UC Irvine, and worked as a conceptual photographer whose works were exhibited by dealer Craig Krull.
The Mississippi Museum of Art (MMA) has acquired the Frank Lloyd Wright–designed property Fountainhead in Jackson, Mississippi, following approval from the Jackson Planning and Zoning Board and City Council. Originally designed in 1948 and completed in 1954 for oil speculator J. Willis Hughes, the 3,558-square-foot Usonian home was later restored by architect Robert Parker Adams and has been on the National Register of Historic Places since 1980. The museum plans to open the home for public tours, with bus transportation from its main campus, and to establish community partnerships.
Dorothy Vogel, who with her husband Herbert built one of the most celebrated art collections of the 20th century while working as a librarian and a postal clerk, died on November 10 at age 90. The couple amassed thousands of Minimalist and conceptual works by artists such as Donald Judd, Roy Lichtenstein, and Sol LeWitt, housing them in their rent-controlled Manhattan apartment. They never sold any artwork and ultimately donated their entire collection to the National Gallery of Art in Washington, D.C.
Tinworks Art, the Montana-based nonprofit that revived Agnes Denes's "Wheatfield" land art in Bozeman last year, has acquired the historic Rialto theater in downtown Bozeman. The organization will inaugurate the venue with screenings of Matthew Barney's 2018 film "Redoubt," running from January 31 through February 1, with two showings daily Thursdays through Sundays. The Rialto, built in 1908 as a post office and converted to a theater in 1924, was donated to Tinworks and joins its two-acre complex of former warehouses and agricultural buildings that have hosted exhibitions by artists including Stephen Shore, Lucy Raven, and Theaster Gates.
Christie's 21st-century evening sale on Wednesday, November 2025, achieved a hammer total of $99.7 million on 44 lots, within the pre-sale estimate of $87.5–$127 million. With fees, the final total reached $123.6 million. The sale opened with 18 lots from the collection of Chicago philanthropists Stefan Edlis and Gael Neeson, featuring works by Cindy Sherman, Andy Warhol, Tom Wesselmann, and Diego Giacometti. A Giacometti coffee table sparked a seven-minute bidding war, selling for $4.53 million. Three artist records were set: Firelei Báez ($1.1 million), Olga de Amaral ($3.1 million), and Joan Brown ($596,500). Only one work, by Cecily Brown, failed to sell.
Christie’s 21st-century evening sale on Wednesday set new auction records for women artists Firelei Báez, Joan Brown, and Olga de Amaral. Báez’s painting *Untitled (Colonization in America, Visual History Wall Map, Prepared by Civic Education Service)* (2021) sold for $1,111,250; Brown’s *After the Alcatraz Swim #2* achieved $596,900; and Amaral’s *Pueblo H* (2011) soared to $3,125,000—more than double her previous record. The sale also set records for a neon/sculptural work by Glenn Ligon and a three-dimensional work by Richard Prince.
Anonymous Was a Woman, a grant-making organization supporting woman-identifying artists, has announced 15 recipients of its $50,000 grants for 2025. The winners include Candida Alvarez, Park McArthur, Lola Flash, Kunié Sugiura, and Sonya Kelliher-Combs, among others. Founder Susan Unterberg, who initially remained anonymous, revealed herself in 2018 and named the organization after a Virginia Woolf quotation. The grants are primarily for artists over 40, and the organization has recently expanded to fund environmentally minded projects.
In a podcast interview with Louis Theroux, Marina Abramović revealed that curator Klaus Biesenbach was initially skeptical of her landmark 2010 performance "The Artist Is Present" at MoMA. Biesenbach, then chief curator at large at the Museum of Modern Art, had invited Abramović for the institution's first performance art retrospective, proposing the title "The Artist Is Present." When Abramović suggested sitting silently in the museum's atrium every day for three months, Biesenbach reportedly called the idea "ridiculous," predicting no one would participate. Despite his doubts, the performance drew some 1,500 visitors, with one person sitting for an entire day, and became a defining moment in 21st-century art.
Sotheby's held a day sale on Wednesday featuring 30 works from the collection of cosmetics heir Leonard Lauder, generating $3.84 million against an estimate of $2.22 million to $3.29 million. The sale followed a strong Tuesday auction led by a Gustav Klimt portrait from Lauder's collection that achieved the second-highest price ever for an artwork at auction. Standout results included works by Dorothea Rockburne, Elizabeth Murray, and Lyonel Feininger that far exceeded their estimates, while a Claes Oldenburg sculpture sold for $444,500, the top price of the day.
A new exhibition titled “Rodin’s Egypt” opens November 19 at NYU’s Institute for the Study of the Ancient World (ISAW), exploring how ancient Egyptian art influenced Auguste Rodin’s sculptures. Guest curated by Bénédicte Garnier of the Musée Rodin in Paris, the show features 65 objects, including Rodin’s rarely seen assemblages that combine his plaster casts with Egyptian antiquities from his personal collection of over 1,000 Egyptian items. This marks the first US exhibition of Rodin’s Egyptian holdings.
A federal bankruptcy judge has approved a new settlement for Purdue Pharma, the pharmaceutical company behind OxyContin, resolving thousands of lawsuits related to its role in the opioid crisis. The deal, which replaces a 2021 settlement rejected by the Supreme Court, requires the Sackler family to contribute up to $7 billion and relinquish ownership of Purdue, while allowing individuals to sue family members directly.
Christie's, Sotheby's, and Phillips are holding their marquee fall 2025 sales in New York next week, with an unusually high volume of inventory. Christie's alone will offer 80 works on Monday night, and across the week 27 lots carry estimates above $10 million—a stark contrast to the tepid May sales. The season is top-heavy, with the $2 million–$5 million range considered the trickiest. Notable consignments include the estate of Leonard Lauder and the collection of Stefan Edlis and Gael Neeson, while many discretionary sellers remain absent. Day sales feature works with significant price drops, such as a Steve Parrino painting last sold for nearly $1 million now estimated at $300,000–$500,000, and an Avery Singer work that sold for $3 million in 2022 now estimated at $600,000–$800,000. Several pandemic-era speculative purchases are also returning to market at steep discounts.
The Museum of Modern Art (MoMA) has opened a major retrospective of Afro-Cuban Surrealist painter Wifredo Lam, featuring over 200 works. The exhibition highlights Lam's masterpiece *Grande Composition* (1949), a 14-foot-wide painting recently acquired by MoMA after years of negotiation with a Paris collector. Curated by MoMA's new director Christophe Cherix and Beverly Adams, the show reexamines Lam's career, emphasizing his Afro-Cuban heritage and his use of hybrid figures like the femme-cheval, which reference Lucumí spiritual traditions.
W. David Marx's book "Blank Space: A Cultural History of the Twenty-First Century" argues that 21st-century culture has stagnated, blaming the Internet and its economies for a lack of innovation. The book cites critics like Jason Farago and Alex Ross who lament the death of monoculture and the failure of the Internet's promised diversity, while Marx himself longs for a past era of linear artistic progress defined by -isms like Realism and Cubism. However, the review criticizes Marx's framework as rooted in a 19th-century positivist fallacy, noting that art history has never been a clean linear progression and that overlooked artists—such as Hilma af Klint and Hector Hyppolite—have always complicated the canon.
Ed Ruscha has collaborated with Los Angeles-based boutique chocolatier andSons to create a limited-edition chocolate bar. The bar is molded to resemble California's Central Valley topography and contains Peruvian dark chocolate, sea salt from Tomales Bay, and blood orange olive oil from Sonoma County. Packaged in an orange box with a reproduction of Ruscha's 1971 lithograph *Made in California*, only 300 bars will be produced, priced at $295 each, available starting early December 2025.
Artist George Condo has left Hauser & Wirth and will now be jointly represented by Sprüth Magers and Skarstedt, marking a return to galleries with which he had long-standing relationships. Condo first showed with Monika Sprüth in 1984 and was represented by Skarstedt from 2004 to 2019 before joining Hauser & Wirth in late 2019. Separately, a new BBC documentary titled *Turner: The Secret Sketchbooks* explores whether J. M. W. Turner's creative genius was shaped by childhood trauma and neurodivergence, featuring commentary from artists, actors, and a psychotherapist. The article also reports that Dana Awartani will represent Saudi Arabia at the 2026 Venice Biennale, and that the Trump administration has tightened H-1B visa rules, making it harder for arts institutions to hire foreign specialists.